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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D00B1 it is the complementary color #A2FF4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D00B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D00B1 shade: #6200AC, #7312BF, #8424D2, #9536E5 and #A648F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D00B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D00B1 shade: #5D00B1, #4C009E, #3B008B, #2A0078 and #190065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D00B1 shade: #5D00B2, #8D00B2, #B200A6, #B20076 and #B20046

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D00B1 shade: #5D00B2, #2D00B2 and #0000B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D00B1 shade matches the following richer shades: #5D00B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D00B1 shade: #5D00B2, #5D0EA4, #5C1C95, #5B2B87 and #5A3978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D00B1 shade: #0002B2, #2C00B2, #5C00B2, #8B00B2 and #B200A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D00B1 shade: #32005F, #480089, #5D00B2, #7300DB and #8806FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D00B1 shade: #5D00B1, #B20032 and #00B214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D00B1 shade: #5D00B1, #B25C00 and #00B25C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D00B1 shade: #5D00B1, #B20032, #56B200 and #00B27F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D00B1 shade: #5D00B1, #B20200, #56B200 and #00AFB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

Complementary color

CMYK 36 / 0 / 69 / 0

HEX #A2FF4E

RGB 162 255 78

HSL 91.53, 1%, 0.65%

LAB 91.57, -54.65, 72.05

 

CMYK 43 / 100 / 0 / 33

HEX #6200AC

RGB 98 0 172

HSL 274.19, 1%, 0.34%

LAB 28.31, 63.15, -66.17

 

CMYK 40 / 91 / 0 / 25

HEX #7312BF

RGB 115 18 191

HSL 273.64, 0.83%, 0.41%

LAB 33.65, 66, -68.63

 

CMYK 37 / 83 / 0 / 18

HEX #8424D2

RGB 132 36 210

HSL 273.1, 0.71%, 0.48%

LAB 39.28, 67.71, -70.39

 

CMYK 35 / 76 / 0 / 10

HEX #9536E5

RGB 149 54 229

HSL 272.57, 0.77%, 0.55%

LAB 45.2, 68.33, -71.5

 

CMYK 33 / 71 / 0 / 3

HEX #A648F8

RGB 166 72 248

HSL 272.05, 0.93%, 0.63%

LAB 51.29, 68.3, -72.19

 

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

CMYK 52 / 100 / 0 / 38

HEX #4C009E

RGB 76 0 158

HSL 268.86, 1%, 0.31%

LAB 23.69, 58.1, -65.42

 

CMYK 58 / 100 / 0 / 45

HEX #3B008B

RGB 59 0 139

HSL 265.47, 1%, 0.27%

LAB 19.2, 52.37, -61.16

 

CMYK 65 / 100 / 0 / 53

HEX #2A0078

RGB 42 0 120

HSL 261, 1%, 0.24%

LAB 14.67, 46.58, -56.68

 

CMYK 75 / 100 / 0 / 60

HEX #190065

RGB 25 0 101

HSL 254.85, 1%, 0.2%

LAB 10.15, 40.76, -51.82

 

CMYK 48 / 100 / 0 / 30

HEX #5D00B2

RGB 93 0 178

HSL 271.35, 1%, 0.35%

LAB 28.22, 63.98, -69.95

 

CMYK 21 / 100 / 0 / 30

HEX #8D00B2

RGB 141 0 178

HSL 287.53, 1%, 0.35%

LAB 35.75, 69.41, -57.32

 

CMYK 0 / 100 / 7 / 30

HEX #B200A6

RGB 178 0 166

HSL 304.04, 1%, 0.35%

LAB 41.56, 73.29, -40.45

 

CMYK 0 / 100 / 34 / 30

HEX #B20076

RGB 178 0 118

HSL 320.22, 1%, 0.35%

LAB 39.2, 67.35, -14.76

 

CMYK 0 / 100 / 61 / 30

HEX #B20046

RGB 178 0 70

HSL 336.4, 1%, 0.35%

LAB 37.68, 63.36, 13.66

 

CMYK 48 / 100 / 0 / 30

HEX #5D00B2

RGB 93 0 178

HSL 271.35, 1%, 0.35%

LAB 28.22, 63.98, -69.95

 

CMYK 75 / 100 / 0 / 30

HEX #2D00B2

RGB 45 0 178

HSL 255.17, 1%, 0.35%

LAB 22.9, 61.2, -78.94

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 48 / 100 / 0 / 30

HEX #5D00B2

RGB 93 0 178

HSL 271.35, 1%, 0.35%

LAB 28.22, 63.98, -69.95

 

CMYK 48 / 100 / 0 / 30

HEX #5D00B2

RGB 93 0 178

HSL 271.35, 1%, 0.35%

LAB 28.22, 63.98, -69.95

 

CMYK 43 / 91 / 0 / 36

HEX #5D0EA4

RGB 93 14 164

HSL 271.6, 0.84%, 0.35%

LAB 27.63, 58.31, -62.49

 

CMYK 38 / 81 / 0 / 42

HEX #5C1C95

RGB 92 28 149

HSL 271.74, 0.68%, 0.35%

LAB 27.51, 50.49, -53.54

 

CMYK 33 / 68 / 0 / 47

HEX #5B2B87

RGB 91 43 135

HSL 271.3, 0.52%, 0.35%

LAB 28.65, 40.02, -43.02

 

CMYK 25 / 53 / 0 / 53

HEX #5A3978

RGB 90 57 120

HSL 271.43, 0.36%, 0.35%

LAB 30.53, 27.9, -30.62

 

CMYK 100 / 99 / 0 / 30

HEX #0002B2

RGB 0 2 178

HSL 239.33, 1%, 0.35%

LAB 21.05, 59.96, -82.09

 

CMYK 75 / 100 / 0 / 30

HEX #2C00B2

RGB 44 0 178

HSL 254.83, 1%, 0.35%

LAB 22.83, 61.17, -79.07

 

CMYK 48 / 100 / 0 / 30

HEX #5C00B2

RGB 92 0 178

HSL 271.01, 1%, 0.35%

LAB 28.09, 63.9, -70.18

 

CMYK 22 / 100 / 0 / 30

HEX #8B00B2

RGB 139 0 178

HSL 286.85, 1%, 0.35%

LAB 35.41, 69.14, -57.89

 

CMYK 0 / 100 / 5 / 30

HEX #B200A9

RGB 178 0 169

HSL 303.03, 1%, 0.35%

LAB 41.74, 73.71, -41.97

 

CMYK 47 / 100 / 0 / 63

HEX #32005F

RGB 50 0 95

HSL 271.58, 1%, 0.19%

LAB 12.64, 41.01, -43.6

 

CMYK 47 / 100 / 0 / 46

HEX #480089

RGB 72 0 137

HSL 271.53, 1%, 0.27%

LAB 20.77, 52.97, -57.26

 

CMYK 48 / 100 / 0 / 30

HEX #5D00B2

RGB 93 0 178

HSL 271.35, 1%, 0.35%

LAB 28.22, 63.98, -69.95

 

CMYK 47 / 100 / 0 / 14

HEX #7300DB

RGB 115 0 219

HSL 271.51, 1%, 0.43%

LAB 35.52, 74.63, -81.85

 

CMYK 47 / 98 / 0 / 0

HEX #8806FF

RGB 136 6 255

HSL 271.33, 1%, 0.51%

LAB 42.13, 83.19, -91.25

 

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

CMYK 0 / 100 / 72 / 30

HEX #B20032

RGB 178 0 50

HSL 343.15, 1%, 0.35%

LAB 37.29, 62.33, 26

 

CMYK 100 / 0 / 89 / 30

HEX #00B214

RGB 0 178 20

HSL 126.74, 1%, 0.35%

LAB 63.25, -65.26, 60.66

 

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

CMYK 0 / 48 / 100 / 30

HEX #B25C00

RGB 178 92 0

HSL 31.01, 1%, 0.35%

LAB 48.41, 30.23, 57.12

 

CMYK 100 / 0 / 48 / 30

HEX #00B25C

RGB 0 178 92

HSL 151.01, 1%, 0.35%

LAB 63.85, -57.82, 33.28

 

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

CMYK 0 / 100 / 72 / 30

HEX #B20032

RGB 178 0 50

HSL 343.15, 1%, 0.35%

LAB 37.29, 62.33, 26

 

CMYK 52 / 0 / 100 / 30

HEX #56B200

RGB 86 178 0

HSL 91.01, 1%, 0.35%

LAB 64.82, -52.17, 65.47

 

CMYK 100 / 0 / 29 / 30

HEX #00B27F

RGB 0 178 127

HSL 162.81, 1%, 0.35%

LAB 64.46, -50.66, 15.48

 

CMYK 47 / 100 / 0 / 31

HEX #5D00B1

RGB 93 0 177

HSL 271.53, 1%, 0.35%

LAB 28.12, 63.77, -69.52

 

CMYK 0 / 99 / 100 / 30

HEX #B20200

RGB 178 2 0

HSL 0.67, 1%, 0.35%

LAB 36.95, 60.94, 51.31

 

CMYK 52 / 0 / 100 / 30

HEX #56B200

RGB 86 178 0

HSL 91.01, 1%, 0.35%

LAB 64.82, -52.17, 65.47

 

CMYK 100 / 2 / 0 / 30

HEX #00AFB2

RGB 0 175 178

HSL 181.01, 1%, 0.35%

LAB 64.86, -35.32, -12.19

 

Description

Color code: HEX #5D00B1 | qconv.com Color code: HEX #5D00B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, none green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 0 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 100 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 100% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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