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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C3CA8 it is the complementary color #A3C357. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C3CA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C3CA8 shade: #613CA3, #724EB6, #8360C9, #9472DC and #A584EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C3CA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C3CA8 shade: #5C3CA8, #4B2A95, #3A1882, #29066F and #18005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C3CA8 shade: #5C3CA8, #793CA8, #963CA8, #A83C9D and #A83C80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C3CA8 shade: #5C3CA8, #3F3CA8 and #3C3CA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C3CA8 shade matches the following richer shades: #5C3CA8, #552ABB, #4D17CD and #4605E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C3CA8 shade: #5C3CA8, #644F96, #6B6183, #737470 and #7B875E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C3CA8 shade: #3C57A8, #3E3CA8, #5B3CA8, #783CA8 and #943CA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C3CA8 shade: #3B266C, #4C318A, #5C3CA8, #704FBF and #896DCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C3CA8 shade: #5C3CA8, #A83C74 and #49A83C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C3CA8 shade: #5C3CA8, #A85B3C and #3CA85B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C3CA8 shade: #5C3CA8, #A83C74, #8AA83C and #3CA870

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C3CA8 shade: #5C3CA8, #A83C54, #8AA83C and #3CA891

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

Complementary color

CMYK 16 / 0 / 55 / 24

HEX #A3C357

RGB 163 195 87

HSL 77.78, 0.47%, 0.55%

LAB 74.51, -27.24, 49.92

 

CMYK 40 / 63 / 0 / 36

HEX #613CA3

RGB 97 60 163

HSL 261.55, 0.46%, 0.44%

LAB 34.84, 39.52, -50.11

 

CMYK 37 / 57 / 0 / 29

HEX #724EB6

RGB 114 78 182

HSL 260.77, 0.42%, 0.51%

LAB 41.85, 38.35, -50

 

CMYK 35 / 52 / 0 / 21

HEX #8360C9

RGB 131 96 201

HSL 260, 0.49%, 0.58%

LAB 48.77, 37.22, -49.84

 

CMYK 33 / 48 / 0 / 14

HEX #9472DC

RGB 148 114 220

HSL 259.25, 0.6%, 0.65%

LAB 55.58, 36.18, -49.69

 

CMYK 31 / 45 / 0 / 6

HEX #A584EF

RGB 165 132 239

HSL 258.5, 0.77%, 0.73%

LAB 62.28, 35.22, -49.56

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 50 / 72 / 0 / 42

HEX #4B2A95

RGB 75 42 149

HSL 258.5, 0.56%, 0.37%

LAB 27.63, 41.12, -53.42

 

CMYK 55 / 82 / 0 / 49

HEX #3A1882

RGB 58 24 130

HSL 259.25, 0.69%, 0.3%

LAB 20.69, 42.04, -53.04

 

CMYK 63 / 95 / 0 / 56

HEX #29066F

RGB 41 6 111

HSL 260, 0.9%, 0.23%

LAB 14.11, 41.9, -51.77

 

CMYK 74 / 100 / 0 / 64

HEX #18005C

RGB 24 0 92

HSL 255.65, 1%, 0.18%

LAB 8.71, 38.28, -48.2

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 28 / 64 / 0 / 34

HEX #793CA8

RGB 121 60 168

HSL 273.89, 0.47%, 0.45%

LAB 38.06, 46.28, -47.75

 

CMYK 11 / 64 / 0 / 34

HEX #963CA8

RGB 150 60 168

HSL 290, 0.47%, 0.45%

LAB 42.07, 53.23, -41.12

 

CMYK 0 / 64 / 7 / 34

HEX #A83C9D

RGB 168 60 157

HSL 306.11, 0.47%, 0.45%

LAB 44.22, 55.8, -30.98

 

CMYK 0 / 64 / 24 / 34

HEX #A83C80

RGB 168 60 128

HSL 322.22, 0.47%, 0.45%

LAB 42.94, 51.37, -15.41

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 63 / 64 / 0 / 34

HEX #3F3CA8

RGB 63 60 168

HSL 241.67, 0.47%, 0.45%

LAB 32.07, 34.49, -57.75

 

CMYK 64 / 64 / 0 / 34

HEX #3C3CA8

RGB 60 60 168

HSL 240, 0.47%, 0.45%

LAB 31.85, 34.02, -58.12

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 55 / 78 / 0 / 27

HEX #552ABB

RGB 85 42 187

HSL 257.79, 0.63%, 0.45%

LAB 32.2, 53.39, -68.77

 

CMYK 62 / 89 / 0 / 20

HEX #4D17CD

RGB 77 23 205

HSL 257.8, 0.8%, 0.45%

LAB 30.87, 64.42, -81.56

 

CMYK 69 / 98 / 0 / 12

HEX #4605E0

RGB 70 5 224

HSL 257.81, 0.96%, 0.45%

LAB 31.33, 72.27, -91.82

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 33 / 47 / 0 / 41

HEX #644F96

RGB 100 79 150

HSL 257.75, 0.31%, 0.45%

LAB 38.73, 25.33, -36.02

 

CMYK 18 / 26 / 0 / 49

HEX #6B6183

RGB 107 97 131

HSL 257.65, 0.15%, 0.45%

LAB 43.23, 11.45, -17.47

 

CMYK 1 / 0 / 3 / 55

HEX #737470

RGB 115 116 112

HSL 75, 0.02%, 0.45%

LAB 48.64, -1.18, 2.07

 

CMYK 9 / 0 / 30 / 47

HEX #7B875E

RGB 123 135 94

HSL 77.56, 0.18%, 0.45%

LAB 54.39, -11.82, 20.64

 

CMYK 64 / 48 / 0 / 34

HEX #3C57A8

RGB 60 87 168

HSL 225, 0.47%, 0.45%

LAB 38.91, 16.51, -46.69

 

CMYK 63 / 64 / 0 / 34

HEX #3E3CA8

RGB 62 60 168

HSL 241.11, 0.47%, 0.45%

LAB 32, 34.33, -57.88

 

CMYK 46 / 64 / 0 / 34

HEX #5B3CA8

RGB 91 60 168

HSL 257.22, 0.47%, 0.45%

LAB 34.57, 39.65, -53.58

 

CMYK 29 / 64 / 0 / 34

HEX #783CA8

RGB 120 60 168

HSL 273.33, 0.47%, 0.45%

LAB 37.94, 46.05, -47.97

 

CMYK 12 / 64 / 0 / 34

HEX #943CA8

RGB 148 60 168

HSL 288.89, 0.47%, 0.45%

LAB 41.77, 52.75, -41.61

 

CMYK 45 / 65 / 0 / 58

HEX #3B266C

RGB 59 38 108

HSL 258, 0.48%, 0.29%

LAB 21.57, 27.89, -37.51

 

CMYK 45 / 64 / 0 / 46

HEX #4C318A

RGB 76 49 138

HSL 258.2, 0.48%, 0.37%

LAB 28.3, 34.11, -45.54

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 41 / 59 / 0 / 25

HEX #704FBF

RGB 112 79 191

HSL 257.68, 0.47%, 0.53%

LAB 42.46, 39.77, -54.29

 

CMYK 32 / 46 / 0 / 21

HEX #896DCA

RGB 137 109 202

HSL 258.06, 0.47%, 0.61%

LAB 52.42, 31.51, -44.57

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 0 / 64 / 31 / 34

HEX #A83C74

RGB 168 60 116

HSL 328.89, 0.47%, 0.45%

LAB 42.49, 49.77, -8.71

 

CMYK 57 / 0 / 64 / 34

HEX #49A83C

RGB 73 168 60

HSL 112.78, 0.47%, 0.45%

LAB 61.44, -48.97, 46.1

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 0 / 46 / 64 / 34

HEX #A85B3C

RGB 168 91 60

HSL 17.22, 0.47%, 0.45%

LAB 47.15, 28.66, 31.53

 

CMYK 64 / 0 / 46 / 34

HEX #3CA85B

RGB 60 168 91

HSL 137.22, 0.47%, 0.45%

LAB 61.41, -47.86, 30.87

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 0 / 64 / 31 / 34

HEX #A83C74

RGB 168 60 116

HSL 328.89, 0.47%, 0.45%

LAB 42.49, 49.77, -8.71

 

CMYK 18 / 0 / 64 / 34

HEX #8AA83C

RGB 138 168 60

HSL 76.67, 0.47%, 0.45%

LAB 64.75, -26.43, 50.67

 

CMYK 64 / 0 / 33 / 34

HEX #3CA870

RGB 60 168 112

HSL 148.89, 0.47%, 0.45%

LAB 61.77, -43.94, 20.1

 

CMYK 45 / 64 / 0 / 34

HEX #5C3CA8

RGB 92 60 168

HSL 257.78, 0.47%, 0.45%

LAB 34.67, 39.85, -53.41

 

CMYK 0 / 64 / 50 / 34

HEX #A83C54

RGB 168 60 84

HSL 346.67, 0.47%, 0.45%

LAB 41.53, 46.25, 9.8

 

CMYK 18 / 0 / 64 / 34

HEX #8AA83C

RGB 138 168 60

HSL 76.67, 0.47%, 0.45%

LAB 64.75, -26.43, 50.67

 

CMYK 64 / 0 / 14 / 34

HEX #3CA891

RGB 60 168 145

HSL 167.22, 0.47%, 0.45%

LAB 62.52, -36.27, 2.86

 

Description

Color code: HEX #5C3CA8 | qconv.com Color code: HEX #5C3CA8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 60 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 60 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 64 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 64% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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