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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D4784 it is the complementary color #A2B87B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D4784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D4784 shade: #62477F, #735992, #846BA5, #957DB8 and #A68FCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D4784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D4784 shade: #5D4784, #4C3571, #3B235E, #2A114B and #190038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D4784 shade: #5D4784, #6D4784, #7E4784, #84477A and #844769

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D4784 shade: #5D4784, #4C4784 and #474784

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D4784 shade matches the following richer shades: #5D4784, #583695, #5426A5, #4F15B6 and #4B05C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D4784 shade: #5D4784, #625774, #666863, #6B7853 and #6F8942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D4784 shade: #475284, #4C4784, #5C4784, #6D4784 and #7D4784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D4784 shade: #372A4E, #4A3869, #5D4784, #70559F and #856DB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D4784 shade: #5D4784, #844762 and #4A8447

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D4784 shade: #5D4784, #845C47 and #47845C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D4784 shade: #5D4784, #844762, #6F8447 and #478469

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D4784 shade: #5D4784, #844750, #6F8447 and #47847B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

Complementary color

CMYK 12 / 0 / 33 / 28

HEX #A2B87B

RGB 162 184 123

HSL 81.64, 0.3%, 0.6%

LAB 71.82, -18.06, 28.56

 

CMYK 23 / 44 / 0 / 50

HEX #62477F

RGB 98 71 127

HSL 268.93, 0.28%, 0.39%

LAB 35.27, 23.55, -27.44

 

CMYK 21 / 39 / 0 / 43

HEX #735992

RGB 115 89 146

HSL 267.37, 0.24%, 0.46%

LAB 42.56, 22.69, -27.48

 

CMYK 20 / 35 / 0 / 35

HEX #846BA5

RGB 132 107 165

HSL 265.86, 0.24%, 0.53%

LAB 49.66, 21.93, -27.55

 

CMYK 19 / 32 / 0 / 28

HEX #957DB8

RGB 149 125 184

HSL 264.41, 0.29%, 0.61%

LAB 56.6, 21.25, -27.65

 

CMYK 18 / 30 / 0 / 20

HEX #A68FCB

RGB 166 143 203

HSL 263, 0.37%, 0.68%

LAB 63.4, 20.64, -27.78

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 33 / 53 / 0 / 56

HEX #4C3571

RGB 76 53 113

HSL 263, 0.36%, 0.33%

LAB 27.5, 24.38, -31.1

 

CMYK 37 / 63 / 0 / 63

HEX #3B235E

RGB 59 35 94

HSL 264.41, 0.46%, 0.25%

LAB 19.8, 25.55, -31.21

 

CMYK 44 / 77 / 0 / 71

HEX #2A114B

RGB 42 17 75

HSL 265.86, 0.63%, 0.18%

LAB 11.97, 26.66, -31.13

 

CMYK 55 / 100 / 0 / 78

HEX #190038

RGB 25 0 56

HSL 266.79, 1%, 0.11%

LAB 4.45, 25.47, -29.98

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 17 / 46 / 0 / 48

HEX #6D4784

RGB 109 71 132

HSL 277.38, 0.3%, 0.4%

LAB 36.79, 28.25, -28.06

 

CMYK 5 / 46 / 0 / 48

HEX #7E4784

RGB 126 71 132

HSL 294.1, 0.3%, 0.4%

LAB 38.91, 33.64, -24.58

 

CMYK 0 / 46 / 8 / 48

HEX #84477A

RGB 132 71 122

HSL 309.84, 0.3%, 0.4%

LAB 39.27, 33.65, -17.81

 

CMYK 0 / 46 / 20 / 48

HEX #844769

RGB 132 71 105

HSL 326.56, 0.3%, 0.4%

LAB 38.61, 30.67, -8.27

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 42 / 46 / 0 / 48

HEX #4C4784

RGB 76 71 132

HSL 244.92, 0.3%, 0.4%

LAB 33.37, 18.41, -33.68

 

CMYK 46 / 46 / 0 / 48

HEX #474784

RGB 71 71 132

HSL 240, 0.3%, 0.4%

LAB 32.95, 17.07, -34.38

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 41 / 64 / 0 / 42

HEX #583695

RGB 88 54 149

HSL 261.47, 0.47%, 0.4%

LAB 31.54, 37.03, -47

 

CMYK 49 / 77 / 0 / 35

HEX #5426A5

RGB 84 38 165

HSL 261.73, 0.63%, 0.4%

LAB 29.38, 49.09, -60.26

 

CMYK 57 / 88 / 0 / 29

HEX #4F15B6

RGB 79 21 182

HSL 261.61, 0.79%, 0.4%

LAB 28.32, 59.37, -72.24

 

CMYK 62 / 97 / 0 / 22

HEX #4B05C6

RGB 75 5 198

HSL 261.76, 0.95%, 0.4%

LAB 28.59, 66.38, -81.26

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 16 / 25 / 0 / 55

HEX #625774

RGB 98 87 116

HSL 262.76, 0.14%, 0.4%

LAB 39.03, 10.82, -14.84

 

CMYK 2 / 0 / 5 / 59

HEX #666863

RGB 102 104 99

HSL 84, 0.02%, 0.4%

LAB 43.69, -1.8, 2.54

 

CMYK 11 / 0 / 31 / 53

HEX #6B7853

RGB 107 120 83

HSL 81.08, 0.18%, 0.4%

LAB 48.49, -11.79, 18.77

 

CMYK 19 / 0 / 52 / 46

HEX #6F8942

RGB 111 137 66

HSL 81.97, 0.35%, 0.4%

LAB 53.67, -21.46, 34.75

 

CMYK 46 / 38 / 0 / 48

HEX #475284

RGB 71 82 132

HSL 229.18, 0.3%, 0.4%

LAB 36.06, 9.9, -29.45

 

CMYK 42 / 46 / 0 / 48

HEX #4C4784

RGB 76 71 132

HSL 244.92, 0.3%, 0.4%

LAB 33.37, 18.41, -33.68

 

CMYK 30 / 46 / 0 / 48

HEX #5C4784

RGB 92 71 132

HSL 260.66, 0.3%, 0.4%

LAB 34.9, 23.02, -31.16

 

CMYK 17 / 46 / 0 / 48

HEX #6D4784

RGB 109 71 132

HSL 277.38, 0.3%, 0.4%

LAB 36.79, 28.25, -28.06

 

CMYK 5 / 46 / 0 / 48

HEX #7D4784

RGB 125 71 132

HSL 293.11, 0.3%, 0.4%

LAB 38.78, 33.33, -24.8

 

CMYK 29 / 46 / 0 / 69

HEX #372A4E

RGB 55 42 78

HSL 261.67, 0.3%, 0.24%

LAB 20.12, 14.97, -20.04

 

CMYK 30 / 47 / 0 / 59

HEX #4A3869

RGB 74 56 105

HSL 262.04, 0.3%, 0.32%

LAB 27.58, 19.58, -25.87

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 30 / 47 / 0 / 38

HEX #70559F

RGB 112 85 159

HSL 261.89, 0.3%, 0.48%

LAB 41.91, 27.53, -36.3

 

CMYK 24 / 38 / 0 / 31

HEX #856DB0

RGB 133 109 176

HSL 261.49, 0.3%, 0.56%

LAB 50.76, 23.74, -32.25

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 0 / 46 / 26 / 48

HEX #844762

RGB 132 71 98

HSL 333.44, 0.3%, 0.4%

LAB 38.36, 29.56, -4.26

 

CMYK 44 / 0 / 46 / 48

HEX #4A8447

RGB 74 132 71

HSL 117.05, 0.3%, 0.4%

LAB 49.99, -32.15, 27.08

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 0 / 30 / 46 / 48

HEX #845C47

RGB 132 92 71

HSL 20.66, 0.3%, 0.4%

LAB 42.79, 13.66, 18.61

 

CMYK 46 / 0 / 30 / 48

HEX #47845C

RGB 71 132 92

HSL 140.66, 0.3%, 0.4%

LAB 50.23, -29.32, 15.6

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 0 / 46 / 26 / 48

HEX #844762

RGB 132 71 98

HSL 333.44, 0.3%, 0.4%

LAB 38.36, 29.56, -4.26

 

CMYK 16 / 0 / 46 / 48

HEX #6F8447

RGB 111 132 71

HSL 80.66, 0.3%, 0.4%

LAB 52.22, -18.28, 30.34

 

CMYK 46 / 0 / 20 / 48

HEX #478469

RGB 71 132 105

HSL 153.44, 0.3%, 0.4%

LAB 50.53, -26.52, 8.51

 

CMYK 30 / 46 / 0 / 48

HEX #5D4784

RGB 93 71 132

HSL 261.64, 0.3%, 0.4%

LAB 35, 23.32, -30.99

 

CMYK 0 / 46 / 39 / 48

HEX #844750

RGB 132 71 80

HSL 351.15, 0.3%, 0.4%

LAB 37.83, 27.03, 6.26

 

CMYK 16 / 0 / 46 / 48

HEX #6F8447

RGB 111 132 71

HSL 80.66, 0.3%, 0.4%

LAB 52.22, -18.28, 30.34

 

CMYK 46 / 0 / 7 / 48

HEX #47847B

RGB 71 132 123

HSL 171.15, 0.3%, 0.4%

LAB 51, -22.11, -1.3

 

Description

Color code: HEX #5D4784 | qconv.com Color code: HEX #5D4784 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 71 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 71 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 46 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 46% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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