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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D10CB it is the complementary color #A2EF34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D10CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D10CB shade: #6210C6, #7322D9, #8434EC, #9546FF and #A658FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D10CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D10CB shade: #5D10CB, #4C00B8, #3B00A5, #2A0092 and #19007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D10CB shade: #5D10CA, #8F10CA, #C110CA, #CA10A1 and #CA106F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D10CB shade: #5D10CA, #2A10CA and #1010CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D10CB shade matches the following richer shades: #5D10CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D10CB shade: #5D10CA, #6022B9, #6333A7, #664595 and #695783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D10CB shade: #1029CA, #2910CA, #5B10CA, #8C10CA and #BE10CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D10CB shade: #3A0A7E, #4B0DA4, #5D10CA, #6F18EC and #873EEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D10CB shade: #5D10CB, #CA105B and #10CA10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D10CB shade: #5D10CB, #CA5B10 and #10CA5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D10CB shade: #5D10CB, #CA105B, #80CA10 and #10CA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D10CB shade: #5D10CB, #CA1023, #80CA10 and #10CAB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 92 / 0 / 20

HEX #5D10CB

RGB 93 16 203

HSL 264.71, 0.85%, 0.43%

LAB 31.83, 66.89, -78.76

 

Complementary color

CMYK 32 / 0 / 78 / 6

HEX #A2EF34

RGB 162 239 52

HSL 84.71, 0.85%, 0.57%

LAB 86.83, -49.58, 75.75

 

CMYK 51 / 92 / 0 / 22

HEX #6210C6

RGB 98 16 198

HSL 267.03, 0.85%, 0.42%

LAB 31.91, 66.17, -75.68

 

CMYK 47 / 84 / 0 / 15

HEX #7322D9

RGB 115 34 217

HSL 266.56, 0.73%, 0.49%

LAB 37.48, 67.71, -77.46

 

CMYK 44 / 78 / 0 / 7

HEX #8434EC

RGB 132 52 236

HSL 266.09, 0.83%, 0.56%

LAB 43.39, 68.12, -78.52

 

CMYK 42 / 73 / 0 / 0

HEX #9546FF

RGB 149 70 255

HSL 265.62, 1%, 0.64%

LAB 49.48, 67.86, -79.12

 

CMYK 35 / 65 / 0 / 0

HEX #A658FF

RGB 166 88 255

HSL 268.02, 1%, 0.67%

LAB 54.35, 62.72, -71.11

 

CMYK 54 / 92 / 0 / 20

HEX #5D10CB

RGB 93 16 203

HSL 264.71, 0.85%, 0.43%

LAB 31.83, 66.89, -78.76

 

CMYK 59 / 100 / 0 / 28

HEX #4C00B8

RGB 76 0 184

HSL 264.78, 1%, 0.36%

LAB 26.73, 64.08, -76.08

 

CMYK 64 / 100 / 0 / 35

HEX #3B00A5

RGB 59 0 165

HSL 261.45, 1%, 0.32%

LAB 22.47, 58.62, -71.78

 

CMYK 71 / 100 / 0 / 43

HEX #2A0092

RGB 42 0 146

HSL 257.26, 1%, 0.29%

LAB 18.22, 53.15, -67.21

 

CMYK 80 / 100 / 0 / 50

HEX #19007F

RGB 25 0 127

HSL 251.81, 1%, 0.25%

LAB 14.05, 47.67, -62.24

 

CMYK 54 / 92 / 0 / 21

HEX #5D10CA

RGB 93 16 202

HSL 264.84, 0.85%, 0.43%

LAB 31.72, 66.66, -78.36

 

CMYK 29 / 92 / 0 / 21

HEX #8F10CA

RGB 143 16 202

HSL 280.97, 0.85%, 0.43%

LAB 38.68, 72.11, -66.66

 

CMYK 4 / 92 / 0 / 21

HEX #C110CA

RGB 193 16 202

HSL 297.1, 0.85%, 0.43%

LAB 46.94, 79.56, -52.89

 

CMYK 0 / 92 / 20 / 21

HEX #CA10A1

RGB 202 16 161

HSL 313.23, 0.85%, 0.43%

LAB 46.31, 75.5, -29.67

 

CMYK 0 / 92 / 45 / 21

HEX #CA106F

RGB 202 16 111

HSL 329.35, 0.85%, 0.43%

LAB 44.34, 70.26, -2.18

 

CMYK 54 / 92 / 0 / 21

HEX #5D10CA

RGB 93 16 202

HSL 264.84, 0.85%, 0.43%

LAB 31.72, 66.66, -78.36

 

CMYK 79 / 92 / 0 / 21

HEX #2A10CA

RGB 42 16 202

HSL 248.39, 0.85%, 0.43%

LAB 27.09, 63.69, -86.17

 

CMYK 92 / 92 / 0 / 21

HEX #1010CA

RGB 16 16 202

HSL 240, 0.85%, 0.43%

LAB 26, 63.09, -88.03

 

CMYK 54 / 92 / 0 / 21

HEX #5D10CA

RGB 93 16 202

HSL 264.84, 0.85%, 0.43%

LAB 31.72, 66.66, -78.36

 

CMYK 54 / 92 / 0 / 21

HEX #5D10CA

RGB 93 16 202

HSL 264.84, 0.85%, 0.43%

LAB 31.72, 66.66, -78.36

 

CMYK 48 / 82 / 0 / 27

HEX #6022B9

RGB 96 34 185

HSL 264.64, 0.69%, 0.43%

LAB 32.11, 57.65, -67.7

 

CMYK 41 / 69 / 0 / 35

HEX #6333A7

RGB 99 51 167

HSL 264.83, 0.53%, 0.43%

LAB 33.58, 45.88, -54.53

 

CMYK 32 / 54 / 0 / 42

HEX #664595

RGB 102 69 149

HSL 264.75, 0.37%, 0.43%

LAB 36.46, 31.7, -39.01

 

CMYK 20 / 34 / 0 / 49

HEX #695783

RGB 105 87 131

HSL 264.55, 0.2%, 0.43%

LAB 40.34, 16.93, -21.94

 

CMYK 92 / 80 / 0 / 21

HEX #1029CA

RGB 16 41 202

HSL 231.94, 0.85%, 0.43%

LAB 29.31, 53.18, -82.51

 

CMYK 80 / 92 / 0 / 21

HEX #2910CA

RGB 41 16 202

HSL 248.06, 0.85%, 0.43%

LAB 27.04, 63.65, -86.27

 

CMYK 55 / 92 / 0 / 21

HEX #5B10CA

RGB 91 16 202

HSL 264.19, 0.85%, 0.43%

LAB 31.48, 66.49, -78.75

 

CMYK 31 / 92 / 0 / 21

HEX #8C10CA

RGB 140 16 202

HSL 280, 0.85%, 0.43%

LAB 38.22, 71.72, -67.43

 

CMYK 6 / 92 / 0 / 21

HEX #BE10CA

RGB 190 16 202

HSL 296.13, 0.85%, 0.43%

LAB 46.42, 79.07, -53.75

 

CMYK 54 / 92 / 0 / 51

HEX #3A0A7E

RGB 58 10 126

HSL 264.83, 0.85%, 0.27%

LAB 18.47, 46.22, -54.17

 

CMYK 54 / 92 / 0 / 36

HEX #4B0DA4

RGB 75 13 164

HSL 264.64, 0.85%, 0.35%

LAB 25.15, 56.66, -66.67

 

CMYK 54 / 92 / 0 / 21

HEX #5D10CA

RGB 93 16 202

HSL 264.84, 0.85%, 0.43%

LAB 31.72, 66.66, -78.36

 

CMYK 53 / 90 / 0 / 7

HEX #6F18EC

RGB 111 24 236

HSL 264.62, 0.85%, 0.51%

LAB 38, 74.33, -87.47

 

CMYK 44 / 74 / 0 / 6

HEX #873EEF

RGB 135 62 239

HSL 264.75, 0.85%, 0.59%

LAB 45.4, 65.23, -76.9

 

CMYK 54 / 92 / 0 / 20

HEX #5D10CB

RGB 93 16 203

HSL 264.71, 0.85%, 0.43%

LAB 31.83, 66.89, -78.76

 

CMYK 0 / 92 / 55 / 21

HEX #CA105B

RGB 202 16 91

HSL 335.81, 0.85%, 0.43%

LAB 43.77, 68.71, 9.5

 

CMYK 92 / 0 / 92 / 21

HEX #10CA10

RGB 16 202 16

HSL 120, 0.85%, 0.43%

LAB 71.14, -71.29, 68.1

 

CMYK 54 / 92 / 0 / 20

HEX #5D10CB

RGB 93 16 203

HSL 264.71, 0.85%, 0.43%

LAB 31.83, 66.89, -78.76

 

CMYK 0 / 55 / 92 / 21

HEX #CA5B10

RGB 202 91 16

HSL 24.19, 0.85%, 0.43%

LAB 51.92, 40.68, 57.52

 

CMYK 92 / 0 / 55 / 21

HEX #10CA5B

RGB 16 202 91

HSL 144.19, 0.85%, 0.43%

LAB 71.63, -65.12, 43.4

 

CMYK 54 / 92 / 0 / 20

HEX #5D10CB

RGB 93 16 203

HSL 264.71, 0.85%, 0.43%

LAB 31.83, 66.89, -78.76

 

CMYK 0 / 92 / 55 / 21

HEX #CA105B

RGB 202 16 91

HSL 335.81, 0.85%, 0.43%

LAB 43.77, 68.71, 9.5

 

CMYK 37 / 0 / 92 / 21

HEX #80CA10

RGB 128 202 16

HSL 83.87, 0.85%, 0.43%

LAB 74.11, -47.51, 71.76

 

CMYK 92 / 0 / 37 / 21

HEX #10CA80

RGB 16 202 128

HSL 156.13, 0.85%, 0.43%

LAB 72.17, -58.69, 25.49

 

CMYK 54 / 92 / 0 / 20

HEX #5D10CB

RGB 93 16 203

HSL 264.71, 0.85%, 0.43%

LAB 31.83, 66.89, -78.76

 

CMYK 0 / 92 / 83 / 21

HEX #CA1023

RGB 202 16 35

HSL 353.87, 0.85%, 0.43%

LAB 42.84, 66.09, 42.41

 

CMYK 37 / 0 / 92 / 21

HEX #80CA10

RGB 128 202 16

HSL 83.87, 0.85%, 0.43%

LAB 74.11, -47.51, 71.76

 

CMYK 92 / 0 / 9 / 21

HEX #10CAB8

RGB 16 202 184

HSL 174.19, 0.85%, 0.43%

LAB 73.42, -45.07, -2.76

 

Description

Color code: HEX #5D10CB | qconv.com Color code: HEX #5D10CB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 16 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 16 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 92 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 92% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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