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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EC808 it is the complementary color #A137F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EC808. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EC808 shade: #63C803, #74DA16, #85EC29, #96FE3C and #A7FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EC808. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EC808 shade: #5EC808, #4DB600, #3CA400, #2B9200 and #1A8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EC808 shade: #5EC808, #92C808, #C6C808, #C89708 and #C86308

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EC808 shade: #5EC808, #2AC808, #08C819, #08C84D and #08C881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EC808 shade matches the following richer shades: #5EC808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EC808 shade: #5EC808, #60B719, #62A62A, #63953B and #65854C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EC808 shade: #C5C808, #92C808, #5EC808, #2BC808 and #08C818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EC808 shade: #397905, #4BA106, #5EC808, #71F00A and #87F62D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EC808 shade: #5EC808, #08C898 and #C808AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EC808 shade: #5EC808, #085EC8 and #C8085E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EC808 shade: #5EC808, #08C898, #7208C8 and #C80838

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EC808 shade: #5EC808, #08BFC8, #7208C8 and #C81108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

Complementary color

CMYK 35 / 78 / 0 / 3

HEX #A137F7

RGB 161 55 247

HSL 273.13, 0.92%, 0.59%

LAB 48.29, 73.78, -76.54

 

CMYK 51 / 0 / 99 / 22

HEX #63C803

RGB 99 200 3

HSL 90.76, 0.97%, 0.4%

LAB 72.21, -56.39, 71.16

 

CMYK 47 / 0 / 90 / 15

HEX #74DA16

RGB 116 218 22

HSL 91.22, 0.82%, 0.47%

LAB 78.41, -57.6, 74.21

 

CMYK 44 / 0 / 83 / 7

HEX #85EC29

RGB 133 236 41

HSL 91.69, 0.84%, 0.54%

LAB 84.55, -58.52, 76.01

 

CMYK 41 / 0 / 76 / 0

HEX #96FE3C

RGB 150 254 60

HSL 92.16, 0.99%, 0.62%

LAB 90.64, -59.19, 76.81

 

CMYK 35 / 0 / 69 / 0

HEX #A7FF4F

RGB 167 255 79

HSL 90, 1%, 0.65%

LAB 91.82, -52.92, 72.02

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 58 / 0 / 100 / 29

HEX #4DB600

RGB 77 182 0

HSL 94.62, 1%, 0.36%

LAB 65.77, -56.13, 66.09

 

CMYK 63 / 0 / 100 / 36

HEX #3CA400

RGB 60 164 0

HSL 98.05, 1%, 0.32%

LAB 59.44, -54.16, 60.87

 

CMYK 71 / 0 / 100 / 43

HEX #2B9200

RGB 43 146 0

HSL 102.33, 1%, 0.29%

LAB 53.03, -51.86, 55.59

 

CMYK 80 / 0 / 100 / 50

HEX #1A8000

RGB 26 128 0

HSL 107.81, 1%, 0.25%

LAB 46.52, -49.05, 50.26

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 27 / 0 / 96 / 22

HEX #92C808

RGB 146 200 8

HSL 76.88, 0.92%, 0.41%

LAB 74.47, -40.13, 73.38

 

CMYK 1 / 0 / 96 / 22

HEX #C6C808

RGB 198 200 8

HSL 60.63, 0.92%, 0.41%

LAB 78.07, -18.73, 77.71

 

CMYK 0 / 25 / 96 / 22

HEX #C89708

RGB 200 151 8

HSL 44.69, 0.92%, 0.41%

LAB 65.3, 7.7, 68.39

 

CMYK 0 / 51 / 96 / 22

HEX #C86308

RGB 200 99 8

HSL 28.44, 0.92%, 0.41%

LAB 53.19, 35.74, 60.03

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 79 / 0 / 96 / 22

HEX #2AC808

RGB 42 200 8

HSL 109.38, 0.92%, 0.41%

LAB 70.75, -68.53, 68.83

 

CMYK 96 / 0 / 88 / 22

HEX #08C819

RGB 8 200 25

HSL 125.31, 0.92%, 0.41%

LAB 70.48, -70.81, 65.99

 

CMYK 96 / 0 / 62 / 22

HEX #08C84D

RGB 8 200 77

HSL 141.56, 0.92%, 0.41%

LAB 70.8, -66.7, 48.84

 

CMYK 96 / 0 / 36 / 22

HEX #08C881

RGB 8 200 129

HSL 157.81, 0.92%, 0.41%

LAB 71.52, -58.09, 24.08

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 48 / 0 / 86 / 28

HEX #60B719

RGB 96 183 25

HSL 93.04, 0.76%, 0.41%

LAB 66.84, -50.4, 63.5

 

CMYK 41 / 0 / 75 / 35

HEX #62A62A

RGB 98 166 42

HSL 92.9, 0.6%, 0.41%

LAB 61.69, -42.03, 53.89

 

CMYK 34 / 0 / 60 / 42

HEX #63953B

RGB 99 149 59

HSL 93.33, 0.43%, 0.41%

LAB 56.55, -32.76, 41.39

 

CMYK 24 / 0 / 43 / 48

HEX #65854C

RGB 101 133 76

HSL 93.68, 0.27%, 0.41%

LAB 51.91, -22.16, 27.1

 

CMYK 1 / 0 / 96 / 22

HEX #C5C808

RGB 197 200 8

HSL 60.94, 0.92%, 0.41%

LAB 77.99, -19.15, 77.62

 

CMYK 27 / 0 / 96 / 22

HEX #92C808

RGB 146 200 8

HSL 76.88, 0.92%, 0.41%

LAB 74.47, -40.13, 73.38

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 79 / 0 / 96 / 22

HEX #2BC808

RGB 43 200 8

HSL 109.06, 0.92%, 0.41%

LAB 70.76, -68.4, 68.85

 

CMYK 96 / 0 / 88 / 22

HEX #08C818

RGB 8 200 24

HSL 125, 0.92%, 0.41%

LAB 70.47, -70.85, 66.18

 

CMYK 53 / 0 / 96 / 53

HEX #397905

RGB 57 121 5

HSL 93.1, 0.92%, 0.25%

LAB 45.02, -38.96, 48.34

 

CMYK 53 / 0 / 96 / 37

HEX #4BA106

RGB 75 161 6

HSL 93.29, 0.93%, 0.33%

LAB 58.97, -48.94, 59.82

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 53 / 0 / 96 / 6

HEX #71F00A

RGB 113 240 10

HSL 93.13, 0.92%, 0.49%

LAB 84.92, -66.58, 80.87

 

CMYK 45 / 0 / 82 / 4

HEX #87F62D

RGB 135 246 45

HSL 93.13, 0.92%, 0.57%

LAB 87.61, -61.5, 77.82

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 96 / 0 / 24 / 22

HEX #08C898

RGB 8 200 152

HSL 165, 0.92%, 0.41%

LAB 71.98, -52.9, 12.46

 

CMYK 0 / 96 / 15 / 22

HEX #C808AB

RGB 200 8 171

HSL 309.06, 0.92%, 0.41%

LAB 46.17, 77.16, -35.88

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 96 / 53 / 0 / 22

HEX #085EC8

RGB 8 94 200

HSL 213.13, 0.92%, 0.41%

LAB 41.57, 19.17, -61.2

 

CMYK 0 / 96 / 53 / 22

HEX #C8085E

RGB 200 8 94

HSL 333.13, 0.92%, 0.41%

LAB 43.15, 69.29, 6.68

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 96 / 0 / 24 / 22

HEX #08C898

RGB 8 200 152

HSL 165, 0.92%, 0.41%

LAB 71.98, -52.9, 12.46

 

CMYK 43 / 96 / 0 / 22

HEX #7208C8

RGB 114 8 200

HSL 273.13, 0.92%, 0.41%

LAB 33.82, 69.45, -73.63

 

CMYK 0 / 96 / 72 / 22

HEX #C80838

RGB 200 8 56

HSL 345, 0.92%, 0.41%

LAB 42.37, 67.15, 29.48

 

CMYK 53 / 0 / 96 / 22

HEX #5EC808

RGB 94 200 8

HSL 93.13, 0.92%, 0.41%

LAB 72.03, -57.75, 70.41

 

CMYK 96 / 5 / 0 / 22

HEX #08BFC8

RGB 8 191 200

HSL 182.81, 0.92%, 0.41%

LAB 70.51, -35.69, -15.82

 

CMYK 43 / 96 / 0 / 22

HEX #7208C8

RGB 114 8 200

HSL 273.13, 0.92%, 0.41%

LAB 33.82, 69.45, -73.63

 

CMYK 0 / 92 / 96 / 22

HEX #C81108

RGB 200 17 8

HSL 2.81, 0.92%, 0.41%

LAB 42.3, 65, 53.53

 

Description

Color code: HEX #5EC808 | qconv.com Color code: HEX #5EC808 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 200 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 200 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 96 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 96% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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