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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DC491 it is the complementary color #A23B6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DC491. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DC491 shade: #62C48C, #73D69F, #84E8B2, #95FAC5 and #A6FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DC491. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DC491 shade: #5DC491, #4CB27E, #3BA06B, #2A8E58 and #197C45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DC491 shade: #5DC491, #5DC476, #61C45D, #7DC45D and #98C45D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DC491 shade: #5DC491, #5DC4AD, #5DC0C4, #5DA4C4 and #5D88C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DC491 shade matches the following richer shades: #5DC491, #4CD692, #3AE892 and #28FA92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DC491 shade: #5DC491, #6FB391, #81A191, #938F91 and #A47D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DC491 shade: #61C45D, #5DC475, #5DC491, #5DC4AC and #5DC1C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DC491 shade: #379968, #42B77D, #5DC491, #7CCFA6 and #9ADABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DC491 shade: #5DC491, #5D7CC4 and #C4685D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DC491 shade: #5DC491, #915DC4 and #C4915D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DC491 shade: #5DC491, #5D7CC4, #C45D91 and #C4A55D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DC491 shade: #5DC491, #5D5DC4, #C45D91 and #C4C45D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

Complementary color

CMYK 0 / 64 / 32 / 36

HEX #A23B6E

RGB 162 59 110

HSL 330.29, 0.47%, 0.43%

LAB 41.11, 47.6, -7.16

 

CMYK 50 / 0 / 29 / 23

HEX #62C48C

RGB 98 196 140

HSL 145.71, 0.45%, 0.58%

LAB 72.21, -41.64, 19.47

 

CMYK 46 / 0 / 26 / 16

HEX #73D69F

RGB 115 214 159

HSL 146.67, 0.55%, 0.65%

LAB 78.6, -41.46, 18.33

 

CMYK 43 / 0 / 23 / 9

HEX #84E8B2

RGB 132 232 178

HSL 147.6, 0.68%, 0.71%

LAB 84.91, -41.24, 17.27

 

CMYK 40 / 0 / 21 / 2

HEX #95FAC5

RGB 149 250 197

HSL 148.51, 0.91%, 0.78%

LAB 91.14, -41.01, 16.28

 

CMYK 35 / 0 / 15 / 0

HEX #A6FFD8

RGB 166 255 216

HSL 153.71, 1%, 0.83%

LAB 93.7, -34.89, 10.25

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 57 / 0 / 29 / 30

HEX #4CB27E

RGB 76 178 126

HSL 149.41, 0.4%, 0.5%

LAB 65.66, -41.91, 17.87

 

CMYK 63 / 0 / 33 / 37

HEX #3BA06B

RGB 59 160 107

HSL 148.51, 0.46%, 0.43%

LAB 59.1, -41.83, 19.21

 

CMYK 70 / 0 / 38 / 44

HEX #2A8E58

RGB 42 142 88

HSL 147.6, 0.54%, 0.36%

LAB 52.45, -41.51, 20.69

 

CMYK 80 / 0 / 44 / 51

HEX #197C45

RGB 25 124 69

HSL 146.67, 0.66%, 0.29%

LAB 45.7, -40.78, 22.35

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 53 / 0 / 40 / 23

HEX #5DC476

RGB 93 196 118

HSL 134.56, 0.47%, 0.57%

LAB 71.63, -46.93, 30.26

 

CMYK 51 / 0 / 53 / 23

HEX #61C45D

RGB 97 196 93

HSL 117.67, 0.47%, 0.57%

LAB 71.43, -49.6, 42.59

 

CMYK 36 / 0 / 53 / 23

HEX #7DC45D

RGB 125 196 93

HSL 101.36, 0.47%, 0.57%

LAB 72.65, -41.02, 44.35

 

CMYK 22 / 0 / 53 / 23

HEX #98C45D

RGB 152 196 93

HSL 85.63, 0.47%, 0.57%

LAB 74.15, -31.37, 46.51

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 53 / 0 / 12 / 23

HEX #5DC4AD

RGB 93 196 173

HSL 166.6, 0.47%, 0.57%

LAB 72.78, -35.56, 2.44

 

CMYK 53 / 2 / 0 / 23

HEX #5DC0C4

RGB 93 192 196

HSL 182.33, 0.47%, 0.57%

LAB 72.24, -27.75, -10.89

 

CMYK 53 / 16 / 0 / 23

HEX #5DA4C4

RGB 93 164 196

HSL 198.64, 0.47%, 0.57%

LAB 64.05, -13.33, -23.27

 

CMYK 53 / 31 / 0 / 23

HEX #5D88C4

RGB 93 136 196

HSL 214.95, 0.47%, 0.57%

LAB 56.01, 2.46, -35.72

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 64 / 0 / 32 / 16

HEX #4CD692

RGB 76 214 146

HSL 150.43, 0.63%, 0.57%

LAB 77.1, -52.7, 22.9

 

CMYK 75 / 0 / 37 / 9

HEX #3AE892

RGB 58 232 146

HSL 150.34, 0.79%, 0.57%

LAB 82.21, -62.26, 29.74

 

CMYK 84 / 0 / 42 / 2

HEX #28FA92

RGB 40 250 146

HSL 150.29, 0.95%, 0.57%

LAB 87.44, -70.37, 36.6

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 38 / 0 / 19 / 30

HEX #6FB391

RGB 111 179 145

HSL 150, 0.31%, 0.57%

LAB 67.77, -29.24, 10.65

 

CMYK 20 / 0 / 10 / 37

HEX #81A191

RGB 129 161 145

HSL 150, 0.15%, 0.57%

LAB 63.51, -14.4, 4.69

 

CMYK 0 / 3 / 1 / 42

HEX #938F91

RGB 147 143 145

HSL 330, 0.02%, 0.57%

LAB 59.79, 1.86, -0.54

 

CMYK 0 / 24 / 12 / 36

HEX #A47D91

RGB 164 125 145

HSL 329.23, 0.18%, 0.57%

LAB 56.69, 18.41, -4.93

 

CMYK 51 / 0 / 53 / 23

HEX #61C45D

RGB 97 196 93

HSL 117.67, 0.47%, 0.57%

LAB 71.43, -49.6, 42.59

 

CMYK 53 / 0 / 40 / 23

HEX #5DC475

RGB 93 196 117

HSL 133.98, 0.47%, 0.57%

LAB 71.62, -47.1, 30.76

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 53 / 0 / 12 / 23

HEX #5DC4AC

RGB 93 196 172

HSL 166.02, 0.47%, 0.57%

LAB 72.75, -35.8, 2.94

 

CMYK 53 / 2 / 0 / 23

HEX #5DC1C4

RGB 93 193 196

HSL 181.75, 0.47%, 0.57%

LAB 72.53, -28.24, -10.45

 

CMYK 64 / 0 / 32 / 40

HEX #379968

RGB 55 153 104

HSL 150, 0.47%, 0.41%

LAB 56.68, -40.3, 17.55

 

CMYK 64 / 0 / 32 / 28

HEX #42B77D

RGB 66 183 125

HSL 150.26, 0.47%, 0.49%

LAB 66.9, -46.3, 20.08

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 40 / 0 / 20 / 19

HEX #7CCFA6

RGB 124 207 166

HSL 150.36, 0.46%, 0.65%

LAB 77.08, -34.46, 12.54

 

CMYK 29 / 0 / 15 / 15

HEX #9ADABA

RGB 154 218 186

HSL 150, 0.46%, 0.73%

LAB 82.14, -26.9, 9.3

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 53 / 37 / 0 / 23

HEX #5D7CC4

RGB 93 124 196

HSL 221.94, 0.47%, 0.57%

LAB 52.65, 9.62, -41

 

CMYK 0 / 47 / 53 / 23

HEX #C4685D

RGB 196 104 93

HSL 6.41, 0.47%, 0.57%

LAB 54.48, 35.48, 22.73

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 26 / 53 / 0 / 23

HEX #915DC4

RGB 145 93 196

HSL 270.29, 0.47%, 0.57%

LAB 49.29, 41.27, -46.05

 

CMYK 0 / 26 / 53 / 23

HEX #C4915D

RGB 196 145 93

HSL 30.29, 0.47%, 0.57%

LAB 63.98, 13.18, 34.96

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 53 / 37 / 0 / 23

HEX #5D7CC4

RGB 93 124 196

HSL 221.94, 0.47%, 0.57%

LAB 52.65, 9.62, -41

 

CMYK 0 / 53 / 26 / 23

HEX #C45D91

RGB 196 93 145

HSL 329.71, 0.47%, 0.57%

LAB 53.61, 47.03, -9.08

 

CMYK 0 / 16 / 53 / 23

HEX #C4A55D

RGB 196 165 93

HSL 41.94, 0.47%, 0.57%

LAB 69.07, 2.31, 41.23

 

CMYK 53 / 0 / 26 / 23

HEX #5DC491

RGB 93 196 145

HSL 150.29, 0.47%, 0.57%

LAB 72.13, -41.85, 16.65

 

CMYK 53 / 53 / 0 / 23

HEX #5D5DC4

RGB 93 93 196

HSL 240, 0.47%, 0.57%

LAB 44.44, 28.71, -54.1

 

CMYK 0 / 53 / 26 / 23

HEX #C45D91

RGB 196 93 145

HSL 329.71, 0.47%, 0.57%

LAB 53.61, 47.03, -9.08

 

CMYK 0 / 0 / 53 / 23

HEX #C4C45D

RGB 196 196 93

HSL 60, 0.47%, 0.57%

LAB 77.28, -13.89, 50.97

 

Description

Color code: HEX #5DC491 | qconv.com Color code: HEX #5DC491 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 196 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 196 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 26 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 26% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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