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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E79BC it is the complementary color #A18643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E79BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E79BC shade: #6379B7, #748BCA, #859DDD, #96AFF0 and #A7C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E79BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E79BC shade: #5E79BC, #4D67A9, #3C5596, #2B4383 and #1A3170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E79BC shade: #5D78BB, #5D5EBB, #745DBB, #8E5DBB and #A75DBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E79BC shade: #5D78BB, #5D5EBB and #5D5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E79BC shade matches the following richer shades: #5D78BB, #4A70CD, #3868E0 and #2560F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E79BC shade: #5D78BB, #6F80A8, #828896, #948F83 and #A79771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E79BC shade: #5DABBB, #5D92BB, #5D79BB, #5D60BB and #735DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E79BC shade: #3A518B, #4662A8, #5D78BB, #7A90C7 and #97A8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E79BC shade: #5E79BC, #B15DBB and #9FBB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E79BC shade: #5E79BC, #BB5D79 and #79BB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E79BC shade: #5E79BC, #B15DBB, #BB9F5D and #66BB5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E79BC shade: #5E79BC, #BB5DA8, #BB9F5D and #5DBB70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 36 / 0 / 26

HEX #5E79BC

RGB 94 121 188

HSL 222.77, 0.41%, 0.55%

LAB 51.48, 9.14, -38.26

 

Complementary color

CMYK 0 / 17 / 58 / 37

HEX #A18643

RGB 161 134 67

HSL 42.77, 0.41%, 0.45%

LAB 57.11, 1.95, 39.36

 

CMYK 46 / 34 / 0 / 28

HEX #6379B7

RGB 99 121 183

HSL 224.29, 0.37%, 0.55%

LAB 51.55, 8.84, -35.25

 

CMYK 43 / 31 / 0 / 21

HEX #748BCA

RGB 116 139 202

HSL 223.95, 0.45%, 0.62%

LAB 58.45, 8.15, -35.19

 

CMYK 40 / 29 / 0 / 13

HEX #859DDD

RGB 133 157 221

HSL 223.64, 0.56%, 0.69%

LAB 65.22, 7.56, -35.18

 

CMYK 38 / 27 / 0 / 6

HEX #96AFF0

RGB 150 175 240

HSL 223.33, 0.75%, 0.76%

LAB 71.85, 7.06, -35.2

 

CMYK 35 / 24 / 0 / 0

HEX #A7C1FF

RGB 167 193 255

HSL 222.27, 1%, 0.83%

LAB 78.21, 5.6, -33.35

 

CMYK 50 / 36 / 0 / 26

HEX #5E79BC

RGB 94 121 188

HSL 222.77, 0.41%, 0.55%

LAB 51.48, 9.14, -38.26

 

CMYK 54 / 39 / 0 / 34

HEX #4D67A9

RGB 77 103 169

HSL 223.04, 0.37%, 0.48%

LAB 44.44, 10.13, -38.4

 

CMYK 60 / 43 / 0 / 41

HEX #3C5596

RGB 60 85 150

HSL 223.33, 0.43%, 0.41%

LAB 37.22, 11.38, -38.61

 

CMYK 67 / 49 / 0 / 49

HEX #2B4383

RGB 43 67 131

HSL 223.64, 0.51%, 0.34%

LAB 29.83, 13.04, -38.86

 

CMYK 77 / 56 / 0 / 56

HEX #1A3170

RGB 26 49 112

HSL 223.95, 0.62%, 0.27%

LAB 22.25, 15.31, -39.12

 

CMYK 50 / 36 / 0 / 27

HEX #5D78BB

RGB 93 120 187

HSL 222.77, 0.41%, 0.55%

LAB 51.09, 9.2, -38.3

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 38 / 50 / 0 / 27

HEX #745DBB

RGB 116 93 187

HSL 254.68, 0.41%, 0.55%

LAB 45.81, 31.4, -46.56

 

CMYK 24 / 50 / 0 / 27

HEX #8E5DBB

RGB 142 93 187

HSL 271.28, 0.41%, 0.55%

LAB 48.47, 38.31, -42.17

 

CMYK 11 / 50 / 0 / 27

HEX #A75DBB

RGB 167 93 187

HSL 287.23, 0.41%, 0.55%

LAB 51.42, 45.31, -37.32

 

CMYK 50 / 36 / 0 / 27

HEX #5D78BB

RGB 93 120 187

HSL 222.77, 0.41%, 0.55%

LAB 51.09, 9.2, -38.3

 

CMYK 50 / 50 / 0 / 27

HEX #5D5EBB

RGB 93 94 187

HSL 239.36, 0.41%, 0.55%

LAB 44.12, 25.24, -49.38

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 50 / 36 / 0 / 27

HEX #5D78BB

RGB 93 120 187

HSL 222.77, 0.41%, 0.55%

LAB 51.09, 9.2, -38.3

 

CMYK 64 / 45 / 0 / 20

HEX #4A70CD

RGB 74 112 205

HSL 222.6, 0.57%, 0.55%

LAB 48.82, 16.17, -52.29

 

CMYK 75 / 54 / 0 / 12

HEX #3868E0

RGB 56 104 224

HSL 222.86, 0.73%, 0.55%

LAB 47.14, 25.44, -65.85

 

CMYK 85 / 60 / 0 / 5

HEX #2560F2

RGB 37 96 242

HSL 222.73, 0.89%, 0.55%

LAB 45.87, 35.48, -78.08

 

CMYK 50 / 36 / 0 / 27

HEX #5D78BB

RGB 93 120 187

HSL 222.77, 0.41%, 0.55%

LAB 51.09, 9.2, -38.3

 

CMYK 34 / 24 / 0 / 34

HEX #6F80A8

RGB 111 128 168

HSL 222.11, 0.25%, 0.55%

LAB 53.65, 3.7, -23.27

 

CMYK 13 / 9 / 0 / 41

HEX #828896

RGB 130 136 150

HSL 222, 0.09%, 0.55%

LAB 56.64, 0.78, -8.22

 

CMYK 0 / 3 / 11 / 42

HEX #948F83

RGB 148 143 131

HSL 42.35, 0.07%, 0.55%

LAB 59.51, -0.34, 7.04

 

CMYK 0 / 10 / 32 / 35

HEX #A79771

RGB 167 151 113

HSL 42.22, 0.23%, 0.55%

LAB 62.96, 0.02, 22.2

 

CMYK 50 / 9 / 0 / 27

HEX #5DABBB

RGB 93 171 187

HSL 190.21, 0.41%, 0.55%

LAB 65.78, -19.62, -15.63

 

CMYK 50 / 22 / 0 / 27

HEX #5D92BB

RGB 93 146 187

HSL 206.17, 0.41%, 0.55%

LAB 58.48, -6.06, -26.77

 

CMYK 50 / 35 / 0 / 27

HEX #5D79BB

RGB 93 121 187

HSL 222.13, 0.41%, 0.55%

LAB 51.37, 8.59, -37.86

 

CMYK 50 / 49 / 0 / 27

HEX #5D60BB

RGB 93 96 187

HSL 238.09, 0.41%, 0.55%

LAB 44.63, 24, -48.56

 

CMYK 39 / 50 / 0 / 27

HEX #735DBB

RGB 115 93 187

HSL 254.04, 0.41%, 0.55%

LAB 45.72, 31.14, -46.72

 

CMYK 58 / 42 / 0 / 45

HEX #3A518B

RGB 58 81 139

HSL 222.96, 0.41%, 0.39%

LAB 35.3, 9.68, -35

 

CMYK 58 / 42 / 0 / 34

HEX #4662A8

RGB 70 98 168

HSL 222.86, 0.41%, 0.47%

LAB 42.56, 11.41, -40.82

 

CMYK 50 / 36 / 0 / 27

HEX #5D78BB

RGB 93 120 187

HSL 222.77, 0.41%, 0.55%

LAB 51.09, 9.2, -38.3

 

CMYK 39 / 28 / 0 / 22

HEX #7A90C7

RGB 122 144 199

HSL 222.86, 0.41%, 0.63%

LAB 60.08, 6, -30.95

 

CMYK 28 / 20 / 0 / 17

HEX #97A8D3

RGB 151 168 211

HSL 223, 0.41%, 0.71%

LAB 68.96, 3.82, -23.78

 

CMYK 50 / 36 / 0 / 26

HEX #5E79BC

RGB 94 121 188

HSL 222.77, 0.41%, 0.55%

LAB 51.48, 9.14, -38.26

 

CMYK 5 / 50 / 0 / 27

HEX #B15DBB

RGB 177 93 187

HSL 293.62, 0.41%, 0.55%

LAB 52.69, 48.15, -35.24

 

CMYK 15 / 0 / 50 / 27

HEX #9FBB5D

RGB 159 187 93

HSL 77.87, 0.41%, 0.55%

LAB 72.03, -24.34, 44.09

 

CMYK 50 / 36 / 0 / 26

HEX #5E79BC

RGB 94 121 188

HSL 222.77, 0.41%, 0.55%

LAB 51.48, 9.14, -38.26

 

CMYK 0 / 50 / 35 / 27

HEX #BB5D79

RGB 187 93 121

HSL 342.13, 0.41%, 0.55%

LAB 51.58, 40.84, 2.01

 

CMYK 35 / 0 / 50 / 27

HEX #79BB5D

RGB 121 187 93

HSL 102.13, 0.41%, 0.55%

LAB 69.75, -38.39, 40.8

 

CMYK 50 / 36 / 0 / 26

HEX #5E79BC

RGB 94 121 188

HSL 222.77, 0.41%, 0.55%

LAB 51.48, 9.14, -38.26

 

CMYK 5 / 50 / 0 / 27

HEX #B15DBB

RGB 177 93 187

HSL 293.62, 0.41%, 0.55%

LAB 52.69, 48.15, -35.24

 

CMYK 0 / 15 / 50 / 27

HEX #BB9F5D

RGB 187 159 93

HSL 42.13, 0.41%, 0.55%

LAB 66.64, 1.74, 38.05

 

CMYK 45 / 0 / 50 / 27

HEX #66BB5D

RGB 102 187 93

HSL 114.26, 0.41%, 0.55%

LAB 68.86, -44.47, 39.51

 

CMYK 50 / 36 / 0 / 26

HEX #5E79BC

RGB 94 121 188

HSL 222.77, 0.41%, 0.55%

LAB 51.48, 9.14, -38.26

 

CMYK 0 / 50 / 10 / 27

HEX #BB5DA8

RGB 187 93 168

HSL 312.13, 0.41%, 0.55%

LAB 53.19, 47.69, -23.33

 

CMYK 0 / 15 / 50 / 27

HEX #BB9F5D

RGB 187 159 93

HSL 42.13, 0.41%, 0.55%

LAB 66.64, 1.74, 38.05

 

CMYK 50 / 0 / 40 / 27

HEX #5DBB70

RGB 93 187 112

HSL 132.13, 0.41%, 0.55%

LAB 68.78, -44.17, 29.64

 

Description

Color code: HEX #5E79BC | qconv.com Color code: HEX #5E79BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 121 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 121 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 36 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 36% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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