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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF78B it is the complementary color #A20874. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF78B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF78B shade: #62F786, #73FF99, #84FFAC, #95FFBF and #A6FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF78B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF78B shade: #5DF78B, #4CE578, #3BD365, #2AC152 and #19AF3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF78B shade: #5EF78C, #5EF762, #83F75E, #ACF75E and #D5F75E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF78B shade: #5EF78C, #5EF7B5, #5EF7DE, #5EE6F7 and #5EBDF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF78B shade matches the following richer shades: #5EF78C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF78B shade: #5EF78C, #6BE991, #79DC96, #87CE9C and #94C0A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF78B shade: #84F75E, #5EF760, #5EF789, #5EF7B2 and #5EF7DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF78B shade: #0FF353, #36F56F, #5EF78C, #85F9A8 and #ADFBC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF78B shade: #5DF78B, #5EADF7 and #F75E70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF78B shade: #5DF78B, #895EF7 and #F7895E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF78B shade: #5DF78B, #5EADF7, #F75ECC and #F7A85E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF78B shade: #5DF78B, #5E7FF7, #F75ECC and #F7D65E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 44 / 3

HEX #5DF78B

RGB 93 247 139

HSL 137.92, 0.91%, 0.67%

LAB 87.35, -63.3, 40.09

 

Complementary color

CMYK 0 / 95 / 28 / 36

HEX #A20874

RGB 162 8 116

HSL 317.92, 0.91%, 0.33%

LAB 36.21, 62.84, -18.37

 

CMYK 60 / 0 / 46 / 3

HEX #62F786

RGB 98 247 134

HSL 134.5, 0.9%, 0.68%

LAB 87.41, -63.07, 42.62

 

CMYK 55 / 0 / 40 / 0

HEX #73FF99

RGB 115 255 153

HSL 136.29, 1%, 0.73%

LAB 90.54, -59.43, 37.48

 

CMYK 48 / 0 / 33 / 0

HEX #84FFAC

RGB 132 255 172

HSL 139.51, 1%, 0.76%

LAB 91.42, -52.18, 29.3

 

CMYK 42 / 0 / 25 / 0

HEX #95FFBF

RGB 149 255 191

HSL 143.77, 1%, 0.79%

LAB 92.43, -44.35, 21.16

 

CMYK 35 / 0 / 18 / 0

HEX #A6FFD2

RGB 166 255 210

HSL 149.66, 1%, 0.83%

LAB 93.57, -36.07, 13.14

 

CMYK 62 / 0 / 44 / 3

HEX #5DF78B

RGB 93 247 139

HSL 137.92, 0.91%, 0.67%

LAB 87.35, -63.3, 40.09

 

CMYK 67 / 0 / 48 / 10

HEX #4CE578

RGB 76 229 120

HSL 137.25, 0.75%, 0.6%

LAB 81.25, -62.91, 41.52

 

CMYK 72 / 0 / 52 / 17

HEX #3BD365

RGB 59 211 101

HSL 136.58, 0.63%, 0.53%

LAB 75.11, -62.24, 42.99

 

CMYK 78 / 0 / 58 / 24

HEX #2AC152

RGB 42 193 82

HSL 135.89, 0.64%, 0.46%

LAB 68.93, -61.18, 44.48

 

CMYK 86 / 0 / 64 / 31

HEX #19AF3F

RGB 25 175 63

HSL 135.2, 0.75%, 0.39%

LAB 62.7, -59.57, 45.89

 

CMYK 62 / 0 / 43 / 3

HEX #5EF78C

RGB 94 247 140

HSL 138.04, 0.91%, 0.67%

LAB 87.39, -62.95, 39.66

 

CMYK 62 / 0 / 60 / 3

HEX #5EF762

RGB 94 247 98

HSL 121.57, 0.91%, 0.67%

LAB 86.89, -68.54, 58.44

 

CMYK 47 / 0 / 62 / 3

HEX #83F75E

RGB 131 247 94

HSL 105.49, 0.91%, 0.67%

LAB 88.04, -59.8, 61.73

 

CMYK 30 / 0 / 62 / 3

HEX #ACF75E

RGB 172 247 94

HSL 89.41, 0.91%, 0.67%

LAB 89.91, -46.78, 64.32

 

CMYK 14 / 0 / 62 / 3

HEX #D5F75E

RGB 213 247 94

HSL 73.33, 0.91%, 0.67%

LAB 92.34, -31.69, 67.67

 

CMYK 62 / 0 / 43 / 3

HEX #5EF78C

RGB 94 247 140

HSL 138.04, 0.91%, 0.67%

LAB 87.39, -62.95, 39.66

 

CMYK 62 / 0 / 27 / 3

HEX #5EF7B5

RGB 94 247 181

HSL 154.12, 0.91%, 0.67%

LAB 88.08, -55.45, 19.96

 

CMYK 62 / 0 / 10 / 3

HEX #5EF7DE

RGB 94 247 222

HSL 170.2, 0.91%, 0.67%

LAB 89.01, -46.14, 0.02

 

CMYK 62 / 7 / 0 / 3

HEX #5EE6F7

RGB 94 230 247

HSL 186.67, 0.91%, 0.67%

LAB 84.84, -31.82, -19.28

 

CMYK 62 / 23 / 0 / 3

HEX #5EBDF7

RGB 94 189 247

HSL 202.75, 0.91%, 0.67%

LAB 73.21, -11.09, -37.09

 

CMYK 62 / 0 / 43 / 3

HEX #5EF78C

RGB 94 247 140

HSL 138.04, 0.91%, 0.67%

LAB 87.39, -62.95, 39.66

 

CMYK 62 / 0 / 43 / 3

HEX #5EF78C

RGB 94 247 140

HSL 138.04, 0.91%, 0.67%

LAB 87.39, -62.95, 39.66

 

CMYK 54 / 0 / 38 / 9

HEX #6BE991

RGB 107 233 145

HSL 138.1, 0.74%, 0.67%

LAB 83.68, -53.97, 32.41

 

CMYK 45 / 0 / 32 / 14

HEX #79DC96

RGB 121 220 150

HSL 137.58, 0.59%, 0.67%

LAB 80.43, -44.17, 25.59

 

CMYK 34 / 0 / 24 / 19

HEX #87CE9C

RGB 135 206 156

HSL 137.75, 0.42%, 0.67%

LAB 77.1, -32.73, 17.96

 

CMYK 23 / 0 / 16 / 25

HEX #94C0A1

RGB 148 192 161

HSL 137.73, 0.26%, 0.67%

LAB 73.91, -20.85, 10.92

 

CMYK 47 / 0 / 62 / 3

HEX #84F75E

RGB 132 247 94

HSL 105.1, 0.91%, 0.67%

LAB 88.08, -59.52, 61.79

 

CMYK 62 / 0 / 61 / 3

HEX #5EF760

RGB 94 247 96

HSL 120.78, 0.91%, 0.67%

LAB 86.87, -68.76, 59.26

 

CMYK 62 / 0 / 45 / 3

HEX #5EF789

RGB 94 247 137

HSL 136.86, 0.91%, 0.67%

LAB 87.34, -63.42, 41.07

 

CMYK 62 / 0 / 28 / 3

HEX #5EF7B2

RGB 94 247 178

HSL 152.94, 0.91%, 0.67%

LAB 88.02, -56.07, 21.42

 

CMYK 62 / 0 / 11 / 3

HEX #5EF7DB

RGB 94 247 219

HSL 169.02, 0.91%, 0.67%

LAB 88.93, -46.88, 1.48

 

CMYK 94 / 0 / 66 / 5

HEX #0FF353

RGB 15 243 83

HSL 137.89, 0.9%, 0.51%

LAB 84.39, -78.47, 61.5

 

CMYK 78 / 0 / 55 / 4

HEX #36F56F

RGB 54 245 111

HSL 137.91, 0.91%, 0.59%

LAB 85.62, -72.81, 51.03

 

CMYK 62 / 0 / 43 / 3

HEX #5EF78C

RGB 94 247 140

HSL 138.04, 0.91%, 0.67%

LAB 87.39, -62.95, 39.66

 

CMYK 47 / 0 / 33 / 2

HEX #85F9A8

RGB 133 249 168

HSL 138.1, 0.91%, 0.75%

LAB 89.66, -50.14, 28.94

 

CMYK 31 / 0 / 22 / 2

HEX #ADFBC4

RGB 173 251 196

HSL 137.69, 0.91%, 0.83%

LAB 92.51, -34.82, 18.89

 

CMYK 62 / 0 / 44 / 3

HEX #5DF78B

RGB 93 247 139

HSL 137.92, 0.91%, 0.67%

LAB 87.35, -63.3, 40.09

 

CMYK 62 / 30 / 0 / 3

HEX #5EADF7

RGB 94 173 247

HSL 209.02, 0.91%, 0.67%

LAB 68.74, -2.33, -44.07

 

CMYK 0 / 62 / 55 / 3

HEX #F75E70

RGB 247 94 112

HSL 352.94, 0.91%, 0.67%

LAB 60.74, 59.76, 21.47

 

CMYK 62 / 0 / 44 / 3

HEX #5DF78B

RGB 93 247 139

HSL 137.92, 0.91%, 0.67%

LAB 87.35, -63.3, 40.09

 

CMYK 45 / 62 / 0 / 3

HEX #895EF7

RGB 137 94 247

HSL 256.86, 0.91%, 0.67%

LAB 51.88, 51.98, -70.82

 

CMYK 0 / 45 / 62 / 3

HEX #F7895E

RGB 247 137 94

HSL 16.86, 0.91%, 0.67%

LAB 68.37, 38.14, 41.22

 

CMYK 62 / 0 / 44 / 3

HEX #5DF78B

RGB 93 247 139

HSL 137.92, 0.91%, 0.67%

LAB 87.35, -63.3, 40.09

 

CMYK 62 / 30 / 0 / 3

HEX #5EADF7

RGB 94 173 247

HSL 209.02, 0.91%, 0.67%

LAB 68.74, -2.33, -44.07

 

CMYK 0 / 62 / 17 / 3

HEX #F75ECC

RGB 247 94 204

HSL 316.86, 0.91%, 0.67%

LAB 63.46, 69.72, -27.45

 

CMYK 0 / 32 / 62 / 3

HEX #F7A85E

RGB 247 168 94

HSL 29.02, 0.91%, 0.67%

LAB 75.19, 22.01, 49.32

 

CMYK 62 / 0 / 44 / 3

HEX #5DF78B

RGB 93 247 139

HSL 137.92, 0.91%, 0.67%

LAB 87.35, -63.3, 40.09

 

CMYK 62 / 49 / 0 / 3

HEX #5E7FF7

RGB 94 127 247

HSL 227.06, 0.91%, 0.67%

LAB 56.36, 24.68, -63.73

 

CMYK 0 / 62 / 17 / 3

HEX #F75ECC

RGB 247 94 204

HSL 316.86, 0.91%, 0.67%

LAB 63.46, 69.72, -27.45

 

CMYK 0 / 13 / 62 / 3

HEX #F7D65E

RGB 247 214 94

HSL 47.06, 0.91%, 0.67%

LAB 86.34, -1.92, 61.92

 

Description

Color code: HEX #5DF78B | qconv.com Color code: HEX #5DF78B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 247 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 247 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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