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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D9FE3 it is the complementary color #A2601C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D9FE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D9FE3 shade: #629FDE, #73B1F1, #84C3FF, #95D5FF and #A6E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D9FE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D9FE3 shade: #5D9FE3, #4C8DD0, #3B7BBD, #2A69AA and #195797

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D9FE3 shade: #5D9FE3, #5D7BE3, #635DE3, #885DE3 and #AC5DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D9FE3 shade: #5D9FE3, #5D7BE3 and #5D5DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D9FE3 shade matches the following richer shades: #5D9FE3 and #4E9FF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D9FE3 shade: #5D9FE3, #6C9FD4, #7CA0C5, #8BA0B5 and #9AA0A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D9FE3 shade: #5DE3DF, #5DC4E3, #5DA0E3, #5D7CE3 and #625DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D9FE3 shade: #2276CC, #3A8ADD, #5D9FE3, #80B4E9 and #A4C9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D9FE3 shade: #5D9FE3, #BB5DE3 and #D6E35D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D9FE3 shade: #5D9FE3, #E35DA0 and #A0E35D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D9FE3 shade: #5D9FE3, #BB5DE3, #E3A05D and #85E35D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D9FE3 shade: #5D9FE3, #E35DE3, #E3A05D and #5DE35D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

Complementary color

CMYK 0 / 41 / 83 / 36

HEX #A2601C

RGB 162 96 28

HSL 30.45, 0.71%, 0.37%

LAB 47.15, 21.67, 47.18

 

CMYK 56 / 28 / 0 / 13

HEX #629FDE

RGB 98 159 222

HSL 210.48, 0.65%, 0.63%

LAB 63.89, -1.59, -37.94

 

CMYK 52 / 27 / 0 / 5

HEX #73B1F1

RGB 115 177 241

HSL 210.48, 0.82%, 0.7%

LAB 70.48, -2.28, -38.02

 

CMYK 48 / 24 / 0 / 0

HEX #84C3FF

RGB 132 195 255

HSL 209.27, 1%, 0.76%

LAB 76.77, -4.27, -35.74

 

CMYK 42 / 16 / 0 / 0

HEX #95D5FF

RGB 149 213 255

HSL 203.77, 1%, 0.79%

LAB 82.49, -9.78, -26.89

 

CMYK 35 / 9 / 0 / 0

HEX #A6E7FF

RGB 166 231 255

HSL 196.18, 1%, 0.83%

LAB 88.2, -14.68, -18.14

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 63 / 32 / 0 / 18

HEX #4C8DD0

RGB 76 141 208

HSL 210.45, 0.58%, 0.56%

LAB 57.21, -0.02, -40.67

 

CMYK 69 / 35 / 0 / 26

HEX #3B7BBD

RGB 59 123 189

HSL 210.46, 0.52%, 0.49%

LAB 50.42, 1.23, -40.62

 

CMYK 75 / 38 / 0 / 33

HEX #2A69AA

RGB 42 105 170

HSL 210.47, 0.6%, 0.42%

LAB 43.5, 2.85, -40.57

 

CMYK 83 / 42 / 0 / 41

HEX #195797

RGB 25 87 151

HSL 210.48, 0.72%, 0.35%

LAB 36.48, 5, -40.49

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 59 / 46 / 0 / 11

HEX #5D7BE3

RGB 93 123 227

HSL 226.57, 0.71%, 0.63%

LAB 54.07, 20.3, -56.28

 

CMYK 56 / 59 / 0 / 11

HEX #635DE3

RGB 99 93 227

HSL 242.69, 0.71%, 0.63%

LAB 47.01, 39.64, -67.64

 

CMYK 40 / 59 / 0 / 11

HEX #885DE3

RGB 136 93 227

HSL 259.25, 0.71%, 0.63%

LAB 50.23, 46.97, -62.28

 

CMYK 24 / 59 / 0 / 11

HEX #AC5DE3

RGB 172 93 227

HSL 275.37, 0.71%, 0.63%

LAB 54.18, 55.17, -55.72

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 59 / 46 / 0 / 11

HEX #5D7BE3

RGB 93 123 227

HSL 226.57, 0.71%, 0.63%

LAB 54.07, 20.3, -56.28

 

CMYK 59 / 59 / 0 / 11

HEX #5D5DE3

RGB 93 93 227

HSL 240, 0.71%, 0.63%

LAB 46.58, 38.61, -68.36

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 68 / 34 / 0 / 5

HEX #4E9FF2

RGB 78 159 242

HSL 210.37, 0.86%, 0.63%

LAB 64.02, 1.34, -48.81

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 49 / 25 / 0 / 17

HEX #6C9FD4

RGB 108 159 212

HSL 210.58, 0.55%, 0.63%

LAB 63.95, -2.42, -32.27

 

CMYK 37 / 19 / 0 / 23

HEX #7CA0C5

RGB 124 160 197

HSL 210.41, 0.39%, 0.63%

LAB 64.53, -3.08, -22.95

 

CMYK 23 / 12 / 0 / 29

HEX #8BA0B5

RGB 139 160 181

HSL 210, 0.22%, 0.63%

LAB 64.94, -2.63, -13.31

 

CMYK 7 / 4 / 0 / 35

HEX #9AA0A6

RGB 154 160 166

HSL 210, 0.06%, 0.63%

LAB 65.57, -0.93, -3.86

 

CMYK 59 / 0 / 2 / 11

HEX #5DE3DF

RGB 93 227 223

HSL 178.21, 0.71%, 0.63%

LAB 83.23, -37.14, -9.02

 

CMYK 59 / 14 / 0 / 11

HEX #5DC4E3

RGB 93 196 227

HSL 193.88, 0.71%, 0.63%

LAB 74.42, -20.99, -24.44

 

CMYK 59 / 30 / 0 / 11

HEX #5DA0E3

RGB 93 160 227

HSL 210, 0.71%, 0.63%

LAB 64.17, -1.58, -40.28

 

CMYK 59 / 45 / 0 / 11

HEX #5D7CE3

RGB 93 124 227

HSL 226.12, 0.71%, 0.63%

LAB 54.33, 19.69, -55.86

 

CMYK 57 / 59 / 0 / 11

HEX #625DE3

RGB 98 93 227

HSL 242.24, 0.71%, 0.63%

LAB 46.94, 39.47, -67.77

 

CMYK 83 / 42 / 0 / 20

HEX #2276CC

RGB 34 118 204

HSL 210.35, 0.71%, 0.47%

LAB 49.08, 6.83, -51.39

 

CMYK 74 / 38 / 0 / 13

HEX #3A8ADD

RGB 58 138 221

HSL 210.55, 0.71%, 0.55%

LAB 56.38, 3.52, -49.31

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 45 / 23 / 0 / 9

HEX #80B4E9

RGB 128 180 233

HSL 210.29, 0.7%, 0.71%

LAB 71.63, -3.25, -31.83

 

CMYK 31 / 16 / 0 / 6

HEX #A4C9EF

RGB 164 201 239

HSL 210.4, 0.7%, 0.79%

LAB 79.56, -3.53, -22.75

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 18 / 59 / 0 / 11

HEX #BB5DE3

RGB 187 93 227

HSL 282.09, 0.71%, 0.63%

LAB 56.03, 58.76, -52.66

 

CMYK 6 / 0 / 59 / 11

HEX #D6E35D

RGB 214 227 93

HSL 65.82, 0.71%, 0.63%

LAB 87.01, -21.92, 62.31

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 0 / 59 / 30 / 11

HEX #E35DA0

RGB 227 93 160

HSL 330, 0.71%, 0.63%

LAB 58.69, 58.7, -9.77

 

CMYK 30 / 0 / 59 / 11

HEX #A0E35D

RGB 160 227 93

HSL 90, 0.71%, 0.63%

LAB 83.55, -42.47, 57.49

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 18 / 59 / 0 / 11

HEX #BB5DE3

RGB 187 93 227

HSL 282.09, 0.71%, 0.63%

LAB 56.03, 58.76, -52.66

 

CMYK 0 / 30 / 59 / 11

HEX #E3A05D

RGB 227 160 93

HSL 30, 0.71%, 0.63%

LAB 71.05, 17.98, 44.38

 

CMYK 41 / 0 / 59 / 11

HEX #85E35D

RGB 133 227 93

HSL 102.09, 0.71%, 0.63%

LAB 82.23, -51.47, 55.64

 

CMYK 59 / 30 / 0 / 11

HEX #5D9FE3

RGB 93 159 227

HSL 210.45, 0.71%, 0.63%

LAB 63.89, -1.02, -40.72

 

CMYK 0 / 59 / 0 / 11

HEX #E35DE3

RGB 227 93 227

HSL 300, 0.71%, 0.63%

LAB 61.4, 68.55, -43.81

 

CMYK 0 / 30 / 59 / 11

HEX #E3A05D

RGB 227 160 93

HSL 30, 0.71%, 0.63%

LAB 71.05, 17.98, 44.38

 

CMYK 59 / 0 / 59 / 11

HEX #5DE35D

RGB 93 227 93

HSL 120, 0.71%, 0.63%

LAB 80.77, -62.32, 53.59

 

Description

Color code: HEX #5D9FE3 | qconv.com Color code: HEX #5D9FE3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 159 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 159 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 30 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 30% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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