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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C46BF it is the complementary color #A3B940. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C46BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C46BF shade: #6146BA, #7258CD, #836AE0, #947CF3 and #A58EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C46BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C46BF shade: #5C46BF, #4B34AC, #3A2299, #291086 and #180073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C46BF shade: #5B44BF, #7C44BF, #9D44BF, #BE44BF and #BF449F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C46BF shade: #5B44BF and #4444BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C46BF shade matches the following richer shades: #5B44BF, #4E30D3, #411CE7 and #3408FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C46BF shade: #5B44BF, #6759AB, #746D96, #818182 and #8E956E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C46BF shade: #4471BF, #4451BF, #5944BF, #7944BF and #9A44BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C46BF shade: #3D2D84, #4B37A3, #5B44BF, #7663C9 and #9182D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C46BF shade: #5C46BF, #BF4492 and #61BF44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C46BF shade: #5C46BF, #BF5944 and #44BF59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C46BF shade: #5C46BF, #BF4492, #AABF44 and #44BF71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C46BF shade: #5C46BF, #BF446D, #AABF44 and #44BF96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 63 / 0 / 25

HEX #5C46BF

RGB 92 70 191

HSL 250.91, 0.49%, 0.51%

LAB 38.58, 40.86, -60.66

 

Complementary color

CMYK 12 / 0 / 65 / 27

HEX #A3B940

RGB 163 185 64

HSL 70.91, 0.49%, 0.49%

LAB 71.46, -24.21, 56.62

 

CMYK 48 / 62 / 0 / 27

HEX #6146BA

RGB 97 70 186

HSL 253.97, 0.46%, 0.5%

LAB 38.67, 40.34, -57.57

 

CMYK 44 / 57 / 0 / 20

HEX #7258CD

RGB 114 88 205

HSL 253.33, 0.54%, 0.57%

LAB 45.59, 38.95, -57.34

 

CMYK 42 / 53 / 0 / 12

HEX #836AE0

RGB 131 106 224

HSL 252.71, 0.66%, 0.65%

LAB 52.41, 37.68, -57.09

 

CMYK 39 / 49 / 0 / 5

HEX #947CF3

RGB 148 124 243

HSL 252.1, 0.83%, 0.72%

LAB 59.14, 36.52, -56.86

 

CMYK 35 / 44 / 0 / 0

HEX #A58EFF

RGB 165 142 255

HSL 252.21, 1%, 0.78%

LAB 65.41, 33.65, -53.4

 

CMYK 52 / 63 / 0 / 25

HEX #5C46BF

RGB 92 70 191

HSL 250.91, 0.49%, 0.51%

LAB 38.58, 40.86, -60.66

 

CMYK 56 / 70 / 0 / 33

HEX #4B34AC

RGB 75 52 172

HSL 251.5, 0.54%, 0.44%

LAB 31.65, 42.46, -60.8

 

CMYK 62 / 78 / 0 / 40

HEX #3A2299

RGB 58 34 153

HSL 252.1, 0.64%, 0.37%

LAB 24.78, 43.97, -60.63

 

CMYK 69 / 88 / 0 / 47

HEX #291086

RGB 41 16 134

HSL 252.71, 0.79%, 0.29%

LAB 18.2, 44.83, -59.73

 

CMYK 79 / 100 / 0 / 55

HEX #180073

RGB 24 0 115

HSL 252.52, 1%, 0.23%

LAB 12.17, 44.47, -57.66

 

CMYK 52 / 64 / 0 / 25

HEX #5B44BF

RGB 91 68 191

HSL 251.22, 0.49%, 0.51%

LAB 38.06, 41.83, -61.52

 

CMYK 35 / 64 / 0 / 25

HEX #7C44BF

RGB 124 68 191

HSL 267.32, 0.49%, 0.51%

LAB 41.5, 48.46, -55.77

 

CMYK 18 / 64 / 0 / 25

HEX #9D44BF

RGB 157 68 191

HSL 283.41, 0.49%, 0.51%

LAB 45.72, 55.91, -48.76

 

CMYK 1 / 64 / 0 / 25

HEX #BE44BF

RGB 190 68 191

HSL 299.51, 0.49%, 0.51%

LAB 50.5, 63.73, -40.87

 

CMYK 0 / 64 / 17 / 25

HEX #BF449F

RGB 191 68 159

HSL 315.61, 0.49%, 0.51%

LAB 49.15, 58.91, -24.22

 

CMYK 52 / 64 / 0 / 25

HEX #5B44BF

RGB 91 68 191

HSL 251.22, 0.49%, 0.51%

LAB 38.06, 41.83, -61.52

 

CMYK 64 / 64 / 0 / 25

HEX #4444BF

RGB 68 68 191

HSL 240, 0.49%, 0.51%

LAB 36.22, 38.04, -64.59

 

CMYK 52 / 64 / 0 / 25

HEX #5B44BF

RGB 91 68 191

HSL 251.22, 0.49%, 0.51%

LAB 38.06, 41.83, -61.52

 

CMYK 63 / 77 / 0 / 17

HEX #4E30D3

RGB 78 48 211

HSL 251.04, 0.65%, 0.51%

LAB 34.88, 56.53, -78.42

 

CMYK 72 / 88 / 0 / 9

HEX #411CE7

RGB 65 28 231

HSL 250.94, 0.81%, 0.51%

LAB 33.4, 68.88, -92.39

 

CMYK 79 / 97 / 0 / 2

HEX #3408FB

RGB 52 8 251

HSL 250.86, 0.97%, 0.51%

LAB 33.71, 77.66, -103.23

 

CMYK 52 / 64 / 0 / 25

HEX #5B44BF

RGB 91 68 191

HSL 251.22, 0.49%, 0.51%

LAB 38.06, 41.83, -61.52

 

CMYK 40 / 48 / 0 / 33

HEX #6759AB

RGB 103 89 171

HSL 250.24, 0.33%, 0.51%

LAB 42.72, 25.93, -42.2

 

CMYK 23 / 27 / 0 / 41

HEX #746D96

RGB 116 109 150

HSL 250.24, 0.16%, 0.51%

LAB 48.07, 11.89, -21.31

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 5 / 0 / 26 / 42

HEX #8E956E

RGB 142 149 110

HSL 70.77, 0.16%, 0.51%

LAB 60.22, -9.4, 19.8

 

CMYK 64 / 41 / 0 / 25

HEX #4471BF

RGB 68 113 191

HSL 218.05, 0.49%, 0.51%

LAB 48.01, 9.59, -45.57

 

CMYK 64 / 58 / 0 / 25

HEX #4451BF

RGB 68 81 191

HSL 233.66, 0.49%, 0.51%

LAB 39.37, 29.91, -59.46

 

CMYK 53 / 64 / 0 / 25

HEX #5944BF

RGB 89 68 191

HSL 250.24, 0.49%, 0.51%

LAB 37.88, 41.47, -61.82

 

CMYK 37 / 64 / 0 / 25

HEX #7944BF

RGB 121 68 191

HSL 265.85, 0.49%, 0.51%

LAB 41.15, 47.82, -56.35

 

CMYK 19 / 64 / 0 / 25

HEX #9A44BF

RGB 154 68 191

HSL 281.95, 0.49%, 0.51%

LAB 45.31, 55.22, -49.44

 

CMYK 54 / 66 / 0 / 48

HEX #3D2D84

RGB 61 45 132

HSL 251.03, 0.49%, 0.35%

LAB 25.37, 31.56, -46.63

 

CMYK 54 / 66 / 0 / 36

HEX #4B37A3

RGB 75 55 163

HSL 251.11, 0.5%, 0.43%

LAB 31.52, 37.96, -55.61

 

CMYK 52 / 64 / 0 / 25

HEX #5B44BF

RGB 91 68 191

HSL 251.22, 0.49%, 0.51%

LAB 38.06, 41.83, -61.52

 

CMYK 41 / 51 / 0 / 21

HEX #7663C9

RGB 118 99 201

HSL 251.18, 0.49%, 0.59%

LAB 48.25, 32.25, -50.75

 

CMYK 32 / 39 / 0 / 17

HEX #9182D4

RGB 145 130 212

HSL 250.98, 0.49%, 0.67%

LAB 58.73, 24.05, -40.23

 

CMYK 52 / 63 / 0 / 25

HEX #5C46BF

RGB 92 70 191

HSL 250.91, 0.49%, 0.51%

LAB 38.58, 40.86, -60.66

 

CMYK 0 / 64 / 24 / 25

HEX #BF4492

RGB 191 68 146

HSL 321.95, 0.49%, 0.51%

LAB 48.62, 57.08, -17.29

 

CMYK 49 / 0 / 64 / 25

HEX #61BF44

RGB 97 191 68

HSL 105.85, 0.49%, 0.51%

LAB 69.63, -50.42, 51.91

 

CMYK 52 / 63 / 0 / 25

HEX #5C46BF

RGB 92 70 191

HSL 250.91, 0.49%, 0.51%

LAB 38.58, 40.86, -60.66

 

CMYK 0 / 53 / 64 / 25

HEX #BF5944

RGB 191 89 68

HSL 10.24, 0.49%, 0.51%

LAB 50.26, 39.39, 31.57

 

CMYK 64 / 0 / 53 / 25

HEX #44BF59

RGB 68 191 89

HSL 130.24, 0.49%, 0.51%

LAB 68.9, -55.21, 41.25

 

CMYK 52 / 63 / 0 / 25

HEX #5C46BF

RGB 92 70 191

HSL 250.91, 0.49%, 0.51%

LAB 38.58, 40.86, -60.66

 

CMYK 0 / 64 / 24 / 25

HEX #BF4492

RGB 191 68 146

HSL 321.95, 0.49%, 0.51%

LAB 48.62, 57.08, -17.29

 

CMYK 11 / 0 / 64 / 25

HEX #AABF44

RGB 170 191 68

HSL 70.24, 0.49%, 0.51%

LAB 73.69, -24, 57.49

 

CMYK 64 / 0 / 41 / 25

HEX #44BF71

RGB 68 191 113

HSL 141.95, 0.49%, 0.51%

LAB 69.24, -51.42, 29.58

 

CMYK 52 / 63 / 0 / 25

HEX #5C46BF

RGB 92 70 191

HSL 250.91, 0.49%, 0.51%

LAB 38.58, 40.86, -60.66

 

CMYK 0 / 64 / 43 / 25

HEX #BF446D

RGB 191 68 109

HSL 340, 0.49%, 0.51%

LAB 47.38, 52.66, 3.24

 

CMYK 11 / 0 / 64 / 25

HEX #AABF44

RGB 170 191 68

HSL 70.24, 0.49%, 0.51%

LAB 73.69, -24, 57.49

 

CMYK 64 / 0 / 21 / 25

HEX #44BF96

RGB 68 191 150

HSL 160, 0.49%, 0.51%

LAB 69.96, -43.79, 10.8

 

Description

Color code: HEX #5C46BF | qconv.com Color code: HEX #5C46BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 70 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 70 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 63 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 63% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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