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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E993D it is the complementary color #A166C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E993D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E993D shade: #639938, #74AB4B, #85BD5E, #96CF71 and #A7E184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E993D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E993D shade: #5E993D, #4D872A, #3C7517, #2B6304 and #1A5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E993D shade: #5E993D, #76993D, #8F993D, #99893D and #99703D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E993D shade: #5E993D, #45993D, #3D994D, #3D9966 and #3D997F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E993D shade matches the following richer shades: #5E993D, #59AA2B, #54BB1A and #4FCD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E993D shade: #5E993D, #62874E, #67765F, #6C6571 and #715382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E993D shade: #8F993D, #77993D, #5E993D, #46993D and #3D994C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E993D shade: #395E25, #4B7B31, #5E993D, #70B649 and #87C266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E993D shade: #5E993D, #3D9989 and #993D83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E993D shade: #5E993D, #3D5E99 and #993D5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E993D shade: #5E993D, #3D9989, #773D99 and #993D4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E993D shade: #5E993D, #3D8C99, #773D99 and #99493D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

Complementary color

CMYK 17 / 47 / 0 / 24

HEX #A166C2

RGB 161 102 194

HSL 278.48, 0.43%, 0.58%

LAB 52.92, 40.25, -39.04

 

CMYK 35 / 0 / 63 / 40

HEX #639938

RGB 99 153 56

HSL 93.4, 0.46%, 0.41%

LAB 57.77, -34.89, 44.14

 

CMYK 32 / 0 / 56 / 33

HEX #74AB4B

RGB 116 171 75

HSL 94.38, 0.39%, 0.48%

LAB 64.44, -34.99, 43.12

 

CMYK 30 / 0 / 50 / 26

HEX #85BD5E

RGB 133 189 94

HSL 95.37, 0.42%, 0.55%

LAB 71, -34.99, 41.98

 

CMYK 28 / 0 / 45 / 19

HEX #96CF71

RGB 150 207 113

HSL 96.38, 0.49%, 0.63%

LAB 77.46, -34.92, 40.79

 

CMYK 26 / 0 / 41 / 12

HEX #A7E184

RGB 167 225 132

HSL 97.42, 0.61%, 0.7%

LAB 83.83, -34.82, 39.62

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 43 / 0 / 69 / 47

HEX #4D872A

RGB 77 135 42

HSL 97.42, 0.53%, 0.35%

LAB 50.77, -35.99, 42.41

 

CMYK 49 / 0 / 80 / 54

HEX #3C7517

RGB 60 117 23

HSL 96.38, 0.67%, 0.27%

LAB 43.87, -35.51, 42.66

 

CMYK 57 / 0 / 96 / 61

HEX #2B6304

RGB 43 99 4

HSL 95.37, 0.92%, 0.2%

LAB 36.83, -34.55, 41.6

 

CMYK 68 / 0 / 100 / 68

HEX #1A5100

RGB 26 81 0

HSL 100.74, 1%, 0.16%

LAB 29.67, -32.64, 36.86

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 23 / 0 / 60 / 40

HEX #76993D

RGB 118 153 61

HSL 82.83, 0.43%, 0.42%

LAB 58.95, -27.12, 43.47

 

CMYK 7 / 0 / 60 / 40

HEX #8F993D

RGB 143 153 61

HSL 66.52, 0.43%, 0.42%

LAB 60.75, -16.71, 45.97

 

CMYK 0 / 10 / 60 / 40

HEX #99893D

RGB 153 137 61

HSL 49.57, 0.43%, 0.42%

LAB 57.08, -3.74, 42.11

 

CMYK 0 / 27 / 60 / 40

HEX #99703D

RGB 153 112 61

HSL 33.26, 0.43%, 0.42%

LAB 50.33, 10.36, 34.31

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 55 / 0 / 60 / 40

HEX #45993D

RGB 69 153 61

HSL 114.78, 0.43%, 0.42%

LAB 56.47, -44.06, 39.99

 

CMYK 60 / 0 / 50 / 40

HEX #3D994D

RGB 61 153 77

HSL 130.43, 0.43%, 0.42%

LAB 56.4, -43.94, 31.84

 

CMYK 60 / 0 / 33 / 40

HEX #3D9966

RGB 61 153 102

HSL 146.74, 0.43%, 0.42%

LAB 56.82, -39.44, 18.88

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 48 / 0 / 75 / 33

HEX #59AA2B

RGB 89 170 43

HSL 98.27, 0.6%, 0.42%

LAB 62.55, -46.57, 54.25

 

CMYK 55 / 0 / 86 / 27

HEX #54BB1A

RGB 84 187 26

HSL 98.39, 0.76%, 0.42%

LAB 67.65, -55.38, 63.81

 

CMYK 61 / 0 / 96 / 20

HEX #4FCD09

RGB 79 205 9

HSL 98.57, 0.92%, 0.42%

LAB 73.12, -63.32, 70.99

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 27 / 0 / 42 / 47

HEX #62874E

RGB 98 135 78

HSL 98.95, 0.27%, 0.42%

LAB 52.37, -24.04, 26.56

 

CMYK 13 / 0 / 19 / 54

HEX #67765F

RGB 103 118 95

HSL 99.13, 0.11%, 0.42%

LAB 47.84, -10.24, 10.83

 

CMYK 4 / 11 / 0 / 56

HEX #6C6571

RGB 108 101 113

HSL 275, 0.06%, 0.42%

LAB 43.78, 5.23, -5.74

 

CMYK 13 / 36 / 0 / 49

HEX #715382

RGB 113 83 130

HSL 278.3, 0.22%, 0.42%

LAB 40.1, 21.84, -21.64

 

CMYK 7 / 0 / 60 / 40

HEX #8F993D

RGB 143 153 61

HSL 66.52, 0.43%, 0.42%

LAB 60.75, -16.71, 45.97

 

CMYK 22 / 0 / 60 / 40

HEX #77993D

RGB 119 153 61

HSL 82.17, 0.43%, 0.42%

LAB 59.01, -26.72, 43.56

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 54 / 0 / 60 / 40

HEX #46993D

RGB 70 153 61

HSL 114.13, 0.43%, 0.42%

LAB 56.51, -43.78, 40.04

 

CMYK 60 / 0 / 50 / 40

HEX #3D994C

RGB 61 153 76

HSL 129.78, 0.43%, 0.42%

LAB 56.38, -44.1, 32.34

 

CMYK 39 / 0 / 61 / 63

HEX #395E25

RGB 57 94 37

HSL 98.95, 0.44%, 0.26%

LAB 36, -24.79, 28.12

 

CMYK 39 / 0 / 60 / 52

HEX #4B7B31

RGB 75 123 49

HSL 98.92, 0.43%, 0.34%

LAB 46.82, -30.57, 34.76

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 38 / 0 / 60 / 29

HEX #70B649

RGB 112 182 73

HSL 98.53, 0.43%, 0.5%

LAB 67.56, -41.49, 47.6

 

CMYK 30 / 0 / 47 / 24

HEX #87C266

RGB 135 194 102

HSL 98.48, 0.43%, 0.58%

LAB 72.69, -35.61, 40.13

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 60 / 0 / 10 / 40

HEX #3D9989

RGB 61 153 137

HSL 169.57, 0.43%, 0.42%

LAB 57.64, -31.17, 0.29

 

CMYK 0 / 60 / 14 / 40

HEX #993D83

RGB 153 61 131

HSL 314.35, 0.43%, 0.42%

LAB 40.81, 46.97, -20.71

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 60 / 39 / 0 / 40

HEX #3D5E99

RGB 61 94 153

HSL 218.48, 0.43%, 0.42%

LAB 40.08, 6.85, -35.87

 

CMYK 0 / 60 / 39 / 40

HEX #993D5E

RGB 153 61 94

HSL 338.48, 0.43%, 0.42%

LAB 39.44, 41.77, 0.21

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 60 / 0 / 10 / 40

HEX #3D9989

RGB 61 153 137

HSL 169.57, 0.43%, 0.42%

LAB 57.64, -31.17, 0.29

 

CMYK 22 / 60 / 0 / 40

HEX #773D99

RGB 119 61 153

HSL 277.83, 0.43%, 0.42%

LAB 37.04, 41.74, -40.39

 

CMYK 0 / 60 / 50 / 40

HEX #993D4C

RGB 153 61 76

HSL 350.22, 0.43%, 0.42%

LAB 38.95, 39.84, 10.84

 

CMYK 39 / 0 / 60 / 40

HEX #5E993D

RGB 94 153 61

HSL 98.48, 0.43%, 0.42%

LAB 57.56, -36.18, 41.52

 

CMYK 60 / 8 / 0 / 40

HEX #3D8C99

RGB 61 140 153

HSL 188.48, 0.43%, 0.42%

LAB 54.08, -20.06, -14.19

 

CMYK 22 / 60 / 0 / 40

HEX #773D99

RGB 119 61 153

HSL 277.83, 0.43%, 0.42%

LAB 37.04, 41.74, -40.39

 

CMYK 0 / 52 / 60 / 40

HEX #99493D

RGB 153 73 61

HSL 7.83, 0.43%, 0.42%

LAB 41.02, 32.39, 22.86

 

Description

Color code: HEX #5E993D | qconv.com Color code: HEX #5E993D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 153 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 153 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 60 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 60% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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