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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7897 it is the complementary color #A18768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7897 shade: #637892, #748AA5, #859CB8, #96AECB and #A7C0DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7897 shade: #5E7897, #4D6684, #3C5471, #2B425E and #1A304B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7897 shade: #5E7796, #5E6896, #625E96, #725E96 and #815E96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7897 shade: #5E7796, #5E6896 and #5E5E96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7897 shade matches the following richer shades: #5E7796, #4A76AA, #3674BE, #2272D1 and #0F70E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7897 shade: #5E7796, #727982, #857B6E, #997D5B and #AD7E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7897 shade: #5E9696, #5E8796, #5E7896, #5E6996 and #625E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7897 shade: #3E4F63, #4E637D, #5E7796, #758CA8 and #8EA1B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7897 shade: #5E7897, #875E96 and #8F965E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7897 shade: #5E7897, #965E78 and #78965E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7897 shade: #5E7897, #875E96, #967C5E and #6D965E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7897 shade: #5E7897, #965E94, #967C5E and #5E9660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 21 / 0 / 41

HEX #5E7897

RGB 94 120 151

HSL 212.63, 0.23%, 0.48%

LAB 49.55, -1.29, -19.77

 

Complementary color

CMYK 0 / 16 / 35 / 37

HEX #A18768

RGB 161 135 104

HSL 32.63, 0.23%, 0.52%

LAB 57.95, 5.26, 20.36

 

CMYK 32 / 18 / 0 / 43

HEX #637892

RGB 99 120 146

HSL 213.19, 0.19%, 0.48%

LAB 49.69, -1.16, -16.59

 

CMYK 30 / 16 / 0 / 35

HEX #748AA5

RGB 116 138 165

HSL 213.06, 0.21%, 0.55%

LAB 56.69, -1.37, -16.87

 

CMYK 28 / 15 / 0 / 28

HEX #859CB8

RGB 133 156 184

HSL 212.94, 0.26%, 0.62%

LAB 63.53, -1.56, -17.16

 

CMYK 26 / 14 / 0 / 20

HEX #96AECB

RGB 150 174 203

HSL 212.83, 0.34%, 0.69%

LAB 70.22, -1.72, -17.46

 

CMYK 25 / 14 / 0 / 13

HEX #A7C0DE

RGB 167 192 222

HSL 212.73, 0.45%, 0.76%

LAB 76.79, -1.88, -17.78

 

CMYK 38 / 21 / 0 / 41

HEX #5E7897

RGB 94 120 151

HSL 212.63, 0.23%, 0.48%

LAB 49.55, -1.29, -19.77

 

CMYK 42 / 23 / 0 / 48

HEX #4D6684

RGB 77 102 132

HSL 212.73, 0.26%, 0.41%

LAB 42.38, -0.96, -19.58

 

CMYK 47 / 26 / 0 / 56

HEX #3C5471

RGB 60 84 113

HSL 212.83, 0.31%, 0.34%

LAB 34.99, -0.53, -19.44

 

CMYK 54 / 30 / 0 / 63

HEX #2B425E

RGB 43 66 94

HSL 212.94, 0.37%, 0.27%

LAB 27.35, 0.06, -19.35

 

CMYK 65 / 36 / 0 / 71

HEX #1A304B

RGB 26 48 75

HSL 213.06, 0.49%, 0.2%

LAB 19.4, 0.98, -19.32

 

CMYK 37 / 21 / 0 / 41

HEX #5E7796

RGB 94 119 150

HSL 213.21, 0.23%, 0.48%

LAB 49.22, -0.99, -19.69

 

CMYK 37 / 31 / 0 / 41

HEX #5E6896

RGB 94 104 150

HSL 229.29, 0.23%, 0.48%

LAB 44.92, 8.06, -26.34

 

CMYK 35 / 37 / 0 / 41

HEX #625E96

RGB 98 94 150

HSL 244.29, 0.23%, 0.48%

LAB 42.47, 15.43, -30.14

 

CMYK 24 / 37 / 0 / 41

HEX #725E96

RGB 114 94 150

HSL 261.43, 0.23%, 0.48%

LAB 43.92, 20.34, -27.76

 

CMYK 14 / 37 / 0 / 41

HEX #815E96

RGB 129 94 150

HSL 277.5, 0.23%, 0.48%

LAB 45.46, 25.16, -25.24

 

CMYK 37 / 21 / 0 / 41

HEX #5E7796

RGB 94 119 150

HSL 213.21, 0.23%, 0.48%

LAB 49.22, -0.99, -19.69

 

CMYK 37 / 31 / 0 / 41

HEX #5E6896

RGB 94 104 150

HSL 229.29, 0.23%, 0.48%

LAB 44.92, 8.06, -26.34

 

CMYK 37 / 37 / 0 / 41

HEX #5E5E96

RGB 94 94 150

HSL 240, 0.23%, 0.48%

LAB 42.13, 14.26, -30.69

 

CMYK 37 / 21 / 0 / 41

HEX #5E7796

RGB 94 119 150

HSL 213.21, 0.23%, 0.48%

LAB 49.22, -0.99, -19.69

 

CMYK 56 / 31 / 0 / 33

HEX #4A76AA

RGB 74 118 170

HSL 212.5, 0.39%, 0.48%

LAB 48.65, 0.57, -32.36

 

CMYK 72 / 39 / 0 / 25

HEX #3674BE

RGB 54 116 190

HSL 212.65, 0.56%, 0.48%

LAB 48.25, 5.11, -44.64

 

CMYK 84 / 45 / 0 / 18

HEX #2272D1

RGB 34 114 209

HSL 212.57, 0.72%, 0.48%

LAB 48.23, 11.25, -55.59

 

CMYK 93 / 51 / 0 / 10

HEX #0F70E5

RGB 15 112 229

HSL 212.8, 0.88%, 0.48%

LAB 48.69, 19.2, -66.19

 

CMYK 37 / 21 / 0 / 41

HEX #5E7796

RGB 94 119 150

HSL 213.21, 0.23%, 0.48%

LAB 49.22, -0.99, -19.69

 

CMYK 12 / 7 / 0 / 49

HEX #727982

RGB 114 121 130

HSL 213.75, 0.07%, 0.48%

LAB 50.53, -0.66, -5.81

 

CMYK 0 / 8 / 17 / 48

HEX #857B6E

RGB 133 123 110

HSL 33.91, 0.09%, 0.48%

LAB 52.15, 1.5, 8.48

 

CMYK 0 / 18 / 41 / 40

HEX #997D5B

RGB 153 125 91

HSL 32.9, 0.25%, 0.48%

LAB 54.23, 5.93, 22.6

 

CMYK 0 / 27 / 59 / 32

HEX #AD7E47

RGB 173 126 71

HSL 32.35, 0.42%, 0.48%

LAB 56.35, 12.03, 36.71

 

CMYK 37 / 0 / 0 / 41

HEX #5E9696

RGB 94 150 150

HSL 180, 0.23%, 0.48%

LAB 58.41, -18.33, -5.83

 

CMYK 37 / 10 / 0 / 41

HEX #5E8796

RGB 94 135 150

HSL 196.07, 0.23%, 0.48%

LAB 53.93, -10.18, -12.53

 

CMYK 37 / 20 / 0 / 41

HEX #5E7896

RGB 94 120 150

HSL 212.14, 0.23%, 0.48%

LAB 49.51, -1.57, -19.24

 

CMYK 37 / 30 / 0 / 41

HEX #5E6996

RGB 94 105 150

HSL 228.21, 0.23%, 0.48%

LAB 45.2, 7.44, -25.9

 

CMYK 35 / 37 / 0 / 41

HEX #625E96

RGB 98 94 150

HSL 244.29, 0.23%, 0.48%

LAB 42.47, 15.43, -30.14

 

CMYK 37 / 20 / 0 / 61

HEX #3E4F63

RGB 62 79 99

HSL 212.43, 0.23%, 0.32%

LAB 32.96, -1.09, -13.78

 

CMYK 38 / 21 / 0 / 51

HEX #4E637D

RGB 78 99 125

HSL 213.19, 0.23%, 0.4%

LAB 41.25, -0.89, -17.07

 

CMYK 37 / 21 / 0 / 41

HEX #5E7796

RGB 94 119 150

HSL 213.21, 0.23%, 0.48%

LAB 49.22, -0.99, -19.69

 

CMYK 30 / 17 / 0 / 34

HEX #758CA8

RGB 117 140 168

HSL 212.94, 0.23%, 0.56%

LAB 57.43, -1.44, -17.45

 

CMYK 23 / 13 / 0 / 28

HEX #8EA1B8

RGB 142 161 184

HSL 212.86, 0.23%, 0.64%

LAB 65.52, -1.54, -14.09

 

CMYK 38 / 21 / 0 / 41

HEX #5E7897

RGB 94 120 151

HSL 212.63, 0.23%, 0.48%

LAB 49.55, -1.29, -19.77

 

CMYK 10 / 37 / 0 / 41

HEX #875E96

RGB 135 94 150

HSL 283.93, 0.23%, 0.48%

LAB 46.12, 27.13, -24.17

 

CMYK 5 / 0 / 37 / 41

HEX #8F965E

RGB 143 150 94

HSL 67.5, 0.23%, 0.48%

LAB 60.3, -11.75, 28.71

 

CMYK 38 / 21 / 0 / 41

HEX #5E7897

RGB 94 120 151

HSL 212.63, 0.23%, 0.48%

LAB 49.55, -1.29, -19.77

 

CMYK 0 / 37 / 20 / 41

HEX #965E78

RGB 150 94 120

HSL 332.14, 0.23%, 0.48%

LAB 46.77, 26.68, -5.04

 

CMYK 20 / 0 / 37 / 41

HEX #78965E

RGB 120 150 94

HSL 92.14, 0.23%, 0.48%

LAB 58.62, -20.93, 26.19

 

CMYK 38 / 21 / 0 / 41

HEX #5E7897

RGB 94 120 151

HSL 212.63, 0.23%, 0.48%

LAB 49.55, -1.29, -19.77

 

CMYK 10 / 37 / 0 / 41

HEX #875E96

RGB 135 94 150

HSL 283.93, 0.23%, 0.48%

LAB 46.12, 27.13, -24.17

 

CMYK 0 / 17 / 37 / 41

HEX #967C5E

RGB 150 124 94

HSL 32.14, 0.23%, 0.48%

LAB 53.72, 5.59, 20.15

 

CMYK 27 / 0 / 37 / 41

HEX #6D965E

RGB 109 150 94

HSL 103.93, 0.23%, 0.48%

LAB 57.92, -25.06, 25.14

 

CMYK 38 / 21 / 0 / 41

HEX #5E7897

RGB 94 120 151

HSL 212.63, 0.23%, 0.48%

LAB 49.55, -1.29, -19.77

 

CMYK 0 / 37 / 1 / 41

HEX #965E94

RGB 150 94 148

HSL 302.14, 0.23%, 0.48%

LAB 47.79, 31.7, -20.27

 

CMYK 0 / 17 / 37 / 41

HEX #967C5E

RGB 150 124 94

HSL 32.14, 0.23%, 0.48%

LAB 53.72, 5.59, 20.15

 

CMYK 37 / 0 / 36 / 41

HEX #5E9660

RGB 94 150 96

HSL 122.14, 0.23%, 0.48%

LAB 57.11, -29.96, 22.83

 

Description

Color code: HEX #5E7897 | qconv.com Color code: HEX #5E7897 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 120 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 120 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 21 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 21% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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