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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBC06 it is the complementary color #A143F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBC06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBC06 shade: #63BC01, #74CE14, #85E027, #96F23A and #A7FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBC06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBC06 shade: #5EBC06, #4DAA00, #3C9800, #2B8600 and #1A7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBC06 shade: #5DBB05, #8FBB05, #BBB705, #BB8605 and #BB5505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBC06 shade: #5DBB05, #2CBB05, #05BB0F, #05BB41 and #05BB72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBC06 shade matches the following richer shades: #5DBB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBC06 shade: #5DBB05, #5EAC15, #5E9C25, #5F8C34 and #5F7D44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBC06 shade: #BBB505, #91BB05, #60BB05, #30BB05 and #05BB0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBC06 shade: #356B03, #499304, #5DBB05, #71E407 and #86F71C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBC06 shade: #5EBC06, #05BB85 and #BB05A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBC06 shade: #5EBC06, #0560BB and #BB0560

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBC06 shade: #5EBC06, #05BB85, #6005BB and #BB053C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBC06 shade: #5EBC06, #05BBBB, #6005BB and #BB0505

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 97 / 26

HEX #5EBC06

RGB 94 188 6

HSL 90.99, 0.94%, 0.38%

LAB 68.28, -53.39, 67.62

 

Complementary color

CMYK 35 / 73 / 0 / 2

HEX #A143F9

RGB 161 67 249

HSL 270.99, 0.94%, 0.62%

LAB 50.01, 69.71, -74.85

 

CMYK 47 / 0 / 99 / 26

HEX #63BC01

RGB 99 188 1

HSL 88.56, 0.99%, 0.37%

LAB 68.48, -51.94, 68.44

 

CMYK 44 / 0 / 90 / 19

HEX #74CE14

RGB 116 206 20

HSL 89.03, 0.82%, 0.44%

LAB 74.77, -53.08, 71.49

 

CMYK 41 / 0 / 83 / 12

HEX #85E027

RGB 133 224 39

HSL 89.51, 0.75%, 0.52%

LAB 80.99, -53.96, 73.32

 

CMYK 38 / 0 / 76 / 5

HEX #96F23A

RGB 150 242 58

HSL 90, 0.88%, 0.59%

LAB 87.14, -54.6, 74.09

 

CMYK 35 / 0 / 70 / 0

HEX #A7FF4D

RGB 167 255 77

HSL 89.66, 1%, 0.65%

LAB 91.81, -53.05, 72.72

 

CMYK 50 / 0 / 97 / 26

HEX #5EBC06

RGB 94 188 6

HSL 90.99, 0.94%, 0.38%

LAB 68.28, -53.39, 67.62

 

CMYK 55 / 0 / 100 / 33

HEX #4DAA00

RGB 77 170 0

HSL 92.82, 1%, 0.33%

LAB 61.94, -51.83, 63.06

 

CMYK 61 / 0 / 100 / 40

HEX #3C9800

RGB 60 152 0

HSL 96.32, 1%, 0.3%

LAB 55.5, -49.97, 57.74

 

CMYK 68 / 0 / 100 / 47

HEX #2B8600

RGB 43 134 0

HSL 100.75, 1%, 0.26%

LAB 48.96, -47.8, 52.36

 

CMYK 78 / 0 / 100 / 55

HEX #1A7400

RGB 26 116 0

HSL 106.55, 1%, 0.23%

LAB 42.32, -45.14, 46.91

 

CMYK 50 / 0 / 97 / 27

HEX #5DBB05

RGB 93 187 5

HSL 90.99, 0.95%, 0.38%

LAB 67.93, -53.33, 67.44

 

CMYK 24 / 0 / 97 / 27

HEX #8FBB05

RGB 143 187 5

HSL 74.51, 0.95%, 0.38%

LAB 70.45, -35.53, 70.49

 

CMYK 0 / 2 / 97 / 27

HEX #BBB705

RGB 187 183 5

HSL 58.68, 0.95%, 0.38%

LAB 72.52, -15, 73.48

 

CMYK 0 / 28 / 97 / 27

HEX #BB8605

RGB 187 134 5

HSL 42.53, 0.95%, 0.38%

LAB 59.55, 11.14, 64.08

 

CMYK 0 / 55 / 97 / 27

HEX #BB5505

RGB 187 85 5

HSL 26.37, 0.95%, 0.38%

LAB 48.35, 37.64, 56.59

 

CMYK 50 / 0 / 97 / 27

HEX #5DBB05

RGB 93 187 5

HSL 90.99, 0.95%, 0.38%

LAB 67.93, -53.33, 67.44

 

CMYK 76 / 0 / 97 / 27

HEX #2CBB05

RGB 44 187 5

HSL 107.14, 0.95%, 0.38%

LAB 66.59, -64.46, 65.79

 

CMYK 97 / 0 / 92 / 27

HEX #05BB0F

RGB 5 187 15

HSL 123.3, 0.95%, 0.38%

LAB 66.22, -67.69, 64.07

 

CMYK 97 / 0 / 65 / 27

HEX #05BB41

RGB 5 187 65

HSL 139.78, 0.95%, 0.38%

LAB 66.49, -64.28, 49.21

 

CMYK 97 / 0 / 39 / 27

HEX #05BB72

RGB 5 187 114

HSL 155.93, 0.95%, 0.38%

LAB 67.12, -56.62, 26.09

 

CMYK 50 / 0 / 97 / 27

HEX #5DBB05

RGB 93 187 5

HSL 90.99, 0.95%, 0.38%

LAB 67.93, -53.33, 67.44

 

CMYK 50 / 0 / 97 / 27

HEX #5DBB05

RGB 93 187 5

HSL 90.99, 0.95%, 0.38%

LAB 67.93, -53.33, 67.44

 

CMYK 45 / 0 / 88 / 33

HEX #5EAC15

RGB 94 172 21

HSL 90.99, 0.78%, 0.38%

LAB 63.29, -46.86, 61.26

 

CMYK 40 / 0 / 76 / 39

HEX #5E9C25

RGB 94 156 37

HSL 91.26, 0.62%, 0.38%

LAB 58.31, -39.49, 52.28

 

CMYK 32 / 0 / 63 / 45

HEX #5F8C34

RGB 95 140 52

HSL 90.68, 0.46%, 0.38%

LAB 53.42, -30.75, 41.09

 

CMYK 24 / 0 / 46 / 51

HEX #5F7D44

RGB 95 125 68

HSL 91.58, 0.3%, 0.38%

LAB 48.91, -21.52, 27.58

 

CMYK 0 / 3 / 97 / 27

HEX #BBB505

RGB 187 181 5

HSL 58.02, 0.95%, 0.38%

LAB 71.98, -13.98, 73.07

 

CMYK 22 / 0 / 97 / 27

HEX #91BB05

RGB 145 187 5

HSL 73.85, 0.95%, 0.38%

LAB 70.57, -34.73, 70.65

 

CMYK 49 / 0 / 97 / 27

HEX #60BB05

RGB 96 187 5

HSL 90, 0.95%, 0.38%

LAB 68.05, -52.42, 67.58

 

CMYK 74 / 0 / 97 / 27

HEX #30BB05

RGB 48 187 5

HSL 105.82, 0.95%, 0.38%

LAB 66.66, -63.84, 65.88

 

CMYK 97 / 0 / 94 / 27

HEX #05BB0B

RGB 5 187 11

HSL 121.98, 0.95%, 0.38%

LAB 66.21, -67.79, 64.62

 

CMYK 50 / 0 / 97 / 58

HEX #356B03

RGB 53 107 3

HSL 91.15, 0.95%, 0.22%

LAB 40.05, -34.6, 44.68

 

CMYK 50 / 0 / 97 / 42

HEX #499304

RGB 73 147 4

HSL 91.05, 0.95%, 0.3%

LAB 54.34, -44.22, 56.36

 

CMYK 50 / 0 / 97 / 27

HEX #5DBB05

RGB 93 187 5

HSL 90.99, 0.95%, 0.38%

LAB 67.93, -53.33, 67.44

 

CMYK 50 / 0 / 97 / 11

HEX #71E407

RGB 113 228 7

HSL 91.22, 0.94%, 0.46%

LAB 81.3, -62.41, 78.22

 

CMYK 46 / 0 / 89 / 3

HEX #86F71C

RGB 134 247 28

HSL 90.96, 0.93%, 0.54%

LAB 87.81, -62.73, 81.39

 

CMYK 50 / 0 / 97 / 26

HEX #5EBC06

RGB 94 188 6

HSL 90.99, 0.94%, 0.38%

LAB 68.28, -53.39, 67.62

 

CMYK 97 / 0 / 29 / 27

HEX #05BB85

RGB 5 187 133

HSL 162.2, 0.95%, 0.38%

LAB 67.48, -52.51, 16.41

 

CMYK 0 / 97 / 10 / 27

HEX #BB05A9

RGB 187 5 169

HSL 305.93, 0.95%, 0.38%

LAB 43.56, 74.8, -38.96

 

CMYK 50 / 0 / 97 / 26

HEX #5EBC06

RGB 94 188 6

HSL 90.99, 0.94%, 0.38%

LAB 68.28, -53.39, 67.62

 

CMYK 97 / 49 / 0 / 27

HEX #0560BB

RGB 5 96 187

HSL 210, 0.95%, 0.38%

LAB 41.19, 12.5, -54.27

 

CMYK 0 / 97 / 49 / 27

HEX #BB0560

RGB 187 5 96

HSL 330, 0.95%, 0.38%

LAB 40.44, 66.76, 1.17

 

CMYK 50 / 0 / 97 / 26

HEX #5EBC06

RGB 94 188 6

HSL 90.99, 0.94%, 0.38%

LAB 68.28, -53.39, 67.62

 

CMYK 97 / 0 / 29 / 27

HEX #05BB85

RGB 5 187 133

HSL 162.2, 0.95%, 0.38%

LAB 67.48, -52.51, 16.41

 

CMYK 49 / 97 / 0 / 27

HEX #6005BB

RGB 96 5 187

HSL 270, 0.95%, 0.38%

LAB 29.87, 65.38, -72.57

 

CMYK 0 / 97 / 68 / 27

HEX #BB053C

RGB 187 5 60

HSL 341.87, 0.95%, 0.38%

LAB 39.58, 64.44, 22.93

 

CMYK 50 / 0 / 97 / 26

HEX #5EBC06

RGB 94 188 6

HSL 90.99, 0.94%, 0.38%

LAB 68.28, -53.39, 67.62

 

CMYK 97 / 0 / 0 / 27

HEX #05BBBB

RGB 5 187 187

HSL 180, 0.95%, 0.38%

LAB 68.87, -37.93, -11.16

 

CMYK 49 / 97 / 0 / 27

HEX #6005BB

RGB 96 5 187

HSL 270, 0.95%, 0.38%

LAB 29.87, 65.38, -72.57

 

CMYK 0 / 97 / 97 / 27

HEX #BB0505

RGB 187 5 5

HSL 0, 0.95%, 0.38%

LAB 39.04, 62.96, 51.39

 

Description

Color code: HEX #5EBC06 | qconv.com Color code: HEX #5EBC06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 188 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 188 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 97 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 97% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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