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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9832 it is the complementary color #A167CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9832. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9832 shade: #63982D, #74AA40, #85BC53, #96CE66 and #A7E079

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9832. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9832 shade: #5E9832, #4D861F, #3C740C, #2B6200 and #1A5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9832 shade: #5E9933, #7A9933, #969933, #998033 and #996433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9832 shade: #5E9933, #439933, #33993E, #339959 and #339975

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9832 shade matches the following richer shades: #5E9933, #5CA922, #5ABA11 and #58CA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9832 shade: #5E9933, #618843, #637754, #656764 and #685675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9832 shade: #959933, #7A9933, #5F9933, #449933 and #33993D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9832 shade: #385B1E, #4B7A28, #5E9933, #72B73D and #87C757

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9832 shade: #5E9832, #339981 and #993387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9832 shade: #5E9832, #335F99 and #99335F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9832 shade: #5E9832, #339981, #6C3399 and #99334A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9832 shade: #5E9832, #339299, #6C3399 and #993933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 67 / 40

HEX #5E9832

RGB 94 152 50

HSL 94.12, 0.5%, 0.4%

LAB 57.14, -36.79, 46.02

 

Complementary color

CMYK 21 / 50 / 0 / 20

HEX #A167CD

RGB 161 103 205

HSL 274.12, 0.5%, 0.6%

LAB 53.69, 42.17, -44.11

 

CMYK 35 / 0 / 70 / 40

HEX #63982D

RGB 99 152 45

HSL 89.72, 0.54%, 0.39%

LAB 57.37, -35.36, 48.42

 

CMYK 32 / 0 / 62 / 33

HEX #74AA40

RGB 116 170 64

HSL 90.57, 0.45%, 0.46%

LAB 64.03, -35.62, 47.73

 

CMYK 29 / 0 / 56 / 26

HEX #85BC53

RGB 133 188 83

HSL 91.43, 0.44%, 0.53%

LAB 70.58, -35.74, 46.75

 

CMYK 27 / 0 / 50 / 19

HEX #96CE66

RGB 150 206 102

HSL 92.31, 0.51%, 0.6%

LAB 77.03, -35.76, 45.63

 

CMYK 25 / 0 / 46 / 12

HEX #A7E079

RGB 167 224 121

HSL 93.2, 0.62%, 0.68%

LAB 83.39, -35.73, 44.48

 

CMYK 38 / 0 / 67 / 40

HEX #5E9832

RGB 94 152 50

HSL 94.12, 0.5%, 0.4%

LAB 57.14, -36.79, 46.02

 

CMYK 43 / 0 / 77 / 47

HEX #4D861F

RGB 77 134 31

HSL 93.2, 0.62%, 0.32%

LAB 50.37, -36.4, 46.38

 

CMYK 48 / 0 / 90 / 55

HEX #3C740C

RGB 60 116 12

HSL 92.31, 0.81%, 0.25%

LAB 43.47, -35.65, 45.56

 

CMYK 56 / 0 / 100 / 62

HEX #2B6200

RGB 43 98 0

HSL 93.67, 1%, 0.19%

LAB 36.46, -34.33, 42.48

 

CMYK 68 / 0 / 100 / 69

HEX #1A5000

RGB 26 80 0

HSL 100.5, 1%, 0.16%

LAB 29.3, -32.25, 36.56

 

CMYK 39 / 0 / 67 / 40

HEX #5E9933

RGB 94 153 51

HSL 94.71, 0.5%, 0.4%

LAB 57.46, -37.14, 45.94

 

CMYK 20 / 0 / 67 / 40

HEX #7A9933

RGB 122 153 51

HSL 78.24, 0.5%, 0.4%

LAB 59.12, -26.33, 48.2

 

CMYK 2 / 0 / 67 / 40

HEX #969933

RGB 150 153 51

HSL 61.76, 0.5%, 0.4%

LAB 61.23, -14.37, 51.05

 

CMYK 0 / 16 / 67 / 40

HEX #998033

RGB 153 128 51

HSL 45.29, 0.5%, 0.4%

LAB 54.5, 0.55, 44.06

 

CMYK 0 / 35 / 67 / 40

HEX #996433

RGB 153 100 51

HSL 28.82, 0.5%, 0.4%

LAB 47.14, 16.52, 35.93

 

CMYK 39 / 0 / 67 / 40

HEX #5E9933

RGB 94 153 51

HSL 94.71, 0.5%, 0.4%

LAB 57.46, -37.14, 45.94

 

CMYK 56 / 0 / 67 / 40

HEX #439933

RGB 67 153 51

HSL 110.59, 0.5%, 0.4%

LAB 56.3, -45.69, 44.34

 

CMYK 67 / 0 / 59 / 40

HEX #33993E

RGB 51 153 62

HSL 126.47, 0.5%, 0.4%

LAB 55.92, -48.32, 38.73

 

CMYK 67 / 0 / 42 / 40

HEX #339959

RGB 51 153 89

HSL 142.35, 0.5%, 0.4%

LAB 56.29, -44.09, 25.27

 

CMYK 67 / 0 / 24 / 40

HEX #339975

RGB 51 153 117

HSL 158.82, 0.5%, 0.4%

LAB 56.85, -38.12, 10.48

 

CMYK 39 / 0 / 67 / 40

HEX #5E9933

RGB 94 153 51

HSL 94.71, 0.5%, 0.4%

LAB 57.46, -37.14, 45.94

 

CMYK 46 / 0 / 80 / 34

HEX #5CA922

RGB 92 169 34

HSL 94.22, 0.67%, 0.4%

LAB 62.31, -45.75, 57.03

 

CMYK 52 / 0 / 91 / 27

HEX #5ABA11

RGB 90 186 17

HSL 94.08, 0.83%, 0.4%

LAB 67.53, -53.6, 65.51

 

CMYK 56 / 0 / 100 / 21

HEX #58CA01

RGB 88 202 1

HSL 94.03, 0.99%, 0.4%

LAB 72.44, -60.21, 71.39

 

CMYK 39 / 0 / 67 / 40

HEX #5E9933

RGB 94 153 51

HSL 94.71, 0.5%, 0.4%

LAB 57.46, -37.14, 45.94

 

CMYK 29 / 0 / 51 / 47

HEX #618843

RGB 97 136 67

HSL 93.91, 0.34%, 0.4%

LAB 52.46, -26.41, 32.55

 

CMYK 17 / 0 / 29 / 53

HEX #637754

RGB 99 119 84

HSL 94.29, 0.17%, 0.4%

LAB 47.61, -14.31, 16.9

 

CMYK 2 / 0 / 3 / 60

HEX #656764

RGB 101 103 100

HSL 100, 0.01%, 0.4%

LAB 43.34, -1.39, 1.41

 

CMYK 11 / 26 / 0 / 54

HEX #685675

RGB 104 86 117

HSL 274.84, 0.15%, 0.4%

LAB 39.38, 13.83, -14.85

 

CMYK 3 / 0 / 67 / 40

HEX #959933

RGB 149 153 51

HSL 62.35, 0.5%, 0.4%

LAB 61.14, -14.81, 50.93

 

CMYK 20 / 0 / 67 / 40

HEX #7A9933

RGB 122 153 51

HSL 78.24, 0.5%, 0.4%

LAB 59.12, -26.33, 48.2

 

CMYK 38 / 0 / 67 / 40

HEX #5F9933

RGB 95 153 51

HSL 94.12, 0.5%, 0.4%

LAB 57.52, -36.79, 46.01

 

CMYK 56 / 0 / 67 / 40

HEX #449933

RGB 68 153 51

HSL 110, 0.5%, 0.4%

LAB 56.34, -45.42, 44.39

 

CMYK 67 / 0 / 60 / 40

HEX #33993D

RGB 51 153 61

HSL 125.88, 0.5%, 0.4%

LAB 55.91, -48.45, 39.19

 

CMYK 38 / 0 / 67 / 64

HEX #385B1E

RGB 56 91 30

HSL 94.43, 0.5%, 0.24%

LAB 34.84, -24.49, 30.37

 

CMYK 39 / 0 / 67 / 52

HEX #4B7A28

RGB 75 122 40

HSL 94.39, 0.51%, 0.32%

LAB 46.4, -31.03, 38.58

 

CMYK 39 / 0 / 67 / 40

HEX #5E9933

RGB 94 153 51

HSL 94.71, 0.5%, 0.4%

LAB 57.46, -37.14, 45.94

 

CMYK 38 / 0 / 67 / 28

HEX #72B73D

RGB 114 183 61

HSL 93.93, 0.5%, 0.48%

LAB 67.86, -42.32, 53.15

 

CMYK 32 / 0 / 56 / 22

HEX #87C757

RGB 135 199 87

HSL 94.29, 0.5%, 0.56%

LAB 73.99, -39.56, 48.88

 

CMYK 38 / 0 / 67 / 40

HEX #5E9832

RGB 94 152 50

HSL 94.12, 0.5%, 0.4%

LAB 57.14, -36.79, 46.02

 

CMYK 67 / 0 / 16 / 40

HEX #339981

RGB 51 153 129

HSL 165.88, 0.5%, 0.4%

LAB 57.14, -35.13, 4.09

 

CMYK 0 / 67 / 12 / 40

HEX #993387

RGB 153 51 135

HSL 310.59, 0.5%, 0.4%

LAB 39.39, 52.01, -25.37

 

CMYK 38 / 0 / 67 / 40

HEX #5E9832

RGB 94 152 50

HSL 94.12, 0.5%, 0.4%

LAB 57.14, -36.79, 46.02

 

CMYK 67 / 38 / 0 / 40

HEX #335F99

RGB 51 95 153

HSL 214.12, 0.5%, 0.4%

LAB 39.9, 4.25, -36.19

 

CMYK 0 / 67 / 38 / 40

HEX #99335F

RGB 153 51 95

HSL 334.12, 0.5%, 0.4%

LAB 37.78, 46.46, -2.86

 

CMYK 38 / 0 / 67 / 40

HEX #5E9832

RGB 94 152 50

HSL 94.12, 0.5%, 0.4%

LAB 57.14, -36.79, 46.02

 

CMYK 67 / 0 / 16 / 40

HEX #339981

RGB 51 153 129

HSL 165.88, 0.5%, 0.4%

LAB 57.14, -35.13, 4.09

 

CMYK 29 / 67 / 0 / 40

HEX #6C3399

RGB 108 51 153

HSL 273.53, 0.5%, 0.4%

LAB 33.68, 44.25, -45.86

 

CMYK 0 / 67 / 52 / 40

HEX #99334A

RGB 153 51 74

HSL 346.47, 0.5%, 0.4%

LAB 37.18, 44.29, 9.64

 

CMYK 38 / 0 / 67 / 40

HEX #5E9832

RGB 94 152 50

HSL 94.12, 0.5%, 0.4%

LAB 57.14, -36.79, 46.02

 

CMYK 67 / 5 / 0 / 40

HEX #339299

RGB 51 146 153

HSL 184.12, 0.5%, 0.4%

LAB 55.65, -24.95, -11.85

 

CMYK 29 / 67 / 0 / 40

HEX #6C3399

RGB 108 51 153

HSL 273.53, 0.5%, 0.4%

LAB 33.68, 44.25, -45.86

 

CMYK 0 / 63 / 67 / 40

HEX #993933

RGB 153 57 51

HSL 3.53, 0.5%, 0.4%

LAB 37.73, 39.79, 24.8

 

Description

Color code: HEX #5E9832 | qconv.com Color code: HEX #5E9832 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 152 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 152 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 67 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 67% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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