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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E30E1 it is the complementary color #A1CF1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E30E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E30E1 shade: #6330DC, #7442EF, #8554FF, #9666FF and #A778FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E30E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E30E1 shade: #5E30E1, #4D1ECE, #3C0CBB, #2B00A8 and #1A0095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E30E1 shade: #5F31E1, #8E31E1, #BE31E1, #E131D5 and #E131A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E30E1 shade: #5F31E1 and #3131E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E30E1 shade matches the following richer shades: #5F31E1 and #561EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E30E1 shade: #5F31E1, #6844CE, #7157BB, #7A6AA8 and #837D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E30E1 shade: #3163E1, #3134E1, #5D31E1, #8C31E1 and #BB31E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E30E1 shade: #3D18A8, #4A1DCC, #5F31E1, #7B55E6 and #9779EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E30E1 shade: #5E30E1, #E13192 and #4CE131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E30E1 shade: #5E30E1, #E15D31 and #31E15D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E30E1 shade: #5E30E1, #E13192, #B5E131 and #31E180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E30E1 shade: #5E30E1, #E1315D, #B5E131 and #31E1B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 79 / 0 / 12

HEX #5E30E1

RGB 94 48 225

HSL 255.59, 0.75%, 0.54%

LAB 37.72, 62.16, -81.74

 

Complementary color

CMYK 22 / 0 / 86 / 19

HEX #A1CF1E

RGB 161 207 30

HSL 75.59, 0.75%, 0.46%

LAB 77.46, -36.95, 72.87

 

CMYK 55 / 78 / 0 / 14

HEX #6330DC

RGB 99 48 220

HSL 257.79, 0.71%, 0.53%

LAB 37.72, 61.41, -78.85

 

CMYK 51 / 72 / 0 / 6

HEX #7442EF

RGB 116 66 239

HSL 257.34, 0.84%, 0.6%

LAB 44, 60.56, -79.26

 

CMYK 48 / 67 / 0 / 0

HEX #8554FF

RGB 133 84 255

HSL 257.19, 1%, 0.66%

LAB 50.15, 58.64, -78.09

 

CMYK 41 / 60 / 0 / 0

HEX #9666FF

RGB 150 102 255

HSL 258.82, 1%, 0.7%

LAB 55.28, 52.41, -69.68

 

CMYK 35 / 53 / 0 / 0

HEX #A778FF

RGB 167 120 255

HSL 260.89, 1%, 0.74%

LAB 60.67, 46.42, -60.94

 

CMYK 58 / 79 / 0 / 12

HEX #5E30E1

RGB 94 48 225

HSL 255.59, 0.75%, 0.54%

LAB 37.72, 62.16, -81.74

 

CMYK 63 / 85 / 0 / 19

HEX #4D1ECE

RGB 77 30 206

HSL 256.02, 0.75%, 0.46%

LAB 31.72, 62.48, -80.74

 

CMYK 68 / 94 / 0 / 27

HEX #3C0CBB

RGB 60 12 187

HSL 256.46, 0.88%, 0.39%

LAB 26.19, 61.54, -78.8

 

CMYK 74 / 100 / 0 / 34

HEX #2B00A8

RGB 43 0 168

HSL 255.36, 1%, 0.33%

LAB 21.36, 58.67, -75.48

 

CMYK 83 / 100 / 0 / 42

HEX #1A0095

RGB 26 0 149

HSL 250.47, 1%, 0.29%

LAB 17.41, 53.41, -70.46

 

CMYK 58 / 78 / 0 / 12

HEX #5F31E1

RGB 95 49 225

HSL 255.68, 0.75%, 0.54%

LAB 37.96, 61.85, -81.33

 

CMYK 37 / 78 / 0 / 12

HEX #8E31E1

RGB 142 49 225

HSL 271.7, 0.75%, 0.54%

LAB 43.34, 68.17, -72.31

 

CMYK 16 / 78 / 0 / 12

HEX #BE31E1

RGB 190 49 225

HSL 288.07, 0.75%, 0.54%

LAB 50.19, 76.2, -60.86

 

CMYK 0 / 78 / 5 / 12

HEX #E131D5

RGB 225 49 213

HSL 304.09, 0.75%, 0.54%

LAB 55.08, 80.87, -45.9

 

CMYK 0 / 78 / 26 / 12

HEX #E131A6

RGB 225 49 166

HSL 320.11, 0.75%, 0.54%

LAB 52.9, 74.65, -22.09

 

CMYK 58 / 78 / 0 / 12

HEX #5F31E1

RGB 95 49 225

HSL 255.68, 0.75%, 0.54%

LAB 37.96, 61.85, -81.33

 

CMYK 78 / 78 / 0 / 12

HEX #3131E1

RGB 49 49 225

HSL 240, 0.75%, 0.54%

LAB 34.57, 57.84, -87.04

 

CMYK 58 / 78 / 0 / 12

HEX #5F31E1

RGB 95 49 225

HSL 255.68, 0.75%, 0.54%

LAB 37.96, 61.85, -81.33

 

CMYK 65 / 88 / 0 / 4

HEX #561EF4

RGB 86 30 244

HSL 255.7, 0.91%, 0.54%

LAB 36.82, 72.84, -94.04

 

CMYK 58 / 78 / 0 / 12

HEX #5F31E1

RGB 95 49 225

HSL 255.68, 0.75%, 0.54%

LAB 37.96, 61.85, -81.33

 

CMYK 50 / 67 / 0 / 19

HEX #6844CE

RGB 104 68 206

HSL 255.65, 0.58%, 0.54%

LAB 40.46, 48.54, -66.27

 

CMYK 40 / 53 / 0 / 27

HEX #7157BB

RGB 113 87 187

HSL 255.6, 0.42%, 0.54%

LAB 44.11, 34.22, -49.3

 

CMYK 27 / 37 / 0 / 34

HEX #7A6AA8

RGB 122 106 168

HSL 255.48, 0.26%, 0.54%

LAB 48.6, 20.16, -31.03

 

CMYK 12 / 16 / 0 / 42

HEX #837D95

RGB 131 125 149

HSL 255, 0.1%, 0.54%

LAB 53.67, 7.26, -12.09

 

CMYK 78 / 56 / 0 / 12

HEX #3163E1

RGB 49 99 225

HSL 222.95, 0.75%, 0.54%

LAB 45.65, 28.24, -68.84

 

CMYK 78 / 77 / 0 / 12

HEX #3134E1

RGB 49 52 225

HSL 238.98, 0.75%, 0.54%

LAB 35.09, 56.34, -86.18

 

CMYK 59 / 78 / 0 / 12

HEX #5D31E1

RGB 93 49 225

HSL 255, 0.75%, 0.54%

LAB 37.77, 61.62, -81.65

 

CMYK 38 / 78 / 0 / 12

HEX #8C31E1

RGB 140 49 225

HSL 271.02, 0.75%, 0.54%

LAB 43.08, 67.86, -72.74

 

CMYK 17 / 78 / 0 / 12

HEX #BB31E1

RGB 187 49 225

HSL 287.05, 0.75%, 0.54%

LAB 49.73, 75.66, -61.62

 

CMYK 64 / 86 / 0 / 34

HEX #3D18A8

RGB 61 24 168

HSL 255.42, 0.75%, 0.38%

LAB 25.18, 53.08, -69.1

 

CMYK 64 / 86 / 0 / 20

HEX #4A1DCC

RGB 74 29 204

HSL 255.43, 0.75%, 0.46%

LAB 31.1, 62.06, -80.61

 

CMYK 58 / 78 / 0 / 12

HEX #5F31E1

RGB 95 49 225

HSL 255.68, 0.75%, 0.54%

LAB 37.96, 61.85, -81.33

 

CMYK 47 / 63 / 0 / 10

HEX #7B55E6

RGB 123 85 230

HSL 255.72, 0.74%, 0.62%

LAB 47.52, 49.52, -68.42

 

CMYK 36 / 49 / 0 / 8

HEX #9779EB

RGB 151 121 235

HSL 255.79, 0.74%, 0.7%

LAB 58.28, 36.84, -53.78

 

CMYK 58 / 79 / 0 / 12

HEX #5E30E1

RGB 94 48 225

HSL 255.59, 0.75%, 0.54%

LAB 37.72, 62.16, -81.74

 

CMYK 0 / 78 / 35 / 12

HEX #E13192

RGB 225 49 146

HSL 326.93, 0.75%, 0.54%

LAB 52.15, 72.43, -11.38

 

CMYK 66 / 0 / 78 / 12

HEX #4CE131

RGB 76 225 49

HSL 110.8, 0.75%, 0.54%

LAB 79.39, -69, 68.49

 

CMYK 58 / 79 / 0 / 12

HEX #5E30E1

RGB 94 48 225

HSL 255.59, 0.75%, 0.54%

LAB 37.72, 62.16, -81.74

 

CMYK 0 / 59 / 78 / 12

HEX #E15D31

RGB 225 93 49

HSL 15, 0.75%, 0.54%

LAB 56.15, 49.18, 49.67

 

CMYK 78 / 0 / 59 / 12

HEX #31E15D

RGB 49 225 93

HSL 135, 0.75%, 0.54%

LAB 79.21, -69.32, 51.54

 

CMYK 58 / 79 / 0 / 12

HEX #5E30E1

RGB 94 48 225

HSL 255.59, 0.75%, 0.54%

LAB 37.72, 62.16, -81.74

 

CMYK 0 / 78 / 35 / 12

HEX #E13192

RGB 225 49 146

HSL 326.93, 0.75%, 0.54%

LAB 52.15, 72.43, -11.38

 

CMYK 20 / 0 / 78 / 12

HEX #B5E131

RGB 181 225 49

HSL 75, 0.75%, 0.54%

LAB 83.91, -36.57, 74.32

 

CMYK 78 / 0 / 43 / 12

HEX #31E180

RGB 49 225 128

HSL 146.93, 0.75%, 0.54%

LAB 79.65, -64.13, 35.42

 

CMYK 58 / 79 / 0 / 12

HEX #5E30E1

RGB 94 48 225

HSL 255.59, 0.75%, 0.54%

LAB 37.72, 62.16, -81.74

 

CMYK 0 / 78 / 59 / 12

HEX #E1315D

RGB 225 49 93

HSL 345, 0.75%, 0.54%

LAB 50.68, 67.95, 18.49

 

CMYK 20 / 0 / 78 / 12

HEX #B5E131

RGB 181 225 49

HSL 75, 0.75%, 0.54%

LAB 83.91, -36.57, 74.32

 

CMYK 78 / 0 / 20 / 12

HEX #31E1B5

RGB 49 225 181

HSL 165, 0.75%, 0.54%

LAB 80.65, -53.05, 9.36

 

Description

Color code: HEX #5E30E1 | qconv.com Color code: HEX #5E30E1 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 48 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 48 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 79 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 79% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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