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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D3630 it is the complementary color #A2C9CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D3630. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D3630 shade: #62362B, #73483E, #845A51, #956C64 and #A67E77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D3630. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D3630 shade: #5D3630, #4C241D, #3B120A, #2A0000 and #190000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D3630 shade: #5E3630 and #5E3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D3630 shade: #5E3630, #5E4230, #5E4F30, #5E5B30 and #545E30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D3630 shade matches the following richer shades: #5E3630, #692E24, #752519, #801D0D and #8C1402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D3630 shade: #5E3630, #523F3C, #474747, #3B5053 and #30585E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D3630 shade: #5E3042, #5E3036, #5E3630, #5E4230 and #5E4F30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D3630 shade: #271714, #432622, #5E3630, #79463E and #94564C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D3630 shade: #5D3630, #4F5E30 and #303C5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D3630 shade: #5D3630, #305E36 and #36305E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D3630 shade: #5D3630, #4F5E30, #30585E and #3F305E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D3630 shade: #5D3630, #415E30, #30585E and #4D305E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 48 / 64

HEX #5D3630

RGB 93 54 48

HSL 8, 0.32%, 0.28%

LAB 27.24, 16.69, 11.2

 

Complementary color

CMYK 22 / 3 / 0 / 19

HEX #A2C9CF

RGB 162 201 207

HSL 188, 0.32%, 0.72%

LAB 78.44, -11.54, -7.26

 

CMYK 0 / 45 / 56 / 62

HEX #62362B

RGB 98 54 43

HSL 12, 0.39%, 0.28%

LAB 27.87, 18.39, 15.42

 

CMYK 0 / 37 / 46 / 55

HEX #73483E

RGB 115 72 62

HSL 11.32, 0.3%, 0.35%

LAB 35.26, 17.11, 13.63

 

CMYK 0 / 32 / 39 / 48

HEX #845A51

RGB 132 90 81

HSL 10.59, 0.24%, 0.42%

LAB 42.48, 16.06, 12.17

 

CMYK 0 / 28 / 33 / 42

HEX #956C64

RGB 149 108 100

HSL 9.8, 0.2%, 0.49%

LAB 49.54, 15.19, 10.91

 

CMYK 0 / 24 / 28 / 35

HEX #A67E77

RGB 166 126 119

HSL 8.94, 0.21%, 0.56%

LAB 56.45, 14.44, 9.8

 

CMYK 0 / 42 / 48 / 64

HEX #5D3630

RGB 93 54 48

HSL 8, 0.32%, 0.28%

LAB 27.24, 16.69, 11.2

 

CMYK 0 / 53 / 62 / 70

HEX #4C241D

RGB 76 36 29

HSL 8.94, 0.45%, 0.21%

LAB 19.59, 18.08, 13.22

 

CMYK 0 / 69 / 83 / 77

HEX #3B120A

RGB 59 18 10

HSL 9.8, 0.71%, 0.14%

LAB 11.85, 19.68, 14.07

 

CMYK 0 / 100 / 100 / 84

HEX #2A0000

RGB 42 0 0

HSL 0, 1%, 0.08%

LAB 4.45, 19.76, 7.03

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 43 / 49 / 63

HEX #5E3630

RGB 94 54 48

HSL 7.83, 0.32%, 0.28%

LAB 27.38, 17.14, 11.42

 

CMYK 0 / 49 / 49 / 63

HEX #5E3030

RGB 94 48 48

HSL 0, 0.32%, 0.28%

LAB 25.88, 20.81, 9.37

 

CMYK 0 / 43 / 49 / 63

HEX #5E3630

RGB 94 54 48

HSL 7.83, 0.32%, 0.28%

LAB 27.38, 17.14, 11.42

 

CMYK 0 / 30 / 49 / 63

HEX #5E4230

RGB 94 66 48

HSL 23.48, 0.32%, 0.28%

LAB 30.62, 9.63, 15.74

 

CMYK 0 / 16 / 49 / 63

HEX #5E4F30

RGB 94 79 48

HSL 40.43, 0.32%, 0.28%

LAB 34.37, 1.53, 20.59

 

CMYK 0 / 3 / 49 / 63

HEX #5E5B30

RGB 94 91 48

HSL 56.09, 0.32%, 0.28%

LAB 37.98, -5.69, 25.1

 

CMYK 11 / 0 / 49 / 63

HEX #545E30

RGB 84 94 48

HSL 73.04, 0.32%, 0.28%

LAB 38.03, -12.01, 24.97

 

CMYK 0 / 43 / 49 / 63

HEX #5E3630

RGB 94 54 48

HSL 7.83, 0.32%, 0.28%

LAB 27.38, 17.14, 11.42

 

CMYK 0 / 56 / 66 / 59

HEX #692E24

RGB 105 46 36

HSL 8.7, 0.49%, 0.28%

LAB 26.97, 25.55, 19.01

 

CMYK 0 / 68 / 79 / 54

HEX #752519

RGB 117 37 25

HSL 7.83, 0.65%, 0.28%

LAB 27.23, 34.36, 26.72

 

CMYK 0 / 77 / 90 / 50

HEX #801D0D

RGB 128 29 13

HSL 8.35, 0.82%, 0.28%

LAB 28.11, 41.23, 34.93

 

CMYK 0 / 86 / 99 / 45

HEX #8C1402

RGB 140 20 2

HSL 7.83, 0.97%, 0.28%

LAB 29.61, 47.61, 41.8

 

CMYK 0 / 43 / 49 / 63

HEX #5E3630

RGB 94 54 48

HSL 7.83, 0.32%, 0.28%

LAB 27.38, 17.14, 11.42

 

CMYK 0 / 23 / 27 / 68

HEX #523F3C

RGB 82 63 60

HSL 8.18, 0.15%, 0.28%

LAB 28.58, 7.74, 5

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 29 / 4 / 0 / 67

HEX #3B5053

RGB 59 80 83

HSL 187.5, 0.17%, 0.28%

LAB 32.46, -7.25, -4.41

HEX #3B5053

CMYK 49 / 6 / 0 / 63

HEX #30585E

RGB 48 88 94

HSL 187.83, 0.32%, 0.28%

LAB 34.83, -12.27, -7.87

HEX #30585E

CMYK 0 / 49 / 30 / 63

HEX #5E3042

RGB 94 48 66

HSL 336.52, 0.32%, 0.28%

LAB 26.41, 23.29, -1.9

 

CMYK 0 / 49 / 43 / 63

HEX #5E3036

RGB 94 48 54

HSL 352.17, 0.32%, 0.28%

LAB 26.04, 21.56, 5.58

 

CMYK 0 / 43 / 49 / 63

HEX #5E3630

RGB 94 54 48

HSL 7.83, 0.32%, 0.28%

LAB 27.38, 17.14, 11.42

 

CMYK 0 / 30 / 49 / 63

HEX #5E4230

RGB 94 66 48

HSL 23.48, 0.32%, 0.28%

LAB 30.62, 9.63, 15.74

 

CMYK 0 / 16 / 49 / 63

HEX #5E4F30

RGB 94 79 48

HSL 40.43, 0.32%, 0.28%

LAB 34.37, 1.53, 20.59

 

CMYK 0 / 41 / 49 / 85

HEX #271714

RGB 39 23 20

HSL 9.47, 0.32%, 0.12%

LAB 9.76, 7.61, 5.29

 

CMYK 0 / 43 / 49 / 74

HEX #432622

RGB 67 38 34

HSL 7.27, 0.33%, 0.2%

LAB 18.78, 13.15, 8.46

 

CMYK 0 / 43 / 49 / 63

HEX #5E3630

RGB 94 54 48

HSL 7.83, 0.32%, 0.28%

LAB 27.38, 17.14, 11.42

 

CMYK 0 / 42 / 49 / 53

HEX #79463E

RGB 121 70 62

HSL 8.14, 0.32%, 0.36%

LAB 35.58, 20.91, 14.22

 

CMYK 0 / 42 / 49 / 42

HEX #94564C

RGB 148 86 76

HSL 8.33, 0.32%, 0.44%

LAB 43.47, 24.53, 16.89

 

CMYK 0 / 42 / 48 / 64

HEX #5D3630

RGB 93 54 48

HSL 8, 0.32%, 0.28%

LAB 27.24, 16.69, 11.2

 

CMYK 16 / 0 / 49 / 63

HEX #4F5E30

RGB 79 94 48

HSL 79.57, 0.32%, 0.28%

LAB 37.63, -14.24, 24.38

 

CMYK 49 / 36 / 0 / 63

HEX #303C5E

RGB 48 60 94

HSL 224.35, 0.32%, 0.28%

LAB 25.77, 5.49, -21.79

 

CMYK 0 / 42 / 48 / 64

HEX #5D3630

RGB 93 54 48

HSL 8, 0.32%, 0.28%

LAB 27.24, 16.69, 11.2

 

CMYK 49 / 0 / 43 / 63

HEX #305E36

RGB 48 94 54

HSL 127.83, 0.32%, 0.28%

LAB 35.79, -25.4, 18.17

 

CMYK 43 / 49 / 0 / 63

HEX #36305E

RGB 54 48 94

HSL 247.83, 0.32%, 0.28%

LAB 22.68, 15.49, -26.64

 

CMYK 0 / 42 / 48 / 64

HEX #5D3630

RGB 93 54 48

HSL 8, 0.32%, 0.28%

LAB 27.24, 16.69, 11.2

 

CMYK 16 / 0 / 49 / 63

HEX #4F5E30

RGB 79 94 48

HSL 79.57, 0.32%, 0.28%

LAB 37.63, -14.24, 24.38

 

CMYK 49 / 6 / 0 / 63

HEX #30585E

RGB 48 88 94

HSL 187.83, 0.32%, 0.28%

LAB 34.83, -12.27, -7.87

 

CMYK 33 / 49 / 0 / 63

HEX #3F305E

RGB 63 48 94

HSL 259.57, 0.32%, 0.28%

LAB 23.6, 18.23, -25.12

 

CMYK 0 / 42 / 48 / 64

HEX #5D3630

RGB 93 54 48

HSL 8, 0.32%, 0.28%

LAB 27.24, 16.69, 11.2

 

CMYK 31 / 0 / 49 / 63

HEX #415E30

RGB 65 94 48

HSL 97.83, 0.32%, 0.28%

LAB 36.64, -20.17, 22.93

 

CMYK 49 / 6 / 0 / 63

HEX #30585E

RGB 48 88 94

HSL 187.83, 0.32%, 0.28%

LAB 34.83, -12.27, -7.87

 

CMYK 18 / 49 / 0 / 63

HEX #4D305E

RGB 77 48 94

HSL 277.83, 0.32%, 0.28%

LAB 25.26, 22.76, -22.39

 

Description

Color code: HEX #5D3630 | qconv.com Color code: HEX #5D3630 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 54 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 54 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 48 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 48% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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