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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D0851 it is the complementary color #A2F7AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D0851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D0851 shade: #62084C, #731A5F, #842C72, #953E85 and #A65098

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D0851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D0851 shade: #5D0851, #4C003E, #3B002B, #2A0018 and #190005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D0851 shade: #5D0851, #5D083A, #5D0823, #5D080C and #5D0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D0851 shade: #5D0851, #52085D, #3B085D, #24085D and #0D085D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D0851 shade matches the following richer shades: #5D0851

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D0851 shade: #5D0851, #55104B, #4D1845, #45203F and #3C293A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D0851 shade: #3B085D, #52085D, #5D0852, #5D083B and #5D0824

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D0851 shade: #11010F, #370430, #5D0851, #830B72 and #A90E93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D0851 shade: #5D0851, #5D2408 and #085D46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D0851 shade: #5D0851, #525D08 and #08525D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D0851 shade: #5D0851, #5D2408, #085D13 and #08415D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D0851 shade: #5D0851, #5D3E08, #085D13 and #08275D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

Complementary color

CMYK 34 / 0 / 30 / 3

HEX #A2F7AE

RGB 162 247 174

HSL 128.47, 0.84%, 0.8%

LAB 90.44, -40.13, 27.17

 

CMYK 0 / 92 / 22 / 62

HEX #62084C

RGB 98 8 76

HSL 314.67, 0.85%, 0.21%

LAB 21.18, 43.47, -16.53

 

CMYK 0 / 77 / 17 / 55

HEX #731A5F

RGB 115 26 95

HSL 313.48, 0.63%, 0.28%

LAB 27.32, 45.34, -19.38

 

CMYK 0 / 67 / 14 / 48

HEX #842C72

RGB 132 44 114

HSL 312.27, 0.5%, 0.35%

LAB 33.82, 45.84, -21.25

 

CMYK 0 / 58 / 11 / 42

HEX #953E85

RGB 149 62 133

HSL 311.03, 0.41%, 0.41%

LAB 40.46, 45.64, -22.54

 

CMYK 0 / 52 / 8 / 35

HEX #A65098

RGB 166 80 152

HSL 309.77, 0.35%, 0.48%

LAB 47.12, 45.11, -23.5

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 100 / 18 / 70

HEX #4C003E

RGB 76 0 62

HSL 311.05, 1%, 0.15%

LAB 14.87, 38.66, -17.03

 

CMYK 0 / 100 / 27 / 77

HEX #3B002B

RGB 59 0 43

HSL 316.27, 1%, 0.12%

LAB 9.83, 32, -11.39

 

CMYK 0 / 100 / 43 / 84

HEX #2A0018

RGB 42 0 24

HSL 325.71, 1%, 0.08%

LAB 5.04, 23.07, -4.36

 

CMYK 0 / 100 / 80 / 90

HEX #190005

RGB 25 0 5

HSL 348, 1%, 0.05%

LAB 1.97, 9.07, 1.06

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 91 / 38 / 64

HEX #5D083A

RGB 93 8 58

HSL 324.71, 0.84%, 0.2%

LAB 19.25, 39.85, -7.13

 

CMYK 0 / 91 / 62 / 64

HEX #5D0823

RGB 93 8 35

HSL 340.94, 0.84%, 0.2%

LAB 18.46, 37.6, 8.12

 

CMYK 0 / 91 / 87 / 64

HEX #5D080C

RGB 93 8 12

HSL 357.18, 0.84%, 0.2%

LAB 18.04, 36.36, 22.67

 

CMYK 0 / 91 / 91 / 64

HEX #5D0808

RGB 93 8 8

HSL 0, 0.84%, 0.2%

LAB 18, 36.24, 24.3

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 12 / 91 / 0 / 64

HEX #52085D

RGB 82 8 93

HSL 292.24, 0.84%, 0.2%

LAB 19.05, 42.83, -31.57

 

CMYK 37 / 91 / 0 / 64

HEX #3B085D

RGB 59 8 93

HSL 276, 0.84%, 0.2%

LAB 14.92, 38.68, -38.46

 

CMYK 61 / 91 / 0 / 64

HEX #24085D

RGB 36 8 93

HSL 259.76, 0.84%, 0.2%

LAB 11.55, 35.51, -44.13

 

CMYK 86 / 91 / 0 / 64

HEX #0D085D

RGB 13 8 93

HSL 243.53, 0.84%, 0.2%

LAB 9.4, 33.64, -47.75

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 81 / 12 / 67

HEX #55104B

RGB 85 16 75

HSL 308.7, 0.68%, 0.2%

LAB 19.27, 37.82, -19.03

 

CMYK 0 / 69 / 10 / 70

HEX #4D1845

RGB 77 24 69

HSL 309.06, 0.52%, 0.2%

LAB 18.63, 31.09, -16.01

 

CMYK 0 / 54 / 9 / 73

HEX #45203F

RGB 69 32 63

HSL 309.73, 0.37%, 0.2%

LAB 18.61, 22.78, -11.99

 

CMYK 0 / 32 / 3 / 76

HEX #3C293A

RGB 60 41 58

HSL 306.32, 0.19%, 0.2%

LAB 19.44, 12.31, -7.39

 

CMYK 37 / 91 / 0 / 64

HEX #3B085D

RGB 59 8 93

HSL 276, 0.84%, 0.2%

LAB 14.92, 38.68, -38.46

 

CMYK 12 / 91 / 0 / 64

HEX #52085D

RGB 82 8 93

HSL 292.24, 0.84%, 0.2%

LAB 19.05, 42.83, -31.57

 

CMYK 0 / 91 / 12 / 64

HEX #5D0852

RGB 93 8 82

HSL 307.76, 0.84%, 0.2%

LAB 20.48, 43.21, -21.77

 

CMYK 0 / 91 / 37 / 64

HEX #5D083B

RGB 93 8 59

HSL 324, 0.84%, 0.2%

LAB 19.29, 39.97, -7.77

 

CMYK 0 / 91 / 61 / 64

HEX #5D0824

RGB 93 8 36

HSL 340.24, 0.84%, 0.2%

LAB 18.49, 37.68, 7.43

 

CMYK 0 / 94 / 12 / 93

HEX #11010F

RGB 17 1 15

HSL 307.5, 0.89%, 0.04%

LAB 1.58, 6.62, -3.97

 

CMYK 0 / 93 / 13 / 78

HEX #370430

RGB 55 4 48

HSL 308.24, 0.86%, 0.12%

LAB 9.9, 29.84, -15.06

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 92 / 13 / 49

HEX #830B72

RGB 131 11 114

HSL 308.5, 0.85%, 0.28%

LAB 30.11, 55.65, -27.07

 

CMYK 0 / 92 / 13 / 34

HEX #A90E93

RGB 169 14 147

HSL 308.52, 0.85%, 0.36%

LAB 39.34, 67.48, -32.6

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 61 / 91 / 64

HEX #5D2408

RGB 93 36 8

HSL 19.76, 0.84%, 0.2%

LAB 22.33, 24.48, 29.16

 

CMYK 91 / 0 / 25 / 64

HEX #085D46

RGB 8 93 70

HSL 163.76, 0.84%, 0.2%

LAB 34.65, -29.47, 6.7

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 12 / 0 / 91 / 64

HEX #525D08

RGB 82 93 8

HSL 67.76, 0.84%, 0.2%

LAB 37.19, -15.4, 41.73

 

CMYK 91 / 12 / 0 / 64

HEX #08525D

RGB 8 82 93

HSL 187.76, 0.84%, 0.2%

LAB 31.52, -16.34, -12.37

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 61 / 91 / 64

HEX #5D2408

RGB 93 36 8

HSL 19.76, 0.84%, 0.2%

LAB 22.33, 24.48, 29.16

 

CMYK 91 / 0 / 80 / 64

HEX #085D13

RGB 8 93 19

HSL 127.76, 0.84%, 0.2%

LAB 33.83, -38.98, 33.78

 

CMYK 91 / 30 / 0 / 64

HEX #08415D

RGB 8 65 93

HSL 199.76, 0.84%, 0.2%

LAB 25.63, -6.02, -21.48

 

CMYK 0 / 91 / 13 / 64

HEX #5D0851

RGB 93 8 81

HSL 308.47, 0.84%, 0.2%

LAB 20.42, 43.05, -21.19

 

CMYK 0 / 33 / 91 / 64

HEX #5D3E08

RGB 93 62 8

HSL 38.12, 0.84%, 0.2%

LAB 28.88, 8.71, 35.26

 

CMYK 91 / 0 / 80 / 64

HEX #085D13

RGB 8 93 19

HSL 127.76, 0.84%, 0.2%

LAB 33.83, -38.98, 33.78

 

CMYK 91 / 58 / 0 / 64

HEX #08275D

RGB 8 39 93

HSL 218.12, 0.84%, 0.2%

LAB 16.96, 12.4, -35.33

 

Description

Color code: HEX #5D0851 | qconv.com Color code: HEX #5D0851 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 8 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 8 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 13 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 13% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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