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Color name
HEX #5C5213

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C5213 it is the complementary color #A3ADEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C5213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C5213 shade: #61520E, #726421, #837634, #948847 and #A59A5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C5213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C5213 shade: #5C5213, #4B4000, #3A2E00, #291C00 and #180A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C5213 shade: #5D5213, #5D3F13, #5D2B13, #5D1713 and #5D1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C5213 shade: #5D5213, #535D13, #3F5D13, #2B5D13 and #175D13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C5213 shade matches the following richer shades: #5D5213, #665909 and #6F6000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C5213 shade: #5D5213, #544C1C, #4A4525, #413F2E and #383837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C5213 shade: #5D2A13, #5D3E13, #5D5213, #545D13 and #405D13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C5213 shade: #181505, #3A340C, #5D5213, #7F711A and #A19021

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C5213 shade: #5C5213, #135D16 and #34135D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C5213 shade: #5C5213, #135D52 and #52135D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C5213 shade: #5C5213, #135D16, #131E5D and #5D1359

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C5213 shade: #5C5213, #135D2C, #131E5D and #5D1343

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 79 / 64

HEX #5C5213

RGB 92 82 19

HSL 51.78, 0.66%, 0.22%

LAB 34.72, -3.68, 36.2

 

Complementary color

CMYK 31 / 27 / 0 / 7

HEX #A3ADEC

RGB 163 173 236

HSL 231.78, 0.66%, 0.78%

LAB 72.05, 10.73, -32.65

 

CMYK 0 / 15 / 86 / 62

HEX #61520E

RGB 97 82 14

HSL 49.16, 0.75%, 0.22%

LAB 35.22, -1.4, 38.78

 

CMYK 0 / 12 / 71 / 55

HEX #726421

RGB 114 100 33

HSL 49.63, 0.55%, 0.29%

LAB 42.46, -2.77, 38.51

 

CMYK 0 / 10 / 60 / 49

HEX #837634

RGB 131 118 52

HSL 50.13, 0.43%, 0.36%

LAB 49.53, -3.78, 37.47

 

CMYK 0 / 8 / 52 / 42

HEX #948847

RGB 148 136 71

HSL 50.65, 0.35%, 0.43%

LAB 56.45, -4.55, 36.22

 

CMYK 0 / 7 / 45 / 35

HEX #A59A5A

RGB 165 154 90

HSL 51.2, 0.29%, 0.5%

LAB 63.22, -5.17, 34.93

 

CMYK 0 / 11 / 79 / 64

HEX #5C5213

RGB 92 82 19

HSL 51.78, 0.66%, 0.22%

LAB 34.72, -3.68, 36.2

 

CMYK 0 / 15 / 100 / 71

HEX #4B4000

RGB 75 64 0

HSL 51.2, 1%, 0.15%

LAB 27.19, -2.2, 36.2

 

CMYK 0 / 21 / 100 / 77

HEX #3A2E00

RGB 58 46 0

HSL 47.59, 1%, 0.11%

LAB 19.45, 0.18, 27.7

 

CMYK 0 / 32 / 100 / 84

HEX #291C00

RGB 41 28 0

HSL 40.98, 1%, 0.08%

LAB 11.29, 2.85, 16.87

 

CMYK 0 / 58 / 100 / 91

HEX #180A00

RGB 24 10 0

HSL 25, 1%, 0.05%

LAB 3.71, 3.86, 5.64

 

CMYK 0 / 12 / 80 / 64

HEX #5D5213

RGB 93 82 19

HSL 51.08, 0.66%, 0.22%

LAB 34.82, -3.18, 36.33

 

CMYK 0 / 32 / 80 / 64

HEX #5D3F13

RGB 93 63 19

HSL 35.68, 0.66%, 0.22%

LAB 29.23, 8.54, 30.88

 

CMYK 0 / 54 / 80 / 64

HEX #5D2B13

RGB 93 43 19

HSL 19.46, 0.66%, 0.22%

LAB 24.01, 20.91, 25.5

 

CMYK 0 / 75 / 80 / 64

HEX #5D1713

RGB 93 23 19

HSL 3.24, 0.66%, 0.22%

LAB 19.99, 31.44, 21.13

 

CMYK 0 / 80 / 80 / 64

HEX #5D1313

RGB 93 19 19

HSL 0, 0.66%, 0.22%

LAB 19.39, 33.09, 20.45

 

CMYK 0 / 12 / 80 / 64

HEX #5D5213

RGB 93 82 19

HSL 51.08, 0.66%, 0.22%

LAB 34.82, -3.18, 36.33

 

CMYK 11 / 0 / 80 / 64

HEX #535D13

RGB 83 93 19

HSL 68.11, 0.66%, 0.22%

LAB 37.33, -14.45, 38.38

 

CMYK 32 / 0 / 80 / 64

HEX #3F5D13

RGB 63 93 19

HSL 84.32, 0.66%, 0.22%

LAB 35.85, -23.52, 36.46

 

CMYK 54 / 0 / 80 / 64

HEX #2B5D13

RGB 43 93 19

HSL 100.54, 0.66%, 0.22%

LAB 34.78, -31.18, 35.05

 

CMYK 75 / 0 / 80 / 64

HEX #175D13

RGB 23 93 19

HSL 116.76, 0.66%, 0.22%

LAB 34.1, -36.63, 34.15

 

CMYK 0 / 12 / 80 / 64

HEX #5D5213

RGB 93 82 19

HSL 51.08, 0.66%, 0.22%

LAB 34.82, -3.18, 36.33

 

CMYK 0 / 13 / 91 / 60

HEX #665909

RGB 102 89 9

HSL 51.61, 0.84%, 0.22%

LAB 37.82, -3.25, 42.74

 

CMYK 0 / 14 / 100 / 56

HEX #6F6000

RGB 111 96 0

HSL 51.89, 1%, 0.22%

LAB 40.81, -3.15, 47.95

 

CMYK 0 / 12 / 80 / 64

HEX #5D5213

RGB 93 82 19

HSL 51.08, 0.66%, 0.22%

LAB 34.82, -3.18, 36.33

 

CMYK 0 / 10 / 67 / 67

HEX #544C1C

RGB 84 76 28

HSL 51.43, 0.5%, 0.22%

LAB 32.12, -3.46, 29.02

 

CMYK 0 / 7 / 50 / 71

HEX #4A4525

RGB 74 69 37

HSL 51.89, 0.33%, 0.22%

LAB 29.02, -3.2, 20.03

 

CMYK 0 / 3 / 29 / 75

HEX #413F2E

RGB 65 63 46

HSL 53.68, 0.17%, 0.22%

LAB 26.38, -2.45, 10.76

 

CMYK 0 / 0 / 2 / 78

HEX #383837

RGB 56 56 55

HSL 60, 0.01%, 0.22%

LAB 23.49, -0.23, 0.62

 

CMYK 0 / 55 / 80 / 64

HEX #5D2A13

RGB 93 42 19

HSL 18.65, 0.66%, 0.22%

LAB 23.77, 21.5, 25.25

 

CMYK 0 / 33 / 80 / 64

HEX #5D3E13

RGB 93 62 19

HSL 34.86, 0.66%, 0.22%

LAB 28.95, 9.17, 30.6

 

CMYK 0 / 12 / 80 / 64

HEX #5D5213

RGB 93 82 19

HSL 51.08, 0.66%, 0.22%

LAB 34.82, -3.18, 36.33

 

CMYK 10 / 0 / 80 / 64

HEX #545D13

RGB 84 93 19

HSL 67.3, 0.66%, 0.22%

LAB 37.41, -13.98, 38.49

 

CMYK 31 / 0 / 80 / 64

HEX #405D13

RGB 64 93 19

HSL 83.51, 0.66%, 0.22%

LAB 35.92, -23.09, 36.55

 

CMYK 0 / 13 / 79 / 91

HEX #181505

RGB 24 21 5

HSL 50.53, 0.66%, 0.06%

LAB 6.7, -1.33, 7.95

 

CMYK 0 / 10 / 79 / 77

HEX #3A340C

RGB 58 52 12

HSL 52.17, 0.66%, 0.14%

LAB 21.51, -2.99, 25.07

 

CMYK 0 / 12 / 80 / 64

HEX #5D5213

RGB 93 82 19

HSL 51.08, 0.66%, 0.22%

LAB 34.82, -3.18, 36.33

 

CMYK 0 / 11 / 80 / 50

HEX #7F711A

RGB 127 113 26

HSL 51.68, 0.66%, 0.3%

LAB 47.49, -4.41, 46.74

 

CMYK 0 / 11 / 80 / 37

HEX #A19021

RGB 161 144 33

HSL 52.03, 0.66%, 0.38%

LAB 59.56, -5.55, 56.53

 

CMYK 0 / 11 / 79 / 64

HEX #5C5213

RGB 92 82 19

HSL 51.78, 0.66%, 0.22%

LAB 34.72, -3.68, 36.2

 

CMYK 80 / 0 / 76 / 64

HEX #135D16

RGB 19 93 22

HSL 122.43, 0.66%, 0.22%

LAB 34.04, -37.12, 32.8

 

CMYK 44 / 80 / 0 / 64

HEX #34135D

RGB 52 19 93

HSL 266.76, 0.66%, 0.22%

LAB 15.41, 32.89, -37.69

 

CMYK 0 / 11 / 79 / 64

HEX #5C5213

RGB 92 82 19

HSL 51.78, 0.66%, 0.22%

LAB 34.72, -3.68, 36.2

 

CMYK 80 / 0 / 12 / 64

HEX #135D52

RGB 19 93 82

HSL 171.08, 0.66%, 0.22%

LAB 35.16, -24.72, 0

 

CMYK 12 / 80 / 0 / 64

HEX #52135D

RGB 82 19 93

HSL 291.08, 0.66%, 0.22%

LAB 20.24, 39.36, -29.65

 

CMYK 0 / 11 / 79 / 64

HEX #5C5213

RGB 92 82 19

HSL 51.78, 0.66%, 0.22%

LAB 34.72, -3.68, 36.2

 

CMYK 80 / 0 / 76 / 64

HEX #135D16

RGB 19 93 22

HSL 122.43, 0.66%, 0.22%

LAB 34.04, -37.12, 32.8

 

CMYK 80 / 68 / 0 / 64

HEX #131E5D

RGB 19 30 93

HSL 231.08, 0.66%, 0.22%

LAB 14.72, 20.31, -38.96

 

CMYK 0 / 80 / 4 / 64

HEX #5D1359

RGB 93 19 89

HSL 303.24, 0.66%, 0.22%

LAB 22, 41.22, -24.07

 

CMYK 0 / 11 / 79 / 64

HEX #5C5213

RGB 92 82 19

HSL 51.78, 0.66%, 0.22%

LAB 34.72, -3.68, 36.2

 

CMYK 80 / 0 / 53 / 64

HEX #135D2C

RGB 19 93 44

HSL 140.27, 0.66%, 0.22%

LAB 34.29, -34.07, 21.86

 

CMYK 80 / 68 / 0 / 64

HEX #131E5D

RGB 19 30 93

HSL 231.08, 0.66%, 0.22%

LAB 14.72, 20.31, -38.96

 

CMYK 0 / 80 / 28 / 64

HEX #5D1343

RGB 93 19 67

HSL 321.08, 0.66%, 0.22%

LAB 20.82, 37.69, -11

 

Description

Color code: HEX #5C5213 | qconv.com Color code: HEX #5C5213 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 82 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 82 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 79 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 79% 64% C M Y K

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Provide designers and agencies with accurate color values.

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