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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5011 it is the complementary color #A1AFEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5011 shade: #63500C, #74621F, #857432, #968645 and #A79858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5011 shade: #5E5011, #4D3E00, #3C2C00, #2B1A00 and #1A0800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5011 shade: #5E5011, #5E3B11, #5E2611, #5E1211 and #5E1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5011 shade: #5E5011, #585E11, #435E11, #2E5E11 and #195E11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5011 shade matches the following richer shades: #5E5011 and #675608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5011 shade: #5E5011, #554A1A, #4C4523, #433F2C and #3A3935

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5011 shade: #5E2711, #5E3B11, #5E5011, #585E11 and #435E11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5011 shade: #191504, #3B330A, #5E5011, #816E17 and #A48C1E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5011 shade: #5E5011, #115E12 and #31115E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5011 shade: #5E5011, #115E50 and #50115E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5011 shade: #5E5011, #115E12, #111F5E and #5E115D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5011 shade: #5E5011, #115E29, #111F5E and #5E1146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

Complementary color

CMYK 32 / 26 / 0 / 7

HEX #A1AFEE

RGB 161 175 238

HSL 229.09, 0.69%, 0.78%

LAB 72.5, 9.55, -33.04

 

CMYK 0 / 19 / 88 / 61

HEX #63500C

RGB 99 80 12

HSL 46.9, 0.78%, 0.22%

LAB 34.84, 0.74, 39.21

 

CMYK 0 / 16 / 73 / 55

HEX #74621F

RGB 116 98 31

HSL 47.29, 0.58%, 0.29%

LAB 42.07, -0.76, 39.09

 

CMYK 0 / 13 / 62 / 48

HEX #857432

RGB 133 116 50

HSL 47.71, 0.45%, 0.36%

LAB 49.14, -1.88, 38.08

 

CMYK 0 / 11 / 54 / 41

HEX #968645

RGB 150 134 69

HSL 48.15, 0.37%, 0.43%

LAB 56.05, -2.75, 36.83

 

CMYK 0 / 9 / 47 / 35

HEX #A79858

RGB 167 152 88

HSL 48.61, 0.31%, 0.5%

LAB 62.82, -3.44, 35.53

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 0 / 19 / 100 / 70

HEX #4D3E00

RGB 77 62 0

HSL 48.31, 1%, 0.15%

LAB 26.8, 0.12, 35.95

 

CMYK 0 / 27 / 100 / 76

HEX #3C2C00

RGB 60 44 0

HSL 44, 1%, 0.12%

LAB 19.06, 2.62, 27.33

 

CMYK 0 / 40 / 100 / 83

HEX #2B1A00

RGB 43 26 0

HSL 36.28, 1%, 0.08%

LAB 10.94, 5.44, 16.43

 

CMYK 0 / 69 / 100 / 90

HEX #1A0800

RGB 26 8 0

HSL 18.46, 1%, 0.05%

LAB 3.55, 5.7, 5.43

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 0 / 37 / 82 / 63

HEX #5E3B11

RGB 94 59 17

HSL 32.73, 0.69%, 0.22%

LAB 28.24, 11.45, 30.92

 

CMYK 0 / 60 / 82 / 63

HEX #5E2611

RGB 94 38 17

HSL 16.36, 0.69%, 0.22%

LAB 23.02, 24.15, 25.68

 

CMYK 0 / 81 / 82 / 63

HEX #5E1211

RGB 94 18 17

HSL 0.78, 0.69%, 0.22%

LAB 19.44, 33.74, 21.78

 

CMYK 0 / 82 / 82 / 63

HEX #5E1111

RGB 94 17 17

HSL 0, 0.69%, 0.22%

LAB 19.31, 34.1, 21.63

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 6 / 0 / 82 / 63

HEX #585E11

RGB 88 94 17

HSL 64.68, 0.69%, 0.22%

LAB 38.06, -12.72, 39.95

 

CMYK 29 / 0 / 82 / 63

HEX #435E11

RGB 67 94 17

HSL 81.04, 0.69%, 0.22%

LAB 36.44, -22.43, 37.86

 

CMYK 51 / 0 / 82 / 63

HEX #2E5E11

RGB 46 94 17

HSL 97.4, 0.69%, 0.22%

LAB 35.26, -30.74, 36.32

 

CMYK 73 / 0 / 82 / 63

HEX #195E11

RGB 25 94 17

HSL 113.77, 0.69%, 0.22%

LAB 34.5, -36.74, 35.33

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 0 / 17 / 92 / 60

HEX #675608

RGB 103 86 8

HSL 49.26, 0.86%, 0.22%

LAB 37.03, -1, 42.43

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 0 / 13 / 69 / 67

HEX #554A1A

RGB 85 74 26

HSL 48.81, 0.53%, 0.22%

LAB 31.59, -1.89, 29.51

 

CMYK 0 / 9 / 54 / 70

HEX #4C4523

RGB 76 69 35

HSL 49.76, 0.37%, 0.22%

LAB 29.19, -2.45, 21.49

 

CMYK 0 / 6 / 34 / 74

HEX #433F2C

RGB 67 63 44

HSL 49.57, 0.21%, 0.22%

LAB 26.53, -1.83, 12.3

 

CMYK 0 / 2 / 9 / 77

HEX #3A3935

RGB 58 57 53

HSL 48, 0.05%, 0.22%

LAB 23.94, -0.44, 2.64

 

CMYK 0 / 59 / 82 / 63

HEX #5E2711

RGB 94 39 17

HSL 17.14, 0.69%, 0.22%

LAB 23.24, 23.58, 25.9

 

CMYK 0 / 37 / 82 / 63

HEX #5E3B11

RGB 94 59 17

HSL 32.73, 0.69%, 0.22%

LAB 28.24, 11.45, 30.92

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 6 / 0 / 82 / 63

HEX #585E11

RGB 88 94 17

HSL 64.68, 0.69%, 0.22%

LAB 38.06, -12.72, 39.95

 

CMYK 29 / 0 / 82 / 63

HEX #435E11

RGB 67 94 17

HSL 81.04, 0.69%, 0.22%

LAB 36.44, -22.43, 37.86

 

CMYK 0 / 16 / 84 / 90

HEX #191504

RGB 25 21 4

HSL 48.57, 0.72%, 0.06%

LAB 6.79, -0.96, 8.51

 

CMYK 0 / 14 / 83 / 77

HEX #3B330A

RGB 59 51 10

HSL 50.2, 0.71%, 0.14%

LAB 21.28, -1.94, 25.71

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 0 / 15 / 82 / 49

HEX #816E17

RGB 129 110 23

HSL 49.25, 0.7%, 0.3%

LAB 46.82, -1.87, 47.26

 

CMYK 0 / 15 / 82 / 36

HEX #A48C1E

RGB 164 140 30

HSL 49.25, 0.69%, 0.38%

LAB 58.74, -2.11, 56.87

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 82 / 0 / 81 / 63

HEX #115E12

RGB 17 94 18

HSL 120.78, 0.69%, 0.22%

LAB 34.33, -38.19, 34.72

 

CMYK 48 / 82 / 0 / 63

HEX #31115E

RGB 49 17 94

HSL 264.94, 0.69%, 0.22%

LAB 14.75, 33.62, -39.47

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 82 / 0 / 15 / 63

HEX #115E50

RGB 17 94 80

HSL 169.09, 0.69%, 0.22%

LAB 35.41, -26.08, 1.61

 

CMYK 15 / 82 / 0 / 63

HEX #50115E

RGB 80 17 94

HSL 289.09, 0.69%, 0.22%

LAB 19.7, 39.86, -31.2

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 82 / 0 / 81 / 63

HEX #115E12

RGB 17 94 18

HSL 120.78, 0.69%, 0.22%

LAB 34.33, -38.19, 34.72

 

CMYK 82 / 67 / 0 / 63

HEX #111F5E

RGB 17 31 94

HSL 229.09, 0.69%, 0.22%

LAB 14.99, 19.75, -39.18

 

CMYK 0 / 82 / 1 / 63

HEX #5E115D

RGB 94 17 93

HSL 300.78, 0.69%, 0.22%

LAB 22.2, 42.84, -26.4

 

CMYK 0 / 15 / 82 / 63

HEX #5E5011

RGB 94 80 17

HSL 49.09, 0.69%, 0.22%

LAB 34.31, -1.57, 36.7

 

CMYK 82 / 0 / 56 / 63

HEX #115E29

RGB 17 94 41

HSL 138.7, 0.69%, 0.22%

LAB 34.57, -35.31, 23.88

 

CMYK 82 / 67 / 0 / 63

HEX #111F5E

RGB 17 31 94

HSL 229.09, 0.69%, 0.22%

LAB 14.99, 19.75, -39.18

 

CMYK 0 / 82 / 26 / 63

HEX #5E1146

RGB 94 17 70

HSL 318.7, 0.69%, 0.22%

LAB 20.91, 39.1, -12.9

 

Description

Color code: HEX #5E5011 | qconv.com Color code: HEX #5E5011 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 80 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 80 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 82 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 82% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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