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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C13CD it is the complementary color #A3EC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C13CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C13CD shade: #6113C8, #7225DB, #8337EE, #9449FF and #A55BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C13CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C13CD shade: #5C13CD, #4B01BA, #3A00A7, #290094 and #180081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C13CD shade: #5C13CD, #8E13CD, #C013CD, #CD13A7 and #CD1375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C13CD shade: #5C13CD, #2913CD and #1313CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C13CD shade matches the following richer shades: #5C13CD and #5800DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C13CD shade: #5C13CD, #6025BB, #6337A9, #674996 and #6B5B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C13CD shade: #132FCD, #2813CD, #5A13CD, #8C13CD and #BD13CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C13CD shade: #3A0C81, #4B0FA7, #5C13CD, #6F1FEA and #8745ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C13CD shade: #5C13CD, #CD1360 and #16CD13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C13CD shade: #5C13CD, #CD5A13 and #13CD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C13CD shade: #5C13CD, #CD1360, #85CD13 and #13CD7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C13CD shade: #5C13CD, #CD1328, #85CD13 and #13CDB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

Complementary color

CMYK 31 / 0 / 79 / 7

HEX #A3EC32

RGB 163 236 50

HSL 83.55, 0.83%, 0.56%

LAB 86.01, -48.06, 75.57

 

CMYK 52 / 91 / 0 / 22

HEX #6113C8

RGB 97 19 200

HSL 265.86, 0.83%, 0.43%

LAB 32.21, 65.9, -76.37

 

CMYK 48 / 83 / 0 / 14

HEX #7225DB

RGB 114 37 219

HSL 265.38, 0.72%, 0.5%

LAB 37.87, 67.11, -77.97

 

CMYK 45 / 77 / 0 / 7

HEX #8337EE

RGB 131 55 238

HSL 264.92, 0.84%, 0.57%

LAB 43.84, 67.29, -78.9

 

CMYK 42 / 71 / 0 / 0

HEX #9449FF

RGB 148 73 255

HSL 264.73, 1%, 0.64%

LAB 49.84, 66.39, -78.55

 

CMYK 35 / 64 / 0 / 0

HEX #A55BFF

RGB 165 91 255

HSL 267.07, 1%, 0.68%

LAB 54.76, 61.08, -70.45

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 60 / 99 / 0 / 27

HEX #4B01BA

RGB 75 1 186

HSL 264, 0.99%, 0.37%

LAB 26.91, 64.29, -76.96

 

CMYK 65 / 100 / 0 / 35

HEX #3A00A7

RGB 58 0 167

HSL 260.84, 1%, 0.33%

LAB 22.62, 59.05, -72.75

 

CMYK 72 / 100 / 0 / 42

HEX #290094

RGB 41 0 148

HSL 256.62, 1%, 0.29%

LAB 18.41, 53.61, -68.15

 

CMYK 81 / 100 / 0 / 49

HEX #180081

RGB 24 0 129

HSL 251.16, 1%, 0.25%

LAB 14.28, 48.17, -63.13

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 31 / 91 / 0 / 20

HEX #8E13CD

RGB 142 19 205

HSL 279.68, 0.83%, 0.44%

LAB 38.94, 72.07, -67.98

 

CMYK 6 / 91 / 0 / 20

HEX #C013CD

RGB 192 19 205

HSL 295.81, 0.83%, 0.44%

LAB 47.08, 79.49, -54.41

 

CMYK 0 / 91 / 19 / 20

HEX #CD13A7

RGB 205 19 167

HSL 312.26, 0.83%, 0.44%

LAB 47.28, 76.46, -31.69

 

CMYK 0 / 91 / 43 / 20

HEX #CD1375

RGB 205 19 117

HSL 328.39, 0.83%, 0.44%

LAB 45.26, 71.08, -4.48

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 80 / 91 / 0 / 20

HEX #2913CD

RGB 41 19 205

HSL 247.1, 0.83%, 0.44%

LAB 27.7, 63.65, -86.93

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 61 / 100 / 0 / 13

HEX #5800DF

RGB 88 0 223

HSL 263.68, 1%, 0.44%

LAB 32.71, 73.66, -88.91

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 49 / 80 / 0 / 27

HEX #6025BB

RGB 96 37 187

HSL 263.6, 0.67%, 0.44%

LAB 32.7, 56.99, -67.92

 

CMYK 41 / 67 / 0 / 34

HEX #6337A9

RGB 99 55 169

HSL 263.16, 0.51%, 0.44%

LAB 34.5, 44.33, -54.25

 

CMYK 31 / 51 / 0 / 41

HEX #674996

RGB 103 73 150

HSL 263.38, 0.35%, 0.44%

LAB 37.57, 29.84, -37.84

 

CMYK 19 / 31 / 0 / 48

HEX #6B5B84

RGB 107 91 132

HSL 263.41, 0.18%, 0.44%

LAB 41.65, 15.38, -20.51

 

CMYK 91 / 77 / 0 / 20

HEX #132FCD

RGB 19 47 205

HSL 230.97, 0.83%, 0.44%

LAB 30.83, 51.09, -81.74

 

CMYK 80 / 91 / 0 / 20

HEX #2813CD

RGB 40 19 205

HSL 246.77, 0.83%, 0.44%

LAB 27.64, 63.61, -87.02

 

CMYK 56 / 91 / 0 / 20

HEX #5A13CD

RGB 90 19 205

HSL 262.9, 0.83%, 0.44%

LAB 31.91, 66.46, -79.8

 

CMYK 32 / 91 / 0 / 20

HEX #8C13CD

RGB 140 19 205

HSL 279.03, 0.83%, 0.44%

LAB 38.64, 71.81, -68.49

 

CMYK 8 / 91 / 0 / 20

HEX #BD13CD

RGB 189 19 205

HSL 294.84, 0.83%, 0.44%

LAB 46.57, 79.01, -55.26

 

CMYK 55 / 91 / 0 / 49

HEX #3A0C81

RGB 58 12 129

HSL 263.59, 0.83%, 0.28%

LAB 19, 46.41, -55.19

 

CMYK 55 / 91 / 0 / 35

HEX #4B0FA7

RGB 75 15 167

HSL 263.68, 0.84%, 0.36%

LAB 25.65, 56.91, -67.66

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 53 / 87 / 0 / 8

HEX #6F1FEA

RGB 111 31 234

HSL 263.65, 0.83%, 0.52%

LAB 38.38, 72.14, -85.72

 

CMYK 43 / 71 / 0 / 7

HEX #8745ED

RGB 135 69 237

HSL 263.57, 0.82%, 0.6%

LAB 46.34, 61.61, -74.24

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 0 / 91 / 53 / 20

HEX #CD1360

RGB 205 19 96

HSL 335.16, 0.83%, 0.44%

LAB 44.65, 69.38, 7.69

 

CMYK 89 / 0 / 91 / 20

HEX #16CD13

RGB 22 205 19

HSL 119.03, 0.83%, 0.44%

LAB 72.15, -71.66, 68.52

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 0 / 56 / 91 / 20

HEX #CD5A13

RGB 205 90 19

HSL 22.9, 0.83%, 0.44%

LAB 52.22, 42.37, 57.1

 

CMYK 91 / 0 / 56 / 20

HEX #13CD5A

RGB 19 205 90

HSL 142.9, 0.83%, 0.44%

LAB 72.59, -66.05, 45.03

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 0 / 91 / 53 / 20

HEX #CD1360

RGB 205 19 96

HSL 335.16, 0.83%, 0.44%

LAB 44.65, 69.38, 7.69

 

CMYK 35 / 0 / 91 / 20

HEX #85CD13

RGB 133 205 19

HSL 83.23, 0.83%, 0.44%

LAB 75.26, -46.91, 72.38

 

CMYK 91 / 0 / 38 / 20

HEX #13CD7F

RGB 19 205 127

HSL 154.84, 0.83%, 0.44%

LAB 73.11, -59.81, 27.28

 

CMYK 55 / 91 / 0 / 20

HEX #5C13CD

RGB 92 19 205

HSL 263.55, 0.83%, 0.44%

LAB 32.14, 66.63, -79.41

 

CMYK 0 / 91 / 80 / 20

HEX #CD1328

RGB 205 19 40

HSL 353.23, 0.83%, 0.44%

LAB 43.65, 66.59, 40.66

 

CMYK 35 / 0 / 91 / 20

HEX #85CD13

RGB 133 205 19

HSL 83.23, 0.83%, 0.44%

LAB 75.26, -46.91, 72.38

 

CMYK 91 / 0 / 11 / 20

HEX #13CDB7

RGB 19 205 183

HSL 172.9, 0.83%, 0.44%

LAB 74.33, -46.49, -0.89

 

Description

Color code: HEX #5C13CD | qconv.com Color code: HEX #5C13CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 19 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 19 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 91 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 91% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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