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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1628 it is the complementary color #A1E9D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1628 shade: #631623, #742836, #853A49, #964C5C and #A75E6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1628 shade: #5E1628, #4D0415, #3C0002, #2B0000 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1628 shade: #5F1628 and #5F1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1628 shade: #5F1628, #5F163C, #5F164F, #5A165F and #47165F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1628 shade matches the following richer shades: #5F1628, #680C23 and #71031E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1628 shade: #5F1628, #551F2D, #4C2931, #423236 and #393C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1628 shade: #5F164F, #5F163B, #5F1628, #5F1716 and #5F2A16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1628 shade: #1C060B, #3D0E1A, #5F1628, #801E36 and #A12544

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1628 shade: #5E1628, #5F5B16 and #16455F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1628 shade: #5E1628, #285F16 and #16285F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1628 shade: #5E1628, #5F5B16, #165F4C and #16195F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1628 shade: #5E1628, #4C5F16, #165F4C and #28165F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 57 / 63

HEX #5E1628

RGB 94 22 40

HSL 345, 0.62%, 0.23%

LAB 20.47, 33.67, 7.36

 

Complementary color

CMYK 31 / 0 / 8 / 9

HEX #A1E9D7

RGB 161 233 215

HSL 165, 0.62%, 0.77%

LAB 87.37, -26.13, 1.6

 

CMYK 0 / 78 / 65 / 61

HEX #631623

RGB 99 22 35

HSL 349.87, 0.64%, 0.24%

LAB 21.39, 34.97, 12.28

 

CMYK 0 / 66 / 53 / 55

HEX #742836

RGB 116 40 54

HSL 348.95, 0.49%, 0.31%

LAB 28.11, 34.59, 9.03

 

CMYK 0 / 56 / 45 / 48

HEX #853A49

RGB 133 58 73

HSL 348, 0.39%, 0.37%

LAB 34.99, 33.72, 6.7

 

CMYK 0 / 49 / 39 / 41

HEX #964C5C

RGB 150 76 92

HSL 347.03, 0.33%, 0.44%

LAB 41.88, 32.73, 4.93

 

CMYK 0 / 44 / 34 / 35

HEX #A75E6F

RGB 167 94 111

HSL 346.03, 0.29%, 0.51%

LAB 48.72, 31.74, 3.5

 

CMYK 0 / 77 / 57 / 63

HEX #5E1628

RGB 94 22 40

HSL 345, 0.62%, 0.23%

LAB 20.47, 33.67, 7.36

 

CMYK 0 / 95 / 73 / 70

HEX #4D0415

RGB 77 4 21

HSL 346.03, 0.9%, 0.16%

LAB 13.94, 33.07, 11.58

 

CMYK 0 / 100 / 97 / 76

HEX #3C0002

RGB 60 0 2

HSL 358, 1%, 0.12%

LAB 8.7, 28.64, 12.92

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 77 / 58 / 63

HEX #5F1628

RGB 95 22 40

HSL 345.21, 0.62%, 0.23%

LAB 20.67, 34.01, 7.68

 

CMYK 0 / 77 / 77 / 63

HEX #5F1616

RGB 95 22 22

HSL 0, 0.62%, 0.23%

LAB 20.3, 32.75, 19.63

 

CMYK 0 / 77 / 58 / 63

HEX #5F1628

RGB 95 22 40

HSL 345.21, 0.62%, 0.23%

LAB 20.67, 34.01, 7.68

 

CMYK 0 / 77 / 37 / 63

HEX #5F163C

RGB 95 22 60

HSL 328.77, 0.62%, 0.23%

LAB 21.33, 36.19, -5.35

 

CMYK 0 / 77 / 17 / 63

HEX #5F164F

RGB 95 22 79

HSL 313.15, 0.62%, 0.23%

LAB 22.2, 38.95, -17.02

 

CMYK 5 / 77 / 0 / 63

HEX #5A165F

RGB 90 22 95

HSL 295.89, 0.62%, 0.23%

LAB 22.21, 40.5, -27.75

 

CMYK 25 / 77 / 0 / 63

HEX #47165F

RGB 71 22 95

HSL 280.27, 0.62%, 0.23%

LAB 18.97, 36, -33.12

 

CMYK 0 / 77 / 58 / 63

HEX #5F1628

RGB 95 22 40

HSL 345.21, 0.62%, 0.23%

LAB 20.67, 34.01, 7.68

 

CMYK 0 / 88 / 66 / 59

HEX #680C23

RGB 104 12 35

HSL 345, 0.79%, 0.23%

LAB 21.31, 39.85, 12.37

 

CMYK 0 / 97 / 73 / 56

HEX #71031E

RGB 113 3 30

HSL 345.27, 0.95%, 0.23%

LAB 22.55, 44.2, 17.85

 

CMYK 0 / 77 / 58 / 63

HEX #5F1628

RGB 95 22 40

HSL 345.21, 0.62%, 0.23%

LAB 20.67, 34.01, 7.68

 

CMYK 0 / 64 / 47 / 67

HEX #551F2D

RGB 85 31 45

HSL 344.44, 0.47%, 0.23%

LAB 20.44, 26.57, 3.57

 

CMYK 0 / 46 / 36 / 70

HEX #4C2931

RGB 76 41 49

HSL 346.29, 0.3%, 0.23%

LAB 21.37, 17.46, 1.93

 

CMYK 0 / 24 / 18 / 74

HEX #423236

RGB 66 50 54

HSL 345, 0.14%, 0.23%

LAB 22.67, 7.99, 0.24

 

CMYK 5 / 0 / 2 / 76

HEX #393C3B

RGB 57 60 59

HSL 160, 0.03%, 0.23%

LAB 25.01, -1.5, 0.17

 

CMYK 0 / 77 / 17 / 63

HEX #5F164F

RGB 95 22 79

HSL 313.15, 0.62%, 0.23%

LAB 22.2, 38.95, -17.02

 

CMYK 0 / 77 / 38 / 63

HEX #5F163B

RGB 95 22 59

HSL 329.59, 0.62%, 0.23%

LAB 21.29, 36.06, -4.72

 

CMYK 0 / 77 / 58 / 63

HEX #5F1628

RGB 95 22 40

HSL 345.21, 0.62%, 0.23%

LAB 20.67, 34.01, 7.68

 

CMYK 0 / 76 / 77 / 63

HEX #5F1716

RGB 95 23 22

HSL 0.82, 0.62%, 0.23%

LAB 20.45, 32.32, 19.81

 

CMYK 0 / 56 / 77 / 63

HEX #5F2A16

RGB 95 42 22

HSL 16.44, 0.62%, 0.23%

LAB 24.15, 22.56, 23.99

 

CMYK 0 / 79 / 61 / 89

HEX #1C060B

RGB 28 6 11

HSL 346.36, 0.65%, 0.07%

LAB 3.62, 9.14, 1.07

 

CMYK 0 / 77 / 57 / 76

HEX #3D0E1A

RGB 61 14 26

HSL 344.68, 0.63%, 0.15%

LAB 11.83, 23.99, 4.43

 

CMYK 0 / 77 / 58 / 63

HEX #5F1628

RGB 95 22 40

HSL 345.21, 0.62%, 0.23%

LAB 20.67, 34.01, 7.68

 

CMYK 0 / 77 / 58 / 50

HEX #801E36

RGB 128 30 54

HSL 345.31, 0.62%, 0.31%

LAB 28.86, 42.93, 10.43

 

CMYK 0 / 77 / 58 / 37

HEX #A12544

RGB 161 37 68

HSL 345, 0.63%, 0.39%

LAB 36.59, 51.7, 12.9

 

CMYK 0 / 77 / 57 / 63

HEX #5E1628

RGB 94 22 40

HSL 345, 0.62%, 0.23%

LAB 20.47, 33.67, 7.36

 

CMYK 0 / 4 / 77 / 63

HEX #5F5B16

RGB 95 91 22

HSL 56.71, 0.62%, 0.23%

LAB 37.79, -7.36, 38.02

 

CMYK 77 / 27 / 0 / 63

HEX #16455F

RGB 22 69 95

HSL 201.37, 0.62%, 0.23%

LAB 27.44, -6.05, -19.91

 

CMYK 0 / 77 / 57 / 63

HEX #5E1628

RGB 94 22 40

HSL 345, 0.62%, 0.23%

LAB 20.47, 33.67, 7.36

 

CMYK 58 / 0 / 77 / 63

HEX #285F16

RGB 40 95 22

HSL 105.21, 0.62%, 0.23%

LAB 35.39, -32.76, 34.39

 

CMYK 77 / 58 / 0 / 63

HEX #16285F

RGB 22 40 95

HSL 225.21, 0.62%, 0.23%

LAB 17.98, 14.21, -34.96

 

CMYK 0 / 77 / 57 / 63

HEX #5E1628

RGB 94 22 40

HSL 345, 0.62%, 0.23%

LAB 20.47, 33.67, 7.36

 

CMYK 0 / 4 / 77 / 63

HEX #5F5B16

RGB 95 91 22

HSL 56.71, 0.62%, 0.23%

LAB 37.79, -7.36, 38.02

 

CMYK 77 / 0 / 20 / 63

HEX #165F4C

RGB 22 95 76

HSL 164.38, 0.62%, 0.23%

LAB 35.75, -27.02, 4.59

 

CMYK 77 / 74 / 0 / 63

HEX #16195F

RGB 22 25 95

HSL 237.53, 0.62%, 0.23%

LAB 13.78, 25.02, -41.83

 

CMYK 0 / 77 / 57 / 63

HEX #5E1628

RGB 94 22 40

HSL 345, 0.62%, 0.23%

LAB 20.47, 33.67, 7.36

 

CMYK 20 / 0 / 77 / 63

HEX #4C5F16

RGB 76 95 22

HSL 75.62, 0.62%, 0.23%

LAB 37.44, -18.62, 37.13

 

CMYK 77 / 0 / 20 / 63

HEX #165F4C

RGB 22 95 76

HSL 164.38, 0.62%, 0.23%

LAB 35.75, -27.02, 4.59

 

CMYK 58 / 77 / 0 / 63

HEX #28165F

RGB 40 22 95

HSL 254.79, 0.62%, 0.23%

LAB 14.69, 29.65, -40.28

 

Description

Color code: HEX #5E1628 | qconv.com Color code: HEX #5E1628 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 22 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 22 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 57 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 57% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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