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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C87B7 it is the complementary color #A37848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C87B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C87B7 shade: #6187B2, #7299C5, #83ABD8, #94BDEB and #A5CFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C87B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C87B7 shade: #5C87B7, #4B75A4, #3A6391, #29517E and #183F6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C87B7 shade: #5B87B7, #5B6EB7, #625BB7, #7A5BB7 and #935BB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C87B7 shade: #5B87B7, #5B6EB7 and #5B5BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C87B7 shade matches the following richer shades: #5B87B7, #4886CA, #3585DD and #2384F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C87B7 shade: #5B87B7, #6E88A4, #818991, #948A7E and #A78B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C87B7 shade: #5BB7B5, #5BA0B7, #5B88B7, #5B6FB7 and #605BB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C87B7 shade: #3A5E86, #4772A2, #5B87B7, #789CC4 and #95B1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C87B7 shade: #5C87B7, #9D5BB7 and #ACB75B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C87B7 shade: #5C87B7, #B75B88 and #88B75B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C87B7 shade: #5C87B7, #9D5BB7, #B78B5B and #75B75B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C87B7 shade: #5C87B7, #B75BB5, #B78B5B and #5BB75D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 26 / 0 / 28

HEX #5C87B7

RGB 92 135 183

HSL 211.65, 0.39%, 0.54%

LAB 55.1, -1.2, -29.75

 

Complementary color

CMYK 0 / 26 / 56 / 36

HEX #A37848

RGB 163 120 72

HSL 31.65, 0.39%, 0.46%

LAB 53.69, 11.13, 32.7

 

CMYK 46 / 24 / 0 / 30

HEX #6187B2

RGB 97 135 178

HSL 211.85, 0.34%, 0.54%

LAB 55.16, -1.45, -26.77

 

CMYK 42 / 22 / 0 / 23

HEX #7299C5

RGB 114 153 197

HSL 211.81, 0.42%, 0.61%

LAB 61.99, -1.86, -26.9

 

CMYK 39 / 21 / 0 / 15

HEX #83ABD8

RGB 131 171 216

HSL 211.76, 0.52%, 0.68%

LAB 68.69, -2.2, -27.07

 

CMYK 37 / 20 / 0 / 8

HEX #94BDEB

RGB 148 189 235

HSL 211.72, 0.69%, 0.75%

LAB 75.26, -2.49, -27.25

 

CMYK 35 / 19 / 0 / 0

HEX #A5CFFE

RGB 165 207 254

HSL 211.69, 0.98%, 0.82%

LAB 81.72, -2.74, -27.45

 

CMYK 50 / 26 / 0 / 28

HEX #5C87B7

RGB 92 135 183

HSL 211.65, 0.39%, 0.54%

LAB 55.1, -1.2, -29.75

 

CMYK 54 / 29 / 0 / 36

HEX #4B75A4

RGB 75 117 164

HSL 211.69, 0.37%, 0.47%

LAB 48.13, -0.56, -29.67

 

CMYK 60 / 32 / 0 / 43

HEX #3A6391

RGB 58 99 145

HSL 211.72, 0.43%, 0.4%

LAB 41, 0.27, -29.62

 

CMYK 67 / 36 / 0 / 51

HEX #29517E

RGB 41 81 126

HSL 211.76, 0.51%, 0.33%

LAB 33.7, 1.42, -29.6

 

CMYK 78 / 41 / 0 / 58

HEX #183F6B

RGB 24 63 107

HSL 211.81, 0.63%, 0.26%

LAB 26.19, 3.07, -29.59

 

CMYK 50 / 26 / 0 / 28

HEX #5B87B7

RGB 91 135 183

HSL 211.3, 0.39%, 0.54%

LAB 55.04, -1.45, -29.83

 

CMYK 50 / 40 / 0 / 28

HEX #5B6EB7

RGB 91 110 183

HSL 227.61, 0.39%, 0.54%

LAB 48, 13.58, -40.88

 

CMYK 46 / 50 / 0 / 28

HEX #625BB7

RGB 98 91 183

HSL 244.57, 0.39%, 0.54%

LAB 43.5, 27.02, -48.01

 

CMYK 33 / 50 / 0 / 28

HEX #7A5BB7

RGB 122 91 183

HSL 260.22, 0.39%, 0.54%

LAB 45.69, 33.05, -44.4

 

CMYK 20 / 50 / 0 / 28

HEX #935BB7

RGB 147 91 183

HSL 276.52, 0.39%, 0.54%

LAB 48.39, 39.88, -39.94

 

CMYK 50 / 26 / 0 / 28

HEX #5B87B7

RGB 91 135 183

HSL 211.3, 0.39%, 0.54%

LAB 55.04, -1.45, -29.83

 

CMYK 50 / 40 / 0 / 28

HEX #5B6EB7

RGB 91 110 183

HSL 227.61, 0.39%, 0.54%

LAB 48, 13.58, -40.88

 

CMYK 50 / 50 / 0 / 28

HEX #5B5BB7

RGB 91 91 183

HSL 240, 0.39%, 0.54%

LAB 42.95, 25.4, -48.93

 

CMYK 50 / 26 / 0 / 28

HEX #5B87B7

RGB 91 135 183

HSL 211.3, 0.39%, 0.54%

LAB 55.04, -1.45, -29.83

 

CMYK 64 / 34 / 0 / 21

HEX #4886CA

RGB 72 134 202

HSL 211.38, 0.55%, 0.54%

LAB 54.75, 1.36, -41.16

 

CMYK 76 / 40 / 0 / 13

HEX #3585DD

RGB 53 133 221

HSL 211.43, 0.71%, 0.54%

LAB 54.82, 5.91, -51.81

 

CMYK 85 / 45 / 0 / 6

HEX #2384F0

RGB 35 132 240

HSL 211.61, 0.87%, 0.54%

LAB 55.23, 11.94, -61.79

 

CMYK 50 / 26 / 0 / 28

HEX #5B87B7

RGB 91 135 183

HSL 211.3, 0.39%, 0.54%

LAB 55.04, -1.45, -29.83

 

CMYK 33 / 17 / 0 / 36

HEX #6E88A4

RGB 110 136 164

HSL 211.11, 0.23%, 0.54%

LAB 55.69, -2.31, -17.85

 

CMYK 11 / 6 / 0 / 43

HEX #818991

RGB 129 137 145

HSL 210, 0.07%, 0.54%

LAB 56.69, -1.23, -5.28

 

CMYK 0 / 7 / 15 / 42

HEX #948A7E

RGB 148 138 126

HSL 32.73, 0.09%, 0.54%

LAB 58.02, 1.61, 7.76

 

CMYK 0 / 17 / 36 / 35

HEX #A78B6B

RGB 167 139 107

HSL 32, 0.25%, 0.54%

LAB 59.66, 5.89, 21.09

 

CMYK 50 / 0 / 1 / 28

HEX #5BB7B5

RGB 91 183 181

HSL 178.7, 0.39%, 0.54%

LAB 69.06, -27.77, -7.41

 

CMYK 50 / 13 / 0 / 28

HEX #5BA0B7

RGB 91 160 183

HSL 195, 0.39%, 0.54%

LAB 62.33, -15.41, -18.64

 

CMYK 50 / 26 / 0 / 28

HEX #5B88B7

RGB 91 136 183

HSL 210.65, 0.39%, 0.54%

LAB 55.33, -2.03, -29.39

 

CMYK 50 / 39 / 0 / 28

HEX #5B6FB7

RGB 91 111 183

HSL 226.96, 0.39%, 0.54%

LAB 48.28, 12.96, -40.44

 

CMYK 48 / 50 / 0 / 28

HEX #605BB7

RGB 96 91 183

HSL 243.26, 0.39%, 0.54%

LAB 43.34, 26.55, -48.28

 

CMYK 57 / 30 / 0 / 47

HEX #3A5E86

RGB 58 94 134

HSL 211.58, 0.4%, 0.38%

LAB 38.94, -0.38, -26.21

 

CMYK 56 / 30 / 0 / 36

HEX #4772A2

RGB 71 114 162

HSL 211.65, 0.39%, 0.46%

LAB 46.95, -0.32, -30.36

 

CMYK 50 / 26 / 0 / 28

HEX #5B87B7

RGB 91 135 183

HSL 211.3, 0.39%, 0.54%

LAB 55.04, -1.45, -29.83

 

CMYK 39 / 20 / 0 / 23

HEX #789CC4

RGB 120 156 196

HSL 211.58, 0.39%, 0.62%

LAB 63.14, -2.22, -24.55

 

CMYK 28 / 15 / 0 / 18

HEX #95B1D0

RGB 149 177 208

HSL 211.53, 0.39%, 0.7%

LAB 71.14, -2.46, -18.83

 

CMYK 50 / 26 / 0 / 28

HEX #5C87B7

RGB 92 135 183

HSL 211.65, 0.39%, 0.54%

LAB 55.1, -1.2, -29.75

 

CMYK 14 / 50 / 0 / 28

HEX #9D5BB7

RGB 157 91 183

HSL 283.04, 0.39%, 0.54%

LAB 49.58, 42.7, -37.98

 

CMYK 6 / 0 / 50 / 28

HEX #ACB75B

RGB 172 183 91

HSL 67.17, 0.39%, 0.54%

LAB 71.82, -17.33, 45.04

 

CMYK 50 / 26 / 0 / 28

HEX #5C87B7

RGB 92 135 183

HSL 211.65, 0.39%, 0.54%

LAB 55.1, -1.2, -29.75

 

CMYK 0 / 50 / 26 / 28

HEX #B75B88

RGB 183 91 136

HSL 330.65, 0.39%, 0.54%

LAB 51.07, 42.47, -7.75

 

CMYK 26 / 0 / 50 / 28

HEX #88B75B

RGB 136 183 91

HSL 90.65, 0.39%, 0.54%

LAB 69.37, -31.45, 41.51

 

CMYK 50 / 26 / 0 / 28

HEX #5C87B7

RGB 92 135 183

HSL 211.65, 0.39%, 0.54%

LAB 55.1, -1.2, -29.75

 

CMYK 14 / 50 / 0 / 28

HEX #9D5BB7

RGB 157 91 183

HSL 283.04, 0.39%, 0.54%

LAB 49.58, 42.7, -37.98

 

CMYK 0 / 24 / 50 / 28

HEX #B78B5B

RGB 183 139 91

HSL 31.3, 0.39%, 0.54%

LAB 61.03, 10.82, 32.03

 

CMYK 36 / 0 / 50 / 28

HEX #75B75B

RGB 117 183 91

HSL 103.04, 0.39%, 0.54%

LAB 68.32, -38.21, 39.99

 

CMYK 50 / 26 / 0 / 28

HEX #5C87B7

RGB 92 135 183

HSL 211.65, 0.39%, 0.54%

LAB 55.1, -1.2, -29.75

 

CMYK 0 / 50 / 1 / 28

HEX #B75BB5

RGB 183 91 181

HSL 301.3, 0.39%, 0.54%

LAB 52.82, 49.76, -31.5

 

CMYK 0 / 24 / 50 / 28

HEX #B78B5B

RGB 183 139 91

HSL 31.3, 0.39%, 0.54%

LAB 61.03, 10.82, 32.03

 

CMYK 50 / 0 / 49 / 28

HEX #5BB75D

RGB 91 183 93

HSL 121.3, 0.39%, 0.54%

LAB 67.19, -45.98, 37.34

 

Description

Color code: HEX #5C87B7 | qconv.com Color code: HEX #5C87B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 135 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 135 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 26 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 26% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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