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Color name
HEX #5C3D2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C3D2E it is the complementary color #A3C2D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C3D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C3D2E shade: #613D29, #724F3C, #83614F, #947362 and #A58575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C3D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C3D2E shade: #5C3D2E, #4B2B1B, #3A1908, #290700 and #180000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C3D2E shade: #5B3C2E, #5B302E and #5B2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C3D2E shade: #5B3C2E, #5B492E, #5B552E, #555B2E and #495B2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C3D2E shade matches the following richer shades: #5B3C2E, #663922, #713517, #7C310C and #882D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C3D2E shade: #5B3C2E, #504039, #454444, #3A484F and #2F4C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C3D2E shade: #5B2E37, #5B302E, #5B3C2E, #5B482E and #5B542E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C3D2E shade: #241812, #402A20, #5B3C2E, #774F3B and #926149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C3D2E shade: #5C3D2E, #445B2E and #2E315B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C3D2E shade: #5C3D2E, #2E5B3C and #3C2E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C3D2E shade: #5C3D2E, #445B2E, #2E4D5B and #452E5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C3D2E shade: #5C3D2E, #365B2E, #2E4D5B and #532E5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 50 / 64

HEX #5C3D2E

RGB 92 61 46

HSL 19.57, 0.33%, 0.27%

LAB 28.93, 11.6, 14.73

 

Complementary color

CMYK 22 / 7 / 0 / 18

HEX #A3C2D1

RGB 163 194 209

HSL 199.57, 0.33%, 0.73%

LAB 76.66, -7.12, -10.97

 

CMYK 0 / 37 / 58 / 62

HEX #613D29

RGB 97 61 41

HSL 21.43, 0.41%, 0.27%

LAB 29.51, 13.4, 18.78

 

CMYK 0 / 31 / 47 / 55

HEX #724F3C

RGB 114 79 60

HSL 21.11, 0.31%, 0.34%

LAB 36.92, 12.19, 17.08

 

CMYK 0 / 26 / 40 / 49

HEX #83614F

RGB 131 97 79

HSL 20.77, 0.25%, 0.41%

LAB 44.15, 11.23, 15.64

 

CMYK 0 / 22 / 34 / 42

HEX #947362

RGB 148 115 98

HSL 20.4, 0.2%, 0.48%

LAB 51.2, 10.44, 14.38

 

CMYK 0 / 19 / 29 / 35

HEX #A58575

RGB 165 133 117

HSL 20, 0.21%, 0.55%

LAB 58.09, 9.79, 13.25

 

CMYK 0 / 34 / 50 / 64

HEX #5C3D2E

RGB 92 61 46

HSL 19.57, 0.33%, 0.27%

LAB 28.93, 11.6, 14.73

 

CMYK 0 / 43 / 64 / 71

HEX #4B2B1B

RGB 75 43 27

HSL 20, 0.47%, 0.2%

LAB 21.22, 12.96, 16.59

 

CMYK 0 / 57 / 86 / 77

HEX #3A1908

RGB 58 25 8

HSL 20.4, 0.76%, 0.13%

LAB 13.31, 14.79, 16.81

 

CMYK 0 / 83 / 100 / 84

HEX #290700

RGB 41 7 0

HSL 10.24, 1%, 0.08%

LAB 5.63, 15.97, 8.73

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 34 / 49 / 64

HEX #5B3C2E

RGB 91 60 46

HSL 18.67, 0.33%, 0.27%

LAB 28.52, 11.77, 14.17

 

CMYK 0 / 47 / 49 / 64

HEX #5B302E

RGB 91 48 46

HSL 2.67, 0.33%, 0.27%

LAB 25.37, 19.27, 9.92

 

CMYK 0 / 49 / 49 / 64

HEX #5B2E2E

RGB 91 46 46

HSL 0, 0.33%, 0.27%

LAB 24.88, 20.49, 9.24

 

CMYK 0 / 34 / 49 / 64

HEX #5B3C2E

RGB 91 60 46

HSL 18.67, 0.33%, 0.27%

LAB 28.52, 11.77, 14.17

 

CMYK 0 / 20 / 49 / 64

HEX #5B492E

RGB 91 73 46

HSL 36, 0.33%, 0.27%

LAB 32.23, 3.59, 19

 

CMYK 0 / 7 / 49 / 64

HEX #5B552E

RGB 91 85 46

HSL 52, 0.33%, 0.27%

LAB 35.83, -3.76, 23.53

 

CMYK 7 / 0 / 49 / 64

HEX #555B2E

RGB 85 91 46

HSL 68, 0.33%, 0.27%

LAB 37.13, -10.08, 25.02

 

CMYK 20 / 0 / 49 / 64

HEX #495B2E

RGB 73 91 46

HSL 84, 0.33%, 0.27%

LAB 36.17, -15.46, 23.61

 

CMYK 0 / 34 / 49 / 64

HEX #5B3C2E

RGB 91 60 46

HSL 18.67, 0.33%, 0.27%

LAB 28.52, 11.77, 14.17

 

CMYK 0 / 44 / 67 / 60

HEX #663922

RGB 102 57 34

HSL 20.29, 0.5%, 0.27%

LAB 29.07, 17.59, 22.71

 

CMYK 0 / 53 / 80 / 56

HEX #713517

RGB 113 53 23

HSL 20, 0.66%, 0.27%

LAB 29.71, 24.25, 30.26

 

CMYK 0 / 60 / 90 / 51

HEX #7C310C

RGB 124 49 12

HSL 19.82, 0.82%, 0.27%

LAB 30.66, 30.73, 37.15

 

CMYK 0 / 67 / 99 / 47

HEX #882D01

RGB 136 45 1

HSL 19.56, 0.99%, 0.27%

LAB 32.06, 37.21, 43.6

 

CMYK 0 / 34 / 49 / 64

HEX #5B3C2E

RGB 91 60 46

HSL 18.67, 0.33%, 0.27%

LAB 28.52, 11.77, 14.17

 

CMYK 0 / 20 / 29 / 69

HEX #504039

RGB 80 64 57

HSL 18.26, 0.17%, 0.27%

LAB 28.56, 5.69, 6.89

 

CMYK 0 / 1 / 1 / 73

HEX #454444

RGB 69 68 68

HSL 0, 0.01%, 0.27%

LAB 28.95, 0.42, 0.14

 

CMYK 27 / 9 / 0 / 69

HEX #3A484F

RGB 58 72 79

HSL 200, 0.15%, 0.27%

LAB 29.66, -3.73, -6.03

 

CMYK 48 / 16 / 0 / 65

HEX #2F4C5A

RGB 47 76 90

HSL 199.53, 0.31%, 0.27%

LAB 30.67, -6.57, -11.64

 

CMYK 0 / 49 / 40 / 64

HEX #5B2E37

RGB 91 46 55

HSL 348, 0.33%, 0.27%

LAB 25.12, 21.64, 3.54

 

CMYK 0 / 47 / 49 / 64

HEX #5B302E

RGB 91 48 46

HSL 2.67, 0.33%, 0.27%

LAB 25.37, 19.27, 9.92

 

CMYK 0 / 34 / 49 / 64

HEX #5B3C2E

RGB 91 60 46

HSL 18.67, 0.33%, 0.27%

LAB 28.52, 11.77, 14.17

 

CMYK 0 / 21 / 49 / 64

HEX #5B482E

RGB 91 72 46

HSL 34.67, 0.33%, 0.27%

LAB 31.93, 4.21, 18.63

 

CMYK 0 / 8 / 49 / 64

HEX #5B542E

RGB 91 84 46

HSL 50.67, 0.33%, 0.27%

LAB 35.52, -3.16, 23.16

 

CMYK 0 / 33 / 50 / 86

HEX #241812

RGB 36 24 18

HSL 20, 0.33%, 0.11%

LAB 9.58, 4.98, 6.24

 

CMYK 0 / 34 / 50 / 75

HEX #402A20

RGB 64 42 32

HSL 18.75, 0.33%, 0.19%

LAB 19.43, 8.77, 10.64

 

CMYK 0 / 34 / 49 / 64

HEX #5B3C2E

RGB 91 60 46

HSL 18.67, 0.33%, 0.27%

LAB 28.52, 11.77, 14.17

 

CMYK 0 / 34 / 50 / 53

HEX #774F3B

RGB 119 79 59

HSL 20, 0.34%, 0.35%

LAB 37.53, 14.33, 18.62

 

CMYK 0 / 34 / 50 / 43

HEX #926149

RGB 146 97 73

HSL 19.73, 0.33%, 0.43%

LAB 45.83, 17.03, 21.76

 

CMYK 0 / 34 / 50 / 64

HEX #5C3D2E

RGB 92 61 46

HSL 19.57, 0.33%, 0.27%

LAB 28.93, 11.6, 14.73

 

CMYK 25 / 0 / 49 / 64

HEX #445B2E

RGB 68 91 46

HSL 90.67, 0.33%, 0.27%

LAB 35.81, -17.61, 23.08

 

CMYK 49 / 46 / 0 / 64

HEX #2E315B

RGB 46 49 91

HSL 236, 0.33%, 0.27%

LAB 22.06, 11.48, -25.69

 

CMYK 0 / 34 / 50 / 64

HEX #5C3D2E

RGB 92 61 46

HSL 19.57, 0.33%, 0.27%

LAB 28.93, 11.6, 14.73

 

CMYK 49 / 0 / 34 / 64

HEX #2E5B3C

RGB 46 91 60

HSL 138.67, 0.33%, 0.27%

LAB 34.78, -23.36, 13.2

 

CMYK 34 / 49 / 0 / 64

HEX #3C2E5B

RGB 60 46 91

HSL 258.67, 0.33%, 0.27%

LAB 22.55, 17.74, -24.83

 

CMYK 0 / 34 / 50 / 64

HEX #5C3D2E

RGB 92 61 46

HSL 19.57, 0.33%, 0.27%

LAB 28.93, 11.6, 14.73

 

CMYK 25 / 0 / 49 / 64

HEX #445B2E

RGB 68 91 46

HSL 90.67, 0.33%, 0.27%

LAB 35.81, -17.61, 23.08

 

CMYK 49 / 15 / 0 / 64

HEX #2E4D5B

RGB 46 77 91

HSL 198.67, 0.33%, 0.27%

LAB 30.98, -7.15, -11.81

 

CMYK 24 / 49 / 0 / 64

HEX #452E5B

RGB 69 46 91

HSL 270.67, 0.33%, 0.27%

LAB 23.59, 20.62, -23.12

 

CMYK 0 / 34 / 50 / 64

HEX #5C3D2E

RGB 92 61 46

HSL 19.57, 0.33%, 0.27%

LAB 28.93, 11.6, 14.73

 

CMYK 41 / 0 / 49 / 64

HEX #365B2E

RGB 54 91 46

HSL 109.33, 0.33%, 0.27%

LAB 34.93, -23.18, 21.8

 

CMYK 49 / 15 / 0 / 64

HEX #2E4D5B

RGB 46 77 91

HSL 198.67, 0.33%, 0.27%

LAB 30.98, -7.15, -11.81

 

CMYK 9 / 49 / 0 / 64

HEX #532E5B

RGB 83 46 91

HSL 289.33, 0.33%, 0.27%

LAB 25.41, 25.28, -20.14

 

Description

Color code: HEX #5C3D2E | qconv.com Color code: HEX #5C3D2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 61 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 61 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 50 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 50% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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