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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DDAAE it is the complementary color #A22551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DDAAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DDAAE shade: #62DAA9, #73ECBC, #84FECF, #95FFE2 and #A6FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DDAAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DDAAE shade: #5DDAAE, #4CC89B, #3BB688, #2AA475 and #199262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DDAAE shade: #5CDAAE, #5CDA8C, #5CDA6A, #71DA5C and #92DA5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DDAAE shade: #5CDAAE, #5CDACF, #5CC2DA, #5CA0DA and #5C7FDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DDAAE shade matches the following richer shades: #5CDAAE, #4CEAB2 and #3CFAB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DDAAE shade: #5CDAAE, #6CCAA9, #7DBAA4, #8DA99F and #9D999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DDAAE shade: #5CDA69, #5CDA8A, #5CDAAC, #5CDACD and #5CC5DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DDAAE shade: #2ABA87, #3BD29D, #5CDAAE, #7EE1BE and #A0E9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DDAAE shade: #5DDAAE, #5C71DA and #DA7A5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DDAAE shade: #5DDAAE, #AC5CDA and #DAAC5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DDAAE shade: #5DDAAE, #5C71DA, #DA5C8A and #DAC55C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DDAAE shade: #5DDAAE, #6D5CDA, #DA5C8A and #C9DA5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 20 / 15

HEX #5DDAAE

RGB 93 218 174

HSL 158.88, 0.63%, 0.61%

LAB 79.34, -45.14, 11.33

 

Complementary color

CMYK 0 / 77 / 50 / 36

HEX #A22551

RGB 162 37 81

HSL 338.88, 0.63%, 0.39%

LAB 37.11, 53.04, 5.3

 

CMYK 55 / 0 / 22 / 15

HEX #62DAA9

RGB 98 218 169

HSL 155.5, 0.62%, 0.62%

LAB 79.39, -45.19, 14.06

 

CMYK 51 / 0 / 20 / 7

HEX #73ECBC

RGB 115 236 188

HSL 156.2, 0.76%, 0.69%

LAB 85.64, -45.13, 12.99

 

CMYK 48 / 0 / 19 / 0

HEX #84FECF

RGB 132 254 207

HSL 156.89, 0.98%, 0.76%

LAB 91.82, -45.01, 12

 

CMYK 42 / 0 / 11 / 0

HEX #95FFE2

RGB 149 255 226

HSL 163.58, 1%, 0.79%

LAB 93.19, -37.29, 4.26

 

CMYK 35 / 0 / 4 / 0

HEX #A6FFF5

RGB 166 255 245

HSL 173.26, 1%, 0.83%

LAB 94.41, -28.77, -3.69

 

CMYK 57 / 0 / 20 / 15

HEX #5DDAAE

RGB 93 218 174

HSL 158.88, 0.63%, 0.61%

LAB 79.34, -45.14, 11.33

 

CMYK 62 / 0 / 23 / 22

HEX #4CC89B

RGB 76 200 155

HSL 158.23, 0.53%, 0.54%

LAB 73.03, -45.03, 12.47

 

CMYK 68 / 0 / 25 / 29

HEX #3BB688

RGB 59 182 136

HSL 157.56, 0.51%, 0.47%

LAB 66.64, -44.76, 13.72

 

CMYK 74 / 0 / 29 / 36

HEX #2AA475

RGB 42 164 117

HSL 156.89, 0.59%, 0.4%

LAB 60.18, -44.25, 15.11

 

CMYK 83 / 0 / 33 / 43

HEX #199262

RGB 25 146 98

HSL 156.2, 0.71%, 0.34%

LAB 53.65, -43.36, 16.67

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 58 / 0 / 36 / 15

HEX #5CDA8C

RGB 92 218 140

HSL 142.86, 0.63%, 0.61%

LAB 78.64, -52.25, 28.17

 

CMYK 58 / 0 / 51 / 15

HEX #5CDA6A

RGB 92 218 106

HSL 126.67, 0.63%, 0.61%

LAB 78.15, -57.65, 44.49

 

CMYK 48 / 0 / 58 / 15

HEX #71DA5C

RGB 113 218 92

HSL 110, 0.63%, 0.61%

LAB 78.71, -53.95, 51.83

 

CMYK 33 / 0 / 58 / 15

HEX #92DA5C

RGB 146 218 92

HSL 94.29, 0.63%, 0.61%

LAB 80.19, -43.54, 53.93

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 58 / 0 / 5 / 15

HEX #5CDACF

RGB 92 218 207

HSL 174.76, 0.63%, 0.61%

LAB 80.14, -37.37, -5.09

 

CMYK 58 / 11 / 0 / 15

HEX #5CC2DA

RGB 92 194 218

HSL 191.43, 0.63%, 0.61%

LAB 73.49, -22.78, -20.97

 

CMYK 58 / 27 / 0 / 15

HEX #5CA0DA

RGB 92 160 218

HSL 207.62, 0.63%, 0.61%

LAB 63.74, -4.63, -35.98

 

CMYK 58 / 42 / 0 / 15

HEX #5C7FDA

RGB 92 127 218

HSL 223.33, 0.63%, 0.61%

LAB 54.57, 14.71, -50.43

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 68 / 0 / 24 / 8

HEX #4CEAB2

RGB 76 234 178

HSL 158.73, 0.79%, 0.61%

LAB 83.76, -53.92, 15.4

 

CMYK 76 / 0 / 27 / 2

HEX #3CFAB7

RGB 60 250 183

HSL 158.84, 0.95%, 0.61%

LAB 88.33, -61.16, 19.17

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 47 / 0 / 16 / 21

HEX #6CCAA9

RGB 108 202 169

HSL 158.94, 0.47%, 0.61%

LAB 75.01, -35.73, 7.89

 

CMYK 33 / 0 / 12 / 27

HEX #7DBAA4

RGB 125 186 164

HSL 158.36, 0.31%, 0.61%

LAB 70.98, -24.5, 4.92

 

CMYK 17 / 0 / 6 / 34

HEX #8DA99F

RGB 141 169 159

HSL 158.57, 0.14%, 0.61%

LAB 66.93, -11.71, 1.93

 

CMYK 0 / 3 / 1 / 38

HEX #9D999B

RGB 157 153 155

HSL 330, 0.02%, 0.61%

LAB 63.6, 1.84, -0.54

 

CMYK 58 / 0 / 52 / 15

HEX #5CDA69

RGB 92 218 105

HSL 126.19, 0.63%, 0.61%

LAB 78.13, -57.78, 44.96

 

CMYK 58 / 0 / 37 / 15

HEX #5CDA8A

RGB 92 218 138

HSL 141.9, 0.63%, 0.61%

LAB 78.61, -52.61, 29.16

 

CMYK 58 / 0 / 21 / 15

HEX #5CDAAC

RGB 92 218 172

HSL 158.1, 0.63%, 0.61%

LAB 79.27, -45.79, 12.28

 

CMYK 58 / 0 / 6 / 15

HEX #5CDACD

RGB 92 218 205

HSL 173.81, 0.63%, 0.61%

LAB 80.08, -37.88, -4.11

 

CMYK 58 / 10 / 0 / 15

HEX #5CC5DA

RGB 92 197 218

HSL 190, 0.63%, 0.61%

LAB 74.36, -24.29, -19.65

 

CMYK 77 / 0 / 27 / 27

HEX #2ABA87

RGB 42 186 135

HSL 158.75, 0.63%, 0.45%

LAB 67.55, -49.04, 15.47

 

CMYK 72 / 0 / 25 / 18

HEX #3BD29D

RGB 59 210 157

HSL 158.94, 0.63%, 0.53%

LAB 75.73, -51.47, 15.15

 

CMYK 58 / 0 / 20 / 15

HEX #5CDAAE

RGB 92 218 174

HSL 159.05, 0.63%, 0.61%

LAB 79.31, -45.34, 11.28

 

CMYK 44 / 0 / 16 / 12

HEX #7EE1BE

RGB 126 225 190

HSL 158.79, 0.62%, 0.69%

LAB 82.92, -37.17, 8.12

 

CMYK 31 / 0 / 11 / 9

HEX #A0E9CF

RGB 160 233 207

HSL 158.63, 0.62%, 0.77%

LAB 87.12, -28.09, 5.43

 

CMYK 57 / 0 / 20 / 15

HEX #5DDAAE

RGB 93 218 174

HSL 158.88, 0.63%, 0.61%

LAB 79.34, -45.14, 11.33

 

CMYK 58 / 48 / 0 / 15

HEX #5C71DA

RGB 92 113 218

HSL 230, 0.63%, 0.61%

LAB 50.86, 23.27, -56.36

 

CMYK 0 / 44 / 58 / 15

HEX #DA7A5C

RGB 218 122 92

HSL 14.29, 0.63%, 0.61%

LAB 61.31, 34.5, 32.71

 

CMYK 57 / 0 / 20 / 15

HEX #5DDAAE

RGB 93 218 174

HSL 158.88, 0.63%, 0.61%

LAB 79.34, -45.14, 11.33

 

CMYK 21 / 58 / 0 / 15

HEX #AC5CDA

RGB 172 92 218

HSL 278.1, 0.63%, 0.61%

LAB 53.48, 53.7, -51.76

 

CMYK 0 / 21 / 58 / 15

HEX #DAAC5C

RGB 218 172 92

HSL 38.1, 0.63%, 0.61%

LAB 73.01, 7.74, 46.96

 

CMYK 57 / 0 / 20 / 15

HEX #5DDAAE

RGB 93 218 174

HSL 158.88, 0.63%, 0.61%

LAB 79.34, -45.14, 11.33

 

CMYK 58 / 48 / 0 / 15

HEX #5C71DA

RGB 92 113 218

HSL 230, 0.63%, 0.61%

LAB 50.86, 23.27, -56.36

 

CMYK 0 / 58 / 37 / 15

HEX #DA5C8A

RGB 218 92 138

HSL 338.1, 0.63%, 0.61%

LAB 56.48, 53.74, -0.35

 

CMYK 0 / 10 / 58 / 15

HEX #DAC55C

RGB 218 197 92

HSL 50, 0.63%, 0.61%

LAB 79.39, -5.37, 54.34

 

CMYK 57 / 0 / 20 / 15

HEX #5DDAAE

RGB 93 218 174

HSL 158.88, 0.63%, 0.61%

LAB 79.34, -45.14, 11.33

 

CMYK 50 / 58 / 0 / 15

HEX #6D5CDA

RGB 109 92 218

HSL 248.1, 0.63%, 0.61%

LAB 46.93, 39.36, -62.63

 

CMYK 0 / 58 / 37 / 15

HEX #DA5C8A

RGB 218 92 138

HSL 338.1, 0.63%, 0.61%

LAB 56.48, 53.74, -0.35

 

CMYK 8 / 0 / 58 / 15

HEX #C9DA5C

RGB 201 218 92

HSL 68.1, 0.63%, 0.61%

LAB 83.62, -22.84, 58.72

 

Description

Color code: HEX #5DDAAE | qconv.com Color code: HEX #5DDAAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 218 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 218 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 20 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 20% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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