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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D0A82 it is the complementary color #A2F57D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D0A82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D0A82 shade: #620A7D, #731C90, #842EA3, #9540B6 and #A652C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D0A82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D0A82 shade: #5D0A82, #4C006F, #3B005C, #2A0049 and #190036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D0A82 shade: #5B0980, #7B0980, #800964, #800944 and #800924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D0A82 shade: #5B0980, #3B0980, #1B0980 and #090980

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D0A82 shade matches the following richer shades: #5B0980

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D0A82 shade: #5B0980, #571474, #531F69, #4E2B5E and #4A3653

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D0A82 shade: #1B0980, #3A0980, #5A0980, #7A0980 and #800966

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D0A82 shade: #240333, #400659, #5B0980, #760CA6 and #920FCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D0A82 shade: #5D0A82, #800917 and #09802B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D0A82 shade: #5D0A82, #805A09 and #09805A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D0A82 shade: #5D0A82, #800917, #2F8009 and #098072

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D0A82 shade: #5D0A82, #801F09, #2F8009 and #096A80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 92 / 0 / 49

HEX #5D0A82

RGB 93 10 130

HSL 281.5, 0.86%, 0.27%

LAB 24.18, 51.73, -47.12

 

Complementary color

CMYK 34 / 0 / 49 / 4

HEX #A2F57D

RGB 162 245 125

HSL 101.5, 0.86%, 0.73%

LAB 89.14, -46.23, 49.6

 

CMYK 22 / 92 / 0 / 51

HEX #620A7D

RGB 98 10 125

HSL 285.91, 0.85%, 0.26%

LAB 24.62, 51.51, -43.2

 

CMYK 20 / 81 / 0 / 44

HEX #731C90

RGB 115 28 144

HSL 285, 0.67%, 0.34%

LAB 30.61, 53.48, -45.25

 

CMYK 19 / 72 / 0 / 36

HEX #842EA3

RGB 132 46 163

HSL 284.1, 0.56%, 0.41%

LAB 36.94, 54.11, -46.49

 

CMYK 18 / 65 / 0 / 29

HEX #9540B6

RGB 149 64 182

HSL 283.22, 0.48%, 0.48%

LAB 43.41, 54.01, -47.26

 

CMYK 17 / 59 / 0 / 21

HEX #A652C9

RGB 166 82 201

HSL 282.35, 0.52%, 0.55%

LAB 49.93, 53.54, -47.76

 

CMYK 28 / 92 / 0 / 49

HEX #5D0A82

RGB 93 10 130

HSL 281.5, 0.86%, 0.27%

LAB 24.18, 51.73, -47.12

 

CMYK 32 / 100 / 0 / 56

HEX #4C006F

RGB 76 0 111

HSL 281.08, 1%, 0.22%

LAB 18.73, 47.7, -43.98

 

CMYK 36 / 100 / 0 / 64

HEX #3B005C

RGB 59 0 92

HSL 278.48, 1%, 0.18%

LAB 13.84, 41.37, -39.55

 

CMYK 42 / 100 / 0 / 71

HEX #2A0049

RGB 42 0 73

HSL 274.52, 1%, 0.14%

LAB 8.77, 34.82, -34.97

 

CMYK 54 / 100 / 0 / 79

HEX #190036

RGB 25 0 54

HSL 267.78, 1%, 0.11%

LAB 4.27, 24.56, -28.79

 

CMYK 29 / 93 / 0 / 50

HEX #5B0980

RGB 91 9 128

HSL 281.34, 0.87%, 0.27%

LAB 23.6, 51.22, -46.82

 

CMYK 4 / 93 / 0 / 50

HEX #7B0980

RGB 123 9 128

HSL 297.48, 0.87%, 0.27%

LAB 29.32, 56.6, -37.29

 

CMYK 0 / 93 / 22 / 50

HEX #800964

RGB 128 9 100

HSL 314.12, 0.87%, 0.27%

LAB 28.65, 53.38, -20.37

 

CMYK 0 / 93 / 47 / 50

HEX #800944

RGB 128 9 68

HSL 330.25, 0.87%, 0.27%

LAB 27.3, 49.73, -1.21

 

CMYK 0 / 93 / 72 / 50

HEX #800924

RGB 128 9 36

HSL 346.39, 0.87%, 0.27%

LAB 26.48, 47.44, 19.39

 

CMYK 29 / 93 / 0 / 50

HEX #5B0980

RGB 91 9 128

HSL 281.34, 0.87%, 0.27%

LAB 23.6, 51.22, -46.82

 

CMYK 54 / 93 / 0 / 50

HEX #3B0980

RGB 59 9 128

HSL 265.21, 0.87%, 0.27%

LAB 18.73, 47.12, -55

 

CMYK 79 / 93 / 0 / 50

HEX #1B0980

RGB 27 9 128

HSL 249.08, 0.87%, 0.27%

LAB 15.42, 44.73, -60.59

 

CMYK 93 / 93 / 0 / 50

HEX #090980

RGB 9 9 128

HSL 240, 0.87%, 0.27%

LAB 14.47, 44.12, -62.2

 

CMYK 29 / 93 / 0 / 50

HEX #5B0980

RGB 91 9 128

HSL 281.34, 0.87%, 0.27%

LAB 23.6, 51.22, -46.82

 

CMYK 29 / 93 / 0 / 50

HEX #5B0980

RGB 91 9 128

HSL 281.34, 0.87%, 0.27%

LAB 23.6, 51.22, -46.82

 

CMYK 25 / 83 / 0 / 55

HEX #571474

RGB 87 20 116

HSL 281.88, 0.71%, 0.27%

LAB 22.96, 44.94, -40.25

 

CMYK 21 / 70 / 0 / 59

HEX #531F69

RGB 83 31 105

HSL 282.16, 0.54%, 0.27%

LAB 23.13, 36.92, -32.89

 

CMYK 17 / 54 / 0 / 63

HEX #4E2B5E

RGB 78 43 94

HSL 281.18, 0.37%, 0.27%

LAB 24.18, 26.19, -24.08

 

CMYK 11 / 35 / 0 / 67

HEX #4A3653

RGB 74 54 83

HSL 281.38, 0.21%, 0.27%

LAB 25.92, 15.08, -14.18

 

CMYK 79 / 93 / 0 / 50

HEX #1B0980

RGB 27 9 128

HSL 249.08, 0.87%, 0.27%

LAB 15.42, 44.73, -60.59

 

CMYK 55 / 93 / 0 / 50

HEX #3A0980

RGB 58 9 128

HSL 264.71, 0.87%, 0.27%

LAB 18.6, 47.02, -55.22

 

CMYK 30 / 93 / 0 / 50

HEX #5A0980

RGB 90 9 128

HSL 280.84, 0.87%, 0.27%

LAB 23.43, 51.07, -47.1

 

CMYK 5 / 93 / 0 / 50

HEX #7A0980

RGB 122 9 128

HSL 296.97, 0.87%, 0.27%

LAB 29.14, 56.42, -37.59

 

CMYK 0 / 93 / 20 / 50

HEX #800966

RGB 128 9 102

HSL 313.11, 0.87%, 0.27%

LAB 28.76, 53.65, -21.51

 

CMYK 29 / 94 / 0 / 80

HEX #240333

RGB 36 3 51

HSL 281.25, 0.89%, 0.11%

LAB 6.14, 25.91, -23.5

 

CMYK 28 / 93 / 0 / 65

HEX #400659

RGB 64 6 89

HSL 281.93, 0.87%, 0.19%

LAB 15.18, 39.28, -35.31

 

CMYK 29 / 93 / 0 / 50

HEX #5B0980

RGB 91 9 128

HSL 281.34, 0.87%, 0.27%

LAB 23.6, 51.22, -46.82

 

CMYK 29 / 93 / 0 / 35

HEX #760CA6

RGB 118 12 166

HSL 281.3, 0.87%, 0.35%

LAB 31.5, 62.32, -57.21

 

CMYK 28 / 93 / 0 / 20

HEX #920FCC

RGB 146 15 204

HSL 281.59, 0.86%, 0.43%

LAB 39.26, 73.03, -66.85

 

CMYK 28 / 92 / 0 / 49

HEX #5D0A82

RGB 93 10 130

HSL 281.5, 0.86%, 0.27%

LAB 24.18, 51.73, -47.12

 

CMYK 0 / 93 / 82 / 50

HEX #800917

RGB 128 9 23

HSL 352.94, 0.87%, 0.27%

LAB 26.29, 46.9, 27.64

 

CMYK 93 / 0 / 66 / 50

HEX #09802B

RGB 9 128 43

HSL 137.14, 0.87%, 0.27%

LAB 46.54, -48.03, 36.81

 

CMYK 28 / 92 / 0 / 49

HEX #5D0A82

RGB 93 10 130

HSL 281.5, 0.86%, 0.27%

LAB 24.18, 51.73, -47.12

 

CMYK 0 / 30 / 93 / 50

HEX #805A09

RGB 128 90 9

HSL 40.84, 0.87%, 0.27%

LAB 41.09, 8.92, 46.6

 

CMYK 93 / 0 / 30 / 50

HEX #09805A

RGB 9 128 90

HSL 160.84, 0.87%, 0.27%

LAB 47.28, -39.29, 12.43

 

CMYK 28 / 92 / 0 / 49

HEX #5D0A82

RGB 93 10 130

HSL 281.5, 0.86%, 0.27%

LAB 24.18, 51.73, -47.12

 

CMYK 0 / 93 / 82 / 50

HEX #800917

RGB 128 9 23

HSL 352.94, 0.87%, 0.27%

LAB 26.29, 46.9, 27.64

 

CMYK 63 / 0 / 93 / 50

HEX #2F8009

RGB 47 128 9

HSL 100.84, 0.87%, 0.27%

LAB 47.06, -44.4, 49.08

 

CMYK 93 / 0 / 11 / 50

HEX #098072

RGB 9 128 114

HSL 172.94, 0.87%, 0.27%

LAB 47.89, -32.71, -0.75

 

CMYK 28 / 92 / 0 / 49

HEX #5D0A82

RGB 93 10 130

HSL 281.5, 0.86%, 0.27%

LAB 24.18, 51.73, -47.12

 

CMYK 0 / 76 / 93 / 50

HEX #801F09

RGB 128 31 9

HSL 11.09, 0.87%, 0.27%

LAB 28.35, 40.4, 36.87

 

CMYK 63 / 0 / 93 / 50

HEX #2F8009

RGB 47 128 9

HSL 100.84, 0.87%, 0.27%

LAB 47.06, -44.4, 49.08

 

CMYK 93 / 17 / 0 / 50

HEX #096A80

RGB 9 106 128

HSL 191.09, 0.87%, 0.27%

LAB 41.1, -16.84, -19.34

 

Description

Color code: HEX #5D0A82 | qconv.com Color code: HEX #5D0A82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 10 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 10 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 92 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 92% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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