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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9A5F it is the complementary color #A165A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9A5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9A5F shade: #639A5A, #74AC6D, #85BE80, #96D093 and #A7E2A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9A5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9A5F shade: #5E9A5F, #4D884C, #3C7639, #2B6426 and #1A5213

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9A5F shade: #5E9A5F, #6E9A5E, #7E9A5E, #8E9A5E and #9A975E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9A5F shade: #5E9A5F, #5E9A70, #5E9A80, #5E9A90 and #5E959A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9A5F shade matches the following richer shades: #5E9A5F, #4AAF4C, #36C338, #22D725 and #0EEB11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9A5F shade: #5E9A5F, #738673, #877287, #9B5E9A and #AF4AAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9A5F shade: #7D9A5E, #6D9A5E, #5E9A5F, #5E9A6F and #5E9A7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9A5F shade: #3F6740, #4F8150, #5E9A5F, #77AB78 and #90BB91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9A5F shade: #5E9A5F, #5E8D9A and #9A5E75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9A5F shade: #5E9A5F, #5F5E9A and #9A5F5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9A5F shade: #5E9A5F, #5E8D9A, #9A5E99 and #9A6B5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9A5F shade: #5E9A5F, #5E7B9A, #9A5E99 and #9A7D5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

Complementary color

CMYK 0 / 37 / 1 / 37

HEX #A165A0

RGB 161 101 160

HSL 301, 0.24%, 0.51%

LAB 51.18, 33.75, -22.03

 

CMYK 36 / 0 / 42 / 40

HEX #639A5A

RGB 99 154 90

HSL 111.56, 0.26%, 0.48%

LAB 58.51, -31.16, 27.98

 

CMYK 33 / 0 / 37 / 33

HEX #74AC6D

RGB 116 172 109

HSL 113.33, 0.28%, 0.55%

LAB 65.22, -30.94, 26.74

 

CMYK 30 / 0 / 33 / 25

HEX #85BE80

RGB 133 190 128

HSL 115.16, 0.32%, 0.62%

LAB 71.81, -30.7, 25.57

 

CMYK 28 / 0 / 29 / 18

HEX #96D093

RGB 150 208 147

HSL 117.05, 0.39%, 0.7%

LAB 78.29, -30.47, 24.47

 

CMYK 26 / 0 / 27 / 11

HEX #A7E2A6

RGB 167 226 166

HSL 119, 0.51%, 0.77%

LAB 84.67, -30.25, 23.44

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 43 / 0 / 44 / 47

HEX #4D884C

RGB 77 136 76

HSL 119, 0.28%, 0.42%

LAB 51.51, -32.24, 26.31

 

CMYK 49 / 0 / 52 / 54

HEX #3C7639

RGB 60 118 57

HSL 117.05, 0.35%, 0.34%

LAB 44.54, -32.36, 27.7

 

CMYK 57 / 0 / 62 / 61

HEX #2B6426

RGB 43 100 38

HSL 115.16, 0.45%, 0.27%

LAB 37.42, -32.26, 29.08

 

CMYK 68 / 0 / 77 / 68

HEX #1A5213

RGB 26 82 19

HSL 113.33, 0.62%, 0.2%

LAB 30.16, -31.66, 30.15

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 29 / 0 / 39 / 40

HEX #6E9A5E

RGB 110 154 94

HSL 104, 0.24%, 0.49%

LAB 59.19, -26.67, 26.83

 

CMYK 18 / 0 / 39 / 40

HEX #7E9A5E

RGB 126 154 94

HSL 88, 0.24%, 0.49%

LAB 60.21, -20.65, 28.34

 

CMYK 8 / 0 / 39 / 40

HEX #8E9A5E

RGB 142 154 94

HSL 72, 0.24%, 0.49%

LAB 61.37, -14.28, 30.07

 

CMYK 0 / 2 / 39 / 40

HEX #9A975E

RGB 154 151 94

HSL 57, 0.24%, 0.49%

LAB 61.49, -7.73, 30.42

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 39 / 0 / 27 / 40

HEX #5E9A70

RGB 94 154 112

HSL 138, 0.24%, 0.49%

LAB 58.66, -28.96, 16.05

 

CMYK 39 / 0 / 17 / 40

HEX #5E9A80

RGB 94 154 128

HSL 154, 0.24%, 0.49%

LAB 59.02, -25.63, 7.56

 

CMYK 39 / 0 / 6 / 40

HEX #5E9A90

RGB 94 154 144

HSL 170, 0.24%, 0.49%

LAB 59.44, -21.91, -0.9

 

CMYK 39 / 3 / 0 / 40

HEX #5E959A

RGB 94 149 154

HSL 185, 0.24%, 0.49%

LAB 58.23, -16.76, -8.38

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 58 / 0 / 57 / 31

HEX #4AAF4C

RGB 74 175 76

HSL 121.19, 0.41%, 0.49%

LAB 63.87, -49.57, 41.51

 

CMYK 72 / 0 / 71 / 24

HEX #36C338

RGB 54 195 56

HSL 120.85, 0.57%, 0.49%

LAB 69.54, -62.88, 56.25

 

CMYK 84 / 0 / 83 / 16

HEX #22D725

RGB 34 215 37

HSL 120.99, 0.73%, 0.49%

LAB 75.5, -72.78, 67.85

 

CMYK 94 / 0 / 93 / 8

HEX #0EEB11

RGB 14 235 17

HSL 120.81, 0.89%, 0.49%

LAB 81.59, -80.26, 76.71

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 14 / 0 / 14 / 47

HEX #738673

RGB 115 134 115

HSL 120, 0.08%, 0.49%

LAB 53.96, -10.78, 7.94

 

CMYK 0 / 16 / 0 / 47

HEX #877287

RGB 135 114 135

HSL 300, 0.08%, 0.49%

LAB 50.61, 12.16, -8.44

 

CMYK 0 / 39 / 1 / 39

HEX #9B5E9A

RGB 155 94 154

HSL 300.98, 0.24%, 0.49%

LAB 48.64, 34.52, -22.45

 

CMYK 0 / 58 / 1 / 31

HEX #AF4AAE

RGB 175 74 174

HSL 300.59, 0.41%, 0.49%

LAB 48.34, 54.42, -34.5

 

CMYK 19 / 0 / 39 / 40

HEX #7D9A5E

RGB 125 154 94

HSL 89, 0.24%, 0.49%

LAB 60.14, -21.04, 28.24

 

CMYK 29 / 0 / 39 / 40

HEX #6D9A5E

RGB 109 154 94

HSL 105, 0.24%, 0.49%

LAB 59.13, -27.03, 26.74

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 39 / 0 / 28 / 40

HEX #5E9A6F

RGB 94 154 111

HSL 137, 0.24%, 0.49%

LAB 58.64, -29.15, 16.58

 

CMYK 39 / 0 / 18 / 40

HEX #5E9A7F

RGB 94 154 127

HSL 153, 0.24%, 0.49%

LAB 59, -25.85, 8.09

 

CMYK 39 / 0 / 38 / 60

HEX #3F6740

RGB 63 103 64

HSL 121.5, 0.24%, 0.33%

LAB 39.79, -22.97, 17.69

 

CMYK 39 / 0 / 38 / 49

HEX #4F8150

RGB 79 129 80

HSL 121.2, 0.24%, 0.41%

LAB 49.43, -27.58, 21.4

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 30 / 0 / 30 / 33

HEX #77AB78

RGB 119 171 120

HSL 121.15, 0.24%, 0.57%

LAB 65.28, -27.62, 20.92

 

CMYK 23 / 0 / 22 / 27

HEX #90BB91

RGB 144 187 145

HSL 121.4, 0.24%, 0.65%

LAB 71.9, -22.63, 16.71

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 39 / 8 / 0 / 40

HEX #5E8D9A

RGB 94 141 154

HSL 193, 0.24%, 0.49%

LAB 55.85, -12.43, -11.95

 

CMYK 0 / 39 / 24 / 40

HEX #9A5E75

RGB 154 94 117

HSL 337, 0.24%, 0.49%

LAB 47.18, 27.71, -2.56

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 38 / 39 / 0 / 40

HEX #5F5E9A

RGB 95 94 154

HSL 241, 0.24%, 0.49%

LAB 42.42, 15.7, -32.63

 

CMYK 0 / 38 / 39 / 40

HEX #9A5F5E

RGB 154 95 94

HSL 1, 0.24%, 0.49%

LAB 46.79, 23.93, 10.73

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 39 / 8 / 0 / 40

HEX #5E8D9A

RGB 94 141 154

HSL 193, 0.24%, 0.49%

LAB 55.85, -12.43, -11.95

 

CMYK 0 / 39 / 1 / 40

HEX #9A5E99

RGB 154 94 153

HSL 301, 0.24%, 0.49%

LAB 48.48, 34, -22.12

 

CMYK 0 / 31 / 39 / 40

HEX #9A6B5E

RGB 154 107 94

HSL 13, 0.24%, 0.49%

LAB 49.73, 17.04, 14.81

 

CMYK 39 / 0 / 38 / 40

HEX #5E9A5F

RGB 94 154 95

HSL 121, 0.24%, 0.49%

LAB 58.34, -32.03, 25

 

CMYK 39 / 20 / 0 / 40

HEX #5E7B9A

RGB 94 123 154

HSL 211, 0.24%, 0.49%

LAB 50.54, -2.21, -20

 

CMYK 0 / 39 / 1 / 40

HEX #9A5E99

RGB 154 94 153

HSL 301, 0.24%, 0.49%

LAB 48.48, 34, -22.12

 

CMYK 0 / 19 / 39 / 40

HEX #9A7D5E

RGB 154 125 94

HSL 31, 0.24%, 0.49%

LAB 54.39, 6.72, 21.13

 

Description

Color code: HEX #5E9A5F | qconv.com Color code: HEX #5E9A5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 154 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 154 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 38 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 38% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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