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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DE064 it is the complementary color #A21F9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DE064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DE064 shade: #62E05F, #73F272, #84FF85, #95FF98 and #A6FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DE064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DE064 shade: #5DE064, #4CCE51, #3BBC3E, #2AAA2B and #199818

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DE064 shade: #5CDF63, #78DF5C, #9CDF5C, #BFDF5C and #DFDC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DE064 shade: #5CDF63, #5CDF86, #5CDFAA, #5CDFCD and #5CCEDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DE064 shade matches the following richer shades: #5CDF63 and #4CEF55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DE064 shade: #5CDF63, #6BD071, #7BC07F, #8BB08D and #9AA19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DE064 shade: #9BDF5C, #78DF5C, #5CDF62, #5CDF85 and #5CDFA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DE064 shade: #25C42D, #39D942, #5CDF63, #7EE684 and #A1EDA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DE064 shade: #5DE064, #5CBFDF and #DF5C8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DE064 shade: #5DE064, #625CDF and #DF625C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DE064 shade: #5DE064, #5CBFDF, #DF5CD9 and #DF7D5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DE064 shade: #5DE064, #5C97DF, #DF5CD9 and #DFA45C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 55 / 12

HEX #5DE064

RGB 93 224 100

HSL 123.21, 0.68%, 0.62%

LAB 79.93, -60.41, 49.46

 

Complementary color

CMYK 0 / 81 / 4 / 36

HEX #A21F9B

RGB 162 31 155

HSL 303.21, 0.68%, 0.38%

LAB 39.63, 63.96, -37.08

 

CMYK 56 / 0 / 58 / 12

HEX #62E05F

RGB 98 224 95

HSL 118.6, 0.68%, 0.63%

LAB 80.03, -59.83, 51.88

 

CMYK 52 / 0 / 53 / 5

HEX #73F272

RGB 115 242 114

HSL 119.53, 0.83%, 0.7%

LAB 86.19, -60.05, 50.68

 

CMYK 48 / 0 / 48 / 0

HEX #84FF85

RGB 132 255 133

HSL 120.49, 1%, 0.76%

LAB 90.83, -58.19, 47.64

 

CMYK 42 / 0 / 40 / 0

HEX #95FF98

RGB 149 255 152

HSL 121.7, 1%, 0.79%

LAB 91.76, -50.84, 39.81

 

CMYK 35 / 0 / 33 / 0

HEX #A6FFAB

RGB 166 255 171

HSL 123.37, 1%, 0.83%

LAB 92.82, -42.94, 31.94

 

CMYK 58 / 0 / 55 / 12

HEX #5DE064

RGB 93 224 100

HSL 123.21, 0.68%, 0.62%

LAB 79.93, -60.41, 49.46

 

CMYK 63 / 0 / 61 / 19

HEX #4CCE51

RGB 76 206 81

HSL 122.31, 0.57%, 0.55%

LAB 73.72, -59.94, 50.68

 

CMYK 69 / 0 / 67 / 26

HEX #3BBC3E

RGB 59 188 62

HSL 121.4, 0.52%, 0.48%

LAB 67.46, -59.13, 51.72

 

CMYK 75 / 0 / 75 / 33

HEX #2AAA2B

RGB 42 170 43

HSL 120.47, 0.6%, 0.42%

LAB 61.15, -57.81, 52.39

 

CMYK 84 / 0 / 84 / 40

HEX #199818

RGB 25 152 24

HSL 119.53, 0.73%, 0.35%

LAB 54.79, -55.75, 52.25

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF63

RGB 92 223 99

HSL 123.21, 0.67%, 0.62%

LAB 79.59, -60.4, 49.5

 

CMYK 46 / 0 / 59 / 13

HEX #78DF5C

RGB 120 223 92

HSL 107.18, 0.67%, 0.62%

LAB 80.48, -53.89, 53.94

 

CMYK 30 / 0 / 59 / 13

HEX #9CDF5C

RGB 156 223 92

HSL 90.69, 0.67%, 0.62%

LAB 82.17, -42.23, 56.32

 

CMYK 14 / 0 / 59 / 13

HEX #BFDF5C

RGB 191 223 92

HSL 74.66, 0.67%, 0.62%

LAB 84.29, -29.18, 59.27

 

CMYK 0 / 1 / 59 / 13

HEX #DFDC5C

RGB 223 220 92

HSL 58.63, 0.67%, 0.62%

LAB 85.83, -14.93, 61.64

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF63

RGB 92 223 99

HSL 123.21, 0.67%, 0.62%

LAB 79.59, -60.4, 49.5

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF86

RGB 92 223 134

HSL 139.24, 0.67%, 0.62%

LAB 80.05, -55.28, 33.1

 

CMYK 59 / 0 / 24 / 13

HEX #5CDFAA

RGB 92 223 170

HSL 155.73, 0.67%, 0.62%

LAB 80.71, -48.34, 15.37

 

CMYK 59 / 0 / 8 / 13

HEX #5CDFCD

RGB 92 223 205

HSL 171.76, 0.67%, 0.62%

LAB 81.54, -40.15, -1.96

 

CMYK 59 / 8 / 0 / 13

HEX #5CCEDF

RGB 92 206 223

HSL 187.79, 0.67%, 0.62%

LAB 77.13, -27.33, -18.16

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF63

RGB 92 223 99

HSL 123.21, 0.67%, 0.62%

LAB 79.59, -60.4, 49.5

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF55

RGB 76 239 85

HSL 123.31, 0.84%, 0.62%

LAB 83.93, -70.68, 60.4

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF63

RGB 92 223 99

HSL 123.21, 0.67%, 0.62%

LAB 79.59, -60.4, 49.5

 

CMYK 49 / 0 / 46 / 18

HEX #6BD071

RGB 107 208 113

HSL 123.56, 0.52%, 0.62%

LAB 75.72, -48.96, 38.17

 

CMYK 36 / 0 / 34 / 25

HEX #7BC07F

RGB 123 192 127

HSL 123.48, 0.35%, 0.62%

LAB 71.85, -35.07, 26.07

 

CMYK 21 / 0 / 20 / 31

HEX #8BB08D

RGB 139 176 141

HSL 123.24, 0.19%, 0.62%

LAB 68.36, -19.52, 13.89

 

CMYK 4 / 0 / 4 / 37

HEX #9AA19B

RGB 154 161 155

HSL 128.57, 0.04%, 0.62%

LAB 65.54, -3.65, 2.25

 

CMYK 30 / 0 / 59 / 13

HEX #9BDF5C

RGB 155 223 92

HSL 91.15, 0.67%, 0.62%

LAB 82.12, -42.58, 56.24

 

CMYK 46 / 0 / 59 / 13

HEX #78DF5C

RGB 120 223 92

HSL 107.18, 0.67%, 0.62%

LAB 80.48, -53.89, 53.94

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF62

RGB 92 223 98

HSL 122.75, 0.67%, 0.62%

LAB 79.58, -60.52, 49.95

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 59 / 0 / 24 / 13

HEX #5CDFA9

RGB 92 223 169

HSL 155.27, 0.67%, 0.62%

LAB 80.69, -48.55, 15.87

 

CMYK 81 / 0 / 77 / 23

HEX #25C42D

RGB 37 196 45

HSL 123.02, 0.68%, 0.46%

LAB 69.51, -66.44, 59.96

 

CMYK 74 / 0 / 70 / 15

HEX #39D942

RGB 57 217 66

HSL 123.38, 0.68%, 0.54%

LAB 76.61, -68.55, 59.88

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF63

RGB 92 223 99

HSL 123.21, 0.67%, 0.62%

LAB 79.59, -60.4, 49.5

 

CMYK 45 / 0 / 43 / 10

HEX #7EE684

RGB 126 230 132

HSL 123.46, 0.68%, 0.7%

LAB 83.28, -49.95, 38.53

 

CMYK 32 / 0 / 30 / 7

HEX #A1EDA5

RGB 161 237 165

HSL 123.16, 0.68%, 0.78%

LAB 87.42, -37.42, 27.64

 

CMYK 58 / 0 / 55 / 12

HEX #5DE064

RGB 93 224 100

HSL 123.21, 0.68%, 0.62%

LAB 79.93, -60.41, 49.46

 

CMYK 59 / 14 / 0 / 13

HEX #5CBFDF

RGB 92 191 223

HSL 194.66, 0.67%, 0.62%

LAB 72.8, -19.79, -24.73

 

CMYK 0 / 59 / 38 / 13

HEX #DF5C8A

RGB 223 92 138

HSL 338.93, 0.67%, 0.62%

LAB 57.25, 55.33, 0.86

 

CMYK 58 / 0 / 55 / 12

HEX #5DE064

RGB 93 224 100

HSL 123.21, 0.68%, 0.62%

LAB 79.93, -60.41, 49.46

 

CMYK 56 / 59 / 0 / 13

HEX #625CDF

RGB 98 92 223

HSL 242.75, 0.67%, 0.62%

LAB 46.42, 38.81, -66.34

 

CMYK 0 / 56 / 59 / 13

HEX #DF625C

RGB 223 98 92

HSL 2.75, 0.67%, 0.62%

LAB 57.27, 48.39, 27.71

 

CMYK 58 / 0 / 55 / 12

HEX #5DE064

RGB 93 224 100

HSL 123.21, 0.68%, 0.62%

LAB 79.93, -60.41, 49.46

 

CMYK 59 / 14 / 0 / 13

HEX #5CBFDF

RGB 92 191 223

HSL 194.66, 0.67%, 0.62%

LAB 72.8, -19.79, -24.73

 

CMYK 0 / 59 / 3 / 13

HEX #DF5CD9

RGB 223 92 217

HSL 302.75, 0.67%, 0.62%

LAB 60.21, 66.31, -40.11

 

CMYK 0 / 44 / 59 / 13

HEX #DF7D5C

RGB 223 125 92

HSL 15.11, 0.67%, 0.62%

LAB 62.62, 34.89, 34.5

 

CMYK 58 / 0 / 55 / 12

HEX #5DE064

RGB 93 224 100

HSL 123.21, 0.68%, 0.62%

LAB 79.93, -60.41, 49.46

 

CMYK 59 / 32 / 0 / 13

HEX #5C97DF

RGB 92 151 223

HSL 212.98, 0.67%, 0.62%

LAB 61.43, 2.1, -42.37

 

CMYK 0 / 59 / 3 / 13

HEX #DF5CD9

RGB 223 92 217

HSL 302.75, 0.67%, 0.62%

LAB 60.21, 66.31, -40.11

 

CMYK 0 / 26 / 59 / 13

HEX #DFA45C

RGB 223 164 92

HSL 32.98, 0.67%, 0.62%

LAB 71.56, 14.11, 45.38

 

Description

Color code: HEX #5DE064 | qconv.com Color code: HEX #5DE064 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 224 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 224 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 55 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 55% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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