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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E596A it is the complementary color #A1A695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E596A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E596A shade: #635965, #746B78, #857D8B, #968F9E and #A7A1B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E596A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E596A shade: #5E596A, #4D4757, #3C3544, #2B2331 and #1A111E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E596A shade: #5D5869, #625869, #665869, #695867 and #695863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E596A shade: #5D5869, #585869 and #585869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E596A shade matches the following richer shades: #5D5869, #564879, #503888, #492998 and #4319A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E596A shade: #5D5869, #636759, #6A774A, #70873A and #77962A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E596A shade: #585C69, #585869, #5D5869, #615869 and #665869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E596A shade: #35323C, #494553, #5D5869, #716A80 and #857F94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E596A shade: #5E596A, #695861 and #5A6958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E596A shade: #5E596A, #695D58 and #58695D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E596A shade: #5E596A, #695861, #646958 and #586960

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E596A shade: #5E596A, #69585B, #646958 and #586965

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 16 / 0 / 58

HEX #5E596A

RGB 94 89 106

HSL 257.65, 0.09%, 0.38%

LAB 38.84, 5.73, -8.99

 

Complementary color

CMYK 3 / 0 / 10 / 35

HEX #A1A695

RGB 161 166 149

HSL 77.65, 0.09%, 0.62%

LAB 67.29, -4.92, 8.19

 

CMYK 2 / 12 / 0 / 60

HEX #635965

RGB 99 89 101

HSL 290, 0.06%, 0.37%

LAB 39.13, 6.51, -5.41

 

CMYK 3 / 11 / 0 / 53

HEX #746B78

RGB 116 107 120

HSL 281.54, 0.06%, 0.45%

LAB 46.42, 6.14, -5.95

 

CMYK 4 / 10 / 0 / 45

HEX #857D8B

RGB 133 125 139

HSL 274.29, 0.06%, 0.52%

LAB 53.51, 5.82, -6.48

 

CMYK 5 / 9 / 0 / 38

HEX #968F9E

RGB 150 143 158

HSL 268, 0.07%, 0.59%

LAB 60.42, 5.52, -6.99

 

CMYK 6 / 9 / 0 / 31

HEX #A7A1B1

RGB 167 161 177

HSL 262.5, 0.09%, 0.66%

LAB 67.19, 5.26, -7.49

 

CMYK 11 / 16 / 0 / 58

HEX #5E596A

RGB 94 89 106

HSL 257.65, 0.09%, 0.38%

LAB 38.84, 5.73, -8.99

 

CMYK 11 / 18 / 0 / 66

HEX #4D4757

RGB 77 71 87

HSL 262.5, 0.1%, 0.31%

LAB 31.28, 6.12, -8.57

 

CMYK 12 / 22 / 0 / 73

HEX #3C3544

RGB 60 53 68

HSL 268, 0.12%, 0.24%

LAB 23.42, 6.58, -8.17

 

CMYK 12 / 29 / 0 / 81

HEX #2B2331

RGB 43 35 49

HSL 274.29, 0.17%, 0.16%

LAB 15.16, 7.15, -7.79

 

CMYK 13 / 43 / 0 / 88

HEX #1A111E

RGB 26 17 30

HSL 281.54, 0.28%, 0.09%

LAB 6.45, 7.45, -7.24

 

CMYK 11 / 16 / 0 / 59

HEX #5D5869

RGB 93 88 105

HSL 257.65, 0.09%, 0.38%

LAB 38.42, 5.74, -9

 

CMYK 7 / 16 / 0 / 59

HEX #625869

RGB 98 88 105

HSL 275.29, 0.09%, 0.38%

LAB 38.89, 7.62, -8.25

 

CMYK 3 / 16 / 0 / 59

HEX #665869

RGB 102 88 105

HSL 289.41, 0.09%, 0.38%

LAB 39.28, 9.15, -7.63

 

CMYK 0 / 16 / 2 / 59

HEX #695867

RGB 105 88 103

HSL 307.06, 0.09%, 0.38%

LAB 39.52, 9.88, -6.01

 

CMYK 0 / 16 / 6 / 59

HEX #695863

RGB 105 88 99

HSL 321.18, 0.09%, 0.38%

LAB 39.38, 9.06, -3.73

 

CMYK 11 / 16 / 0 / 59

HEX #5D5869

RGB 93 88 105

HSL 257.65, 0.09%, 0.38%

LAB 38.42, 5.74, -9

 

CMYK 16 / 16 / 0 / 59

HEX #585869

RGB 88 88 105

HSL 240, 0.09%, 0.38%

LAB 37.98, 3.89, -9.72

 

CMYK 16 / 16 / 0 / 59

HEX #585869

RGB 88 88 105

HSL 240, 0.09%, 0.38%

LAB 37.98, 3.89, -9.72

 

CMYK 11 / 16 / 0 / 59

HEX #5D5869

RGB 93 88 105

HSL 257.65, 0.09%, 0.38%

LAB 38.42, 5.74, -9

 

CMYK 29 / 40 / 0 / 53

HEX #564879

RGB 86 72 121

HSL 257.14, 0.25%, 0.38%

LAB 33.97, 17.52, -25.85

 

CMYK 41 / 59 / 0 / 47

HEX #503888

RGB 80 56 136

HSL 258, 0.42%, 0.38%

LAB 30.18, 30.22, -41.23

 

CMYK 52 / 73 / 0 / 40

HEX #492998

RGB 73 41 152

HSL 257.3, 0.58%, 0.38%

LAB 27.49, 42.19, -55.5

 

CMYK 60 / 85 / 0 / 34

HEX #4319A8

RGB 67 25 168

HSL 257.62, 0.74%, 0.38%

LAB 25.91, 53.26, -67.86

 

CMYK 11 / 16 / 0 / 59

HEX #5D5869

RGB 93 88 105

HSL 257.65, 0.09%, 0.38%

LAB 38.42, 5.74, -9

 

CMYK 4 / 0 / 14 / 60

HEX #636759

RGB 99 103 89

HSL 77.14, 0.07%, 0.38%

LAB 42.88, -4.35, 7.37

 

CMYK 11 / 0 / 38 / 53

HEX #6A774A

RGB 106 119 74

HSL 77.33, 0.23%, 0.38%

LAB 47.95, -12.98, 23.18

 

CMYK 17 / 0 / 57 / 47

HEX #70873A

RGB 112 135 58

HSL 77.92, 0.4%, 0.38%

LAB 53.03, -20.86, 38.07

 

CMYK 21 / 0 / 72 / 41

HEX #77962A

RGB 119 150 42

HSL 77.22, 0.56%, 0.38%

LAB 57.94, -26.72, 50.58

 

CMYK 16 / 12 / 0 / 59

HEX #585C69

RGB 88 92 105

HSL 225.88, 0.09%, 0.38%

LAB 39.15, 1.43, -7.95

 

CMYK 16 / 16 / 0 / 59

HEX #585869

RGB 88 88 105

HSL 240, 0.09%, 0.38%

LAB 37.98, 3.89, -9.72

 

CMYK 11 / 16 / 0 / 59

HEX #5D5869

RGB 93 88 105

HSL 257.65, 0.09%, 0.38%

LAB 38.42, 5.74, -9

 

CMYK 8 / 16 / 0 / 59

HEX #615869

RGB 97 88 105

HSL 271.76, 0.09%, 0.38%

LAB 38.8, 7.25, -8.41

 

CMYK 3 / 16 / 0 / 59

HEX #665869

RGB 102 88 105

HSL 289.41, 0.09%, 0.38%

LAB 39.28, 9.15, -7.63

 

CMYK 12 / 17 / 0 / 76

HEX #35323C

RGB 53 50 60

HSL 258, 0.09%, 0.22%

LAB 21.45, 3.73, -5.81

 

CMYK 12 / 17 / 0 / 67

HEX #494553

RGB 73 69 83

HSL 257.14, 0.09%, 0.3%

LAB 30.15, 4.88, -7.74

 

CMYK 11 / 16 / 0 / 59

HEX #5D5869

RGB 93 88 105

HSL 257.65, 0.09%, 0.38%

LAB 38.42, 5.74, -9

 

CMYK 12 / 17 / 0 / 50

HEX #716A80

RGB 113 106 128

HSL 259.09, 0.09%, 0.46%

LAB 46.15, 7.4, -11.19

 

CMYK 10 / 14 / 0 / 42

HEX #857F94

RGB 133 127 148

HSL 257.14, 0.09%, 0.54%

LAB 54.35, 6.57, -10.47

 

CMYK 11 / 16 / 0 / 58

HEX #5E596A

RGB 94 89 106

HSL 257.65, 0.09%, 0.38%

LAB 38.84, 5.73, -8.99

 

CMYK 0 / 16 / 8 / 59

HEX #695861

RGB 105 88 97

HSL 328.24, 0.09%, 0.38%

LAB 39.32, 8.66, -2.59

 

CMYK 14 / 0 / 16 / 59

HEX #5A6958

RGB 90 105 88

HSL 112.94, 0.09%, 0.38%

LAB 42.74, -9.29, 7.68

 

CMYK 11 / 16 / 0 / 58

HEX #5E596A

RGB 94 89 106

HSL 257.65, 0.09%, 0.38%

LAB 38.84, 5.73, -8.99

 

CMYK 0 / 11 / 16 / 59

HEX #695D58

RGB 105 93 88

HSL 17.65, 0.09%, 0.38%

LAB 40.47, 3.91, 4.63

 

CMYK 16 / 0 / 11 / 59

HEX #58695D

RGB 88 105 93

HSL 137.65, 0.09%, 0.38%

LAB 42.72, -9.04, 4.61

 

CMYK 11 / 16 / 0 / 58

HEX #5E596A

RGB 94 89 106

HSL 257.65, 0.09%, 0.38%

LAB 38.84, 5.73, -8.99

 

CMYK 0 / 16 / 8 / 59

HEX #695861

RGB 105 88 97

HSL 328.24, 0.09%, 0.38%

LAB 39.32, 8.66, -2.59

 

CMYK 5 / 0 / 16 / 59

HEX #646958

RGB 100 105 88

HSL 77.65, 0.09%, 0.38%

LAB 43.53, -5.29, 8.92

 

CMYK 16 / 0 / 9 / 59

HEX #586960

RGB 88 105 96

HSL 148.24, 0.09%, 0.38%

LAB 42.8, -8.4, 2.92

 

CMYK 11 / 16 / 0 / 58

HEX #5E596A

RGB 94 89 106

HSL 257.65, 0.09%, 0.38%

LAB 38.84, 5.73, -8.99

 

CMYK 0 / 16 / 13 / 59

HEX #69585B

RGB 105 88 91

HSL 349.41, 0.09%, 0.38%

LAB 39.14, 7.5, 0.85

 

CMYK 5 / 0 / 16 / 59

HEX #646958

RGB 100 105 88

HSL 77.65, 0.09%, 0.38%

LAB 43.53, -5.29, 8.92

 

CMYK 16 / 0 / 4 / 59

HEX #586965

RGB 88 105 101

HSL 165.88, 0.09%, 0.38%

LAB 42.94, -7.29, 0.1

 

Description

Color code: HEX #5E596A | qconv.com Color code: HEX #5E596A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 89 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 89 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 16 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 16% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - MGID: We Help Websit...
Link: http://mgid.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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