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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C96B5 it is the complementary color #A3694A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C96B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C96B5 shade: #6196B0, #72A8C3, #83BAD6, #94CCE9 and #A5DEFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C96B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C96B5 shade: #5C96B5, #4B84A2, #3A728F, #29607C and #184E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C96B5 shade: #5D97B6, #5D7FB6, #5D67B6, #6B5DB6 and #835DB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C96B5 shade: #5D97B6, #5D7FB6, #5D67B6 and #5D5DB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C96B5 shade matches the following richer shades: #5D97B6, #4A9CC9, #37A2DC and #24A8EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C96B5 shade: #5D97B6, #7091A3, #838B90, #96857D and #A9806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C96B5 shade: #5DB6A4, #5DB0B6, #5D98B6, #5D80B6 and #5D69B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C96B5 shade: #3B6B85, #4882A1, #5D97B6, #79A9C3 and #96BBCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C96B5 shade: #5C96B5, #8C5DB6 and #B6B05D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C96B5 shade: #5C96B5, #B65D98 and #98B65D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C96B5 shade: #5C96B5, #8C5DB6, #B67A5D and #86B65D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C96B5 shade: #5C96B5, #A75DB6, #B67A5D and #6BB65D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 17 / 0 / 29

HEX #5C96B5

RGB 92 150 181

HSL 200.9, 0.38%, 0.54%

LAB 59.36, -10.32, -22.02

 

Complementary color

CMYK 0 / 36 / 55 / 36

HEX #A3694A

RGB 163 105 74

HSL 20.9, 0.38%, 0.46%

LAB 49.96, 19.84, 26.93

 

CMYK 45 / 15 / 0 / 31

HEX #6196B0

RGB 97 150 176

HSL 199.75, 0.33%, 0.54%

LAB 59.42, -10.52, -19.08

 

CMYK 42 / 14 / 0 / 24

HEX #72A8C3

RGB 114 168 195

HSL 200, 0.4%, 0.61%

LAB 66.15, -10.71, -19.42

 

CMYK 39 / 13 / 0 / 16

HEX #83BAD6

RGB 131 186 214

HSL 200.24, 0.5%, 0.68%

LAB 72.76, -10.86, -19.75

 

CMYK 36 / 12 / 0 / 9

HEX #94CCE9

RGB 148 204 233

HSL 200.47, 0.66%, 0.75%

LAB 79.25, -10.98, -20.09

 

CMYK 35 / 12 / 0 / 1

HEX #A5DEFC

RGB 165 222 252

HSL 200.69, 0.94%, 0.82%

LAB 85.64, -11.08, -20.43

 

CMYK 49 / 17 / 0 / 29

HEX #5C96B5

RGB 92 150 181

HSL 200.9, 0.38%, 0.54%

LAB 59.36, -10.32, -22.02

 

CMYK 54 / 19 / 0 / 36

HEX #4B84A2

RGB 75 132 162

HSL 200.69, 0.37%, 0.46%

LAB 52.52, -9.94, -21.72

 

CMYK 59 / 20 / 0 / 44

HEX #3A728F

RGB 58 114 143

HSL 200.47, 0.42%, 0.39%

LAB 45.52, -9.42, -21.41

 

CMYK 67 / 23 / 0 / 51

HEX #29607C

RGB 41 96 124

HSL 200.24, 0.5%, 0.32%

LAB 38.36, -8.68, -21.08

 

CMYK 77 / 26 / 0 / 59

HEX #184E69

RGB 24 78 105

HSL 200, 0.63%, 0.25%

LAB 31.03, -7.55, -20.71

 

CMYK 49 / 17 / 0 / 29

HEX #5D97B6

RGB 93 151 182

HSL 200.9, 0.38%, 0.54%

LAB 59.74, -10.34, -22.01

 

CMYK 49 / 30 / 0 / 29

HEX #5D7FB6

RGB 93 127 182

HSL 217.08, 0.38%, 0.54%

LAB 52.82, 3.44, -32.71

 

CMYK 49 / 43 / 0 / 29

HEX #5D67B6

RGB 93 103 182

HSL 233.26, 0.38%, 0.54%

LAB 46.18, 18.07, -43.17

 

CMYK 41 / 49 / 0 / 29

HEX #6B5DB6

RGB 107 93 182

HSL 249.44, 0.38%, 0.54%

LAB 44.71, 27.69, -45.46

 

CMYK 28 / 49 / 0 / 29

HEX #835DB6

RGB 131 93 182

HSL 265.62, 0.38%, 0.54%

LAB 47.02, 34.06, -41.65

 

CMYK 49 / 17 / 0 / 29

HEX #5D97B6

RGB 93 151 182

HSL 200.9, 0.38%, 0.54%

LAB 59.74, -10.34, -22.01

 

CMYK 49 / 30 / 0 / 29

HEX #5D7FB6

RGB 93 127 182

HSL 217.08, 0.38%, 0.54%

LAB 52.82, 3.44, -32.71

 

CMYK 49 / 43 / 0 / 29

HEX #5D67B6

RGB 93 103 182

HSL 233.26, 0.38%, 0.54%

LAB 46.18, 18.07, -43.17

 

CMYK 49 / 49 / 0 / 29

HEX #5D5DB6

RGB 93 93 182

HSL 240, 0.38%, 0.54%

LAB 43.56, 24.3, -47.37

 

CMYK 49 / 17 / 0 / 29

HEX #5D97B6

RGB 93 151 182

HSL 200.9, 0.38%, 0.54%

LAB 59.74, -10.34, -22.01

 

CMYK 63 / 22 / 0 / 21

HEX #4A9CC9

RGB 74 156 201

HSL 201.26, 0.54%, 0.54%

LAB 61.18, -11.21, -30.55

 

CMYK 75 / 26 / 0 / 14

HEX #37A2DC

RGB 55 162 220

HSL 201.09, 0.7%, 0.54%

LAB 63.19, -11, -38.03

 

CMYK 85 / 30 / 0 / 6

HEX #24A8EF

RGB 36 168 239

HSL 200.99, 0.86%, 0.54%

LAB 65.45, -9.46, -44.98

 

CMYK 49 / 17 / 0 / 29

HEX #5D97B6

RGB 93 151 182

HSL 200.9, 0.38%, 0.54%

LAB 59.74, -10.34, -22.01

 

CMYK 31 / 11 / 0 / 36

HEX #7091A3

RGB 112 145 163

HSL 201.18, 0.22%, 0.54%

LAB 58.36, -7.05, -13.22

 

CMYK 9 / 3 / 0 / 44

HEX #838B90

RGB 131 139 144

HSL 203.08, 0.06%, 0.54%

LAB 57.37, -1.87, -3.68

 

CMYK 0 / 11 / 17 / 41

HEX #96857D

RGB 150 133 125

HSL 19.2, 0.11%, 0.54%

LAB 56.82, 5.05, 6.65

 

CMYK 0 / 24 / 37 / 34

HEX #A9806A

RGB 169 128 106

HSL 20.95, 0.27%, 0.54%

LAB 56.99, 12.77, 18.07

 

CMYK 49 / 0 / 10 / 29

HEX #5DB6A4

RGB 93 182 164

HSL 167.87, 0.38%, 0.54%

LAB 68.36, -31.16, 0.94

 

CMYK 49 / 3 / 0 / 29

HEX #5DB0B6

RGB 93 176 182

HSL 184.04, 0.38%, 0.54%

LAB 67.09, -23.56, -10.88

 

CMYK 49 / 16 / 0 / 29

HEX #5D98B6

RGB 93 152 182

HSL 200.22, 0.38%, 0.54%

LAB 60.03, -10.89, -21.56

 

CMYK 49 / 30 / 0 / 29

HEX #5D80B6

RGB 93 128 182

HSL 216.4, 0.38%, 0.54%

LAB 53.11, 2.84, -32.27

 

CMYK 49 / 42 / 0 / 29

HEX #5D69B6

RGB 93 105 182

HSL 231.91, 0.38%, 0.54%

LAB 46.72, 16.83, -42.32

 

CMYK 56 / 20 / 0 / 48

HEX #3B6B85

RGB 59 107 133

HSL 201.08, 0.39%, 0.38%

LAB 42.97, -8.37, -19.36

 

CMYK 55 / 19 / 0 / 37

HEX #4882A1

RGB 72 130 161

HSL 200.9, 0.38%, 0.46%

LAB 51.74, -9.79, -22.34

 

CMYK 49 / 17 / 0 / 29

HEX #5D97B6

RGB 93 151 182

HSL 200.9, 0.38%, 0.54%

LAB 59.74, -10.34, -22.01

 

CMYK 38 / 13 / 0 / 24

HEX #79A9C3

RGB 121 169 195

HSL 201.08, 0.38%, 0.62%

LAB 66.81, -9.38, -18.38

 

CMYK 28 / 10 / 0 / 19

HEX #96BBCF

RGB 150 187 207

HSL 201.05, 0.37%, 0.7%

LAB 73.89, -7.79, -14.13

 

CMYK 49 / 17 / 0 / 29

HEX #5C96B5

RGB 92 150 181

HSL 200.9, 0.38%, 0.54%

LAB 59.36, -10.32, -22.02

 

CMYK 23 / 49 / 0 / 29

HEX #8C5DB6

RGB 140 93 182

HSL 271.69, 0.38%, 0.54%

LAB 47.98, 36.57, -40.05

 

CMYK 0 / 3 / 49 / 29

HEX #B6B05D

RGB 182 176 93

HSL 55.96, 0.38%, 0.54%

LAB 70.72, -9.41, 42.93

 

CMYK 49 / 17 / 0 / 29

HEX #5C96B5

RGB 92 150 181

HSL 200.9, 0.38%, 0.54%

LAB 59.36, -10.32, -22.02

 

CMYK 0 / 49 / 16 / 29

HEX #B65D98

RGB 182 93 152

HSL 320.22, 0.38%, 0.54%

LAB 51.88, 43.52, -16

 

CMYK 16 / 0 / 49 / 29

HEX #98B65D

RGB 152 182 93

HSL 80.22, 0.38%, 0.54%

LAB 70.12, -24.64, 41.67

 

CMYK 49 / 17 / 0 / 29

HEX #5C96B5

RGB 92 150 181

HSL 200.9, 0.38%, 0.54%

LAB 59.36, -10.32, -22.02

 

CMYK 23 / 49 / 0 / 29

HEX #8C5DB6

RGB 140 93 182

HSL 271.69, 0.38%, 0.54%

LAB 47.98, 36.57, -40.05

 

CMYK 0 / 33 / 49 / 29

HEX #B67A5D

RGB 182 122 93

HSL 19.55, 0.38%, 0.54%

LAB 56.74, 20.07, 25.37

 

CMYK 26 / 0 / 49 / 29

HEX #86B65D

RGB 134 182 93

HSL 92.36, 0.38%, 0.54%

LAB 68.98, -31.49, 40.02

 

CMYK 49 / 17 / 0 / 29

HEX #5C96B5

RGB 92 150 181

HSL 200.9, 0.38%, 0.54%

LAB 59.36, -10.32, -22.02

 

CMYK 8 / 49 / 0 / 29

HEX #A75DB6

RGB 167 93 182

HSL 289.89, 0.38%, 0.54%

LAB 51.18, 44.3, -34.8

 

CMYK 0 / 33 / 49 / 29

HEX #B67A5D

RGB 182 122 93

HSL 19.55, 0.38%, 0.54%

LAB 56.74, 20.07, 25.37

 

CMYK 41 / 0 / 49 / 29

HEX #6BB65D

RGB 107 182 93

HSL 110.56, 0.38%, 0.54%

LAB 67.56, -40.79, 37.94

 

Description

Color code: HEX #5C96B5 | qconv.com Color code: HEX #5C96B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 150 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 150 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 17 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 17% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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