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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D3B31 it is the complementary color #A2C4CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D3B31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D3B31 shade: #623B2C, #734D3F, #845F52, #957165 and #A68378

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D3B31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D3B31 shade: #5D3B31, #4C291E, #3B170B, #2A0500 and #190000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D3B31 shade: #5D3B31 and #5D3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D3B31 shade: #5D3B31, #5D4731, #5D5331, #5B5D31 and #4F5D31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D3B31 shade matches the following richer shades: #5D3B31, #693525, #742E1A, #80280E and #8B2203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D3B31 shade: #5D3B31, #51413C, #464748, #3A4E53 and #2F545F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D3B31 shade: #5D313F, #5D3133, #5D3A31, #5D4631 and #5D5231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D3B31 shade: #271914, #422A23, #5D3B31, #784C3F and #935D4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D3B31 shade: #5D3B31, #4B5D31 and #31395D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D3B31 shade: #5D3B31, #315D3A and #3A315D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D3B31 shade: #5D3B31, #4B5D31, #31535D and #43315D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D3B31 shade: #5D3B31, #3D5D31, #31535D and #50315D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

Complementary color

CMYK 21 / 5 / 0 / 19

HEX #A2C4CE

RGB 162 196 206

HSL 193.64, 0.31%, 0.72%

LAB 77.05, -9.15, -8.78

 

CMYK 0 / 40 / 55 / 62

HEX #623B2C

RGB 98 59 44

HSL 16.67, 0.38%, 0.28%

LAB 29.18, 15.42, 16.48

 

CMYK 0 / 33 / 45 / 55

HEX #734D3F

RGB 115 77 63

HSL 16.15, 0.29%, 0.35%

LAB 36.58, 14.21, 14.8

 

CMYK 0 / 28 / 38 / 48

HEX #845F52

RGB 132 95 82

HSL 15.6, 0.23%, 0.42%

LAB 43.8, 13.23, 13.38

 

CMYK 0 / 24 / 32 / 42

HEX #957165

RGB 149 113 101

HSL 15, 0.19%, 0.49%

LAB 50.85, 12.43, 12.15

 

CMYK 0 / 21 / 28 / 35

HEX #A68378

RGB 166 131 120

HSL 14.35, 0.21%, 0.56%

LAB 57.75, 11.75, 11.06

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 0 / 46 / 61 / 70

HEX #4C291E

RGB 76 41 30

HSL 14.35, 0.43%, 0.21%

LAB 20.89, 15.02, 14.23

 

CMYK 0 / 61 / 81 / 77

HEX #3B170B

RGB 59 23 11

HSL 15, 0.69%, 0.14%

LAB 13.03, 16.74, 15.24

 

CMYK 0 / 88 / 100 / 84

HEX #2A0500

RGB 42 5 0

HSL 7.14, 1%, 0.08%

LAB 5.43, 17.54, 8.46

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 0 / 47 / 47 / 64

HEX #5D3131

RGB 93 49 49

HSL 0, 0.31%, 0.28%

LAB 26, 19.89, 8.84

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 0 / 24 / 47 / 64

HEX #5D4731

RGB 93 71 49

HSL 30, 0.31%, 0.28%

LAB 31.93, 6.14, 16.82

 

CMYK 0 / 11 / 47 / 64

HEX #5D5331

RGB 93 83 49

HSL 46.36, 0.31%, 0.28%

LAB 35.47, -1.26, 21.37

 

CMYK 2 / 0 / 47 / 64

HEX #5B5D31

RGB 91 93 49

HSL 62.73, 0.31%, 0.28%

LAB 38.33, -8.13, 24.91

 

CMYK 15 / 0 / 47 / 64

HEX #4F5D31

RGB 79 93 49

HSL 79.09, 0.31%, 0.28%

LAB 37.32, -13.55, 23.43

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 0 / 50 / 65 / 59

HEX #693525

RGB 105 53 37

HSL 14.12, 0.48%, 0.28%

LAB 28.6, 21.58, 20.39

 

CMYK 0 / 60 / 78 / 55

HEX #742E1A

RGB 116 46 26

HSL 13.33, 0.63%, 0.28%

LAB 28.75, 29.52, 27.72

 

CMYK 0 / 69 / 89 / 50

HEX #80280E

RGB 128 40 14

HSL 13.68, 0.8%, 0.28%

LAB 29.76, 36.74, 35.83

 

CMYK 0 / 76 / 98 / 45

HEX #8B2203

RGB 139 34 3

HSL 13.68, 0.96%, 0.28%

LAB 30.97, 42.93, 42.31

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 0 / 20 / 26 / 68

HEX #51413C

RGB 81 65 60

HSL 14.29, 0.15%, 0.28%

LAB 29.05, 6.01, 5.65

 

CMYK 3 / 1 / 0 / 72

HEX #464748

RGB 70 71 72

HSL 210, 0.01%, 0.28%

LAB 30.1, -0.19, -0.75

 

CMYK 30 / 6 / 0 / 67

HEX #3A4E53

RGB 58 78 83

HSL 192, 0.18%, 0.28%

LAB 31.75, -6.37, -5.48

 

CMYK 51 / 12 / 0 / 63

HEX #2F545F

RGB 47 84 95

HSL 193.75, 0.34%, 0.28%

LAB 33.5, -9.87, -10.51

 

CMYK 0 / 47 / 32 / 64

HEX #5D313F

RGB 93 49 63

HSL 340.91, 0.31%, 0.28%

LAB 26.4, 21.82, 0.07

 

CMYK 0 / 47 / 45 / 64

HEX #5D3133

RGB 93 49 51

HSL 357.27, 0.31%, 0.28%

LAB 26.05, 20.14, 7.58

 

CMYK 0 / 38 / 47 / 64

HEX #5D3A31

RGB 93 58 49

HSL 12.27, 0.31%, 0.28%

LAB 28.31, 14.31, 12

 

CMYK 0 / 25 / 47 / 64

HEX #5D4631

RGB 93 70 49

HSL 28.64, 0.31%, 0.28%

LAB 31.65, 6.77, 16.44

 

CMYK 0 / 12 / 47 / 64

HEX #5D5231

RGB 93 82 49

HSL 45, 0.31%, 0.28%

LAB 35.17, -0.66, 20.99

 

CMYK 0 / 36 / 49 / 85

HEX #271914

RGB 39 25 20

HSL 15.79, 0.32%, 0.12%

LAB 10.39, 6.16, 6.18

 

CMYK 0 / 36 / 47 / 74

HEX #422A23

RGB 66 42 35

HSL 13.55, 0.31%, 0.2%

LAB 19.78, 10.15, 9.11

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 0 / 37 / 48 / 53

HEX #784C3F

RGB 120 76 63

HSL 13.68, 0.31%, 0.36%

LAB 36.97, 17.02, 15.44

 

CMYK 0 / 37 / 48 / 42

HEX #935D4D

RGB 147 93 77

HSL 13.71, 0.31%, 0.44%

LAB 45.04, 20.2, 18.37

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 19 / 0 / 47 / 64

HEX #4B5D31

RGB 75 93 49

HSL 84.55, 0.31%, 0.28%

LAB 37.02, -15.3, 22.98

 

CMYK 47 / 39 / 0 / 64

HEX #31395D

RGB 49 57 93

HSL 229.09, 0.31%, 0.28%

LAB 24.86, 7.49, -22.57

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 47 / 0 / 38 / 64

HEX #315D3A

RGB 49 93 58

HSL 132.27, 0.31%, 0.28%

LAB 35.57, -23.82, 15.5

 

CMYK 38 / 47 / 0 / 64

HEX #3A315D

RGB 58 49 93

HSL 252.27, 0.31%, 0.28%

LAB 23.29, 15.69, -24.98

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 19 / 0 / 47 / 64

HEX #4B5D31

RGB 75 93 49

HSL 84.55, 0.31%, 0.28%

LAB 37.02, -15.3, 22.98

 

CMYK 47 / 11 / 0 / 64

HEX #31535D

RGB 49 83 93

HSL 193.64, 0.31%, 0.28%

LAB 33.2, -9.34, -9.7

 

CMYK 28 / 47 / 0 / 64

HEX #43315D

RGB 67 49 93

HSL 264.55, 0.31%, 0.28%

LAB 24.26, 18.55, -23.39

 

CMYK 0 / 37 / 47 / 64

HEX #5D3B31

RGB 93 59 49

HSL 13.64, 0.31%, 0.28%

LAB 28.58, 13.69, 12.37

 

CMYK 34 / 0 / 47 / 64

HEX #3D5D31

RGB 61 93 49

HSL 103.64, 0.31%, 0.28%

LAB 36.07, -21.08, 21.59

 

CMYK 47 / 11 / 0 / 64

HEX #31535D

RGB 49 83 93

HSL 193.64, 0.31%, 0.28%

LAB 33.2, -9.34, -9.7

 

CMYK 14 / 47 / 0 / 64

HEX #50315D

RGB 80 49 93

HSL 282.27, 0.31%, 0.28%

LAB 25.84, 22.88, -20.8

 

Description

Color code: HEX #5D3B31 | qconv.com Color code: HEX #5D3B31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 59 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 59 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 47 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 47% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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