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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E821A it is the complementary color #A17DE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E821A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E821A shade: #638215, #749428, #85A63B, #96B84E and #A7CA61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E821A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E821A shade: #5E821A, #4D7007, #3C5E00, #2B4C00 and #1A3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E821A shade: #5F841A, #7B841A, #846F1A, #84521A and #84361A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E821A shade: #5F841A, #42841A, #26841A, #1A842A and #1A8447

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E821A shade matches the following richer shades: #5F841A, #63900D and #679D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E821A shade: #5F841A, #5B7726, #576A33, #535D40 and #4F504D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E821A shade: #846E1A, #7C841A, #60841A, #44841A and #28841A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E821A shade: #2D3F0C, #466113, #5F841A, #78A620 and #91C827

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E821A shade: #5E821A, #1A8452 and #7C1A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E821A shade: #5E821A, #1A6084 and #841A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E821A shade: #5E821A, #1A8452, #3D1A84 and #841A4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E821A shade: #5E821A, #1A8472, #3D1A84 and #841A2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 80 / 49

HEX #5E821A

RGB 94 130 26

HSL 80.77, 0.67%, 0.31%

LAB 50, -28.3, 48.1

 

Complementary color

CMYK 30 / 45 / 0 / 10

HEX #A17DE5

RGB 161 125 229

HSL 260.77, 0.67%, 0.69%

LAB 59.8, 35.62, -47.96

 

CMYK 24 / 0 / 84 / 49

HEX #638215

RGB 99 130 21

HSL 77.06, 0.72%, 0.3%

LAB 50.3, -26.44, 50.04

 

CMYK 22 / 0 / 73 / 42

HEX #749428

RGB 116 148 40

HSL 77.78, 0.57%, 0.37%

LAB 57.12, -27.11, 50.46

 

CMYK 20 / 0 / 64 / 35

HEX #85A63B

RGB 133 166 59

HSL 78.5, 0.48%, 0.44%

LAB 63.82, -27.57, 49.99

 

CMYK 18 / 0 / 58 / 28

HEX #96B84E

RGB 150 184 78

HSL 79.25, 0.43%, 0.51%

LAB 70.4, -27.88, 49.12

 

CMYK 17 / 0 / 52 / 21

HEX #A7CA61

RGB 167 202 97

HSL 80, 0.5%, 0.59%

LAB 76.87, -28.09, 48.07

 

CMYK 28 / 0 / 80 / 49

HEX #5E821A

RGB 94 130 26

HSL 80.77, 0.67%, 0.31%

LAB 50, -28.3, 48.1

 

CMYK 31 / 0 / 94 / 56

HEX #4D7007

RGB 77 112 7

HSL 80, 0.88%, 0.23%

LAB 43.04, -27.47, 46.69

 

CMYK 36 / 0 / 100 / 63

HEX #3C5E00

RGB 60 94 0

HSL 81.7, 1%, 0.18%

LAB 35.92, -26.19, 42.42

 

CMYK 43 / 0 / 100 / 70

HEX #2B4C00

RGB 43 76 0

HSL 86.05, 1%, 0.15%

LAB 28.6, -24.61, 36.32

 

CMYK 55 / 0 / 100 / 77

HEX #1A3A00

RGB 26 58 0

HSL 93.1, 1%, 0.11%

LAB 21, -22.87, 28.71

 

CMYK 28 / 0 / 80 / 48

HEX #5F841A

RGB 95 132 26

HSL 80.94, 0.67%, 0.31%

LAB 50.7, -28.85, 48.77

 

CMYK 7 / 0 / 80 / 48

HEX #7B841A

RGB 123 132 26

HSL 65.09, 0.67%, 0.31%

LAB 52.72, -16.67, 51.36

 

CMYK 0 / 16 / 80 / 48

HEX #846F1A

RGB 132 111 26

HSL 48.11, 0.67%, 0.31%

LAB 47.43, -0.9, 46.87

 

CMYK 0 / 38 / 80 / 48

HEX #84521A

RGB 132 82 26

HSL 31.7, 0.67%, 0.31%

LAB 39.61, 16.07, 39.54

 

CMYK 0 / 59 / 80 / 48

HEX #84361A

RGB 132 54 26

HSL 15.85, 0.67%, 0.31%

LAB 33.18, 31.86, 33.21

 

CMYK 28 / 0 / 80 / 48

HEX #5F841A

RGB 95 132 26

HSL 80.94, 0.67%, 0.31%

LAB 50.7, -28.85, 48.77

 

CMYK 50 / 0 / 80 / 48

HEX #42841A

RGB 66 132 26

HSL 97.36, 0.67%, 0.31%

LAB 49.17, -39.61, 46.8

 

CMYK 71 / 0 / 80 / 48

HEX #26841A

RGB 38 132 26

HSL 113.21, 0.67%, 0.31%

LAB 48.25, -47.04, 45.59

 

CMYK 80 / 0 / 68 / 48

HEX #1A842A

RGB 26 132 42

HSL 129.06, 0.67%, 0.31%

LAB 48.12, -47.68, 39.07

 

CMYK 80 / 0 / 46 / 48

HEX #1A8447

RGB 26 132 71

HSL 145.47, 0.67%, 0.31%

LAB 48.48, -43.37, 24.84

 

CMYK 28 / 0 / 80 / 48

HEX #5F841A

RGB 95 132 26

HSL 80.94, 0.67%, 0.31%

LAB 50.7, -28.85, 48.77

 

CMYK 31 / 0 / 91 / 44

HEX #63900D

RGB 99 144 13

HSL 80.61, 0.83%, 0.31%

LAB 54.69, -33.34, 55.68

 

CMYK 34 / 0 / 100 / 38

HEX #679D00

RGB 103 157 0

HSL 80.64, 1%, 0.31%

LAB 58.97, -37.89, 61.26

 

CMYK 28 / 0 / 80 / 48

HEX #5F841A

RGB 95 132 26

HSL 80.94, 0.67%, 0.31%

LAB 50.7, -28.85, 48.77

 

CMYK 24 / 0 / 68 / 53

HEX #5B7726

RGB 91 119 38

HSL 80.74, 0.52%, 0.31%

LAB 46.39, -23.34, 39.76

 

CMYK 18 / 0 / 52 / 58

HEX #576A33

RGB 87 106 51

HSL 80.73, 0.35%, 0.31%

LAB 42.11, -16.97, 28.34

 

CMYK 11 / 0 / 31 / 64

HEX #535D40

RGB 83 93 64

HSL 80.69, 0.18%, 0.31%

LAB 37.91, -9.59, 15.41

 

CMYK 1 / 0 / 4 / 69

HEX #4F504D

RGB 79 80 77

HSL 80, 0.02%, 0.31%

LAB 33.85, -1.05, 1.62

 

CMYK 0 / 17 / 80 / 48

HEX #846E1A

RGB 132 110 26

HSL 47.55, 0.67%, 0.31%

LAB 47.15, -0.32, 46.61

 

CMYK 6 / 0 / 80 / 48

HEX #7C841A

RGB 124 132 26

HSL 64.53, 0.67%, 0.31%

LAB 52.8, -16.22, 51.47

 

CMYK 27 / 0 / 80 / 48

HEX #60841A

RGB 96 132 26

HSL 80.38, 0.67%, 0.31%

LAB 50.76, -28.44, 48.85

 

CMYK 48 / 0 / 80 / 48

HEX #44841A

RGB 68 132 26

HSL 96.23, 0.67%, 0.31%

LAB 49.26, -38.96, 46.91

 

CMYK 70 / 0 / 80 / 48

HEX #28841A

RGB 40 132 26

HSL 112.08, 0.67%, 0.31%

LAB 48.3, -46.63, 45.65

 

CMYK 29 / 0 / 81 / 75

HEX #2D3F0C

RGB 45 63 12

HSL 81.18, 0.68%, 0.15%

LAB 24.13, -16.26, 27.4

 

CMYK 28 / 0 / 80 / 62

HEX #466113

RGB 70 97 19

HSL 80.77, 0.67%, 0.23%

LAB 37.66, -22.53, 38.36

 

CMYK 28 / 0 / 80 / 48

HEX #5F841A

RGB 95 132 26

HSL 80.94, 0.67%, 0.31%

LAB 50.7, -28.85, 48.77

 

CMYK 28 / 0 / 81 / 35

HEX #78A620

RGB 120 166 32

HSL 80.6, 0.68%, 0.39%

LAB 62.82, -34.41, 58.62

 

CMYK 28 / 0 / 81 / 22

HEX #91C827

RGB 145 200 39

HSL 80.5, 0.67%, 0.47%

LAB 74.49, -39.71, 67.75

 

CMYK 28 / 0 / 80 / 49

HEX #5E821A

RGB 94 130 26

HSL 80.77, 0.67%, 0.31%

LAB 50, -28.3, 48.1

 

CMYK 80 / 0 / 38 / 48

HEX #1A8452

RGB 26 132 82

HSL 151.7, 0.67%, 0.31%

LAB 48.67, -41.16, 18.96

 

CMYK 6 / 80 / 0 / 48

HEX #7C1A84

RGB 124 26 132

HSL 295.47, 0.67%, 0.31%

LAB 31.09, 53.62, -36.95

 

CMYK 28 / 0 / 80 / 49

HEX #5E821A

RGB 94 130 26

HSL 80.77, 0.67%, 0.31%

LAB 50, -28.3, 48.1

 

CMYK 80 / 27 / 0 / 48

HEX #1A6084

RGB 26 96 132

HSL 200.38, 0.67%, 0.31%

LAB 38.29, -8.04, -26.1

 

CMYK 0 / 80 / 27 / 48

HEX #841A60

RGB 132 26 96

HSL 320.38, 0.67%, 0.31%

LAB 30.61, 49.89, -14.68

 

CMYK 28 / 0 / 80 / 49

HEX #5E821A

RGB 94 130 26

HSL 80.77, 0.67%, 0.31%

LAB 50, -28.3, 48.1

 

CMYK 80 / 0 / 38 / 48

HEX #1A8452

RGB 26 132 82

HSL 151.7, 0.67%, 0.31%

LAB 48.67, -41.16, 18.96

 

CMYK 54 / 80 / 0 / 48

HEX #3D1A84

RGB 61 26 132

HSL 259.81, 0.67%, 0.31%

LAB 21.57, 42.11, -52.84

 

CMYK 0 / 80 / 43 / 48

HEX #841A4B

RGB 132 26 75

HSL 332.26, 0.67%, 0.31%

LAB 29.79, 47.42, -2.13

 

CMYK 28 / 0 / 80 / 49

HEX #5E821A

RGB 94 130 26

HSL 80.77, 0.67%, 0.31%

LAB 50, -28.3, 48.1

 

CMYK 80 / 0 / 14 / 48

HEX #1A8472

RGB 26 132 114

HSL 169.81, 0.67%, 0.31%

LAB 49.42, -33.15, 1.49

 

CMYK 54 / 80 / 0 / 48

HEX #3D1A84

RGB 61 26 132

HSL 259.81, 0.67%, 0.31%

LAB 21.57, 42.11, -52.84

 

CMYK 0 / 80 / 67 / 48

HEX #841A2B

RGB 132 26 43

HSL 350.38, 0.67%, 0.31%

LAB 28.95, 44.79, 18.02

 

Description

Color code: HEX #5E821A | qconv.com Color code: HEX #5E821A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 130 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 130 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 80 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 80% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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