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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DA02B it is the complementary color #A25FD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DA02B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DA02B shade: #62A026, #73B239, #84C44C, #95D65F and #A6E872

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DA02B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DA02B shade: #5DA02B, #4C8E18, #3B7C05, #2A6A00 and #195800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DA02B shade: #5DA12A, #7DA12A, #9DA12A, #A1852A and #A1652A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DA02B shade: #5DA12A, #3DA12A, #2AA138, #2AA157 and #2AA177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DA02B shade matches the following richer shades: #5DA12A, #5BB11A and #58C209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DA02B shade: #5DA12A, #5F903B, #62804B, #646F5C and #665F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DA02B shade: #9DA12A, #7DA12A, #5EA12A, #3EA12A and #2AA136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DA02B shade: #375F19, #4A8022, #5DA12A, #70C133 and #85D04E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DA02B shade: #5DA02B, #2AA185 and #A12A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DA02B shade: #5DA02B, #2A5EA1 and #A12A5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DA02B shade: #5DA02B, #2AA185, #6D2AA1 and #A12A46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DA02B shade: #5DA02B, #2A99A1, #6D2AA1 and #A1322A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 73 / 37

HEX #5DA02B

RGB 93 160 43

HSL 94.36, 0.58%, 0.4%

LAB 59.56, -41.15, 51.33

 

Complementary color

CMYK 24 / 55 / 0 / 17

HEX #A25FD4

RGB 162 95 212

HSL 274.36, 0.58%, 0.6%

LAB 52.53, 48.33, -49.94

 

CMYK 39 / 0 / 76 / 37

HEX #62A026

RGB 98 160 38

HSL 90.49, 0.62%, 0.39%

LAB 59.78, -39.73, 53.43

 

CMYK 35 / 0 / 68 / 30

HEX #73B239

RGB 115 178 57

HSL 91.24, 0.51%, 0.46%

LAB 66.35, -40.13, 53.2

 

CMYK 33 / 0 / 61 / 23

HEX #84C44C

RGB 132 196 76

HSL 92, 0.5%, 0.53%

LAB 72.83, -40.35, 52.46

 

CMYK 30 / 0 / 56 / 16

HEX #95D65F

RGB 149 214 95

HSL 92.77, 0.59%, 0.61%

LAB 79.22, -40.45, 51.49

 

CMYK 28 / 0 / 51 / 9

HEX #A6E872

RGB 166 232 114

HSL 93.56, 0.72%, 0.68%

LAB 85.52, -40.48, 50.41

 

CMYK 42 / 0 / 73 / 37

HEX #5DA02B

RGB 93 160 43

HSL 94.36, 0.58%, 0.4%

LAB 59.56, -41.15, 51.33

 

CMYK 46 / 0 / 83 / 44

HEX #4C8E18

RGB 76 142 24

HSL 93.56, 0.71%, 0.33%

LAB 52.89, -40.54, 51.03

 

CMYK 52 / 0 / 96 / 51

HEX #3B7C05

RGB 59 124 5

HSL 92.77, 0.92%, 0.25%

LAB 46.12, -39.53, 49.28

 

CMYK 60 / 0 / 100 / 58

HEX #2A6A00

RGB 42 106 0

HSL 96.23, 1%, 0.21%

LAB 39.24, -37.83, 44.65

 

CMYK 72 / 0 / 100 / 65

HEX #195800

RGB 25 88 0

HSL 102.95, 1%, 0.17%

LAB 32.23, -35.56, 38.87

 

CMYK 42 / 0 / 74 / 37

HEX #5DA12A

RGB 93 161 42

HSL 94.29, 0.59%, 0.4%

LAB 59.87, -41.64, 52.02

 

CMYK 22 / 0 / 74 / 37

HEX #7DA12A

RGB 125 161 42

HSL 78.15, 0.59%, 0.4%

LAB 61.67, -29.56, 54.39

 

CMYK 2 / 0 / 74 / 37

HEX #9DA12A

RGB 157 161 42

HSL 62.02, 0.59%, 0.4%

LAB 64.02, -15.95, 57.46

 

CMYK 0 / 17 / 74 / 37

HEX #A1852A

RGB 161 133 42

HSL 45.88, 0.59%, 0.4%

LAB 56.6, 0.89, 50.43

 

CMYK 0 / 37 / 74 / 37

HEX #A1652A

RGB 161 101 42

HSL 29.75, 0.59%, 0.4%

LAB 48.32, 18.99, 42.07

 

CMYK 42 / 0 / 74 / 37

HEX #5DA12A

RGB 93 161 42

HSL 94.29, 0.59%, 0.4%

LAB 59.87, -41.64, 52.02

 

CMYK 62 / 0 / 74 / 37

HEX #3DA12A

RGB 61 161 42

HSL 110.42, 0.59%, 0.4%

LAB 58.65, -51.03, 50.38

 

CMYK 74 / 0 / 65 / 37

HEX #2AA138

RGB 42 161 56

HSL 127.06, 0.59%, 0.4%

LAB 58.29, -53.58, 44.14

 

CMYK 74 / 0 / 46 / 37

HEX #2AA157

RGB 42 161 87

HSL 142.69, 0.59%, 0.4%

LAB 58.67, -49.14, 29.37

 

CMYK 74 / 0 / 26 / 37

HEX #2AA177

RGB 42 161 119

HSL 158.82, 0.59%, 0.4%

LAB 59.26, -42.54, 12.71

 

CMYK 42 / 0 / 74 / 37

HEX #5DA12A

RGB 93 161 42

HSL 94.29, 0.59%, 0.4%

LAB 59.87, -41.64, 52.02

 

CMYK 49 / 0 / 85 / 31

HEX #5BB11A

RGB 91 177 26

HSL 94.17, 0.74%, 0.4%

LAB 64.76, -49.6, 61.38

 

CMYK 55 / 0 / 95 / 24

HEX #58C209

RGB 88 194 9

HSL 94.38, 0.91%, 0.4%

LAB 69.95, -57.25, 68.53

 

CMYK 42 / 0 / 74 / 37

HEX #5DA12A

RGB 93 161 42

HSL 94.29, 0.59%, 0.4%

LAB 59.87, -41.64, 52.02

 

CMYK 34 / 0 / 59 / 44

HEX #5F903B

RGB 95 144 59

HSL 94.59, 0.42%, 0.4%

LAB 54.76, -31.92, 39.28

 

CMYK 23 / 0 / 41 / 50

HEX #62804B

RGB 98 128 75

HSL 93.96, 0.26%, 0.4%

LAB 50.15, -20.9, 25.35

 

CMYK 10 / 0 / 17 / 56

HEX #646F5C

RGB 100 111 92

HSL 94.74, 0.09%, 0.4%

LAB 45.43, -8.02, 9.2

 

CMYK 6 / 12 / 0 / 58

HEX #665F6C

RGB 102 95 108

HSL 272.31, 0.06%, 0.4%

LAB 41.36, 5.51, -6.36

 

CMYK 2 / 0 / 74 / 37

HEX #9DA12A

RGB 157 161 42

HSL 62.02, 0.59%, 0.4%

LAB 64.02, -15.95, 57.46

 

CMYK 22 / 0 / 74 / 37

HEX #7DA12A

RGB 125 161 42

HSL 78.15, 0.59%, 0.4%

LAB 61.67, -29.56, 54.39

 

CMYK 42 / 0 / 74 / 37

HEX #5EA12A

RGB 94 161 42

HSL 93.78, 0.59%, 0.4%

LAB 59.92, -41.3, 52.08

 

CMYK 61 / 0 / 74 / 37

HEX #3EA12A

RGB 62 161 42

HSL 109.92, 0.59%, 0.4%

LAB 58.68, -50.79, 50.42

 

CMYK 74 / 0 / 66 / 37

HEX #2AA136

RGB 42 161 54

HSL 126.05, 0.59%, 0.4%

LAB 58.27, -53.8, 44.99

 

CMYK 42 / 0 / 74 / 63

HEX #375F19

RGB 55 95 25

HSL 94.29, 0.58%, 0.24%

LAB 36.11, -27.29, 34.07

 

CMYK 42 / 0 / 73 / 50

HEX #4A8022

RGB 74 128 34

HSL 94.47, 0.58%, 0.32%

LAB 48.27, -34.62, 43.1

 

CMYK 42 / 0 / 74 / 37

HEX #5DA12A

RGB 93 161 42

HSL 94.29, 0.59%, 0.4%

LAB 59.87, -41.64, 52.02

 

CMYK 42 / 0 / 74 / 24

HEX #70C133

RGB 112 193 51

HSL 94.23, 0.58%, 0.48%

LAB 70.75, -47.9, 59.89

 

CMYK 36 / 0 / 63 / 18

HEX #85D04E

RGB 133 208 78

HSL 94.62, 0.58%, 0.56%

LAB 76.47, -45.01, 55.64

 

CMYK 42 / 0 / 73 / 37

HEX #5DA02B

RGB 93 160 43

HSL 94.36, 0.58%, 0.4%

LAB 59.56, -41.15, 51.33

 

CMYK 74 / 0 / 17 / 37

HEX #2AA185

RGB 42 161 133

HSL 165.88, 0.59%, 0.4%

LAB 59.59, -39.06, 5.33

 

CMYK 0 / 74 / 12 / 37

HEX #A12A8D

RGB 161 42 141

HSL 310.08, 0.59%, 0.4%

LAB 39.84, 58.34, -28.25

 

CMYK 42 / 0 / 73 / 37

HEX #5DA02B

RGB 93 160 43

HSL 94.36, 0.58%, 0.4%

LAB 59.56, -41.15, 51.33

 

CMYK 74 / 42 / 0 / 37

HEX #2A5EA1

RGB 42 94 161

HSL 213.78, 0.59%, 0.4%

LAB 39.7, 6.43, -41.3

 

CMYK 0 / 74 / 42 / 37

HEX #A12A5E

RGB 161 42 94

HSL 333.78, 0.59%, 0.4%

LAB 37.92, 52.3, -1.86

 

CMYK 42 / 0 / 73 / 37

HEX #5DA02B

RGB 93 160 43

HSL 94.36, 0.58%, 0.4%

LAB 59.56, -41.15, 51.33

 

CMYK 74 / 0 / 17 / 37

HEX #2AA185

RGB 42 161 133

HSL 165.88, 0.59%, 0.4%

LAB 59.59, -39.06, 5.33

 

CMYK 32 / 74 / 0 / 37

HEX #6D2AA1

RGB 109 42 161

HSL 273.78, 0.59%, 0.4%

LAB 32.88, 50.64, -52.01

 

CMYK 0 / 74 / 57 / 37

HEX #A12A46

RGB 161 42 70

HSL 345.88, 0.59%, 0.4%

LAB 37.25, 50.12, 12.52

 

CMYK 42 / 0 / 73 / 37

HEX #5DA02B

RGB 93 160 43

HSL 94.36, 0.58%, 0.4%

LAB 59.56, -41.15, 51.33

 

CMYK 74 / 5 / 0 / 37

HEX #2A99A1

RGB 42 153 161

HSL 184.03, 0.59%, 0.4%

LAB 57.89, -27.29, -13.06

 

CMYK 32 / 74 / 0 / 37

HEX #6D2AA1

RGB 109 42 161

HSL 273.78, 0.59%, 0.4%

LAB 32.88, 50.64, -52.01

 

CMYK 0 / 69 / 74 / 37

HEX #A1322A

RGB 161 50 42

HSL 4.03, 0.59%, 0.4%

LAB 37.89, 45.27, 30.75

 

Description

Color code: HEX #5DA02B | qconv.com Color code: HEX #5DA02B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 160 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 160 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 73% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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