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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D1DAE it is the complementary color #A2E251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D1DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D1DAE shade: #621DA9, #732FBC, #8441CF, #9553E2 and #A665F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D1DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D1DAE shade: #5D1DAE, #4C0B9B, #3B0088, #2A0075 and #190062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D1DAE shade: #5D1DAE, #841DAE, #AB1DAE, #AE1D8A and #AE1D63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D1DAE shade: #5D1DAE, #361DAE and #1D1DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D1DAE shade matches the following richer shades: #5D1DAE and #5B0DBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D1DAE shade: #5D1DAE, #5F2E9D, #613E8D, #634F7C and #655F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D1DAE shade: #1D2CAE, #351DAE, #5C1DAE, #821DAE and #A91DAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D1DAE shade: #371167, #4A178B, #5D1DAE, #7023D1 and #853FDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D1DAE shade: #5D1DAE, #AE1D52 and #1DAE22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D1DAE shade: #5D1DAE, #AE5C1D and #1DAE5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D1DAE shade: #5D1DAE, #AE1D52, #6FAE1D and #1DAE79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D1DAE shade: #5D1DAE, #AE1D27, #6FAE1D and #1DAEA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

Complementary color

CMYK 28 / 0 / 64 / 11

HEX #A2E251

RGB 162 226 81

HSL 86.48, 0.71%, 0.6%

LAB 83.27, -42.32, 62.24

 

CMYK 42 / 83 / 0 / 34

HEX #621DA9

RGB 98 29 169

HSL 269.57, 0.71%, 0.39%

LAB 30.25, 55.83, -61.18

 

CMYK 39 / 75 / 0 / 26

HEX #732FBC

RGB 115 47 188

HSL 268.94, 0.6%, 0.46%

LAB 36.57, 56.01, -62.07

 

CMYK 36 / 69 / 0 / 19

HEX #8441CF

RGB 132 65 207

HSL 268.31, 0.6%, 0.53%

LAB 43.05, 55.55, -62.51

 

CMYK 34 / 63 / 0 / 11

HEX #9553E2

RGB 149 83 226

HSL 267.69, 0.71%, 0.61%

LAB 49.58, 54.78, -62.7

 

CMYK 32 / 59 / 0 / 4

HEX #A665F5

RGB 166 101 245

HSL 267.08, 0.88%, 0.68%

LAB 56.09, 53.87, -62.75

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 51 / 93 / 0 / 39

HEX #4C0B9B

RGB 76 11 155

HSL 267.08, 0.87%, 0.33%

LAB 24.14, 55.03, -62.84

 

CMYK 57 / 100 / 0 / 47

HEX #3B0088

RGB 59 0 136

HSL 266.03, 1%, 0.27%

LAB 18.83, 51.65, -59.89

 

CMYK 64 / 100 / 0 / 54

HEX #2A0075

RGB 42 0 117

HSL 261.54, 1%, 0.23%

LAB 14.27, 45.82, -55.41

 

CMYK 74 / 100 / 0 / 62

HEX #190062

RGB 25 0 98

HSL 255.31, 1%, 0.19%

LAB 9.71, 39.95, -50.56

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 24 / 83 / 0 / 32

HEX #841DAE

RGB 132 29 174

HSL 282.62, 0.71%, 0.4%

LAB 35.67, 62.23, -55.12

 

CMYK 2 / 83 / 0 / 32

HEX #AB1DAE

RGB 171 29 174

HSL 298.76, 0.71%, 0.4%

LAB 42.14, 69.2, -44.37

 

CMYK 0 / 83 / 21 / 32

HEX #AE1D8A

RGB 174 29 138

HSL 314.9, 0.71%, 0.4%

LAB 40.76, 64.59, -24.81

 

CMYK 0 / 83 / 43 / 32

HEX #AE1D63

RGB 174 29 99

HSL 331.03, 0.71%, 0.4%

LAB 39.2, 60.17, -2.85

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 69 / 83 / 0 / 32

HEX #361DAE

RGB 54 29 174

HSL 250.34, 0.71%, 0.4%

LAB 25.92, 52.17, -71.5

 

CMYK 83 / 83 / 0 / 32

HEX #1D1DAE

RGB 29 29 174

HSL 240, 0.71%, 0.4%

LAB 24.31, 50.6, -74.22

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 52 / 93 / 0 / 25

HEX #5B0DBE

RGB 91 13 190

HSL 266.44, 0.87%, 0.4%

LAB 29.98, 64.28, -74.18

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 39 / 71 / 0 / 38

HEX #5F2E9D

RGB 95 46 157

HSL 266.49, 0.55%, 0.4%

LAB 31.4, 45.01, -52.07

 

CMYK 31 / 56 / 0 / 45

HEX #613E8D

RGB 97 62 141

HSL 266.58, 0.39%, 0.4%

LAB 33.79, 32.38, -38.42

 

CMYK 20 / 36 / 0 / 51

HEX #634F7C

RGB 99 79 124

HSL 266.67, 0.22%, 0.4%

LAB 37.3, 18.14, -22.42

 

CMYK 6 / 12 / 0 / 58

HEX #655F6C

RGB 101 95 108

HSL 267.69, 0.06%, 0.4%

LAB 41.27, 5.13, -6.51

 

CMYK 83 / 75 / 0 / 32

HEX #1D2CAE

RGB 29 44 174

HSL 233.79, 0.71%, 0.4%

LAB 27.07, 42.65, -69.64

 

CMYK 70 / 83 / 0 / 32

HEX #351DAE

RGB 53 29 174

HSL 249.93, 0.71%, 0.4%

LAB 25.84, 52.09, -71.64

 

CMYK 47 / 83 / 0 / 32

HEX #5C1DAE

RGB 92 29 174

HSL 266.07, 0.71%, 0.4%

LAB 29.94, 56.22, -64.73

 

CMYK 25 / 83 / 0 / 32

HEX #821DAE

RGB 130 29 174

HSL 281.79, 0.71%, 0.4%

LAB 35.36, 61.89, -55.64

 

CMYK 3 / 83 / 0 / 32

HEX #A91DAE

RGB 169 29 174

HSL 297.93, 0.71%, 0.4%

LAB 41.8, 68.83, -44.94

 

CMYK 47 / 83 / 0 / 60

HEX #371167

RGB 55 17 103

HSL 266.51, 0.72%, 0.24%

LAB 16.47, 37.17, -42.59

 

CMYK 47 / 83 / 0 / 45

HEX #4A178B

RGB 74 23 139

HSL 266.38, 0.72%, 0.32%

LAB 23.45, 47.16, -54.09

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 46 / 83 / 0 / 18

HEX #7023D1

RGB 112 35 209

HSL 266.55, 0.71%, 0.48%

LAB 36.46, 65.15, -74.53

 

CMYK 40 / 72 / 0 / 13

HEX #853FDE

RGB 133 63 222

HSL 266.42, 0.71%, 0.56%

LAB 43.97, 60.31, -69.61

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 0 / 83 / 53 / 32

HEX #AE1D52

RGB 174 29 82

HSL 338.07, 0.71%, 0.4%

LAB 38.7, 58.7, 7.25

 

CMYK 83 / 0 / 80 / 32

HEX #1DAE22

RGB 29 174 34

HSL 122.07, 0.71%, 0.4%

LAB 62.21, -61.43, 56.32

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 0 / 47 / 83 / 32

HEX #AE5C1D

RGB 174 92 29

HSL 26.07, 0.71%, 0.4%

LAB 47.93, 29.1, 48.12

 

CMYK 83 / 0 / 47 / 32

HEX #1DAE5C

RGB 29 174 92

HSL 146.07, 0.71%, 0.4%

LAB 62.77, -54.65, 31.96

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 0 / 83 / 53 / 32

HEX #AE1D52

RGB 174 29 82

HSL 338.07, 0.71%, 0.4%

LAB 38.7, 58.7, 7.25

 

CMYK 36 / 0 / 83 / 32

HEX #6FAE1D

RGB 111 174 29

HSL 86.07, 0.71%, 0.4%

LAB 64.76, -41.49, 60.99

 

CMYK 83 / 0 / 30 / 32

HEX #1DAE79

RGB 29 174 121

HSL 158.07, 0.71%, 0.4%

LAB 63.27, -48.85, 17.15

 

CMYK 47 / 83 / 0 / 32

HEX #5D1DAE

RGB 93 29 174

HSL 266.48, 0.71%, 0.4%

LAB 30.06, 56.35, -64.52

 

CMYK 0 / 83 / 78 / 32

HEX #AE1D27

RGB 174 29 39

HSL 355.86, 0.71%, 0.4%

LAB 37.89, 56.25, 33.23

 

CMYK 36 / 0 / 83 / 32

HEX #6FAE1D

RGB 111 174 29

HSL 86.07, 0.71%, 0.4%

LAB 64.76, -41.49, 60.99

 

CMYK 83 / 0 / 6 / 32

HEX #1DAEA4

RGB 29 174 164

HSL 175.86, 0.71%, 0.4%

LAB 64.33, -37.68, -5.16

 

Description

Color code: HEX #5D1DAE | qconv.com Color code: HEX #5D1DAE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 29 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 29 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 83 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 83% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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