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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D77CA it is the complementary color #A28835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D77CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D77CA shade: #6277C5, #7389D8, #849BEB, #95ADFE and #A6BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D77CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D77CA shade: #5D77CA, #4C65B7, #3B53A4, #2A4191 and #192F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D77CA shade: #5D77CA, #605DCA, #7E5DCA, #9B5DCA and #B95DCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D77CA shade: #5D77CA and #5D5DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D77CA shade matches the following richer shades: #5D77CA, #4B6EDB, #3A65ED and #295CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D77CA shade: #5D77CA, #6E80B9, #7F89A7, #919296 and #A29B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D77CA shade: #5DB2CA, #5D95CA, #5D78CA, #5F5DCA and #7C5DCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D77CA shade: #344EA1, #3E5DC0, #5D77CA, #7C91D4 and #9BABDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D77CA shade: #5D77CA, #C55DCA and #A4CA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D77CA shade: #5D77CA, #CA5D78 and #78CA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D77CA shade: #5D77CA, #C55DCA, #CAAF5D and #62CA5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D77CA shade: #5D77CA, #CA5DAF, #CAAF5D and #5DCA78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

Complementary color

CMYK 0 / 16 / 67 / 36

HEX #A28835

RGB 162 136 53

HSL 45.69, 0.51%, 0.42%

LAB 57.6, 0.29, 46.72

 

CMYK 50 / 40 / 0 / 23

HEX #6277C5

RGB 98 119 197

HSL 227.27, 0.46%, 0.58%

LAB 51.63, 14.12, -43.16

 

CMYK 47 / 37 / 0 / 15

HEX #7389D8

RGB 115 137 216

HSL 226.93, 0.56%, 0.65%

LAB 58.5, 13.18, -42.99

 

CMYK 44 / 34 / 0 / 8

HEX #849BEB

RGB 132 155 235

HSL 226.6, 0.72%, 0.72%

LAB 65.24, 12.38, -42.87

 

CMYK 41 / 32 / 0 / 0

HEX #95ADFE

RGB 149 173 254

HSL 226.29, 0.98%, 0.79%

LAB 71.85, 11.7, -42.79

 

CMYK 35 / 25 / 0 / 0

HEX #A6BFFF

RGB 166 191 255

HSL 223.15, 1%, 0.83%

LAB 77.63, 6.42, -34.26

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 58 / 45 / 0 / 28

HEX #4C65B7

RGB 76 101 183

HSL 225.98, 0.43%, 0.51%

LAB 44.61, 15.88, -46.33

 

CMYK 64 / 49 / 0 / 36

HEX #3B53A4

RGB 59 83 164

HSL 226.29, 0.47%, 0.44%

LAB 37.47, 17.5, -46.61

 

CMYK 71 / 55 / 0 / 43

HEX #2A4191

RGB 42 65 145

HSL 226.6, 0.55%, 0.37%

LAB 30.2, 19.59, -46.9

 

CMYK 80 / 63 / 0 / 51

HEX #192F7E

RGB 25 47 126

HSL 226.93, 0.67%, 0.3%

LAB 22.81, 22.31, -47.13

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 52 / 54 / 0 / 21

HEX #605DCA

RGB 96 93 202

HSL 241.65, 0.51%, 0.58%

LAB 45.05, 31.23, -56.55

 

CMYK 38 / 54 / 0 / 21

HEX #7E5DCA

RGB 126 93 202

HSL 258.17, 0.51%, 0.58%

LAB 47.66, 37.99, -52.22

 

CMYK 23 / 54 / 0 / 21

HEX #9B5DCA

RGB 155 93 202

HSL 274.13, 0.51%, 0.58%

LAB 50.76, 45.3, -47.09

 

CMYK 8 / 54 / 0 / 21

HEX #B95DCA

RGB 185 93 202

HSL 290.64, 0.51%, 0.58%

LAB 54.46, 53.26, -41

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 54 / 54 / 0 / 21

HEX #5D5DCA

RGB 93 93 202

HSL 240, 0.51%, 0.58%

LAB 44.83, 30.61, -56.92

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 66 / 50 / 0 / 14

HEX #4B6EDB

RGB 75 110 219

HSL 225.42, 0.67%, 0.58%

LAB 49.21, 22.47, -59.63

 

CMYK 76 / 57 / 0 / 7

HEX #3A65ED

RGB 58 101 237

HSL 225.59, 0.83%, 0.58%

LAB 47.39, 32.27, -72.76

 

CMYK 84 / 64 / 0 / 0

HEX #295CFE

RGB 41 92 254

HSL 225.63, 0.99%, 0.58%

LAB 46.02, 42.59, -84.53

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 41 / 31 / 0 / 27

HEX #6E80B9

RGB 110 128 185

HSL 225.6, 0.35%, 0.58%

LAB 54.3, 8.15, -32.05

 

CMYK 24 / 18 / 0 / 35

HEX #7F89A7

RGB 127 137 167

HSL 225, 0.19%, 0.58%

LAB 57.26, 3.17, -17.07

 

CMYK 3 / 3 / 0 / 41

HEX #919296

RGB 145 146 150

HSL 228, 0.02%, 0.58%

LAB 60.59, 0.43, -2.25

 

CMYK 0 / 4 / 18 / 36

HEX #A29B85

RGB 162 155 133

HSL 45.52, 0.13%, 0.58%

LAB 64.01, -1.25, 12.46

 

CMYK 54 / 12 / 0 / 21

HEX #5DB2CA

RGB 93 178 202

HSL 193.21, 0.51%, 0.58%

LAB 68.34, -19, -20.05

 

CMYK 54 / 26 / 0 / 21

HEX #5D95CA

RGB 93 149 202

HSL 209.17, 0.51%, 0.58%

LAB 59.97, -3.19, -32.93

 

CMYK 54 / 41 / 0 / 21

HEX #5D78CA

RGB 93 120 202

HSL 225.14, 0.51%, 0.58%

LAB 51.86, 13.97, -45.66

 

CMYK 53 / 54 / 0 / 21

HEX #5F5DCA

RGB 95 93 202

HSL 241.1, 0.51%, 0.58%

LAB 44.98, 31.02, -56.68

 

CMYK 39 / 54 / 0 / 21

HEX #7C5DCA

RGB 124 93 202

HSL 257.06, 0.51%, 0.58%

LAB 47.47, 37.5, -52.54

 

CMYK 68 / 52 / 0 / 37

HEX #344EA1

RGB 52 78 161

HSL 225.69, 0.51%, 0.42%

LAB 35.5, 18.48, -48.01

 

CMYK 68 / 52 / 0 / 25

HEX #3E5DC0

RGB 62 93 192

HSL 225.69, 0.51%, 0.5%

LAB 42.24, 21.62, -55.41

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 42 / 32 / 0 / 17

HEX #7C91D4

RGB 124 145 212

HSL 225.68, 0.51%, 0.66%

LAB 61.04, 9.59, -36.73

 

CMYK 30 / 23 / 0 / 13

HEX #9BABDE

RGB 155 171 222

HSL 225.67, 0.5%, 0.74%

LAB 70.43, 6.05, -27.54

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 2 / 54 / 0 / 21

HEX #C55DCA

RGB 197 93 202

HSL 297.25, 0.51%, 0.58%

LAB 56.05, 56.48, -38.38

 

CMYK 19 / 0 / 54 / 21

HEX #A4CA5D

RGB 164 202 93

HSL 80.92, 0.51%, 0.58%

LAB 76.63, -29.63, 49.62

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 0 / 54 / 41 / 21

HEX #CA5D78

RGB 202 93 120

HSL 345.14, 0.51%, 0.58%

LAB 53.75, 45.95, 6.01

 

CMYK 41 / 0 / 54 / 21

HEX #78CA5D

RGB 120 202 93

HSL 105.14, 0.51%, 0.58%

LAB 74.21, -45.23, 46.15

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 2 / 54 / 0 / 21

HEX #C55DCA

RGB 197 93 202

HSL 297.25, 0.51%, 0.58%

LAB 56.05, 56.48, -38.38

 

CMYK 0 / 13 / 54 / 21

HEX #CAAF5D

RGB 202 175 93

HSL 45.14, 0.51%, 0.58%

LAB 72.23, -0.5, 45.17

 

CMYK 51 / 0 / 54 / 21

HEX #62CA5D

RGB 98 202 93

HSL 117.25, 0.51%, 0.58%

LAB 73.3, -51.71, 44.86

 

CMYK 54 / 41 / 0 / 21

HEX #5D77CA

RGB 93 119 202

HSL 225.69, 0.51%, 0.58%

LAB 51.59, 14.58, -46.1

 

CMYK 0 / 54 / 13 / 21

HEX #CA5DAF

RGB 202 93 175

HSL 314.86, 0.51%, 0.58%

LAB 55.56, 53.33, -23.57

 

CMYK 0 / 13 / 54 / 21

HEX #CAAF5D

RGB 202 175 93

HSL 45.14, 0.51%, 0.58%

LAB 72.23, -0.5, 45.17

 

CMYK 54 / 0 / 41 / 21

HEX #5DCA78

RGB 93 202 120

HSL 134.86, 0.51%, 0.58%

LAB 73.5, -49.06, 31.67

 

Description

Color code: HEX #5D77CA | qconv.com Color code: HEX #5D77CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 119 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 119 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 41 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 41% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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