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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C18EC it is the complementary color #A3E713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C18EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C18EC shade: #6118E7, #722AFA, #833CFF, #944EFF and #A560FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C18EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C18EC shade: #5C18EC, #4B06D9, #3A00C6, #2900B3 and #1800A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C18EC shade: #5B17EC, #9517EC, #CE17EC, #EC17D0 and #EC1797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C18EC shade: #5B17EC, #2217EC and #1717EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C18EC shade matches the following richer shades: #5B17EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C18EC shade: #5B17EC, #632CD8, #6A40C3, #7154AF and #78689B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C18EC shade: #1745EC, #2217EC, #5B17EC, #9317EC and #CC17EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C18EC shade: #3D0DA4, #4C10CA, #5B17EC, #763EEF and #9164F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C18EC shade: #5C18EC, #EC177E and #29EC17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C18EC shade: #5C18EC, #EC5B17 and #17EC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C18EC shade: #5C18EC, #EC177E, #A8EC17 and #17EC85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C18EC shade: #5C18EC, #EC173E, #A8EC17 and #17ECC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 90 / 0 / 7

HEX #5C18EC

RGB 92 24 236

HSL 259.25, 0.85%, 0.51%

LAB 35.95, 72.86, -90.93

 

Complementary color

CMYK 29 / 0 / 92 / 9

HEX #A3E713

RGB 163 231 19

HSL 79.25, 0.85%, 0.49%

LAB 84.48, -46.89, 80.51

 

CMYK 58 / 90 / 0 / 9

HEX #6118E7

RGB 97 24 231

HSL 261.16, 0.81%, 0.5%

LAB 35.92, 72.03, -88.13

 

CMYK 54 / 83 / 0 / 2

HEX #722AFA

RGB 114 42 250

HSL 260.77, 0.95%, 0.57%

LAB 41.43, 72.91, -89.69

 

CMYK 49 / 76 / 0 / 0

HEX #833CFF

RGB 131 60 255

HSL 261.85, 1%, 0.62%

LAB 46.01, 69.42, -84.88

 

CMYK 42 / 69 / 0 / 0

HEX #944EFF

RGB 148 78 255

HSL 263.73, 1%, 0.65%

LAB 50.65, 64.11, -77.22

 

CMYK 35 / 62 / 0 / 0

HEX #A560FF

RGB 165 96 255

HSL 266.04, 1%, 0.69%

LAB 55.67, 58.61, -68.99

 

CMYK 61 / 90 / 0 / 7

HEX #5C18EC

RGB 92 24 236

HSL 259.25, 0.85%, 0.51%

LAB 35.95, 72.86, -90.93

 

CMYK 65 / 97 / 0 / 15

HEX #4B06D9

RGB 75 6 217

HSL 259.62, 0.95%, 0.44%

LAB 30.96, 70.69, -88.38

 

CMYK 71 / 100 / 0 / 22

HEX #3A00C6

RGB 58 0 198

HSL 257.58, 1%, 0.39%

LAB 26.67, 66.48, -84.51

 

CMYK 77 / 100 / 0 / 30

HEX #2900B3

RGB 41 0 179

HSL 253.74, 1%, 0.35%

LAB 22.74, 61.33, -79.81

 

CMYK 85 / 100 / 0 / 37

HEX #1800A0

RGB 24 0 160

HSL 249, 1%, 0.31%

LAB 18.94, 56.17, -74.69

 

CMYK 61 / 90 / 0 / 7

HEX #5B17EC

RGB 91 23 236

HSL 259.15, 0.85%, 0.51%

LAB 35.78, 73.03, -91.22

 

CMYK 37 / 90 / 0 / 7

HEX #9517EC

RGB 149 23 236

HSL 275.49, 0.85%, 0.51%

LAB 42.85, 78.39, -79.31

 

CMYK 13 / 90 / 0 / 7

HEX #CE17EC

RGB 206 23 236

HSL 291.55, 0.85%, 0.51%

LAB 51.6, 86.11, -64.68

 

CMYK 0 / 90 / 12 / 7

HEX #EC17D0

RGB 236 23 208

HSL 307.89, 0.85%, 0.51%

LAB 55.07, 87.02, -42.94

 

CMYK 0 / 90 / 36 / 7

HEX #EC1797

RGB 236 23 151

HSL 323.94, 0.85%, 0.51%

LAB 52.6, 80.52, -13.49

 

CMYK 61 / 90 / 0 / 7

HEX #5B17EC

RGB 91 23 236

HSL 259.15, 0.85%, 0.51%

LAB 35.78, 73.03, -91.22

 

CMYK 86 / 90 / 0 / 7

HEX #2217EC

RGB 34 23 236

HSL 243.1, 0.85%, 0.51%

LAB 31.83, 70.54, -97.9

 

CMYK 90 / 90 / 0 / 7

HEX #1717EC

RGB 23 23 236

HSL 240, 0.85%, 0.51%

LAB 31.47, 70.33, -98.52

 

CMYK 61 / 90 / 0 / 7

HEX #5B17EC

RGB 91 23 236

HSL 259.15, 0.85%, 0.51%

LAB 35.78, 73.03, -91.22

 

CMYK 61 / 90 / 0 / 7

HEX #5B17EC

RGB 91 23 236

HSL 259.15, 0.85%, 0.51%

LAB 35.78, 73.03, -91.22

 

CMYK 54 / 80 / 0 / 15

HEX #632CD8

RGB 99 44 216

HSL 259.19, 0.69%, 0.51%

LAB 36.77, 62.02, -78.12

 

CMYK 46 / 67 / 0 / 24

HEX #6A40C3

RGB 106 64 195

HSL 259.24, 0.52%, 0.51%

LAB 39.02, 47.98, -62.23

 

CMYK 35 / 52 / 0 / 31

HEX #7154AF

RGB 113 84 175

HSL 259.12, 0.36%, 0.51%

LAB 42.68, 32.68, -44.55

 

CMYK 23 / 33 / 0 / 39

HEX #78689B

RGB 120 104 155

HSL 258.82, 0.2%, 0.51%

LAB 47.31, 17.45, -25.41

 

CMYK 90 / 71 / 0 / 7

HEX #1745EC

RGB 23 69 236

HSL 227.04, 0.85%, 0.51%

LAB 38.72, 49.26, -86.47

 

CMYK 86 / 90 / 0 / 7

HEX #2217EC

RGB 34 23 236

HSL 243.1, 0.85%, 0.51%

LAB 31.83, 70.54, -97.9

 

CMYK 61 / 90 / 0 / 7

HEX #5B17EC

RGB 91 23 236

HSL 259.15, 0.85%, 0.51%

LAB 35.78, 73.03, -91.22

 

CMYK 38 / 90 / 0 / 7

HEX #9317EC

RGB 147 23 236

HSL 274.93, 0.85%, 0.51%

LAB 42.57, 78.16, -79.78

 

CMYK 14 / 90 / 0 / 7

HEX #CC17EC

RGB 204 23 236

HSL 290.99, 0.85%, 0.51%

LAB 51.27, 85.8, -65.23

 

CMYK 63 / 92 / 0 / 36

HEX #3D0DA4

RGB 61 13 164

HSL 259.07, 0.85%, 0.35%

LAB 23.54, 55.5, -69.38

 

CMYK 62 / 92 / 0 / 21

HEX #4C10CA

RGB 76 16 202

HSL 259.35, 0.85%, 0.43%

LAB 29.84, 65.37, -81.53

 

CMYK 61 / 90 / 0 / 7

HEX #5B17EC

RGB 91 23 236

HSL 259.15, 0.85%, 0.51%

LAB 35.78, 73.03, -91.22

 

CMYK 51 / 74 / 0 / 6

HEX #763EEF

RGB 118 62 239

HSL 258.98, 0.85%, 0.59%

LAB 43.55, 62.71, -80

 

CMYK 40 / 59 / 0 / 5

HEX #9164F2

RGB 145 100 242

HSL 259.01, 0.85%, 0.67%

LAB 53.54, 49.03, -65.31

 

CMYK 61 / 90 / 0 / 7

HEX #5C18EC

RGB 92 24 236

HSL 259.25, 0.85%, 0.51%

LAB 35.95, 72.86, -90.93

 

CMYK 0 / 90 / 47 / 7

HEX #EC177E

RGB 236 23 126

HSL 330.99, 0.85%, 0.51%

LAB 51.78, 78.31, 0.31

 

CMYK 83 / 0 / 90 / 7

HEX #29EC17

RGB 41 236 23

HSL 114.93, 0.85%, 0.51%

LAB 82.12, -78.53, 76.44

 

CMYK 61 / 90 / 0 / 7

HEX #5C18EC

RGB 92 24 236

HSL 259.25, 0.85%, 0.51%

LAB 35.95, 72.86, -90.93

 

CMYK 0 / 61 / 90 / 7

HEX #EC5B17

RGB 236 91 23

HSL 19.15, 0.85%, 0.51%

LAB 57.44, 53.36, 61.96

 

CMYK 90 / 0 / 61 / 7

HEX #17EC5B

RGB 23 236 91

HSL 139.15, 0.85%, 0.51%

LAB 82.34, -75.19, 55.94

 

CMYK 61 / 90 / 0 / 7

HEX #5C18EC

RGB 92 24 236

HSL 259.25, 0.85%, 0.51%

LAB 35.95, 72.86, -90.93

 

CMYK 0 / 90 / 47 / 7

HEX #EC177E

RGB 236 23 126

HSL 330.99, 0.85%, 0.51%

LAB 51.78, 78.31, 0.31

 

CMYK 29 / 0 / 90 / 7

HEX #A8EC17

RGB 168 236 23

HSL 79.15, 0.85%, 0.51%

LAB 86.19, -47.08, 81.47

 

CMYK 90 / 0 / 44 / 7

HEX #17EC85

RGB 23 236 133

HSL 150.99, 0.85%, 0.51%

LAB 82.84, -69.09, 37.02

 

CMYK 61 / 90 / 0 / 7

HEX #5C18EC

RGB 92 24 236

HSL 259.25, 0.85%, 0.51%

LAB 35.95, 72.86, -90.93

 

CMYK 0 / 90 / 74 / 7

HEX #EC173E

RGB 236 23 62

HSL 349.01, 0.85%, 0.51%

LAB 50.44, 74.59, 37.21

 

CMYK 29 / 0 / 90 / 7

HEX #A8EC17

RGB 168 236 23

HSL 79.15, 0.85%, 0.51%

LAB 86.19, -47.08, 81.47

 

CMYK 90 / 0 / 17 / 7

HEX #17ECC5

RGB 23 236 197

HSL 169.01, 0.85%, 0.51%

LAB 84.07, -55.32, 5.81

 

Description

Color code: HEX #5C18EC | qconv.com Color code: HEX #5C18EC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 24 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 24 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 90 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 90% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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