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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAF2B it is the complementary color #A150D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAF2B shade: #63AF26, #74C139, #85D34C, #96E55F and #A7F772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAF2B shade: #5EAF2B, #4D9D18, #3C8B05, #2B7900 and #1A6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAF2B shade: #5EB02A, #82B02A, #A6B02A, #B0962A and #B0722A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAF2B shade: #5EB02A, #3AB02A, #2AB03F, #2AB063 and #2AB087

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAF2B shade matches the following richer shades: #5EB02A, #5AC219 and #56D407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAF2B shade: #5EB02A, #629E3C, #668D4E, #6A7B5F and #6E6971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAF2B shade: #A7B02A, #83B02A, #60B02A, #3CB02A and #2AB03C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAF2B shade: #3A6E1A, #4C8F22, #5EB02A, #70CE36 and #88D657

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAF2B shade: #5EAF2B, #2AB095 and #B02A95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAF2B shade: #5EAF2B, #2A60B0 and #B02A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAF2B shade: #5EAF2B, #2AB095, #7B2AB0 and #B02A45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAF2B shade: #5EAF2B, #2AA3B0, #7B2AB0 and #B0382A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 75 / 31

HEX #5EAF2B

RGB 94 175 43

HSL 96.82, 0.61%, 0.43%

LAB 64.33, -46.99, 56.08

 

Complementary color

CMYK 24 / 62 / 0 / 17

HEX #A150D4

RGB 161 80 212

HSL 276.82, 0.61%, 0.57%

LAB 49.58, 55.68, -54.66

 

CMYK 43 / 0 / 78 / 31

HEX #63AF26

RGB 99 175 38

HSL 93.28, 0.64%, 0.42%

LAB 64.53, -45.66, 57.99

 

CMYK 40 / 0 / 70 / 24

HEX #74C139

RGB 116 193 57

HSL 93.97, 0.54%, 0.49%

LAB 70.97, -46.16, 58

 

CMYK 37 / 0 / 64 / 17

HEX #85D34C

RGB 133 211 76

HSL 94.67, 0.61%, 0.56%

LAB 77.34, -46.44, 57.44

 

CMYK 34 / 0 / 59 / 10

HEX #96E55F

RGB 150 229 95

HSL 95.37, 0.72%, 0.64%

LAB 83.63, -46.59, 56.57

 

CMYK 32 / 0 / 54 / 3

HEX #A7F772

RGB 167 247 114

HSL 96.09, 0.89%, 0.71%

LAB 89.84, -46.64, 55.56

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2B

RGB 94 175 43

HSL 96.82, 0.61%, 0.43%

LAB 64.33, -46.99, 56.08

 

CMYK 51 / 0 / 85 / 38

HEX #4D9D18

RGB 77 157 24

HSL 96.09, 0.73%, 0.35%

LAB 57.81, -46.24, 55.49

 

CMYK 57 / 0 / 96 / 45

HEX #3C8B05

RGB 60 139 5

HSL 95.37, 0.93%, 0.28%

LAB 51.19, -45.06, 53.44

 

CMYK 64 / 0 / 100 / 53

HEX #2B7900

RGB 43 121 0

HSL 98.68, 1%, 0.24%

LAB 44.5, -43.19, 48.82

 

CMYK 75 / 0 / 100 / 60

HEX #1A6700

RGB 26 103 0

HSL 104.85, 1%, 0.2%

LAB 37.7, -40.72, 43.23

 

CMYK 47 / 0 / 76 / 31

HEX #5EB02A

RGB 94 176 42

HSL 96.72, 0.61%, 0.43%

LAB 64.64, -47.45, 56.72

 

CMYK 26 / 0 / 76 / 31

HEX #82B02A

RGB 130 176 42

HSL 80.6, 0.61%, 0.43%

LAB 66.49, -34.57, 59.14

 

CMYK 6 / 0 / 76 / 31

HEX #A6B02A

RGB 166 176 42

HSL 64.48, 0.61%, 0.43%

LAB 68.99, -19.69, 62.37

 

CMYK 0 / 15 / 76 / 31

HEX #B0962A

RGB 176 150 42

HSL 48.36, 0.61%, 0.43%

LAB 62.68, -1.67, 56.81

 

CMYK 0 / 35 / 76 / 31

HEX #B0722A

RGB 176 114 42

HSL 32.24, 0.61%, 0.43%

LAB 53.42, 18.29, 47.86

 

CMYK 47 / 0 / 76 / 31

HEX #5EB02A

RGB 94 176 42

HSL 96.72, 0.61%, 0.43%

LAB 64.64, -47.45, 56.72

 

CMYK 67 / 0 / 76 / 31

HEX #3AB02A

RGB 58 176 42

HSL 112.84, 0.61%, 0.43%

LAB 63.44, -56.95, 55.14

 

CMYK 76 / 0 / 64 / 31

HEX #2AB03F

RGB 42 176 63

HSL 129.4, 0.61%, 0.43%

LAB 63.26, -57.86, 46.59

 

CMYK 76 / 0 / 44 / 31

HEX #2AB063

RGB 42 176 99

HSL 145.52, 0.61%, 0.43%

LAB 63.71, -52.59, 29.57

 

CMYK 76 / 0 / 23 / 31

HEX #2AB087

RGB 42 176 135

HSL 161.64, 0.61%, 0.43%

LAB 64.4, -44.97, 11.06

 

CMYK 47 / 0 / 76 / 31

HEX #5EB02A

RGB 94 176 42

HSL 96.72, 0.61%, 0.43%

LAB 64.64, -47.45, 56.72

 

CMYK 54 / 0 / 87 / 24

HEX #5AC219

RGB 90 194 25

HSL 96.92, 0.77%, 0.43%

LAB 70.05, -56.29, 66.2

 

CMYK 59 / 0 / 97 / 17

HEX #56D407

RGB 86 212 7

HSL 96.88, 0.94%, 0.43%

LAB 75.5, -64.03, 73.2

 

CMYK 47 / 0 / 76 / 31

HEX #5EB02A

RGB 94 176 42

HSL 96.72, 0.61%, 0.43%

LAB 64.64, -47.45, 56.72

 

CMYK 38 / 0 / 62 / 38

HEX #629E3C

RGB 98 158 60

HSL 96.73, 0.45%, 0.43%

LAB 59.32, -37.11, 44.03

 

CMYK 28 / 0 / 45 / 45

HEX #668D4E

RGB 102 141 78

HSL 97.14, 0.29%, 0.43%

LAB 54.47, -25.53, 29.29

 

CMYK 14 / 0 / 23 / 52

HEX #6A7B5F

RGB 106 123 95

HSL 96.43, 0.13%, 0.43%

LAB 49.56, -11.85, 13.27

 

CMYK 3 / 7 / 0 / 56

HEX #6E6971

RGB 110 105 113

HSL 277.5, 0.04%, 0.43%

LAB 45.1, 3.59, -3.78

 

CMYK 5 / 0 / 76 / 31

HEX #A7B02A

RGB 167 176 42

HSL 64.03, 0.61%, 0.43%

LAB 69.06, -19.26, 62.47

 

CMYK 26 / 0 / 76 / 31

HEX #83B02A

RGB 131 176 42

HSL 80.15, 0.61%, 0.43%

LAB 66.55, -34.18, 59.22

 

CMYK 45 / 0 / 76 / 31

HEX #60B02A

RGB 96 176 42

HSL 95.82, 0.61%, 0.43%

LAB 64.73, -46.81, 56.83

 

CMYK 66 / 0 / 76 / 31

HEX #3CB02A

RGB 60 176 42

HSL 111.94, 0.61%, 0.43%

LAB 63.49, -56.53, 55.2

 

CMYK 76 / 0 / 66 / 31

HEX #2AB03C

RGB 42 176 60

HSL 128.06, 0.61%, 0.43%

LAB 63.23, -58.19, 47.86

 

CMYK 47 / 0 / 76 / 57

HEX #3A6E1A

RGB 58 110 26

HSL 97.14, 0.62%, 0.27%

LAB 41.42, -32.95, 39.11

 

CMYK 47 / 0 / 76 / 44

HEX #4C8F22

RGB 76 143 34

HSL 96.88, 0.62%, 0.35%

LAB 53.27, -40.37, 48.13

 

CMYK 47 / 0 / 76 / 31

HEX #5EB02A

RGB 94 176 42

HSL 96.72, 0.61%, 0.43%

LAB 64.64, -47.45, 56.72

 

CMYK 46 / 0 / 74 / 19

HEX #70CE36

RGB 112 206 54

HSL 97.11, 0.61%, 0.51%

LAB 74.73, -52.87, 62.79

 

CMYK 36 / 0 / 59 / 16

HEX #88D657

RGB 136 214 87

HSL 96.85, 0.61%, 0.59%

LAB 78.47, -45.71, 54.04

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2B

RGB 94 175 43

HSL 96.82, 0.61%, 0.43%

LAB 64.33, -46.99, 56.08

 

CMYK 76 / 0 / 15 / 31

HEX #2AB095

RGB 42 176 149

HSL 167.91, 0.61%, 0.43%

LAB 64.73, -41.44, 3.79

 

CMYK 0 / 76 / 15 / 31

HEX #B02A95

RGB 176 42 149

HSL 312.09, 0.61%, 0.43%

LAB 42.85, 63.07, -28.22

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2B

RGB 94 175 43

HSL 96.82, 0.61%, 0.43%

LAB 64.33, -46.99, 56.08

 

CMYK 76 / 45 / 0 / 31

HEX #2A60B0

RGB 42 96 176

HSL 215.82, 0.61%, 0.43%

LAB 41.2, 10.87, -47.77

 

CMYK 0 / 76 / 45 / 31

HEX #B02A60

RGB 176 42 96

HSL 335.82, 0.61%, 0.43%

LAB 40.78, 56.76, 1.4

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2B

RGB 94 175 43

HSL 96.82, 0.61%, 0.43%

LAB 64.33, -46.99, 56.08

 

CMYK 76 / 0 / 15 / 31

HEX #2AB095

RGB 42 176 149

HSL 167.91, 0.61%, 0.43%

LAB 64.73, -41.44, 3.79

 

CMYK 30 / 76 / 0 / 31

HEX #7B2AB0

RGB 123 42 176

HSL 276.27, 0.61%, 0.43%

LAB 35.99, 56.7, -55.87

 

CMYK 0 / 76 / 61 / 31

HEX #B02A45

RGB 176 42 69

HSL 347.91, 0.61%, 0.43%

LAB 40.11, 54.59, 17.5

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2B

RGB 94 175 43

HSL 96.82, 0.61%, 0.43%

LAB 64.33, -46.99, 56.08

 

CMYK 76 / 7 / 0 / 31

HEX #2AA3B0

RGB 42 163 176

HSL 185.82, 0.61%, 0.43%

LAB 61.5, -27.57, -16.1

 

CMYK 30 / 76 / 0 / 31

HEX #7B2AB0

RGB 123 42 176

HSL 276.27, 0.61%, 0.43%

LAB 35.99, 56.7, -55.87

 

CMYK 0 / 68 / 76 / 31

HEX #B0382A

RGB 176 56 42

HSL 6.27, 0.61%, 0.43%

LAB 41.57, 47.93, 35.61

 

Description

Color code: HEX #5EAF2B | qconv.com Color code: HEX #5EAF2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 175 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 175 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 75 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 75% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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