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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C80F4 it is the complementary color #A37F0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C80F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C80F4 shade: #6180EF, #7292FF, #83A4FF, #94B6FF and #A5C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C80F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C80F4 shade: #5C80F4, #4B6EE1, #3A5CCE, #294ABB and #1838A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C80F4 shade: #5C80F3, #615CF3, #8A5CF3, #B35CF3 and #DB5CF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C80F4 shade: #5C80F3 and #5C5CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C80F4 shade matches the following richer shades: #5C80F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C80F4 shade: #5C80F3, #6A87E5, #788FD7, #8696C9 and #949EBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C80F4 shade: #5CD3F3, #5CAAF3, #5C82F3, #5F5CF3 and #875CF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C80F4 shade: #1044ED, #3662F1, #5C80F3, #839EF6 and #AABCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C80F4 shade: #5C80F4, #EC5CF3 and #BEF35C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C80F4 shade: #5C80F4, #F35C82 and #82F35C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C80F4 shade: #5C80F4, #EC5CF3, #F3CE5C and #64F35C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C80F4 shade: #5C80F4, #F35CCE, #F3CE5C and #5CF382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 48 / 0 / 4

HEX #5C80F4

RGB 92 128 244

HSL 225.79, 0.87%, 0.66%

LAB 56.33, 22.73, -62.13

 

Complementary color

CMYK 0 / 22 / 93 / 36

HEX #A37F0B

RGB 163 127 11

HSL 45.79, 0.87%, 0.34%

LAB 55.06, 4.16, 58.6

 

CMYK 59 / 46 / 0 / 6

HEX #6180EF

RGB 97 128 239

HSL 226.9, 0.82%, 0.66%

LAB 56.3, 21.96, -59.39

 

CMYK 55 / 43 / 0 / 0

HEX #7292FF

RGB 114 146 255

HSL 226.38, 1%, 0.72%

LAB 62.81, 19.61, -57.75

 

CMYK 49 / 36 / 0 / 0

HEX #83A4FF

RGB 131 164 255

HSL 224.03, 1%, 0.76%

LAB 68.46, 12.78, -48.73

 

CMYK 42 / 29 / 0 / 0

HEX #94B6FF

RGB 148 182 255

HSL 220.93, 1%, 0.79%

LAB 74.17, 6.69, -39.71

 

CMYK 35 / 22 / 0 / 0

HEX #A5C8FF

RGB 165 200 255

HSL 216.67, 1%, 0.82%

LAB 79.91, 1.26, -30.75

 

CMYK 62 / 48 / 0 / 4

HEX #5C80F4

RGB 92 128 244

HSL 225.79, 0.87%, 0.66%

LAB 56.33, 22.73, -62.13

 

CMYK 67 / 51 / 0 / 12

HEX #4B6EE1

RGB 75 110 225

HSL 226, 0.71%, 0.59%

LAB 49.6, 24.56, -62.39

 

CMYK 72 / 55 / 0 / 19

HEX #3A5CCE

RGB 58 92 206

HSL 226.22, 0.6%, 0.52%

LAB 42.78, 26.76, -62.65

 

CMYK 78 / 60 / 0 / 27

HEX #294ABB

RGB 41 74 187

HSL 226.44, 0.64%, 0.45%

LAB 35.9, 29.42, -62.83

 

CMYK 86 / 67 / 0 / 34

HEX #1838A8

RGB 24 56 168

HSL 226.67, 0.75%, 0.38%

LAB 29.03, 32.6, -62.81

 

CMYK 62 / 47 / 0 / 5

HEX #5C80F3

RGB 92 128 243

HSL 225.7, 0.86%, 0.66%

LAB 56.27, 22.4, -61.67

 

CMYK 60 / 62 / 0 / 5

HEX #615CF3

RGB 97 92 243

HSL 241.99, 0.86%, 0.66%

LAB 47.84, 44.92, -75.31

 

CMYK 43 / 62 / 0 / 5

HEX #8A5CF3

RGB 138 92 243

HSL 258.28, 0.86%, 0.66%

LAB 51.3, 52.17, -69.52

 

CMYK 26 / 62 / 0 / 5

HEX #B35CF3

RGB 179 92 243

HSL 274.57, 0.86%, 0.66%

LAB 55.8, 60.79, -62.04

 

CMYK 10 / 62 / 0 / 5

HEX #DB5CF3

RGB 219 92 243

HSL 290.46, 0.86%, 0.66%

LAB 60.94, 69.85, -53.51

 

CMYK 62 / 47 / 0 / 5

HEX #5C80F3

RGB 92 128 243

HSL 225.7, 0.86%, 0.66%

LAB 56.27, 22.4, -61.67

 

CMYK 62 / 62 / 0 / 5

HEX #5C5CF3

RGB 92 92 243

HSL 240, 0.86%, 0.66%

LAB 47.5, 44.17, -75.88

 

CMYK 62 / 47 / 0 / 5

HEX #5C80F3

RGB 92 128 243

HSL 225.7, 0.86%, 0.66%

LAB 56.27, 22.4, -61.67

 

CMYK 62 / 47 / 0 / 5

HEX #5C80F3

RGB 92 128 243

HSL 225.7, 0.86%, 0.66%

LAB 56.27, 22.4, -61.67

 

CMYK 54 / 41 / 0 / 10

HEX #6A87E5

RGB 106 135 229

HSL 225.85, 0.7%, 0.66%

LAB 58.08, 16.31, -50.95

 

CMYK 44 / 33 / 0 / 16

HEX #788FD7

RGB 120 143 215

HSL 225.47, 0.54%, 0.66%

LAB 60.38, 10.59, -39.46

 

CMYK 33 / 25 / 0 / 21

HEX #8696C9

RGB 134 150 201

HSL 225.67, 0.38%, 0.66%

LAB 62.59, 6.46, -28.11

 

CMYK 21 / 16 / 0 / 27

HEX #949EBB

RGB 148 158 187

HSL 224.62, 0.22%, 0.66%

LAB 65.23, 2.74, -16.16

 

CMYK 62 / 13 / 0 / 5

HEX #5CD3F3

RGB 92 211 243

HSL 192.72, 0.86%, 0.66%

LAB 79.23, -24.04, -25.67

 

CMYK 62 / 30 / 0 / 5

HEX #5CAAF3

RGB 92 170 243

HSL 209.01, 0.86%, 0.66%

LAB 67.65, -2.28, -43.61

 

CMYK 62 / 47 / 0 / 5

HEX #5C82F3

RGB 92 130 243

HSL 224.9, 0.86%, 0.66%

LAB 56.79, 21.19, -60.83

 

CMYK 61 / 62 / 0 / 5

HEX #5F5CF3

RGB 95 92 243

HSL 241.19, 0.86%, 0.66%

LAB 47.7, 44.61, -75.54

 

CMYK 44 / 62 / 0 / 5

HEX #875CF3

RGB 135 92 243

HSL 257.09, 0.86%, 0.66%

LAB 51.01, 51.59, -70.01

 

CMYK 93 / 71 / 0 / 7

HEX #1044ED

RGB 16 68 237

HSL 225.88, 0.87%, 0.5%

LAB 38.48, 49.99, -87.44

 

CMYK 78 / 59 / 0 / 5

HEX #3662F1

RGB 54 98 241

HSL 225.88, 0.87%, 0.58%

LAB 46.8, 35.2, -75.97

 

CMYK 62 / 47 / 0 / 5

HEX #5C80F3

RGB 92 128 243

HSL 225.7, 0.86%, 0.66%

LAB 56.27, 22.4, -61.67

 

CMYK 47 / 36 / 0 / 4

HEX #839EF6

RGB 131 158 246

HSL 225.91, 0.86%, 0.74%

LAB 66.47, 13.59, -46.97

 

CMYK 32 / 24 / 0 / 2

HEX #AABCF9

RGB 170 188 249

HSL 226.33, 0.87%, 0.82%

LAB 76.89, 7.65, -32.16

 

CMYK 62 / 48 / 0 / 4

HEX #5C80F4

RGB 92 128 244

HSL 225.79, 0.87%, 0.66%

LAB 56.33, 22.73, -62.13

 

CMYK 3 / 62 / 0 / 5

HEX #EC5CF3

RGB 236 92 243

HSL 297.22, 0.86%, 0.66%

LAB 63.31, 73.79, -49.62

 

CMYK 22 / 0 / 62 / 5

HEX #BEF35C

RGB 190 243 92

HSL 81.06, 0.86%, 0.66%

LAB 89.78, -38.73, 65.28

 

CMYK 62 / 48 / 0 / 4

HEX #5C80F4

RGB 92 128 244

HSL 225.79, 0.87%, 0.66%

LAB 56.33, 22.73, -62.13

 

CMYK 0 / 62 / 47 / 5

HEX #F35C82

RGB 243 92 130

HSL 344.9, 0.86%, 0.66%

LAB 60.18, 60.82, 10.15

 

CMYK 47 / 0 / 62 / 5

HEX #82F35C

RGB 130 243 92

HSL 104.9, 0.86%, 0.66%

LAB 86.81, -58.75, 61.18

 

CMYK 62 / 48 / 0 / 4

HEX #5C80F4

RGB 92 128 244

HSL 225.79, 0.87%, 0.66%

LAB 56.33, 22.73, -62.13

 

CMYK 3 / 62 / 0 / 5

HEX #EC5CF3

RGB 236 92 243

HSL 297.22, 0.86%, 0.66%

LAB 63.31, 73.79, -49.62

 

CMYK 0 / 15 / 62 / 5

HEX #F3CE5C

RGB 243 206 92

HSL 45.3, 0.86%, 0.66%

LAB 83.95, 0.39, 60.06

 

CMYK 59 / 0 / 62 / 5

HEX #64F35C

RGB 100 243 92

HSL 116.82, 0.86%, 0.66%

LAB 85.8, -66.48, 59.77

 

CMYK 62 / 48 / 0 / 4

HEX #5C80F4

RGB 92 128 244

HSL 225.79, 0.87%, 0.66%

LAB 56.33, 22.73, -62.13

 

CMYK 0 / 62 / 15 / 5

HEX #F35CCE

RGB 243 92 206

HSL 314.7, 0.86%, 0.66%

LAB 62.65, 69.76, -29.88

 

CMYK 0 / 15 / 62 / 5

HEX #F3CE5C

RGB 243 206 92

HSL 45.3, 0.86%, 0.66%

LAB 83.95, 0.39, 60.06

 

CMYK 62 / 0 / 47 / 5

HEX #5CF382

RGB 92 243 130

HSL 135.1, 0.86%, 0.66%

LAB 86, -63.43, 42.74

 

Description

Color code: HEX #5C80F4 | qconv.com Color code: HEX #5C80F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 128 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 128 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 48 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 48% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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