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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D448C it is the complementary color #A2BB73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D448C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D448C shade: #624487, #73569A, #8468AD, #957AC0 and #A68CD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D448C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D448C shade: #5D448C, #4C3279, #3B2066, #2A0E53 and #190040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D448C shade: #5D438D, #71438D, #84438D, #8D4381 and #8D436D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D448C shade: #5D438D, #49438D and #43438D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D448C shade matches the following richer shades: #5D438D, #58339E, #5322AE, #4D11BF and #4800D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D448C shade: #5D438D, #62547C, #67656B, #6C765A and #728749

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D448C shade: #43528D, #48438D, #5C438D, #6F438D and #83438D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D448C shade: #382955, #4A3671, #5D438D, #6F51A8 and #866BB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D448C shade: #5D448C, #8D4366 and #488D43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D448C shade: #5D448C, #8D5C43 and #438D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D448C shade: #5D448C, #8D4366, #748D43 and #438D6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D448C shade: #5D448C, #8D4350, #748D43 and #438D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 51 / 0 / 45

HEX #5D448C

RGB 93 68 140

HSL 260.83, 0.35%, 0.41%

LAB 34.71, 27.38, -36.37

 

Complementary color

CMYK 13 / 0 / 39 / 27

HEX #A2BB73

RGB 162 187 115

HSL 80.83, 0.35%, 0.59%

LAB 72.53, -20.64, 33.68

 

CMYK 27 / 50 / 0 / 47

HEX #624487

RGB 98 68 135

HSL 266.87, 0.33%, 0.4%

LAB 34.96, 27.47, -32.87

 

CMYK 25 / 44 / 0 / 40

HEX #73569A

RGB 115 86 154

HSL 265.59, 0.28%, 0.47%

LAB 42.21, 26.51, -32.83

 

CMYK 24 / 40 / 0 / 32

HEX #8468AD

RGB 132 104 173

HSL 264.35, 0.3%, 0.54%

LAB 49.28, 25.65, -32.82

 

CMYK 22 / 36 / 0 / 25

HEX #957AC0

RGB 149 122 192

HSL 263.14, 0.36%, 0.62%

LAB 56.2, 24.88, -32.84

 

CMYK 21 / 34 / 0 / 17

HEX #A68CD3

RGB 166 140 211

HSL 261.97, 0.45%, 0.69%

LAB 62.98, 24.18, -32.89

 

CMYK 34 / 51 / 0 / 45

HEX #5D448C

RGB 93 68 140

HSL 260.83, 0.35%, 0.41%

LAB 34.71, 27.38, -36.37

 

CMYK 37 / 59 / 0 / 53

HEX #4C3279

RGB 76 50 121

HSL 261.97, 0.42%, 0.34%

LAB 27.29, 28.54, -36.52

 

CMYK 42 / 69 / 0 / 60

HEX #3B2066

RGB 59 32 102

HSL 263.14, 0.52%, 0.26%

LAB 19.73, 29.76, -36.59

 

CMYK 49 / 83 / 0 / 67

HEX #2A0E53

RGB 42 14 83

HSL 264.35, 0.71%, 0.19%

LAB 12.16, 30.67, -36.31

 

CMYK 61 / 100 / 0 / 75

HEX #190040

RGB 25 0 64

HSL 263.44, 1%, 0.13%

LAB 5.21, 28.95, -34.53

 

CMYK 34 / 52 / 0 / 45

HEX #5D438D

RGB 93 67 141

HSL 261.08, 0.36%, 0.41%

LAB 34.53, 28.28, -37.28

 

CMYK 20 / 52 / 0 / 45

HEX #71438D

RGB 113 67 141

HSL 277.3, 0.36%, 0.41%

LAB 36.83, 33.95, -33.47

 

CMYK 6 / 52 / 0 / 45

HEX #84438D

RGB 132 67 141

HSL 292.7, 0.36%, 0.41%

LAB 39.31, 39.54, -29.39

 

CMYK 0 / 52 / 9 / 45

HEX #8D4381

RGB 141 67 129

HSL 309.73, 0.36%, 0.41%

LAB 40.02, 40, -20.86

 

CMYK 0 / 52 / 23 / 45

HEX #8D436D

RGB 141 67 109

HSL 325.95, 0.36%, 0.41%

LAB 39.21, 36.67, -9.73

 

CMYK 34 / 52 / 0 / 45

HEX #5D438D

RGB 93 67 141

HSL 261.08, 0.36%, 0.41%

LAB 34.53, 28.28, -37.28

 

CMYK 48 / 52 / 0 / 45

HEX #49438D

RGB 73 67 141

HSL 244.86, 0.36%, 0.41%

LAB 32.6, 23.07, -40.47

 

CMYK 52 / 52 / 0 / 45

HEX #43438D

RGB 67 67 141

HSL 240, 0.36%, 0.41%

LAB 32.1, 21.65, -41.29

 

CMYK 34 / 52 / 0 / 45

HEX #5D438D

RGB 93 67 141

HSL 261.08, 0.36%, 0.41%

LAB 34.53, 28.28, -37.28

 

CMYK 44 / 68 / 0 / 38

HEX #58339E

RGB 88 51 158

HSL 260.75, 0.51%, 0.41%

LAB 31.6, 41.25, -52.38

 

CMYK 52 / 80 / 0 / 32

HEX #5322AE

RGB 83 34 174

HSL 261, 0.67%, 0.41%

LAB 29.51, 53.12, -65.47

 

CMYK 60 / 91 / 0 / 25

HEX #4D11BF

RGB 77 17 191

HSL 260.69, 0.84%, 0.41%

LAB 28.75, 62.51, -76.87

 

CMYK 65 / 100 / 0 / 18

HEX #4800D0

RGB 72 0 208

HSL 260.77, 1%, 0.41%

LAB 29.24, 69.42, -86.04

 

CMYK 34 / 52 / 0 / 45

HEX #5D438D

RGB 93 67 141

HSL 261.08, 0.36%, 0.41%

LAB 34.53, 28.28, -37.28

 

CMYK 21 / 32 / 0 / 51

HEX #62547C

RGB 98 84 124

HSL 261, 0.19%, 0.41%

LAB 38.54, 14.67, -20.51

 

CMYK 4 / 6 / 0 / 58

HEX #67656B

RGB 103 101 107

HSL 260, 0.03%, 0.41%

LAB 43.14, 2.04, -3.1

 

CMYK 8 / 0 / 24 / 54

HEX #6C765A

RGB 108 118 90

HSL 81.43, 0.13%, 0.41%

LAB 48.11, -9.13, 14.21

 

CMYK 16 / 0 / 46 / 47

HEX #728749

RGB 114 135 73

HSL 80.32, 0.3%, 0.41%

LAB 53.37, -18.37, 30.76

 

CMYK 52 / 42 / 0 / 45

HEX #43528D

RGB 67 82 141

HSL 227.84, 0.36%, 0.41%

LAB 36.27, 11.82, -34.64

 

CMYK 49 / 52 / 0 / 45

HEX #48438D

RGB 72 67 141

HSL 244.05, 0.36%, 0.41%

LAB 32.51, 22.83, -40.61

 

CMYK 35 / 52 / 0 / 45

HEX #5C438D

RGB 92 67 141

HSL 260.27, 0.36%, 0.41%

LAB 34.42, 28, -37.45

 

CMYK 21 / 52 / 0 / 45

HEX #6F438D

RGB 111 67 141

HSL 275.68, 0.36%, 0.41%

LAB 36.59, 33.37, -33.88

 

CMYK 7 / 52 / 0 / 45

HEX #83438D

RGB 131 67 141

HSL 291.89, 0.36%, 0.41%

LAB 39.18, 39.24, -29.62

 

CMYK 34 / 52 / 0 / 67

HEX #382955

RGB 56 41 85

HSL 260.45, 0.35%, 0.25%

LAB 20.37, 18.06, -24.33

 

CMYK 35 / 52 / 0 / 56

HEX #4A3671

RGB 74 54 113

HSL 260.34, 0.35%, 0.33%

LAB 27.54, 23.16, -31.06

 

CMYK 34 / 52 / 0 / 45

HEX #5D438D

RGB 93 67 141

HSL 261.08, 0.36%, 0.41%

LAB 34.53, 28.28, -37.28

 

CMYK 34 / 52 / 0 / 34

HEX #6F51A8

RGB 111 81 168

HSL 260.69, 0.35%, 0.49%

LAB 41.36, 32.05, -42.54

 

CMYK 27 / 42 / 0 / 28

HEX #866BB8

RGB 134 107 184

HSL 261.04, 0.35%, 0.57%

LAB 50.74, 27.22, -36.91

 

CMYK 34 / 51 / 0 / 45

HEX #5D448C

RGB 93 68 140

HSL 260.83, 0.35%, 0.41%

LAB 34.71, 27.38, -36.37

 

CMYK 0 / 52 / 28 / 45

HEX #8D4366

RGB 141 67 102

HSL 331.62, 0.36%, 0.41%

LAB 38.96, 35.62, -5.73

 

CMYK 49 / 0 / 52 / 45

HEX #488D43

RGB 72 141 67

HSL 115.95, 0.36%, 0.41%

LAB 52.77, -37.41, 32.63

 

CMYK 34 / 51 / 0 / 45

HEX #5D448C

RGB 93 68 140

HSL 260.83, 0.35%, 0.41%

LAB 34.71, 27.38, -36.37

 

CMYK 0 / 35 / 52 / 45

HEX #8D5C43

RGB 141 92 67

HSL 20.27, 0.36%, 0.41%

LAB 43.83, 17.17, 22.56

 

CMYK 52 / 0 / 35 / 45

HEX #438D5C

RGB 67 141 92

HSL 140.27, 0.36%, 0.41%

LAB 52.97, -34.66, 19.29

 

CMYK 34 / 51 / 0 / 45

HEX #5D448C

RGB 93 68 140

HSL 260.83, 0.35%, 0.41%

LAB 34.71, 27.38, -36.37

 

CMYK 0 / 52 / 28 / 45

HEX #8D4366

RGB 141 67 102

HSL 331.62, 0.36%, 0.41%

LAB 38.96, 35.62, -5.73

 

CMYK 18 / 0 / 52 / 45

HEX #748D43

RGB 116 141 67

HSL 80.27, 0.36%, 0.41%

LAB 55.24, -21.35, 36.21

 

CMYK 52 / 0 / 25 / 45

HEX #438D6A

RGB 67 141 106

HSL 151.62, 0.36%, 0.41%

LAB 53.26, -31.73, 11.75

 

CMYK 34 / 51 / 0 / 45

HEX #5D448C

RGB 93 68 140

HSL 260.83, 0.35%, 0.41%

LAB 34.71, 27.38, -36.37

 

CMYK 0 / 52 / 43 / 45

HEX #8D4350

RGB 141 67 80

HSL 349.46, 0.36%, 0.41%

LAB 38.3, 32.75, 7.12

 

CMYK 18 / 0 / 52 / 45

HEX #748D43

RGB 116 141 67

HSL 80.27, 0.36%, 0.41%

LAB 55.24, -21.35, 36.21

 

CMYK 52 / 0 / 9 / 45

HEX #438D80

RGB 67 141 128

HSL 169.46, 0.36%, 0.41%

LAB 53.82, -26.38, -0.11

 

Description

Color code: HEX #5D448C | qconv.com Color code: HEX #5D448C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 68 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 68 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 51 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 51% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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