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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA040 it is the complementary color #A25FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DA040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DA040 shade: #62A03B, #73B24E, #84C461, #95D674 and #A6E887

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DA040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DA040 shade: #5DA040, #4C8E2D, #3B7C1A, #2A6A07 and #195800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DA040 shade: #5DA03F, #77A03F, #91A03F, #A0953F and #A07B3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DA040 shade: #5DA03F, #43A03F, #3FA056, #3FA070 and #3FA08A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DA040 shade matches the following richer shades: #5DA03F, #55B22D, #4EC41B and #47D609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DA040 shade: #5DA03F, #648E52, #6B7C64, #726976 and #795788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DA040 shade: #91A03F, #78A03F, #5EA03F, #44A03F and #3FA054

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DA040 shade: #3A6528, #4B8234, #5DA03F, #70B950 and #88C56D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DA040 shade: #5DA040, #3FA095 and #A03F85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DA040 shade: #5DA040, #3F5EA0 and #A03F5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DA040 shade: #5DA040, #3FA095, #813FA0 and #A03F4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DA040 shade: #5DA040, #3F8EA0, #813FA0 and #A0513F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 60 / 37

HEX #5DA040

RGB 93 160 64

HSL 101.88, 0.43%, 0.44%

LAB 59.74, -39.29, 42.59

 

Complementary color

CMYK 15 / 50 / 0 / 25

HEX #A25FBF

RGB 162 95 191

HSL 281.88, 0.43%, 0.56%

LAB 51.41, 43.68, -39.68

 

CMYK 39 / 0 / 63 / 37

HEX #62A03B

RGB 98 160 59

HSL 96.83, 0.46%, 0.43%

LAB 59.94, -38.09, 45.17

 

CMYK 35 / 0 / 56 / 30

HEX #73B24E

RGB 115 178 78

HSL 97.8, 0.39%, 0.5%

LAB 66.55, -38.18, 44.15

 

CMYK 33 / 0 / 51 / 23

HEX #84C461

RGB 132 196 97

HSL 98.79, 0.46%, 0.57%

LAB 73.06, -38.16, 43

 

CMYK 30 / 0 / 46 / 16

HEX #95D674

RGB 149 214 116

HSL 99.8, 0.54%, 0.65%

LAB 79.47, -38.08, 41.81

 

CMYK 28 / 0 / 42 / 9

HEX #A6E887

RGB 166 232 135

HSL 100.82, 0.68%, 0.72%

LAB 85.79, -37.96, 40.64

 

CMYK 42 / 0 / 60 / 37

HEX #5DA040

RGB 93 160 64

HSL 101.88, 0.43%, 0.44%

LAB 59.74, -39.29, 42.59

 

CMYK 46 / 0 / 68 / 44

HEX #4C8E2D

RGB 76 142 45

HSL 100.82, 0.52%, 0.37%

LAB 53.03, -39.08, 43.51

 

CMYK 52 / 0 / 79 / 51

HEX #3B7C1A

RGB 59 124 26

HSL 99.8, 0.65%, 0.29%

LAB 46.2, -38.57, 43.85

 

CMYK 60 / 0 / 93 / 58

HEX #2A6A07

RGB 42 106 7

HSL 98.79, 0.88%, 0.22%

LAB 39.27, -37.52, 42.83

 

CMYK 72 / 0 / 100 / 65

HEX #195800

RGB 25 88 0

HSL 102.95, 1%, 0.17%

LAB 32.23, -35.56, 38.87

 

CMYK 42 / 0 / 61 / 37

HEX #5DA03F

RGB 93 160 63

HSL 101.44, 0.43%, 0.44%

LAB 59.73, -39.4, 43.05

 

CMYK 26 / 0 / 61 / 37

HEX #77A03F

RGB 119 160 63

HSL 85.36, 0.43%, 0.44%

LAB 61.15, -29.92, 45.04

 

CMYK 9 / 0 / 61 / 37

HEX #91A03F

RGB 145 160 63

HSL 69.28, 0.43%, 0.44%

LAB 62.94, -19.3, 47.53

 

CMYK 0 / 7 / 61 / 37

HEX #A0953F

RGB 160 149 63

HSL 53.2, 0.43%, 0.44%

LAB 61.07, -7.03, 45.8

 

CMYK 0 / 23 / 61 / 37

HEX #A07B3F

RGB 160 123 63

HSL 37.11, 0.43%, 0.44%

LAB 54.03, 7.37, 37.8

 

CMYK 42 / 0 / 61 / 37

HEX #5DA03F

RGB 93 160 63

HSL 101.44, 0.43%, 0.44%

LAB 59.73, -39.4, 43.05

 

CMYK 58 / 0 / 61 / 37

HEX #43A03F

RGB 67 160 63

HSL 117.53, 0.43%, 0.44%

LAB 58.69, -47.12, 41.58

 

CMYK 61 / 0 / 46 / 37

HEX #3FA056

RGB 63 160 86

HSL 134.23, 0.43%, 0.44%

LAB 58.85, -44.85, 30.25

 

CMYK 61 / 0 / 30 / 37

HEX #3FA070

RGB 63 160 112

HSL 150.31, 0.43%, 0.44%

LAB 59.31, -39.93, 16.76

 

CMYK 61 / 0 / 14 / 37

HEX #3FA08A

RGB 63 160 138

HSL 166.39, 0.43%, 0.44%

LAB 59.92, -33.82, 3.04

 

CMYK 42 / 0 / 61 / 37

HEX #5DA03F

RGB 93 160 63

HSL 101.44, 0.43%, 0.44%

LAB 59.73, -39.4, 43.05

 

CMYK 52 / 0 / 75 / 30

HEX #55B22D

RGB 85 178 45

HSL 101.95, 0.6%, 0.44%

LAB 64.93, -50.76, 55.85

 

CMYK 60 / 0 / 86 / 23

HEX #4EC41B

RGB 78 196 27

HSL 101.89, 0.76%, 0.44%

LAB 70.3, -60.05, 65.84

 

CMYK 67 / 0 / 96 / 16

HEX #47D609

RGB 71 214 9

HSL 101.85, 0.92%, 0.44%

LAB 75.73, -67.96, 73.03

 

CMYK 42 / 0 / 61 / 37

HEX #5DA03F

RGB 93 160 63

HSL 101.44, 0.43%, 0.44%

LAB 59.73, -39.4, 43.05

 

CMYK 30 / 0 / 42 / 44

HEX #648E52

RGB 100 142 82

HSL 102, 0.27%, 0.44%

LAB 54.73, -26.2, 27.43

 

CMYK 14 / 0 / 19 / 51

HEX #6B7C64

RGB 107 124 100

HSL 102.5, 0.11%, 0.44%

LAB 50.05, -11.11, 11.05

 

CMYK 3 / 11 / 0 / 54

HEX #726976

RGB 114 105 118

HSL 281.54, 0.06%, 0.44%

LAB 45.62, 6.16, -5.97

 

CMYK 11 / 36 / 0 / 47

HEX #795788

RGB 121 87 136

HSL 281.63, 0.22%, 0.44%

LAB 42.24, 23.5, -21.89

 

CMYK 9 / 0 / 61 / 37

HEX #91A03F

RGB 145 160 63

HSL 69.28, 0.43%, 0.44%

LAB 62.94, -19.3, 47.53

 

CMYK 25 / 0 / 61 / 37

HEX #78A03F

RGB 120 160 63

HSL 84.74, 0.43%, 0.44%

LAB 61.21, -29.53, 45.12

 

CMYK 41 / 0 / 61 / 37

HEX #5EA03F

RGB 94 160 63

HSL 100.82, 0.43%, 0.44%

LAB 59.78, -39.06, 43.11

 

CMYK 58 / 0 / 61 / 37

HEX #44A03F

RGB 68 160 63

HSL 116.91, 0.43%, 0.44%

LAB 58.72, -46.86, 41.63

 

CMYK 61 / 0 / 48 / 37

HEX #3FA054

RGB 63 160 84

HSL 132.99, 0.43%, 0.44%

LAB 58.82, -45.18, 31.26

 

CMYK 43 / 0 / 60 / 60

HEX #3A6528

RGB 58 101 40

HSL 102.3, 0.43%, 0.28%

LAB 38.48, -27.45, 29.45

 

CMYK 42 / 0 / 60 / 49

HEX #4B8234

RGB 75 130 52

HSL 102.31, 0.43%, 0.36%

LAB 49.14, -33.45, 35.95

 

CMYK 42 / 0 / 61 / 37

HEX #5DA03F

RGB 93 160 63

HSL 101.44, 0.43%, 0.44%

LAB 59.73, -39.4, 43.05

 

CMYK 39 / 0 / 57 / 27

HEX #70B950

RGB 112 185 80

HSL 101.71, 0.43%, 0.52%

LAB 68.55, -42.04, 45.51

 

CMYK 31 / 0 / 45 / 23

HEX #88C56D

RGB 136 197 109

HSL 101.59, 0.43%, 0.6%

LAB 73.72, -35.73, 37.93

 

CMYK 42 / 0 / 60 / 37

HEX #5DA040

RGB 93 160 64

HSL 101.88, 0.43%, 0.44%

LAB 59.74, -39.29, 42.59

 

CMYK 61 / 0 / 7 / 37

HEX #3FA095

RGB 63 160 149

HSL 173.2, 0.43%, 0.44%

LAB 60.22, -30.91, -2.73

 

CMYK 0 / 61 / 17 / 37

HEX #A03F85

RGB 160 63 133

HSL 316.7, 0.43%, 0.44%

LAB 42.34, 48.42, -19.49

 

CMYK 42 / 0 / 60 / 37

HEX #5DA040

RGB 93 160 64

HSL 101.88, 0.43%, 0.44%

LAB 59.74, -39.29, 42.59

 

CMYK 61 / 41 / 0 / 37

HEX #3F5EA0

RGB 63 94 160

HSL 220.82, 0.43%, 0.44%

LAB 40.57, 9.72, -39.26

 

CMYK 0 / 61 / 41 / 37

HEX #A03F5E

RGB 160 63 94

HSL 340.82, 0.43%, 0.44%

LAB 40.96, 43.19, 2.55

 

CMYK 42 / 0 / 60 / 37

HEX #5DA040

RGB 93 160 64

HSL 101.88, 0.43%, 0.44%

LAB 59.74, -39.29, 42.59

 

CMYK 61 / 0 / 7 / 37

HEX #3FA095

RGB 63 160 149

HSL 173.2, 0.43%, 0.44%

LAB 60.22, -30.91, -2.73

 

CMYK 19 / 61 / 0 / 37

HEX #813FA0

RGB 129 63 160

HSL 280.82, 0.43%, 0.44%

LAB 39.17, 44.86, -41.13

 

CMYK 0 / 61 / 53 / 37

HEX #A03F4B

RGB 160 63 75

HSL 352.58, 0.43%, 0.44%

LAB 40.47, 41.29, 13.74

 

CMYK 42 / 0 / 60 / 37

HEX #5DA040

RGB 93 160 64

HSL 101.88, 0.43%, 0.44%

LAB 59.74, -39.29, 42.59

 

CMYK 61 / 11 / 0 / 37

HEX #3F8EA0

RGB 63 142 160

HSL 191.13, 0.43%, 0.44%

LAB 55.01, -18.59, -16.8

 

CMYK 19 / 61 / 0 / 37

HEX #813FA0

RGB 129 63 160

HSL 280.82, 0.43%, 0.44%

LAB 39.17, 44.86, -41.13

 

CMYK 0 / 49 / 61 / 37

HEX #A0513F

RGB 160 81 63

HSL 11.13, 0.43%, 0.44%

LAB 43.82, 31.05, 25.45

 

Description

Color code: HEX #5DA040 | qconv.com Color code: HEX #5DA040 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 160 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 160 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 60 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 60% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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