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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DCB52 it is the complementary color #A234AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DCB52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DCB52 shade: #62CB4D, #73DD60, #84EF73, #95FF86 and #A6FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DCB52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DCB52 shade: #5DCB52, #4CB93F, #3BA72C, #2A9519 and #198306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DCB52 shade: #5DCB52, #7DCB52, #9ECB52, #BFCB52 and #CBB652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DCB52 shade: #5DCB52, #52CB67, #52CB88, #52CBA9 and #52CBC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DCB52 shade matches the following richer shades: #5DCB52, #4EDD40 and #3FEF2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DCB52 shade: #5DCB52, #6CB964, #7AA776, #899488 and #98829A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DCB52 shade: #9ECB52, #7ECB52, #5ECB52, #52CB66 and #52CB86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DCB52 shade: #389C2E, #44BC38, #5DCB52, #7AD471 and #98DE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DCB52 shade: #5DCB52, #52BFCB and #CB528E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DCB52 shade: #5DCB52, #525ECB and #CB525E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DCB52 shade: #5DCB52, #52BFCB, #BF52CB and #CB5E52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DCB52 shade: #5DCB52, #529ACB, #BF52CB and #CB8252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

Complementary color

CMYK 6 / 70 / 0 / 32

HEX #A234AD

RGB 162 52 173

HSL 294.55, 0.54%, 0.44%

LAB 43, 60.29, -42.5

 

CMYK 52 / 0 / 62 / 20

HEX #62CB4D

RGB 98 203 77

HSL 110, 0.55%, 0.55%

LAB 73.44, -53.91, 52.3

 

CMYK 48 / 0 / 57 / 13

HEX #73DD60

RGB 115 221 96

HSL 110.88, 0.65%, 0.62%

LAB 79.73, -54.11, 51.23

 

CMYK 45 / 0 / 52 / 6

HEX #84EF73

RGB 132 239 115

HSL 111.77, 0.79%, 0.69%

LAB 85.94, -54.17, 50.07

 

CMYK 42 / 0 / 47 / 0

HEX #95FF86

RGB 149 255 134

HSL 112.56, 1%, 0.76%

LAB 91.52, -53.31, 48.17

 

CMYK 35 / 0 / 40 / 0

HEX #A6FF99

RGB 166 255 153

HSL 112.35, 1%, 0.8%

LAB 92.54, -45.63, 40.48

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 59 / 0 / 66 / 27

HEX #4CB93F

RGB 76 185 63

HSL 113.61, 0.49%, 0.49%

LAB 66.97, -54.28, 50.91

 

CMYK 65 / 0 / 74 / 35

HEX #3BA72C

RGB 59 167 44

HSL 112.68, 0.58%, 0.41%

LAB 60.56, -53.48, 51.56

 

CMYK 72 / 0 / 83 / 42

HEX #2A9519

RGB 42 149 25

HSL 111.77, 0.71%, 0.34%

LAB 54.09, -52.12, 51.43

 

CMYK 81 / 0 / 95 / 49

HEX #198306

RGB 25 131 6

HSL 110.88, 0.91%, 0.27%

LAB 47.56, -49.94, 49.88

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 38 / 0 / 60 / 20

HEX #7DCB52

RGB 125 203 82

HSL 98.68, 0.54%, 0.56%

LAB 74.62, -45.2, 51.74

 

CMYK 22 / 0 / 60 / 20

HEX #9ECB52

RGB 158 203 82

HSL 82.31, 0.54%, 0.56%

LAB 76.43, -33.39, 54.27

 

CMYK 6 / 0 / 60 / 20

HEX #BFCB52

RGB 191 203 82

HSL 65.95, 0.54%, 0.56%

LAB 78.69, -20.3, 57.41

 

CMYK 0 / 10 / 60 / 20

HEX #CBB652

RGB 203 182 82

HSL 49.59, 0.54%, 0.56%

LAB 74.04, -4.61, 52.52

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 60 / 0 / 49 / 20

HEX #52CB67

RGB 82 203 103

HSL 130.41, 0.54%, 0.56%

LAB 73.21, -54.69, 39.79

 

CMYK 60 / 0 / 33 / 20

HEX #52CB88

RGB 82 203 136

HSL 146.78, 0.54%, 0.56%

LAB 73.73, -49.08, 23.58

 

CMYK 60 / 0 / 17 / 20

HEX #52CBA9

RGB 82 203 169

HSL 163.14, 0.54%, 0.56%

LAB 74.43, -41.94, 6.94

 

CMYK 60 / 0 / 1 / 20

HEX #52CBC9

RGB 82 203 201

HSL 179.01, 0.54%, 0.56%

LAB 75.28, -33.77, -9.1

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 65 / 0 / 71 / 13

HEX #4EDD40

RGB 78 221 64

HSL 114.65, 0.7%, 0.56%

LAB 78.29, -66.27, 62.5

 

CMYK 74 / 0 / 81 / 6

HEX #3FEF2D

RGB 63 239 45

HSL 114.43, 0.86%, 0.56%

LAB 83.43, -75.78, 73.26

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 42 / 0 / 46 / 27

HEX #6CB964

RGB 108 185 100

HSL 114.35, 0.38%, 0.56%

LAB 68.61, -40.82, 35.74

 

CMYK 27 / 0 / 29 / 35

HEX #7AA776

RGB 122 167 118

HSL 115.1, 0.22%, 0.56%

LAB 64.23, -24.96, 20.61

 

CMYK 7 / 0 / 8 / 42

HEX #899488

RGB 137 148 136

HSL 115, 0.05%, 0.56%

LAB 60.14, -6.33, 4.98

 

CMYK 1 / 16 / 0 / 40

HEX #98829A

RGB 152 130 154

HSL 295, 0.11%, 0.56%

LAB 57.05, 12.85, -9.71

 

CMYK 22 / 0 / 60 / 20

HEX #9ECB52

RGB 158 203 82

HSL 82.31, 0.54%, 0.56%

LAB 76.43, -33.39, 54.27

 

CMYK 38 / 0 / 60 / 20

HEX #7ECB52

RGB 126 203 82

HSL 98.18, 0.54%, 0.56%

LAB 74.67, -44.87, 51.81

 

CMYK 54 / 0 / 60 / 20

HEX #5ECB52

RGB 94 203 82

HSL 114.05, 0.54%, 0.56%

LAB 73.35, -54.45, 49.95

 

CMYK 60 / 0 / 50 / 20

HEX #52CB66

RGB 82 203 102

HSL 129.92, 0.54%, 0.56%

LAB 73.2, -54.84, 40.27

 

CMYK 60 / 0 / 34 / 20

HEX #52CB86

RGB 82 203 134

HSL 145.79, 0.54%, 0.56%

LAB 73.69, -49.46, 24.59

 

CMYK 64 / 0 / 71 / 39

HEX #389C2E

RGB 56 156 46

HSL 114.55, 0.54%, 0.4%

LAB 56.89, -50.06, 46.97

 

CMYK 64 / 0 / 70 / 26

HEX #44BC38

RGB 68 188 56

HSL 114.55, 0.54%, 0.48%

LAB 67.64, -57.84, 54.37

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 42 / 0 / 47 / 17

HEX #7AD471

RGB 122 212 113

HSL 114.55, 0.54%, 0.64%

LAB 77.53, -46.3, 40.58

 

CMYK 32 / 0 / 35 / 13

HEX #98DE91

RGB 152 222 145

HSL 114.55, 0.54%, 0.72%

LAB 82.36, -36.64, 31

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 60 / 6 / 0 / 20

HEX #52BFCB

RGB 82 191 203

HSL 185.95, 0.54%, 0.56%

LAB 71.8, -27.43, -15.39

 

CMYK 0 / 60 / 30 / 20

HEX #CB528E

RGB 203 82 142

HSL 330.25, 0.54%, 0.56%

LAB 52.6, 54.04, -8.71

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 60 / 54 / 0 / 20

HEX #525ECB

RGB 82 94 203

HSL 234.05, 0.54%, 0.56%

LAB 44.39, 28.21, -58.25

 

CMYK 0 / 60 / 54 / 20

HEX #CB525E

RGB 203 82 94

HSL 354.05, 0.54%, 0.56%

LAB 51.31, 49.03, 18.09

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 60 / 6 / 0 / 20

HEX #52BFCB

RGB 82 191 203

HSL 185.95, 0.54%, 0.56%

LAB 71.8, -27.43, -15.39

 

CMYK 6 / 60 / 0 / 20

HEX #BF52CB

RGB 191 82 203

HSL 294.05, 0.54%, 0.56%

LAB 53.41, 60.17, -43.17

 

CMYK 0 / 54 / 60 / 20

HEX #CB5E52

RGB 203 94 82

HSL 5.95, 0.54%, 0.56%

LAB 53.29, 42.36, 27.73

 

CMYK 54 / 0 / 60 / 20

HEX #5DCB52

RGB 93 203 82

HSL 114.55, 0.54%, 0.56%

LAB 73.32, -54.71, 49.9

 

CMYK 60 / 24 / 0 / 20

HEX #529ACB

RGB 82 154 203

HSL 204.3, 0.54%, 0.56%

LAB 60.97, -7.98, -31.96

 

CMYK 6 / 60 / 0 / 20

HEX #BF52CB

RGB 191 82 203

HSL 294.05, 0.54%, 0.56%

LAB 53.41, 60.17, -43.17

 

CMYK 0 / 36 / 60 / 20

HEX #CB8252

RGB 203 130 82

HSL 23.8, 0.54%, 0.56%

LAB 61.02, 23.42, 37.35

 

Description

Color code: HEX #5DCB52 | qconv.com Color code: HEX #5DCB52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 203 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 203 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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