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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D629A it is the complementary color #A29D65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D629A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D629A shade: #626295, #7374A8, #8486BB, #9598CE and #A6AAE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D629A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D629A shade: #5D629A, #4C5087, #3B3E74, #2A2C61 and #191A4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D629A shade: #5B6099, #675B99, #775B99, #885B99 and #985B99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D629A shade: #5B6099 and #5B5B99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D629A shade matches the following richer shades: #5B6099, #4750AC, #343FC0, #202FD4 and #0C1EE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D629A shade: #5B6099, #6F7185, #838171, #97925D and #ABA349

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D629A shade: #5B8199, #5B7199, #5B6099, #675B99 and #775B99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D629A shade: #3C4065, #4C507F, #5B6099, #7377AB and #8C90BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D629A shade: #5D629A, #995B91 and #79995B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D629A shade: #5D629A, #995B60 and #60995B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D629A shade: #5D629A, #995B91, #99935B and #5B9962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D629A shade: #5D629A, #995B7F, #99935B and #5B9975

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 36 / 0 / 40

HEX #5D629A

RGB 93 98 154

HSL 235.08, 0.25%, 0.48%

LAB 43.35, 12.64, -31.17

 

Complementary color

CMYK 0 / 3 / 38 / 36

HEX #A29D65

RGB 162 157 101

HSL 55.08, 0.25%, 0.52%

LAB 63.95, -6.81, 29.96

 

CMYK 34 / 34 / 0 / 42

HEX #626295

RGB 98 98 149

HSL 240, 0.21%, 0.48%

LAB 43.51, 12.66, -27.91

 

CMYK 32 / 31 / 0 / 34

HEX #7374A8

RGB 115 116 168

HSL 238.87, 0.23%, 0.55%

LAB 50.64, 12.03, -27.9

 

CMYK 29 / 28 / 0 / 27

HEX #8486BB

RGB 132 134 187

HSL 237.82, 0.29%, 0.63%

LAB 57.6, 11.48, -27.94

 

CMYK 28 / 26 / 0 / 19

HEX #9598CE

RGB 149 152 206

HSL 236.84, 0.37%, 0.7%

LAB 64.4, 11, -28.02

 

CMYK 26 / 24 / 0 / 12

HEX #A6AAE1

RGB 166 170 225

HSL 235.93, 0.5%, 0.77%

LAB 71.07, 10.57, -28.13

 

CMYK 40 / 36 / 0 / 40

HEX #5D629A

RGB 93 98 154

HSL 235.08, 0.25%, 0.48%

LAB 43.35, 12.64, -31.17

 

CMYK 44 / 41 / 0 / 47

HEX #4C5087

RGB 76 80 135

HSL 235.93, 0.28%, 0.41%

LAB 36.03, 13.52, -31.32

 

CMYK 49 / 47 / 0 / 55

HEX #3B3E74

RGB 59 62 116

HSL 236.84, 0.33%, 0.34%

LAB 28.47, 14.62, -31.56

 

CMYK 57 / 55 / 0 / 62

HEX #2A2C61

RGB 42 44 97

HSL 237.82, 0.4%, 0.27%

LAB 20.66, 16.09, -31.89

 

CMYK 68 / 67 / 0 / 69

HEX #191A4E

RGB 25 26 78

HSL 238.87, 0.51%, 0.2%

LAB 12.58, 18.12, -32.28

 

CMYK 41 / 37 / 0 / 40

HEX #5B6099

RGB 91 96 153

HSL 235.16, 0.25%, 0.48%

LAB 42.6, 13.03, -31.77

 

CMYK 33 / 41 / 0 / 40

HEX #675B99

RGB 103 91 153

HSL 251.61, 0.25%, 0.48%

LAB 42.26, 19.61, -32.24

 

CMYK 22 / 41 / 0 / 40

HEX #775B99

RGB 119 91 153

HSL 267.1, 0.25%, 0.48%

LAB 43.81, 24.47, -29.69

 

CMYK 11 / 41 / 0 / 40

HEX #885B99

RGB 136 91 153

HSL 283.55, 0.25%, 0.48%

LAB 45.66, 29.86, -26.67

 

CMYK 1 / 41 / 0 / 40

HEX #985B99

RGB 152 91 153

HSL 299.03, 0.25%, 0.48%

LAB 47.57, 35.02, -23.55

 

CMYK 41 / 37 / 0 / 40

HEX #5B6099

RGB 91 96 153

HSL 235.16, 0.25%, 0.48%

LAB 42.6, 13.03, -31.77

 

CMYK 41 / 41 / 0 / 40

HEX #5B5B99

RGB 91 91 153

HSL 240, 0.25%, 0.48%

LAB 41.23, 16.16, -33.93

 

CMYK 41 / 37 / 0 / 40

HEX #5B6099

RGB 91 96 153

HSL 235.16, 0.25%, 0.48%

LAB 42.6, 13.03, -31.77

 

CMYK 59 / 53 / 0 / 33

HEX #4750AC

RGB 71 80 172

HSL 234.65, 0.42%, 0.48%

LAB 37.94, 24.54, -50.58

 

CMYK 73 / 67 / 0 / 25

HEX #343FC0

RGB 52 63 192

HSL 235.29, 0.57%, 0.48%

LAB 34.17, 39.42, -68.58

 

CMYK 85 / 78 / 0 / 17

HEX #202FD4

RGB 32 47 212

HSL 235, 0.74%, 0.48%

LAB 32.02, 53.87, -83.82

 

CMYK 95 / 87 / 0 / 9

HEX #0C1EE8

RGB 12 30 232

HSL 235.09, 0.9%, 0.48%

LAB 31.42, 66.87, -96.32

 

CMYK 41 / 37 / 0 / 40

HEX #5B6099

RGB 91 96 153

HSL 235.16, 0.25%, 0.48%

LAB 42.6, 13.03, -31.77

 

CMYK 17 / 15 / 0 / 48

HEX #6F7185

RGB 111 113 133

HSL 234.55, 0.09%, 0.48%

LAB 48.11, 3.67, -11.22

 

CMYK 0 / 2 / 14 / 49

HEX #838171

RGB 131 129 113

HSL 53.33, 0.07%, 0.48%

LAB 53.73, -2.21, 8.95

 

CMYK 0 / 3 / 38 / 41

HEX #97925D

RGB 151 146 93

HSL 54.83, 0.24%, 0.48%

LAB 59.82, -6.39, 28.77

 

CMYK 0 / 5 / 57 / 33

HEX #ABA349

RGB 171 163 73

HSL 55.1, 0.4%, 0.48%

LAB 66.01, -8.96, 46.9

 

CMYK 41 / 16 / 0 / 40

HEX #5B8199

RGB 91 129 153

HSL 203.23, 0.25%, 0.48%

LAB 52.09, -6.82, -17.08

 

CMYK 41 / 26 / 0 / 40

HEX #5B7199

RGB 91 113 153

HSL 218.71, 0.25%, 0.48%

LAB 47.41, 2.58, -24.26

 

CMYK 41 / 37 / 0 / 40

HEX #5B6099

RGB 91 96 153

HSL 235.16, 0.25%, 0.48%

LAB 42.6, 13.03, -31.77

 

CMYK 33 / 41 / 0 / 40

HEX #675B99

RGB 103 91 153

HSL 251.61, 0.25%, 0.48%

LAB 42.26, 19.61, -32.24

 

CMYK 22 / 41 / 0 / 40

HEX #775B99

RGB 119 91 153

HSL 267.1, 0.25%, 0.48%

LAB 43.81, 24.47, -29.69

 

CMYK 41 / 37 / 0 / 60

HEX #3C4065

RGB 60 64 101

HSL 234.15, 0.25%, 0.32%

LAB 28.29, 8.67, -22.29

 

CMYK 40 / 37 / 0 / 50

HEX #4C507F

RGB 76 80 127

HSL 235.29, 0.25%, 0.4%

LAB 35.61, 11.05, -27.06

 

CMYK 41 / 37 / 0 / 40

HEX #5B6099

RGB 91 96 153

HSL 235.16, 0.25%, 0.48%

LAB 42.6, 13.03, -31.77

 

CMYK 33 / 30 / 0 / 33

HEX #7377AB

RGB 115 119 171

HSL 235.71, 0.25%, 0.56%

LAB 51.59, 11.04, -28.17

 

CMYK 25 / 23 / 0 / 27

HEX #8C90BA

RGB 140 144 186

HSL 234.78, 0.25%, 0.64%

LAB 60.84, 7.9, -22.33

 

CMYK 40 / 36 / 0 / 40

HEX #5D629A

RGB 93 98 154

HSL 235.08, 0.25%, 0.48%

LAB 43.35, 12.64, -31.17

 

CMYK 0 / 41 / 5 / 40

HEX #995B91

RGB 153 91 145

HSL 307.74, 0.25%, 0.48%

LAB 47.36, 33.82, -19.1

 

CMYK 21 / 0 / 41 / 40

HEX #79995B

RGB 121 153 91

HSL 90.97, 0.25%, 0.48%

LAB 59.53, -22.49, 29.01

 

CMYK 40 / 36 / 0 / 40

HEX #5D629A

RGB 93 98 154

HSL 235.08, 0.25%, 0.48%

LAB 43.35, 12.64, -31.17

 

CMYK 0 / 41 / 37 / 40

HEX #995B60

RGB 153 91 96

HSL 355.16, 0.25%, 0.48%

LAB 45.77, 26.05, 8.07

 

CMYK 37 / 0 / 41 / 40

HEX #60995B

RGB 96 153 91

HSL 115.16, 0.25%, 0.48%

LAB 58.06, -31.55, 26.83

 

CMYK 40 / 36 / 0 / 40

HEX #5D629A

RGB 93 98 154

HSL 235.08, 0.25%, 0.48%

LAB 43.35, 12.64, -31.17

 

CMYK 0 / 41 / 5 / 40

HEX #995B91

RGB 153 91 145

HSL 307.74, 0.25%, 0.48%

LAB 47.36, 33.82, -19.1

 

CMYK 0 / 4 / 41 / 40

HEX #99935B

RGB 153 147 91

HSL 54.19, 0.25%, 0.48%

LAB 60.24, -6.33, 30.42

 

CMYK 41 / 0 / 36 / 40

HEX #5B9962

RGB 91 153 98

HSL 126.77, 0.25%, 0.48%

LAB 57.93, -32.01, 22.8

 

CMYK 40 / 36 / 0 / 40

HEX #5D629A

RGB 93 98 154

HSL 235.08, 0.25%, 0.48%

LAB 43.35, 12.64, -31.17

 

CMYK 0 / 41 / 17 / 40

HEX #995B7F

RGB 153 91 127

HSL 325.16, 0.25%, 0.48%

LAB 46.69, 30.64, -9.33

 

CMYK 0 / 4 / 41 / 40

HEX #99935B

RGB 153 147 91

HSL 54.19, 0.25%, 0.48%

LAB 60.24, -6.33, 30.42

 

CMYK 41 / 0 / 24 / 40

HEX #5B9975

RGB 91 153 117

HSL 145.16, 0.25%, 0.48%

LAB 58.31, -28.39, 12.74

 

Description

Color code: HEX #5D629A | qconv.com Color code: HEX #5D629A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 98 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 98 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 36 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 36% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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