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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D3CBD it is the complementary color #A2C342. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D3CBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D3CBD shade: #623CB8, #734ECB, #8460DE, #9572F1 and #A684FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D3CBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D3CBD shade: #5D3CBD, #4C2AAA, #3B1897, #2A0684 and #190071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D3CBD shade: #5D3BBD, #803BBD, #A33BBD, #BD3BB5 and #BD3B92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D3CBD shade: #5D3BBD and #3B3BBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D3CBD shade matches the following richer shades: #5D3BBD, #5327D2 and #4913E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D3CBD shade: #5D3BBD, #6750A9, #706495, #7A7881 and #848C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D3CBD shade: #3B60BD, #3B3EBD, #5C3BBD, #7F3BBD and #A13BBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D3CBD shade: #3E287F, #4D329E, #5D3BBD, #7558CA and #8F78D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D3CBD shade: #5D3CBD, #BD3B83 and #4FBD3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D3CBD shade: #5D3CBD, #BD5C3B and #3BBD5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D3CBD shade: #5D3CBD, #BD3B83, #9DBD3B and #3BBD76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D3CBD shade: #5D3CBD, #BD3B5C, #9DBD3B and #3BBD9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 68 / 0 / 26

HEX #5D3CBD

RGB 93 60 189

HSL 255.35, 0.52%, 0.49%

LAB 36.43, 46.09, -62.99

 

Complementary color

CMYK 17 / 0 / 66 / 24

HEX #A2C342

RGB 162 195 66

HSL 75.35, 0.52%, 0.51%

LAB 74.26, -29.3, 58.72

 

CMYK 47 / 67 / 0 / 28

HEX #623CB8

RGB 98 60 184

HSL 258.39, 0.51%, 0.48%

LAB 36.54, 45.57, -59.86

 

CMYK 43 / 62 / 0 / 20

HEX #734ECB

RGB 115 78 203

HSL 257.76, 0.55%, 0.55%

LAB 43.37, 44.32, -59.77

 

CMYK 41 / 57 / 0 / 13

HEX #8460DE

RGB 132 96 222

HSL 257.14, 0.66%, 0.62%

LAB 50.15, 43.08, -59.6

 

CMYK 38 / 53 / 0 / 5

HEX #9572F1

RGB 149 114 241

HSL 256.54, 0.82%, 0.7%

LAB 56.86, 41.91, -59.4

 

CMYK 35 / 48 / 0 / 0

HEX #A684FF

RGB 166 132 255

HSL 256.59, 1%, 0.76%

LAB 63.2, 39.53, -56.9

 

CMYK 51 / 68 / 0 / 26

HEX #5D3CBD

RGB 93 60 189

HSL 255.35, 0.52%, 0.49%

LAB 36.43, 46.09, -62.99

 

CMYK 55 / 75 / 0 / 33

HEX #4C2AAA

RGB 76 42 170

HSL 255.94, 0.6%, 0.42%

LAB 29.65, 47.37, -62.87

 

CMYK 61 / 84 / 0 / 41

HEX #3B1897

RGB 59 24 151

HSL 256.54, 0.73%, 0.34%

LAB 23.06, 48.14, -62.23

 

CMYK 68 / 95 / 0 / 48

HEX #2A0684

RGB 42 6 132

HSL 257.14, 0.91%, 0.27%

LAB 16.93, 47.67, -60.57

 

CMYK 78 / 100 / 0 / 56

HEX #190071

RGB 25 0 113

HSL 253.27, 1%, 0.22%

LAB 11.95, 43.97, -56.72

 

CMYK 51 / 69 / 0 / 26

HEX #5D3BBD

RGB 93 59 189

HSL 255.69, 0.52%, 0.49%

LAB 36.23, 46.64, -63.32

 

CMYK 32 / 69 / 0 / 26

HEX #803BBD

RGB 128 59 189

HSL 271.85, 0.52%, 0.49%

LAB 40.23, 53.28, -56.63

 

CMYK 14 / 69 / 0 / 26

HEX #A33BBD

RGB 163 59 189

HSL 288, 0.52%, 0.49%

LAB 45.07, 60.75, -48.6

 

CMYK 0 / 69 / 4 / 26

HEX #BD3BB5

RGB 189 59 181

HSL 303.69, 0.52%, 0.49%

LAB 48.61, 65.26, -38.04

 

CMYK 0 / 69 / 23 / 26

HEX #BD3B92

RGB 189 59 146

HSL 319.85, 0.52%, 0.49%

LAB 47, 60.09, -19.79

 

CMYK 51 / 69 / 0 / 26

HEX #5D3BBD

RGB 93 59 189

HSL 255.69, 0.52%, 0.49%

LAB 36.23, 46.64, -63.32

 

CMYK 69 / 69 / 0 / 26

HEX #3B3BBD

RGB 59 59 189

HSL 240, 0.52%, 0.49%

LAB 33.42, 41.62, -68.03

 

CMYK 51 / 69 / 0 / 26

HEX #5D3BBD

RGB 93 59 189

HSL 255.69, 0.52%, 0.49%

LAB 36.23, 46.64, -63.32

 

CMYK 60 / 81 / 0 / 18

HEX #5327D2

RGB 83 39 210

HSL 255.44, 0.69%, 0.49%

LAB 33.86, 60.72, -79.5

 

CMYK 68 / 92 / 0 / 10

HEX #4913E6

RGB 73 19 230

HSL 255.36, 0.85%, 0.49%

LAB 33.13, 71.41, -92.26

 

CMYK 51 / 69 / 0 / 26

HEX #5D3BBD

RGB 93 59 189

HSL 255.69, 0.52%, 0.49%

LAB 36.23, 46.64, -63.32

 

CMYK 39 / 53 / 0 / 34

HEX #6750A9

RGB 103 80 169

HSL 255.51, 0.36%, 0.49%

LAB 40.39, 30.85, -44.73

 

CMYK 25 / 33 / 0 / 42

HEX #706495

RGB 112 100 149

HSL 254.69, 0.2%, 0.49%

LAB 45.26, 15.79, -25.09

 

CMYK 5 / 7 / 0 / 49

HEX #7A7881

RGB 122 120 129

HSL 253.33, 0.04%, 0.49%

LAB 50.87, 2.61, -4.64

 

CMYK 6 / 0 / 22 / 45

HEX #848C6D

RGB 132 140 109

HSL 75.48, 0.12%, 0.49%

LAB 56.85, -8.62, 15.61

 

CMYK 69 / 49 / 0 / 26

HEX #3B60BD

RGB 59 96 189

HSL 222.92, 0.52%, 0.49%

LAB 42.72, 18.14, -52.91

 

CMYK 69 / 67 / 0 / 26

HEX #3B3EBD

RGB 59 62 189

HSL 238.62, 0.52%, 0.49%

LAB 34.09, 39.81, -66.94

 

CMYK 51 / 69 / 0 / 26

HEX #5C3BBD

RGB 92 59 189

HSL 255.23, 0.52%, 0.49%

LAB 36.13, 46.47, -63.48

 

CMYK 33 / 69 / 0 / 26

HEX #7F3BBD

RGB 127 59 189

HSL 271.38, 0.52%, 0.49%

LAB 40.1, 53.07, -56.84

 

CMYK 15 / 69 / 0 / 26

HEX #A13BBD

RGB 161 59 189

HSL 287.08, 0.52%, 0.49%

LAB 44.77, 60.31, -49.09

 

CMYK 51 / 69 / 0 / 50

HEX #3E287F

RGB 62 40 127

HSL 255.17, 0.52%, 0.33%

LAB 23.91, 33.22, -45.84

 

CMYK 51 / 68 / 0 / 38

HEX #4D329E

RGB 77 50 158

HSL 255, 0.52%, 0.41%

LAB 30.22, 39.7, -54.68

 

CMYK 51 / 69 / 0 / 26

HEX #5D3BBD

RGB 93 59 189

HSL 255.69, 0.52%, 0.49%

LAB 36.23, 46.64, -63.32

 

CMYK 42 / 56 / 0 / 21

HEX #7558CA

RGB 117 88 202

HSL 255.26, 0.52%, 0.57%

LAB 45.67, 38.77, -55.47

 

CMYK 33 / 43 / 0 / 17

HEX #8F78D4

RGB 143 120 212

HSL 255, 0.52%, 0.65%

LAB 56.11, 29.32, -44.37

 

CMYK 51 / 68 / 0 / 26

HEX #5D3CBD

RGB 93 60 189

HSL 255.35, 0.52%, 0.49%

LAB 36.43, 46.09, -62.99

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 58 / 0 / 69 / 26

HEX #4FBD3B

RGB 79 189 59

HSL 110.77, 0.52%, 0.49%

LAB 68.29, -55.36, 53.99

 

CMYK 51 / 68 / 0 / 26

HEX #5D3CBD

RGB 93 60 189

HSL 255.35, 0.52%, 0.49%

LAB 36.43, 46.09, -62.99

 

CMYK 0 / 51 / 69 / 26

HEX #BD5C3B

RGB 189 92 59

HSL 15.23, 0.52%, 0.49%

LAB 50.44, 36.54, 36.73

 

CMYK 69 / 0 / 51 / 26

HEX #3BBD5C

RGB 59 189 92

HSL 135.23, 0.52%, 0.49%

LAB 68.09, -55.78, 38.74

 

CMYK 51 / 68 / 0 / 26

HEX #5D3CBD

RGB 93 60 189

HSL 255.35, 0.52%, 0.49%

LAB 36.43, 46.09, -62.99

 

CMYK 0 / 69 / 31 / 26

HEX #BD3B83

RGB 189 59 131

HSL 326.77, 0.52%, 0.49%

LAB 46.43, 58.17, -11.61

 

CMYK 17 / 0 / 69 / 26

HEX #9DBD3B

RGB 157 189 59

HSL 74.77, 0.52%, 0.49%

LAB 72.15, -28.91, 59.19

 

CMYK 69 / 0 / 38 / 26

HEX #3BBD76

RGB 59 189 118

HSL 147.23, 0.52%, 0.49%

LAB 68.48, -51.36, 25.92

 

CMYK 51 / 68 / 0 / 26

HEX #5D3CBD

RGB 93 60 189

HSL 255.35, 0.52%, 0.49%

LAB 36.43, 46.09, -62.99

 

CMYK 0 / 69 / 51 / 26

HEX #BD3B5C

RGB 189 59 92

HSL 344.77, 0.52%, 0.49%

LAB 45.25, 54.13, 10.58

 

CMYK 17 / 0 / 69 / 26

HEX #9DBD3B

RGB 157 189 59

HSL 74.77, 0.52%, 0.49%

LAB 72.15, -28.91, 59.19

 

CMYK 69 / 0 / 17 / 26

HEX #3BBD9D

RGB 59 189 157

HSL 165.23, 0.52%, 0.49%

LAB 69.3, -42.73, 6.01

 

Description

Color code: HEX #5D3CBD | qconv.com Color code: HEX #5D3CBD | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 60 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 60 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 68 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 68% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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