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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C1852 it is the complementary color #A3E7AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C1852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C1852 shade: #61184D, #722A60, #833C73, #944E86 and #A56099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C1852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C1852 shade: #5C1852, #4B063F, #3A002C, #290019 and #180006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C1852 shade: #5D1853, #5D1840, #5D182D, #5D181B and #5D1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C1852 shade: #5D1853, #54185D, #42185D, #2F185D and #1C185D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C1852 shade matches the following richer shades: #5D1853, #660E59 and #700560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C1852 shade: #5D1853, #53214C, #4A2B45, #40343E and #373E38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C1852 shade: #41185D, #54185D, #5D1854, #5D1841 and #5D182F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C1852 shade: #1B0718, #3C0F35, #5D1853, #7E2070 and #9E288D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C1852 shade: #5C1852, #5D2F18 and #185D4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C1852 shade: #5C1852, #545D18 and #18545D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C1852 shade: #5C1852, #5D2F18, #185D21 and #18465D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C1852 shade: #5C1852, #5D4318, #185D21 and #18315D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 11 / 64

HEX #5C1852

RGB 92 24 82

HSL 308.82, 0.59%, 0.23%

LAB 22.08, 37.82, -19.27

 

Complementary color

CMYK 29 / 0 / 25 / 9

HEX #A3E7AD

RGB 163 231 173

HSL 128.82, 0.59%, 0.77%

LAB 85.98, -32.7, 21.58

 

CMYK 0 / 75 / 21 / 62

HEX #61184D

RGB 97 24 77

HSL 316.44, 0.6%, 0.24%

LAB 22.76, 38.4, -14.77

 

CMYK 0 / 63 / 16 / 55

HEX #722A60

RGB 114 42 96

HSL 315, 0.46%, 0.31%

LAB 29.61, 38.5, -16.5

 

CMYK 0 / 54 / 12 / 49

HEX #833C73

RGB 131 60 115

HSL 313.52, 0.37%, 0.37%

LAB 36.55, 38.01, -17.67

 

CMYK 0 / 47 / 9 / 42

HEX #944E86

RGB 148 78 134

HSL 312, 0.31%, 0.44%

LAB 43.46, 37.3, -18.53

 

CMYK 0 / 42 / 7 / 35

HEX #A56099

RGB 165 96 153

HSL 310.43, 0.28%, 0.51%

LAB 50.29, 36.52, -19.22

 

CMYK 0 / 74 / 11 / 64

HEX #5C1852

RGB 92 24 82

HSL 308.82, 0.59%, 0.23%

LAB 22.08, 37.82, -19.27

 

CMYK 0 / 92 / 16 / 71

HEX #4B063F

RGB 75 6 63

HSL 310.43, 0.85%, 0.16%

LAB 15.41, 36.54, -16.9

 

CMYK 0 / 100 / 24 / 77

HEX #3A002C

RGB 58 0 44

HSL 314.48, 1%, 0.11%

LAB 9.65, 31.92, -12.43

 

CMYK 0 / 100 / 39 / 84

HEX #290019

RGB 41 0 25

HSL 323.41, 1%, 0.08%

LAB 4.89, 22.7, -5.39

 

CMYK 0 / 100 / 75 / 91

HEX #180006

RGB 24 0 6

HSL 345, 1%, 0.05%

LAB 1.87, 8.7, 0.5

 

CMYK 0 / 74 / 11 / 64

HEX #5D1853

RGB 93 24 83

HSL 308.7, 0.59%, 0.23%

LAB 22.32, 38.27, -19.55

 

CMYK 0 / 74 / 31 / 64

HEX #5D1840

RGB 93 24 64

HSL 325.22, 0.59%, 0.23%

LAB 21.4, 35.27, -8.05

 

CMYK 0 / 74 / 52 / 64

HEX #5D182D

RGB 93 24 45

HSL 341.74, 0.59%, 0.23%

LAB 20.71, 32.95, 4.16

 

CMYK 0 / 74 / 71 / 64

HEX #5D181B

RGB 93 24 27

HSL 357.39, 0.59%, 0.23%

LAB 20.28, 31.45, 16.13

 

CMYK 0 / 74 / 74 / 64

HEX #5D1818

RGB 93 24 24

HSL 0, 0.59%, 0.23%

LAB 20.23, 31.26, 18.1

 

CMYK 0 / 74 / 11 / 64

HEX #5D1853

RGB 93 24 83

HSL 308.7, 0.59%, 0.23%

LAB 22.32, 38.27, -19.55

 

CMYK 10 / 74 / 0 / 64

HEX #54185D

RGB 84 24 93

HSL 292.17, 0.59%, 0.23%

LAB 21.31, 37.79, -27.91

 

CMYK 29 / 74 / 0 / 64

HEX #42185D

RGB 66 24 93

HSL 276.52, 0.59%, 0.23%

LAB 18.37, 33.38, -32.79

 

CMYK 49 / 74 / 0 / 64

HEX #2F185D

RGB 47 24 93

HSL 260, 0.59%, 0.23%

LAB 15.74, 29.15, -37.19

 

CMYK 70 / 74 / 0 / 64

HEX #1C185D

RGB 28 24 93

HSL 243.48, 0.59%, 0.23%

LAB 13.77, 25.75, -40.49

 

CMYK 0 / 74 / 11 / 64

HEX #5D1853

RGB 93 24 83

HSL 308.7, 0.59%, 0.23%

LAB 22.32, 38.27, -19.55

 

CMYK 0 / 86 / 13 / 60

HEX #660E59

RGB 102 14 89

HSL 308.86, 0.76%, 0.23%

LAB 23.2, 44.9, -22.05

 

CMYK 0 / 96 / 14 / 56

HEX #700560

RGB 112 5 96

HSL 308.97, 0.91%, 0.23%

LAB 24.95, 50.12, -23.8

 

CMYK 0 / 74 / 11 / 64

HEX #5D1853

RGB 93 24 83

HSL 308.7, 0.59%, 0.23%

LAB 22.32, 38.27, -19.55

 

CMYK 0 / 60 / 8 / 67

HEX #53214C

RGB 83 33 76

HSL 308.4, 0.43%, 0.23%

LAB 21.76, 29.65, -15.84

 

CMYK 0 / 42 / 7 / 71

HEX #4A2B45

RGB 74 43 69

HSL 309.68, 0.26%, 0.23%

LAB 22.35, 19.03, -10.31

 

CMYK 0 / 19 / 3 / 75

HEX #40343E

RGB 64 52 62

HSL 310, 0.1%, 0.23%

LAB 23.32, 7.47, -4.24

 

CMYK 11 / 0 / 10 / 76

HEX #373E38

RGB 55 62 56

HSL 128.57, 0.06%, 0.23%

LAB 25.39, -4.32, 2.7

 

CMYK 30 / 74 / 0 / 64

HEX #41185D

RGB 65 24 93

HSL 275.65, 0.59%, 0.23%

LAB 18.22, 33.14, -33.05

 

CMYK 10 / 74 / 0 / 64

HEX #54185D

RGB 84 24 93

HSL 292.17, 0.59%, 0.23%

LAB 21.31, 37.79, -27.91

 

CMYK 0 / 74 / 10 / 64

HEX #5D1854

RGB 93 24 84

HSL 307.83, 0.59%, 0.23%

LAB 22.37, 38.44, -20.13

 

CMYK 0 / 74 / 30 / 64

HEX #5D1841

RGB 93 24 65

HSL 324.35, 0.59%, 0.23%

LAB 21.44, 35.42, -8.68

 

CMYK 0 / 74 / 49 / 64

HEX #5D182F

RGB 93 24 47

HSL 340, 0.59%, 0.23%

LAB 20.77, 33.16, 2.85

 

CMYK 0 / 74 / 11 / 89

HEX #1B0718

RGB 27 7 24

HSL 309, 0.59%, 0.07%

LAB 4.07, 10.83, -6.06

 

CMYK 0 / 75 / 12 / 76

HEX #3C0F35

RGB 60 15 53

HSL 309.33, 0.6%, 0.15%

LAB 12.98, 27.21, -13.79

 

CMYK 0 / 74 / 11 / 64

HEX #5D1853

RGB 93 24 83

HSL 308.7, 0.59%, 0.23%

LAB 22.32, 38.27, -19.55

 

CMYK 0 / 75 / 11 / 51

HEX #7E2070

RGB 126 32 112

HSL 308.94, 0.59%, 0.31%

LAB 30.97, 48.69, -24.5

 

CMYK 0 / 75 / 11 / 38

HEX #9E288D

RGB 158 40 141

HSL 308.64, 0.6%, 0.39%

LAB 39.09, 58.29, -29.47

 

CMYK 0 / 74 / 11 / 64

HEX #5C1852

RGB 92 24 82

HSL 308.82, 0.59%, 0.23%

LAB 22.08, 37.82, -19.27

 

CMYK 0 / 49 / 74 / 64

HEX #5D2F18

RGB 93 47 24

HSL 20, 0.59%, 0.23%

LAB 25.03, 18.79, 23.69

 

CMYK 74 / 0 / 20 / 64

HEX #185D4A

RGB 24 93 74

HSL 163.48, 0.59%, 0.23%

LAB 35.04, -26.28, 4.82

 

CMYK 0 / 74 / 11 / 64

HEX #5C1852

RGB 92 24 82

HSL 308.82, 0.59%, 0.23%

LAB 22.08, 37.82, -19.27

 

CMYK 10 / 0 / 74 / 64

HEX #545D18

RGB 84 93 24

HSL 67.83, 0.59%, 0.23%

LAB 37.44, -13.68, 36.51

 

CMYK 74 / 10 / 0 / 64

HEX #18545D

RGB 24 84 93

HSL 187.83, 0.59%, 0.23%

LAB 32.54, -15.55, -10.8

 

CMYK 0 / 74 / 11 / 64

HEX #5C1852

RGB 92 24 82

HSL 308.82, 0.59%, 0.23%

LAB 22.08, 37.82, -19.27

 

CMYK 0 / 49 / 74 / 64

HEX #5D2F18

RGB 93 47 24

HSL 20, 0.59%, 0.23%

LAB 25.03, 18.79, 23.69

 

CMYK 74 / 0 / 65 / 64

HEX #185D21

RGB 24 93 33

HSL 127.83, 0.59%, 0.23%

LAB 34.26, -34.87, 27.84

 

CMYK 74 / 25 / 0 / 64

HEX #18465D

RGB 24 70 93

HSL 200, 0.59%, 0.23%

LAB 27.75, -7.13, -18.14

 

CMYK 0 / 74 / 11 / 64

HEX #5C1852

RGB 92 24 82

HSL 308.82, 0.59%, 0.23%

LAB 22.08, 37.82, -19.27

 

CMYK 0 / 28 / 74 / 64

HEX #5D4318

RGB 93 67 24

HSL 37.39, 0.59%, 0.23%

LAB 30.42, 6.33, 29.57

 

CMYK 74 / 0 / 65 / 64

HEX #185D21

RGB 24 93 33

HSL 127.83, 0.59%, 0.23%

LAB 34.26, -34.87, 27.84

 

CMYK 74 / 47 / 0 / 64

HEX #18315D

RGB 24 49 93

HSL 218.26, 0.59%, 0.23%

LAB 20.76, 7.14, -29.18

 

Description

Color code: HEX #5C1852 | qconv.com Color code: HEX #5C1852 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 24 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 24 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 11 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 11% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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