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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8626 it is the complementary color #A179D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8626 shade: #638621, #749834, #85AA47, #96BC5A and #A7CE6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8626 shade: #5E8626, #4D7413, #3C6200, #2B5000 and #1A3E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8626 shade: #5E8726, #788726, #877B26, #876126 and #874626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8626 shade: #5E8726, #448726, #2A8726, #26873C and #268756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8626 shade matches the following richer shades: #5E8726, #619518 and #63A30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8626 shade: #5E8726, #5C7934, #5A6B42, #575D50 and #554F5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8626 shade: #877B26, #788726, #5E8726, #448726 and #2B8726

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8626 shade: #314613, #48671D, #5E8726, #75A72F and #8BC738

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8626 shade: #5E8626, #268762 and #872685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8626 shade: #5E8626, #265E87 and #87265E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8626 shade: #5E8626, #268762, #4E2687 and #87264B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8626 shade: #5E8626, #26877F, #4E2687 and #87262E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 72 / 47

HEX #5E8626

RGB 94 134 38

HSL 85, 0.56%, 0.34%

LAB 51.35, -29.47, 44.98

 

Complementary color

CMYK 26 / 44 / 0 / 15

HEX #A179D9

RGB 161 121 217

HSL 265, 0.56%, 0.66%

LAB 58.28, 34.95, -43.64

 

CMYK 26 / 0 / 75 / 47

HEX #638621

RGB 99 134 33

HSL 80.79, 0.6%, 0.33%

LAB 51.62, -27.77, 47.3

 

CMYK 24 / 0 / 66 / 40

HEX #749834

RGB 116 152 52

HSL 81.6, 0.49%, 0.4%

LAB 58.43, -28.21, 46.92

 

CMYK 22 / 0 / 58 / 33

HEX #85AA47

RGB 133 170 71

HSL 82.42, 0.41%, 0.47%

LAB 65.11, -28.48, 46.05

 

CMYK 20 / 0 / 52 / 26

HEX #96BC5A

RGB 150 188 90

HSL 83.27, 0.42%, 0.55%

LAB 71.68, -28.64, 44.98

 

CMYK 19 / 0 / 47 / 19

HEX #A7CE6D

RGB 167 206 109

HSL 84.12, 0.5%, 0.62%

LAB 78.15, -28.73, 43.84

 

CMYK 30 / 0 / 72 / 47

HEX #5E8626

RGB 94 134 38

HSL 85, 0.56%, 0.34%

LAB 51.35, -29.47, 44.98

 

CMYK 34 / 0 / 84 / 55

HEX #4D7413

RGB 77 116 19

HSL 84.12, 0.72%, 0.26%

LAB 44.4, -28.92, 44.79

 

CMYK 39 / 0 / 100 / 62

HEX #3C6200

RGB 60 98 0

HSL 83.27, 1%, 0.19%

LAB 37.29, -28.09, 43.48

 

CMYK 46 / 0 / 100 / 69

HEX #2B5000

RGB 43 80 0

HSL 87.75, 1%, 0.16%

LAB 30.04, -26.5, 37.45

 

CMYK 58 / 0 / 100 / 76

HEX #1A3E00

RGB 26 62 0

HSL 94.84, 1%, 0.12%

LAB 22.53, -24.71, 30.35

 

CMYK 30 / 0 / 72 / 47

HEX #5E8726

RGB 94 135 38

HSL 85.36, 0.56%, 0.34%

LAB 51.66, -29.95, 45.3

 

CMYK 11 / 0 / 72 / 47

HEX #788726

RGB 120 135 38

HSL 69.28, 0.56%, 0.34%

LAB 53.45, -18.98, 47.68

 

CMYK 0 / 9 / 72 / 47

HEX #877B26

RGB 135 123 38

HSL 52.58, 0.56%, 0.34%

LAB 51.22, -5.69, 45.88

 

CMYK 0 / 28 / 72 / 47

HEX #876126

RGB 135 97 38

HSL 36.49, 0.56%, 0.34%

LAB 44, 9.24, 38.47

 

CMYK 0 / 48 / 72 / 47

HEX #874626

RGB 135 70 38

HSL 19.79, 0.56%, 0.34%

LAB 37.25, 24.98, 31.13

 

CMYK 30 / 0 / 72 / 47

HEX #5E8726

RGB 94 135 38

HSL 85.36, 0.56%, 0.34%

LAB 51.66, -29.95, 45.3

 

CMYK 50 / 0 / 72 / 47

HEX #448726

RGB 68 135 38

HSL 101.44, 0.56%, 0.34%

LAB 50.33, -39.34, 43.51

 

CMYK 69 / 0 / 72 / 47

HEX #2A8726

RGB 42 135 38

HSL 117.53, 0.56%, 0.34%

LAB 49.45, -46.31, 42.31

 

CMYK 72 / 0 / 56 / 47

HEX #26873C

RGB 38 135 60

HSL 133.61, 0.56%, 0.34%

LAB 49.58, -44.44, 32.11

 

CMYK 72 / 0 / 36 / 47

HEX #268756

RGB 38 135 86

HSL 149.69, 0.56%, 0.34%

LAB 49.99, -39.73, 18.5

 

CMYK 30 / 0 / 72 / 47

HEX #5E8726

RGB 94 135 38

HSL 85.36, 0.56%, 0.34%

LAB 51.66, -29.95, 45.3

 

CMYK 35 / 0 / 84 / 42

HEX #619518

RGB 97 149 24

HSL 84.96, 0.72%, 0.34%

LAB 56.19, -36, 54.4

 

CMYK 39 / 0 / 94 / 36

HEX #63A30A

RGB 99 163 10

HSL 85.1, 0.88%, 0.34%

LAB 60.67, -41.75, 61.07

 

CMYK 30 / 0 / 72 / 47

HEX #5E8726

RGB 94 135 38

HSL 85.36, 0.56%, 0.34%

LAB 51.66, -29.95, 45.3

 

CMYK 24 / 0 / 57 / 53

HEX #5C7934

RGB 92 121 52

HSL 85.22, 0.4%, 0.34%

LAB 47.23, -22.63, 33.99

 

CMYK 16 / 0 / 38 / 58

HEX #5A6B42

RGB 90 107 66

HSL 84.88, 0.24%, 0.34%

LAB 42.89, -14.23, 20.92

 

CMYK 6 / 0 / 14 / 64

HEX #575D50

RGB 87 93 80

HSL 87.69, 0.08%, 0.34%

LAB 38.61, -5.05, 6.67

 

CMYK 10 / 16 / 0 / 63

HEX #554F5E

RGB 85 79 94

HSL 264, 0.09%, 0.34%

LAB 34.66, 5.77, -7.86

 

CMYK 0 / 9 / 72 / 47

HEX #877B26

RGB 135 123 38

HSL 52.58, 0.56%, 0.34%

LAB 51.22, -5.69, 45.88

 

CMYK 11 / 0 / 72 / 47

HEX #788726

RGB 120 135 38

HSL 69.28, 0.56%, 0.34%

LAB 53.45, -18.98, 47.68

 

CMYK 30 / 0 / 72 / 47

HEX #5E8726

RGB 94 135 38

HSL 85.36, 0.56%, 0.34%

LAB 51.66, -29.95, 45.3

 

CMYK 50 / 0 / 72 / 47

HEX #448726

RGB 68 135 38

HSL 101.44, 0.56%, 0.34%

LAB 50.33, -39.34, 43.51

 

CMYK 68 / 0 / 72 / 47

HEX #2B8726

RGB 43 135 38

HSL 116.91, 0.56%, 0.34%

LAB 49.47, -46.09, 42.35

 

CMYK 30 / 0 / 73 / 73

HEX #314613

RGB 49 70 19

HSL 84.71, 0.57%, 0.17%

LAB 26.96, -17.67, 27.13

 

CMYK 30 / 0 / 72 / 60

HEX #48671D

RGB 72 103 29

HSL 85.14, 0.56%, 0.26%

LAB 39.86, -24.01, 36.52

 

CMYK 30 / 0 / 72 / 47

HEX #5E8726

RGB 94 135 38

HSL 85.36, 0.56%, 0.34%

LAB 51.66, -29.95, 45.3

 

CMYK 30 / 0 / 72 / 35

HEX #75A72F

RGB 117 167 47

HSL 85, 0.56%, 0.42%

LAB 63.03, -35.21, 53.73

 

CMYK 30 / 0 / 72 / 22

HEX #8BC738

RGB 139 199 56

HSL 85.17, 0.56%, 0.5%

LAB 73.95, -40.65, 61.75

 

CMYK 30 / 0 / 72 / 47

HEX #5E8626

RGB 94 134 38

HSL 85, 0.56%, 0.34%

LAB 51.35, -29.47, 44.98

 

CMYK 72 / 0 / 27 / 47

HEX #268762

RGB 38 135 98

HSL 157.11, 0.56%, 0.34%

LAB 50.24, -37.03, 12

 

CMYK 0 / 72 / 1 / 47

HEX #872685

RGB 135 38 133

HSL 301.24, 0.56%, 0.34%

LAB 34.46, 52.22, -32.1

 

CMYK 30 / 0 / 72 / 47

HEX #5E8626

RGB 94 134 38

HSL 85, 0.56%, 0.34%

LAB 51.35, -29.47, 44.98

 

CMYK 72 / 30 / 0 / 47

HEX #265E87

RGB 38 94 135

HSL 205.36, 0.56%, 0.34%

LAB 38.14, -4, -28.14

 

CMYK 0 / 72 / 30 / 47

HEX #87265E

RGB 135 38 94

HSL 325.36, 0.56%, 0.34%

LAB 32.58, 46.25, -10.33

 

CMYK 30 / 0 / 72 / 47

HEX #5E8626

RGB 94 134 38

HSL 85, 0.56%, 0.34%

LAB 51.35, -29.47, 44.98

 

CMYK 72 / 0 / 27 / 47

HEX #268762

RGB 38 135 98

HSL 157.11, 0.56%, 0.34%

LAB 50.24, -37.03, 12

 

CMYK 42 / 72 / 0 / 47

HEX #4E2687

RGB 78 38 135

HSL 264.74, 0.56%, 0.34%

LAB 26.03, 39.86, -47.35

 

CMYK 0 / 72 / 44 / 47

HEX #87264B

RGB 135 38 75

HSL 337.11, 0.56%, 0.34%

LAB 31.91, 44.01, 1.03

 

CMYK 30 / 0 / 72 / 47

HEX #5E8626

RGB 94 134 38

HSL 85, 0.56%, 0.34%

LAB 51.35, -29.47, 44.98

 

CMYK 72 / 0 / 6 / 47

HEX #26877F

RGB 38 135 127

HSL 175.05, 0.56%, 0.34%

LAB 51, -29.27, -3.76

 

CMYK 42 / 72 / 0 / 47

HEX #4E2687

RGB 78 38 135

HSL 264.74, 0.56%, 0.34%

LAB 26.03, 39.86, -47.35

 

CMYK 0 / 72 / 66 / 47

HEX #87262E

RGB 135 38 46

HSL 355.05, 0.56%, 0.34%

LAB 31.19, 41.54, 19.04

 

Description

Color code: HEX #5E8626 | qconv.com Color code: HEX #5E8626 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 134 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 134 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 72 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 72% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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