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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5110 it is the complementary color #A1AEEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5110 shade: #63510B, #74631E, #857531, #968744 and #A79957

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5110 shade: #5E5110, #4D3F00, #3C2D00, #2B1B00 and #1A0900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5110 shade: #5F5210, #5F3D10, #5F2710, #5F1210 and #5F1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5110 shade: #5F5210, #575F10, #425F10, #2C5F10 and #175F10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5110 shade matches the following richer shades: #5F5210 and #695807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5110 shade: #5F5210, #564C19, #4D4622, #44402B and #3B3A34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5110 shade: #5F2810, #5F3D10, #5F5210, #575F10 and #425F10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5110 shade: #191504, #3C340A, #5F5210, #837116 and #A68F1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5110 shade: #5E5110, #105F12 and #32105F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5110 shade: #5E5110, #105F52 and #52105F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5110 shade: #5E5110, #105F12, #101D5F and #5F105D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5110 shade: #5E5110, #105F2A, #101D5F and #5F1045

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 83 / 63

HEX #5E5110

RGB 94 81 16

HSL 50, 0.71%, 0.22%

LAB 34.6, -2.22, 37.37

 

Complementary color

CMYK 33 / 27 / 0 / 6

HEX #A1AEEF

RGB 161 174 239

HSL 230, 0.71%, 0.78%

LAB 72.28, 10.36, -33.93

 

CMYK 0 / 18 / 89 / 61

HEX #63510B

RGB 99 81 11

HSL 47.73, 0.8%, 0.22%

LAB 35.13, 0.1, 39.78

 

CMYK 0 / 15 / 74 / 55

HEX #74631E

RGB 116 99 30

HSL 48.14, 0.59%, 0.29%

LAB 42.35, -1.4, 39.81

 

CMYK 0 / 12 / 63 / 48

HEX #857531

RGB 133 117 49

HSL 48.57, 0.46%, 0.36%

LAB 49.41, -2.53, 38.88

 

CMYK 0 / 10 / 55 / 41

HEX #968744

RGB 150 135 68

HSL 49.02, 0.38%, 0.43%

LAB 56.32, -3.39, 37.66

 

CMYK 0 / 8 / 48 / 35

HEX #A79957

RGB 167 153 87

HSL 49.5, 0.31%, 0.5%

LAB 63.08, -4.08, 36.37

 

CMYK 0 / 14 / 83 / 63

HEX #5E5110

RGB 94 81 16

HSL 50, 0.71%, 0.22%

LAB 34.6, -2.22, 37.37

 

CMYK 0 / 18 / 100 / 70

HEX #4D3F00

RGB 77 63 0

HSL 49.09, 1%, 0.15%

LAB 27.11, -0.52, 36.22

 

CMYK 0 / 25 / 100 / 76

HEX #3C2D00

RGB 60 45 0

HSL 45, 1%, 0.12%

LAB 19.38, 1.95, 27.69

 

CMYK 0 / 37 / 100 / 83

HEX #2B1B00

RGB 43 27 0

HSL 37.67, 1%, 0.08%

LAB 11.26, 4.73, 16.87

 

CMYK 0 / 65 / 100 / 90

HEX #1A0900

RGB 26 9 0

HSL 20.77, 1%, 0.05%

LAB 3.75, 5.29, 5.71

 

CMYK 0 / 14 / 83 / 63

HEX #5F5210

RGB 95 82 16

HSL 50.13, 0.71%, 0.22%

LAB 35.01, -2.32, 37.78

 

CMYK 0 / 36 / 83 / 63

HEX #5F3D10

RGB 95 61 16

HSL 34.18, 0.71%, 0.22%

LAB 28.92, 10.65, 32.1

 

CMYK 0 / 59 / 83 / 63

HEX #5F2710

RGB 95 39 16

HSL 17.47, 0.71%, 0.22%

LAB 23.41, 23.97, 26.7

 

CMYK 0 / 81 / 83 / 63

HEX #5F1210

RGB 95 18 16

HSL 1.52, 0.71%, 0.22%

LAB 19.65, 34.04, 22.65

 

CMYK 0 / 83 / 83 / 63

HEX #5F1010

RGB 95 16 16

HSL 0, 0.71%, 0.22%

LAB 19.4, 34.76, 22.35

 

CMYK 0 / 14 / 83 / 63

HEX #5F5210

RGB 95 82 16

HSL 50.13, 0.71%, 0.22%

LAB 35.01, -2.32, 37.78

 

CMYK 8 / 0 / 83 / 63

HEX #575F10

RGB 87 95 16

HSL 66.08, 0.71%, 0.22%

LAB 38.28, -13.8, 40.47

 

CMYK 31 / 0 / 83 / 63

HEX #425F10

RGB 66 95 16

HSL 82.03, 0.71%, 0.22%

LAB 36.71, -23.42, 38.44

 

CMYK 54 / 0 / 83 / 63

HEX #2C5F10

RGB 44 95 16

HSL 98.73, 0.71%, 0.22%

LAB 35.51, -31.93, 36.89

 

CMYK 76 / 0 / 83 / 63

HEX #175F10

RGB 23 95 16

HSL 114.68, 0.71%, 0.22%

LAB 34.81, -37.61, 35.97

 

CMYK 0 / 14 / 83 / 63

HEX #5F5210

RGB 95 82 16

HSL 50.13, 0.71%, 0.22%

LAB 35.01, -2.32, 37.78

 

CMYK 0 / 16 / 93 / 59

HEX #695807

RGB 105 88 7

HSL 49.59, 0.88%, 0.22%

LAB 37.84, -1.22, 43.46

 

CMYK 0 / 14 / 83 / 63

HEX #5F5210

RGB 95 82 16

HSL 50.13, 0.71%, 0.22%

LAB 35.01, -2.32, 37.78

 

CMYK 0 / 12 / 71 / 66

HEX #564C19

RGB 86 76 25

HSL 50.16, 0.55%, 0.22%

LAB 32.3, -2.69, 30.81

 

CMYK 0 / 9 / 56 / 70

HEX #4D4622

RGB 77 70 34

HSL 50.23, 0.39%, 0.22%

LAB 29.6, -2.68, 22.59

 

CMYK 0 / 6 / 37 / 73

HEX #44402B

RGB 68 64 43

HSL 50.4, 0.23%, 0.22%

LAB 26.93, -2.15, 13.49

 

CMYK 0 / 2 / 12 / 77

HEX #3B3A34

RGB 59 58 52

HSL 51.43, 0.06%, 0.22%

LAB 24.33, -0.86, 3.88

 

CMYK 0 / 58 / 83 / 63

HEX #5F2810

RGB 95 40 16

HSL 18.23, 0.71%, 0.22%

LAB 23.63, 23.41, 26.92

 

CMYK 0 / 36 / 83 / 63

HEX #5F3D10

RGB 95 61 16

HSL 34.18, 0.71%, 0.22%

LAB 28.92, 10.65, 32.1

 

CMYK 0 / 14 / 83 / 63

HEX #5F5210

RGB 95 82 16

HSL 50.13, 0.71%, 0.22%

LAB 35.01, -2.32, 37.78

 

CMYK 8 / 0 / 83 / 63

HEX #575F10

RGB 87 95 16

HSL 66.08, 0.71%, 0.22%

LAB 38.28, -13.8, 40.47

 

CMYK 31 / 0 / 83 / 63

HEX #425F10

RGB 66 95 16

HSL 82.03, 0.71%, 0.22%

LAB 36.71, -23.42, 38.44

 

CMYK 0 / 16 / 84 / 90

HEX #191504

RGB 25 21 4

HSL 48.57, 0.72%, 0.06%

LAB 6.79, -0.96, 8.51

 

CMYK 0 / 13 / 83 / 76

HEX #3C340A

RGB 60 52 10

HSL 50.4, 0.71%, 0.14%

LAB 21.72, -2.05, 26.22

 

CMYK 0 / 14 / 83 / 63

HEX #5F5210

RGB 95 82 16

HSL 50.13, 0.71%, 0.22%

LAB 35.01, -2.32, 37.78

 

CMYK 0 / 14 / 83 / 49

HEX #837116

RGB 131 113 22

HSL 50.09, 0.71%, 0.3%

LAB 47.87, -2.67, 48.6

 

CMYK 0 / 14 / 83 / 35

HEX #A68F1C

RGB 166 143 28

HSL 50, 0.71%, 0.38%

LAB 59.74, -2.9, 58.43

 

CMYK 0 / 14 / 83 / 63

HEX #5E5110

RGB 94 81 16

HSL 50, 0.71%, 0.22%

LAB 34.6, -2.22, 37.37

 

CMYK 83 / 0 / 81 / 63

HEX #105F12

RGB 16 95 18

HSL 121.52, 0.71%, 0.22%

LAB 34.68, -38.7, 35.06

 

CMYK 47 / 83 / 0 / 63

HEX #32105F

RGB 50 16 95

HSL 265.82, 0.71%, 0.22%

LAB 14.82, 34.56, -40.02

 

CMYK 0 / 14 / 83 / 63

HEX #5E5110

RGB 94 81 16

HSL 50, 0.71%, 0.22%

LAB 34.6, -2.22, 37.37

 

CMYK 83 / 0 / 14 / 63

HEX #105F52

RGB 16 95 82

HSL 170.13, 0.71%, 0.22%

LAB 35.8, -26.09, 0.93

 

CMYK 14 / 83 / 0 / 63

HEX #52105F

RGB 82 16 95

HSL 290.13, 0.71%, 0.22%

LAB 20.01, 40.86, -31.35

 

CMYK 0 / 14 / 83 / 63

HEX #5E5110

RGB 94 81 16

HSL 50, 0.71%, 0.22%

LAB 34.6, -2.22, 37.37

 

CMYK 83 / 0 / 81 / 63

HEX #105F12

RGB 16 95 18

HSL 121.52, 0.71%, 0.22%

LAB 34.68, -38.7, 35.06

 

CMYK 83 / 69 / 0 / 63

HEX #101D5F

RGB 16 29 95

HSL 230.13, 0.71%, 0.22%

LAB 14.49, 21.51, -40.68

 

CMYK 0 / 83 / 2 / 63

HEX #5F105D

RGB 95 16 93

HSL 301.52, 0.71%, 0.22%

LAB 22.28, 43.38, -26.26

 

CMYK 0 / 14 / 83 / 63

HEX #5E5110

RGB 94 81 16

HSL 50, 0.71%, 0.22%

LAB 34.6, -2.22, 37.37

 

CMYK 83 / 0 / 56 / 63

HEX #105F2A

RGB 16 95 42

HSL 139.75, 0.71%, 0.22%

LAB 34.93, -35.68, 23.76

 

CMYK 83 / 69 / 0 / 63

HEX #101D5F

RGB 16 29 95

HSL 230.13, 0.71%, 0.22%

LAB 14.49, 21.51, -40.68

 

CMYK 0 / 83 / 27 / 63

HEX #5F1045

RGB 95 16 69

HSL 319.75, 0.71%, 0.22%

LAB 20.95, 39.56, -12.13

 

Description

Color code: HEX #5E5110 | qconv.com Color code: HEX #5E5110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 81 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 81 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 83 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 83% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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