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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D95C6 it is the complementary color #A26A39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D95C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D95C6 shade: #6295C1, #73A7D4, #84B9E7, #95CBFA and #A6DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D95C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D95C6 shade: #5D95C6, #4C83B3, #3B71A0, #2A5F8D and #194D7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D95C6 shade: #5C94C5, #5C78C5, #5D5CC5, #795CC5 and #965CC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D95C6 shade: #5C94C5, #5C78C5 and #5C5CC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D95C6 shade matches the following richer shades: #5C94C5, #4A96D7, #3997E9 and #2798FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D95C6 shade: #5C94C5, #6E93B4, #8092A2, #919190 and #A3907F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D95C6 shade: #5CC5BE, #5CB0C5, #5C94C5, #5C78C5 and #5C5CC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D95C6 shade: #366B9A, #4080B8, #5C94C5, #7BA8D0 and #99BCDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D95C6 shade: #5D95C6, #A25CC5 and #BEC55C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D95C6 shade: #5D95C6, #C55C94 and #94C55C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D95C6 shade: #5D95C6, #A25CC5, #C58D5C and #7FC55C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D95C6 shade: #5D95C6, #C25CC5, #C58D5C and #60C55C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 25 / 0 / 22

HEX #5D95C6

RGB 93 149 198

HSL 208, 0.48%, 0.57%

LAB 59.8, -4.42, -30.94

 

Complementary color

CMYK 0 / 35 / 65 / 36

HEX #A26A39

RGB 162 106 57

HSL 28, 0.48%, 0.43%

LAB 49.84, 17.48, 36.14

 

CMYK 49 / 23 / 0 / 24

HEX #6295C1

RGB 98 149 193

HSL 207.79, 0.43%, 0.57%

LAB 59.84, -4.78, -28.05

 

CMYK 46 / 21 / 0 / 17

HEX #73A7D4

RGB 115 167 212

HSL 207.84, 0.53%, 0.64%

LAB 66.55, -5.19, -28.22

 

CMYK 43 / 20 / 0 / 9

HEX #84B9E7

RGB 132 185 231

HSL 207.88, 0.67%, 0.71%

LAB 73.14, -5.54, -28.41

 

CMYK 40 / 19 / 0 / 2

HEX #95CBFA

RGB 149 203 250

HSL 207.92, 0.91%, 0.78%

LAB 79.62, -5.82, -28.62

 

CMYK 35 / 13 / 0 / 0

HEX #A6DDFF

RGB 166 221 255

HSL 202.92, 1%, 0.83%

LAB 85.52, -9.56, -22.18

 

CMYK 53 / 25 / 0 / 22

HEX #5D95C6

RGB 93 149 198

HSL 208, 0.48%, 0.57%

LAB 59.8, -4.42, -30.94

 

CMYK 58 / 27 / 0 / 30

HEX #4C83B3

RGB 76 131 179

HSL 207.96, 0.4%, 0.5%

LAB 52.98, -3.76, -30.81

 

CMYK 63 / 29 / 0 / 37

HEX #3B71A0

RGB 59 113 160

HSL 207.92, 0.46%, 0.43%

LAB 46.01, -2.9, -30.69

 

CMYK 70 / 33 / 0 / 45

HEX #2A5F8D

RGB 42 95 141

HSL 207.88, 0.54%, 0.36%

LAB 38.9, -1.73, -30.57

 

CMYK 80 / 37 / 0 / 52

HEX #194D7A

RGB 25 77 122

HSL 207.84, 0.66%, 0.29%

LAB 31.62, -0.1, -30.44

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 53 / 39 / 0 / 23

HEX #5C78C5

RGB 92 120 197

HSL 224, 0.48%, 0.57%

LAB 51.54, 12.14, -43.33

 

CMYK 53 / 53 / 0 / 23

HEX #5D5CC5

RGB 93 92 197

HSL 240.57, 0.48%, 0.57%

LAB 44.25, 29.64, -54.97

 

CMYK 39 / 53 / 0 / 23

HEX #795CC5

RGB 121 92 197

HSL 256.57, 0.48%, 0.57%

LAB 46.65, 35.99, -51

 

CMYK 24 / 53 / 0 / 23

HEX #965CC5

RGB 150 92 197

HSL 273.14, 0.48%, 0.57%

LAB 49.7, 43.38, -45.94

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 53 / 39 / 0 / 23

HEX #5C78C5

RGB 92 120 197

HSL 224, 0.48%, 0.57%

LAB 51.54, 12.14, -43.33

 

CMYK 53 / 53 / 0 / 23

HEX #5C5CC5

RGB 92 92 197

HSL 240, 0.48%, 0.57%

LAB 44.18, 29.43, -55.1

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 66 / 30 / 0 / 16

HEX #4A96D7

RGB 74 150 215

HSL 207.66, 0.64%, 0.57%

LAB 60.05, -3.23, -40.14

 

CMYK 76 / 35 / 0 / 9

HEX #3997E9

RGB 57 151 233

HSL 207.95, 0.8%, 0.57%

LAB 60.68, 0.03, -49.17

 

CMYK 84 / 39 / 0 / 2

HEX #2798FB

RGB 39 152 251

HSL 208.02, 0.96%, 0.57%

LAB 61.53, 4.28, -57.76

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 39 / 18 / 0 / 29

HEX #6E93B4

RGB 110 147 180

HSL 208.29, 0.32%, 0.57%

LAB 59.41, -4.26, -21.3

 

CMYK 21 / 10 / 0 / 36

HEX #8092A2

RGB 128 146 162

HSL 208.24, 0.15%, 0.57%

LAB 59.67, -2.82, -10.58

 

CMYK 0 / 0 / 1 / 43

HEX #919190

RGB 145 145 144

HSL 60, 0%, 0.57%

LAB 60.14, -0.19, 0.52

 

CMYK 0 / 12 / 22 / 36

HEX #A3907F

RGB 163 144 127

HSL 28.33, 0.16%, 0.57%

LAB 61.02, 4.29, 11.63

 

CMYK 53 / 0 / 4 / 23

HEX #5CC5BE

RGB 92 197 190

HSL 176, 0.48%, 0.57%

LAB 73.5, -31.97, -5.75

 

CMYK 53 / 11 / 0 / 23

HEX #5CB0C5

RGB 92 176 197

HSL 192, 0.48%, 0.57%

LAB 67.54, -19.61, -18.5

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 53 / 39 / 0 / 23

HEX #5C78C5

RGB 92 120 197

HSL 224, 0.48%, 0.57%

LAB 51.54, 12.14, -43.33

 

CMYK 53 / 53 / 0 / 23

HEX #5C5CC5

RGB 92 92 197

HSL 240, 0.48%, 0.57%

LAB 44.18, 29.43, -55.1

 

CMYK 65 / 31 / 0 / 40

HEX #366B9A

RGB 54 107 154

HSL 208.2, 0.48%, 0.41%

LAB 43.7, -2.31, -30.78

 

CMYK 65 / 30 / 0 / 28

HEX #4080B8

RGB 64 128 184

HSL 208, 0.48%, 0.49%

LAB 51.82, -2.66, -35.52

 

CMYK 53 / 25 / 0 / 23

HEX #5C94C5

RGB 92 148 197

HSL 208, 0.48%, 0.57%

LAB 59.42, -4.39, -30.97

 

CMYK 41 / 19 / 0 / 18

HEX #7BA8D0

RGB 123 168 208

HSL 208.24, 0.47%, 0.65%

LAB 67.1, -4.82, -25.12

 

CMYK 30 / 14 / 0 / 14

HEX #99BCDB

RGB 153 188 219

HSL 208.18, 0.48%, 0.73%

LAB 74.73, -4.57, -19.36

 

CMYK 53 / 25 / 0 / 22

HEX #5D95C6

RGB 93 149 198

HSL 208, 0.48%, 0.57%

LAB 59.8, -4.42, -30.94

 

CMYK 18 / 53 / 0 / 23

HEX #A25CC5

RGB 162 92 197

HSL 280, 0.48%, 0.57%

LAB 51.11, 46.57, -43.61

 

CMYK 4 / 0 / 53 / 23

HEX #BEC55C

RGB 190 197 92

HSL 64, 0.48%, 0.57%

LAB 77.07, -16.94, 51.07

 

CMYK 53 / 25 / 0 / 22

HEX #5D95C6

RGB 93 149 198

HSL 208, 0.48%, 0.57%

LAB 59.8, -4.42, -30.94

 

CMYK 0 / 53 / 25 / 23

HEX #C55C94

RGB 197 92 148

HSL 328, 0.48%, 0.57%

LAB 53.67, 48.26, -10.75

 

CMYK 25 / 0 / 53 / 23

HEX #94C55C

RGB 148 197 92

HSL 88, 0.48%, 0.57%

LAB 74.19, -33.43, 46.97

 

CMYK 53 / 25 / 0 / 22

HEX #5D95C6

RGB 93 149 198

HSL 208, 0.48%, 0.57%

LAB 59.8, -4.42, -30.94

 

CMYK 18 / 53 / 0 / 23

HEX #A25CC5

RGB 162 92 197

HSL 280, 0.48%, 0.57%

LAB 51.11, 46.57, -43.61

 

CMYK 0 / 28 / 53 / 23

HEX #C58D5C

RGB 197 141 92

HSL 28, 0.48%, 0.57%

LAB 63.09, 15.71, 34.4

 

CMYK 36 / 0 / 53 / 23

HEX #7FC55C

RGB 127 197 92

HSL 100, 0.48%, 0.57%

LAB 73.03, -40.9, 45.31

 

CMYK 53 / 25 / 0 / 22

HEX #5D95C6

RGB 93 149 198

HSL 208, 0.48%, 0.57%

LAB 59.8, -4.42, -30.94

 

CMYK 2 / 53 / 0 / 23

HEX #C25CC5

RGB 194 92 197

HSL 298.29, 0.48%, 0.57%

LAB 55.23, 55.24, -36.84

 

CMYK 0 / 28 / 53 / 23

HEX #C58D5C

RGB 197 141 92

HSL 28, 0.48%, 0.57%

LAB 63.09, 15.71, 34.4

 

CMYK 51 / 0 / 53 / 23

HEX #60C55C

RGB 96 197 92

HSL 117.71, 0.48%, 0.57%

LAB 71.69, -50.4, 43.37

 

Description

Color code: HEX #5D95C6 | qconv.com Color code: HEX #5D95C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 149 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 149 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 25 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 25% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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