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Color name
HEX #5E58A9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E58A9 it is the complementary color #A1A756. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E58A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E58A9 shade: #6358A4, #746AB7, #857CCA, #968EDD and #A7A0F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E58A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E58A9 shade: #5E58A9, #4D4696, #3C3483, #2B2270 and #1A105D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E58A9 shade: #5C56A8, #7256A8, #8856A8, #9E56A8 and #A8569B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E58A9 shade: #5C56A8 and #5656A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E58A9 shade matches the following richer shades: #5C56A8, #4B42BC, #392DD1, #2818E6 and #1604FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E58A9 shade: #5C56A8, #6E6B93, #7F7F7F, #91946A and #A3A955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E58A9 shade: #567CA8, #5667A8, #5C56A8, #7156A8 and #8756A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E58A9 shade: #3E3A71, #4D488D, #5C56A8, #7671B6 and #918DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E58A9 shade: #5E58A9, #A85692 and #71A856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E58A9 shade: #5E58A9, #A85C56 and #56A85C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E58A9 shade: #5E58A9, #A85692, #A2A856 and #56A86C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E58A9 shade: #5E58A9, #A8567A, #A2A856 and #56A884

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 48 / 0 / 34

HEX #5E58A9

RGB 94 88 169

HSL 244.44, 0.32%, 0.5%

LAB 41.57, 23.65, -42.89

 

Complementary color

CMYK 4 / 0 / 49 / 35

HEX #A1A756

RGB 161 167 86

HSL 64.44, 0.32%, 0.5%

LAB 66.43, -14.14, 40.85

 

CMYK 40 / 46 / 0 / 36

HEX #6358A4

RGB 99 88 164

HSL 248.68, 0.3%, 0.49%

LAB 41.71, 23.46, -39.68

 

CMYK 37 / 42 / 0 / 28

HEX #746AB7

RGB 116 106 183

HSL 247.79, 0.35%, 0.57%

LAB 48.81, 22.46, -39.48

 

CMYK 34 / 39 / 0 / 21

HEX #857CCA

RGB 133 124 202

HSL 246.92, 0.42%, 0.64%

LAB 55.75, 21.59, -39.34

 

CMYK 32 / 36 / 0 / 13

HEX #968EDD

RGB 150 142 221

HSL 246.08, 0.54%, 0.71%

LAB 62.55, 20.83, -39.25

 

CMYK 30 / 33 / 0 / 6

HEX #A7A0F0

RGB 167 160 240

HSL 245.25, 0.73%, 0.78%

LAB 69.22, 20.16, -39.2

 

CMYK 44 / 48 / 0 / 34

HEX #5E58A9

RGB 94 88 169

HSL 244.44, 0.32%, 0.5%

LAB 41.57, 23.65, -42.89

 

CMYK 49 / 53 / 0 / 41

HEX #4D4696

RGB 77 70 150

HSL 245.25, 0.36%, 0.43%

LAB 34.31, 24.97, -43.19

 

CMYK 54 / 60 / 0 / 49

HEX #3C3483

RGB 60 52 131

HSL 246.08, 0.43%, 0.36%

LAB 26.89, 26.57, -43.53

 

CMYK 62 / 70 / 0 / 56

HEX #2B2270

RGB 43 34 112

HSL 246.92, 0.53%, 0.29%

LAB 19.34, 28.46, -43.81

 

CMYK 72 / 83 / 0 / 64

HEX #1A105D

RGB 26 16 93

HSL 247.79, 0.71%, 0.21%

LAB 11.83, 30.46, -43.7

 

CMYK 45 / 49 / 0 / 34

HEX #5C56A8

RGB 92 86 168

HSL 244.39, 0.32%, 0.5%

LAB 40.83, 24.1, -43.49

 

CMYK 32 / 49 / 0 / 34

HEX #7256A8

RGB 114 86 168

HSL 260.49, 0.32%, 0.5%

LAB 42.85, 29.87, -40.14

 

CMYK 19 / 49 / 0 / 34

HEX #8856A8

RGB 136 86 168

HSL 276.59, 0.32%, 0.5%

LAB 45.24, 36.11, -36.2

 

CMYK 6 / 49 / 0 / 34

HEX #9E56A8

RGB 158 86 168

HSL 292.68, 0.32%, 0.5%

LAB 47.95, 42.56, -31.77

 

CMYK 0 / 49 / 8 / 34

HEX #A8569B

RGB 168 86 155

HSL 309.51, 0.32%, 0.5%

LAB 48.69, 43.17, -22.83

 

CMYK 45 / 49 / 0 / 34

HEX #5C56A8

RGB 92 86 168

HSL 244.39, 0.32%, 0.5%

LAB 40.83, 24.1, -43.49

 

CMYK 49 / 49 / 0 / 34

HEX #5656A8

RGB 86 86 168

HSL 240, 0.32%, 0.5%

LAB 40.35, 22.64, -44.29

 

CMYK 45 / 49 / 0 / 34

HEX #5C56A8

RGB 92 86 168

HSL 244.39, 0.32%, 0.5%

LAB 40.83, 24.1, -43.49

 

CMYK 60 / 65 / 0 / 26

HEX #4B42BC

RGB 75 66 188

HSL 244.43, 0.48%, 0.5%

LAB 36.03, 39.34, -63.13

 

CMYK 73 / 78 / 0 / 18

HEX #392DD1

RGB 57 45 209

HSL 244.39, 0.65%, 0.5%

LAB 32.59, 55.46, -81.09

 

CMYK 83 / 90 / 0 / 10

HEX #2818E6

RGB 40 24 230

HSL 244.66, 0.81%, 0.5%

LAB 31.39, 68.82, -95.21

 

CMYK 91 / 98 / 0 / 2

HEX #1604FA

RGB 22 4 250

HSL 244.39, 0.97%, 0.5%

LAB 32.17, 77.53, -105.27

 

CMYK 45 / 49 / 0 / 34

HEX #5C56A8

RGB 92 86 168

HSL 244.39, 0.32%, 0.5%

LAB 40.83, 24.1, -43.49

 

CMYK 25 / 27 / 0 / 42

HEX #6E6B93

RGB 110 107 147

HSL 244.5, 0.16%, 0.5%

LAB 46.89, 10.38, -21.4

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 2 / 0 / 28 / 42

HEX #91946A

RGB 145 148 106

HSL 64.29, 0.17%, 0.5%

LAB 60.11, -8.24, 21.91

 

CMYK 4 / 0 / 50 / 34

HEX #A3A955

RGB 163 169 85

HSL 64.29, 0.33%, 0.5%

LAB 67.14, -14.44, 42.23

 

CMYK 49 / 26 / 0 / 34

HEX #567CA8

RGB 86 124 168

HSL 212.2, 0.32%, 0.5%

LAB 50.94, -0.82, -27.58

 

CMYK 49 / 39 / 0 / 34

HEX #5667A8

RGB 86 103 168

HSL 227.56, 0.32%, 0.5%

LAB 44.95, 11.95, -36.97

 

CMYK 45 / 49 / 0 / 34

HEX #5C56A8

RGB 92 86 168

HSL 244.39, 0.32%, 0.5%

LAB 40.83, 24.1, -43.49

 

CMYK 33 / 49 / 0 / 34

HEX #7156A8

RGB 113 86 168

HSL 259.76, 0.32%, 0.5%

LAB 42.75, 29.6, -40.31

 

CMYK 20 / 49 / 0 / 34

HEX #8756A8

RGB 135 86 168

HSL 275.85, 0.32%, 0.5%

LAB 45.13, 35.82, -36.39

 

CMYK 45 / 49 / 0 / 56

HEX #3E3A71

RGB 62 58 113

HSL 244.36, 0.32%, 0.34%

LAB 27.41, 17.13, -31.33

 

CMYK 45 / 49 / 0 / 45

HEX #4D488D

RGB 77 72 141

HSL 244.35, 0.32%, 0.42%

LAB 34.26, 20.84, -37.79

 

CMYK 45 / 49 / 0 / 34

HEX #5C56A8

RGB 92 86 168

HSL 244.39, 0.32%, 0.5%

LAB 40.83, 24.1, -43.49

 

CMYK 35 / 38 / 0 / 29

HEX #7671B6

RGB 118 113 182

HSL 244.35, 0.32%, 0.58%

LAB 50.73, 18.51, -35.86

 

CMYK 26 / 28 / 0 / 23

HEX #918DC4

RGB 145 141 196

HSL 244.36, 0.32%, 0.66%

LAB 60.83, 13.62, -27.96

 

CMYK 44 / 48 / 0 / 34

HEX #5E58A9

RGB 94 88 169

HSL 244.44, 0.32%, 0.5%

LAB 41.57, 23.65, -42.89

 

CMYK 0 / 49 / 13 / 34

HEX #A85692

RGB 168 86 146

HSL 316.1, 0.32%, 0.5%

LAB 48.33, 41.63, -18.04

 

CMYK 33 / 0 / 49 / 34

HEX #71A856

RGB 113 168 86

HSL 100.24, 0.32%, 0.5%

LAB 63.5, -33.39, 36.53

 

CMYK 44 / 48 / 0 / 34

HEX #5E58A9

RGB 94 88 169

HSL 244.44, 0.32%, 0.5%

LAB 41.57, 23.65, -42.89

 

CMYK 0 / 45 / 49 / 34

HEX #A85C56

RGB 168 92 86

HSL 4.39, 0.32%, 0.5%

LAB 47.82, 30.31, 17.23

 

CMYK 49 / 0 / 45 / 34

HEX #56A85C

RGB 86 168 92

HSL 124.39, 0.32%, 0.5%

LAB 62.3, -41.24, 31.66

 

CMYK 44 / 48 / 0 / 34

HEX #5E58A9

RGB 94 88 169

HSL 244.44, 0.32%, 0.5%

LAB 41.57, 23.65, -42.89

 

CMYK 0 / 49 / 13 / 34

HEX #A85692

RGB 168 86 146

HSL 316.1, 0.32%, 0.5%

LAB 48.33, 41.63, -18.04

 

CMYK 4 / 0 / 49 / 34

HEX #A2A856

RGB 162 168 86

HSL 64.39, 0.32%, 0.5%

LAB 66.79, -14.24, 41.3

 

CMYK 49 / 0 / 36 / 34

HEX #56A86C

RGB 86 168 108

HSL 136.1, 0.32%, 0.5%

LAB 62.56, -38.55, 23.5

 

CMYK 44 / 48 / 0 / 34

HEX #5E58A9

RGB 94 88 169

HSL 244.44, 0.32%, 0.5%

LAB 41.57, 23.65, -42.89

 

CMYK 0 / 49 / 27 / 34

HEX #A8567A

RGB 168 86 122

HSL 333.66, 0.32%, 0.5%

LAB 47.48, 37.92, -4.93

 

CMYK 4 / 0 / 49 / 34

HEX #A2A856

RGB 162 168 86

HSL 64.39, 0.32%, 0.5%

LAB 66.79, -14.24, 41.3

 

CMYK 49 / 0 / 21 / 34

HEX #56A884

RGB 86 168 132

HSL 153.66, 0.32%, 0.5%

LAB 63.05, -33.72, 10.99

 

Description

Color code: HEX #5E58A9 | qconv.com Color code: HEX #5E58A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 88 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 88 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 48 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 48% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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