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Color name
HEX #5EA317

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA317 it is the complementary color #A15CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA317 shade: #63A312, #74B525, #85C738, #96D94B and #A7EB5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA317 shade: #5EA317, #4D9104, #3C7F00, #2B6D00 and #1A5B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA317 shade: #5CA016, #81A016, #A09A16, #A07516 and #A04F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA317 shade: #5CA016, #37A016, #16A01B, #16A040 and #16A065

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA317 shade matches the following richer shades: #5CA016 and #5CAF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA317 shade: #5CA016, #5C9125, #5C8234, #5C7443 and #5B6552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA317 shade: #A09916, #82A016, #5EA016, #39A016 and #16A019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA317 shade: #33580C, #477C11, #5CA016, #71C41C and #86E029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA317 shade: #5EA317, #16A075 and #A01695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA317 shade: #5EA317, #165EA0 and #A0165E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA317 shade: #5EA317, #16A075, #5916A0 and #A01642

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA317 shade: #5EA317, #16A09E, #5916A0 and #A01619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 86 / 36

HEX #5EA317

RGB 94 163 23

HSL 89.57, 0.75%, 0.36%

LAB 60.46, -43.14, 58.36

 

Complementary color

CMYK 31 / 60 / 0 / 9

HEX #A15CE8

RGB 161 92 232

HSL 269.57, 0.75%, 0.64%

LAB 53.01, 54.28, -60.47

 

CMYK 39 / 0 / 89 / 36

HEX #63A312

RGB 99 163 18

HSL 86.48, 0.8%, 0.35%

LAB 60.69, -41.55, 59.74

 

CMYK 36 / 0 / 80 / 29

HEX #74B525

RGB 116 181 37

HSL 87.08, 0.66%, 0.43%

LAB 67.2, -42.32, 61.08

 

CMYK 33 / 0 / 72 / 22

HEX #85C738

RGB 133 199 56

HSL 87.69, 0.56%, 0.5%

LAB 73.62, -42.83, 61.32

 

CMYK 31 / 0 / 65 / 15

HEX #96D94B

RGB 150 217 75

HSL 88.31, 0.65%, 0.57%

LAB 79.96, -43.17, 60.92

 

CMYK 29 / 0 / 60 / 8

HEX #A7EB5E

RGB 167 235 94

HSL 88.94, 0.78%, 0.65%

LAB 86.23, -43.39, 60.17

 

CMYK 42 / 0 / 86 / 36

HEX #5EA317

RGB 94 163 23

HSL 89.57, 0.75%, 0.36%

LAB 60.46, -43.14, 58.36

 

CMYK 47 / 0 / 97 / 43

HEX #4D9104

RGB 77 145 4

HSL 88.94, 0.95%, 0.29%

LAB 53.85, -42.11, 56.05

 

CMYK 53 / 0 / 100 / 50

HEX #3C7F00

RGB 60 127 0

HSL 91.65, 1%, 0.25%

LAB 47.16, -40.57, 51.17

 

CMYK 61 / 0 / 100 / 57

HEX #2B6D00

RGB 43 109 0

HSL 96.33, 1%, 0.21%

LAB 40.33, -38.7, 45.52

 

CMYK 71 / 0 / 100 / 64

HEX #1A5B00

RGB 26 91 0

HSL 102.86, 1%, 0.18%

LAB 33.35, -36.43, 39.77

 

CMYK 43 / 0 / 86 / 37

HEX #5CA016

RGB 92 160 22

HSL 89.57, 0.76%, 0.36%

LAB 59.41, -42.62, 57.65

 

CMYK 19 / 0 / 86 / 37

HEX #81A016

RGB 129 160 22

HSL 73.48, 0.76%, 0.36%

LAB 61.54, -28.3, 60.31

 

CMYK 0 / 4 / 86 / 37

HEX #A09A16

RGB 160 154 22

HSL 57.39, 0.76%, 0.36%

LAB 62.2, -11.69, 61.84

 

CMYK 0 / 27 / 86 / 37

HEX #A07516

RGB 160 117 22

HSL 41.3, 0.76%, 0.36%

LAB 52.12, 8.65, 53.49

 

CMYK 0 / 51 / 86 / 37

HEX #A04F16

RGB 160 79 22

HSL 24.78, 0.76%, 0.36%

LAB 42.95, 30.02, 45.77

 

CMYK 43 / 0 / 86 / 37

HEX #5CA016

RGB 92 160 22

HSL 89.57, 0.76%, 0.36%

LAB 59.41, -42.62, 57.65

 

CMYK 66 / 0 / 86 / 37

HEX #37A016

RGB 55 160 22

HSL 105.65, 0.76%, 0.36%

LAB 58.05, -53.3, 55.92

 

CMYK 86 / 0 / 83 / 37

HEX #16A01B

RGB 22 160 27

HSL 122.17, 0.76%, 0.36%

LAB 57.45, -58.34, 53.86

 

CMYK 86 / 0 / 60 / 37

HEX #16A040

RGB 22 160 64

HSL 138.26, 0.76%, 0.36%

LAB 57.73, -54.85, 39.75

 

CMYK 86 / 0 / 37 / 37

HEX #16A065

RGB 22 160 101

HSL 154.35, 0.76%, 0.36%

LAB 58.28, -48.45, 21.27

 

CMYK 43 / 0 / 86 / 37

HEX #5CA016

RGB 92 160 22

HSL 89.57, 0.76%, 0.36%

LAB 59.41, -42.62, 57.65

 

CMYK 47 / 0 / 95 / 31

HEX #5CAF08

RGB 92 175 8

HSL 89.82, 0.91%, 0.36%

LAB 64.12, -49.02, 64

 

CMYK 43 / 0 / 86 / 37

HEX #5CA016

RGB 92 160 22

HSL 89.57, 0.76%, 0.36%

LAB 59.41, -42.62, 57.65

 

CMYK 37 / 0 / 74 / 43

HEX #5C9125

RGB 92 145 37

HSL 89.44, 0.59%, 0.36%

LAB 54.72, -35.39, 48.72

 

CMYK 29 / 0 / 60 / 49

HEX #5C8234

RGB 92 130 52

HSL 89.23, 0.43%, 0.36%

LAB 50.08, -27.12, 37.28

 

CMYK 21 / 0 / 42 / 55

HEX #5C7443

RGB 92 116 67

HSL 89.39, 0.27%, 0.36%

LAB 45.87, -18.15, 24.24

 

CMYK 10 / 0 / 19 / 60

HEX #5B6552

RGB 91 101 82

HSL 91.58, 0.1%, 0.36%

LAB 41.44, -7.74, 9.48

 

CMYK 0 / 4 / 86 / 37

HEX #A09916

RGB 160 153 22

HSL 56.96, 0.76%, 0.36%

LAB 61.92, -11.17, 61.61

 

CMYK 19 / 0 / 86 / 37

HEX #82A016

RGB 130 160 22

HSL 73.04, 0.76%, 0.36%

LAB 61.61, -27.88, 60.4

 

CMYK 41 / 0 / 86 / 37

HEX #5EA016

RGB 94 160 22

HSL 88.7, 0.76%, 0.36%

LAB 59.51, -41.93, 57.77

 

CMYK 64 / 0 / 86 / 37

HEX #39A016

RGB 57 160 22

HSL 104.78, 0.76%, 0.36%

LAB 58.1, -52.84, 55.99

 

CMYK 86 / 0 / 84 / 37

HEX #16A019

RGB 22 160 25

HSL 121.3, 0.76%, 0.36%

LAB 57.45, -58.45, 54.4

 

CMYK 42 / 0 / 86 / 65

HEX #33580C

RGB 51 88 12

HSL 89.21, 0.76%, 0.2%

LAB 33.37, -26.45, 36.38

 

CMYK 43 / 0 / 86 / 51

HEX #477C11

RGB 71 124 17

HSL 89.72, 0.76%, 0.28%

LAB 46.7, -34.97, 47.33

 

CMYK 43 / 0 / 86 / 37

HEX #5CA016

RGB 92 160 22

HSL 89.57, 0.76%, 0.36%

LAB 59.41, -42.62, 57.65

 

CMYK 42 / 0 / 86 / 23

HEX #71C41C

RGB 113 196 28

HSL 89.64, 0.75%, 0.44%

LAB 71.61, -49.9, 67.27

 

CMYK 40 / 0 / 82 / 12

HEX #86E029

RGB 134 224 41

HSL 89.51, 0.75%, 0.52%

LAB 81.04, -53.56, 72.9

 

CMYK 42 / 0 / 86 / 36

HEX #5EA317

RGB 94 163 23

HSL 89.57, 0.75%, 0.36%

LAB 60.46, -43.14, 58.36

 

CMYK 86 / 0 / 27 / 37

HEX #16A075

RGB 22 160 117

HSL 161.3, 0.76%, 0.36%

LAB 58.6, -44.82, 12.86

 

CMYK 0 / 86 / 7 / 37

HEX #A01695

RGB 160 22 149

HSL 304.78, 0.76%, 0.36%

LAB 38.23, 64.68, -35.68

 

CMYK 42 / 0 / 86 / 36

HEX #5EA317

RGB 94 163 23

HSL 89.57, 0.75%, 0.36%

LAB 60.46, -43.14, 58.36

 

CMYK 86 / 41 / 0 / 37

HEX #165EA0

RGB 22 94 160

HSL 208.7, 0.76%, 0.36%

LAB 39.09, 3.79, -41.7

 

CMYK 0 / 86 / 41 / 37

HEX #A0165E

RGB 160 22 94

HSL 328.7, 0.76%, 0.36%

LAB 35.7, 57.76, -5.15

 

CMYK 42 / 0 / 86 / 36

HEX #5EA317

RGB 94 163 23

HSL 89.57, 0.75%, 0.36%

LAB 60.46, -43.14, 58.36

 

CMYK 86 / 0 / 27 / 37

HEX #16A075

RGB 22 160 117

HSL 161.3, 0.76%, 0.36%

LAB 58.6, -44.82, 12.86

 

CMYK 44 / 86 / 0 / 37

HEX #5916A0

RGB 89 22 160

HSL 269.13, 0.76%, 0.36%

LAB 27.4, 54.76, -60.47

 

CMYK 0 / 86 / 59 / 37

HEX #A01642

RGB 160 22 66

HSL 340.87, 0.76%, 0.36%

LAB 34.88, 55.4, 11.83

 

CMYK 42 / 0 / 86 / 36

HEX #5EA317

RGB 94 163 23

HSL 89.57, 0.75%, 0.36%

LAB 60.46, -43.14, 58.36

 

CMYK 86 / 0 / 1 / 37

HEX #16A09E

RGB 22 160 158

HSL 179.13, 0.76%, 0.36%

LAB 59.69, -33.52, -8.69

 

CMYK 44 / 86 / 0 / 37

HEX #5916A0

RGB 89 22 160

HSL 269.13, 0.76%, 0.36%

LAB 27.4, 54.76, -60.47

 

CMYK 0 / 86 / 84 / 37

HEX #A01619

RGB 160 22 25

HSL 358.7, 0.76%, 0.36%

LAB 34.23, 53.46, 36.63

 

Description

Color code: HEX #5EA317 | qconv.com Color code: HEX #5EA317 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 163 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 163 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 86 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 86% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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