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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BEF14 it is the complementary color #A410EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BEF14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BEF14 shade: #60EF0F, #71FF22, #82FF35, #93FF48 and #A4FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BEF14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BEF14 shade: #5BEF14, #4ADD01, #39CB00, #28B900 and #17A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BEF14 shade: #5BEE15, #96EE15, #D1EE15, #EED115 and #EE9715

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BEF14 shade: #5BEE15, #21EE15, #15EE44, #15EE7E and #15EEB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BEF14 shade matches the following richer shades: #5BEE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BEF14 shade: #5BEE15, #62DA29, #6AC63D, #71B251 and #789D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BEF14 shade: #D1EE15, #97EE15, #5DEE15, #23EE15 and #15EE40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BEF14 shade: #3DA60B, #4BCC0E, #5BEE15, #76F13B and #91F462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BEF14 shade: #5BEF14, #15EED1 and #EE15B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BEF14 shade: #5BEF14, #155DEE and #EE155D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BEF14 shade: #5BEF14, #15EED1, #A615EE and #EE1532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BEF14 shade: #5BEF14, #15CAEE, #A615EE and #EE3915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 92 / 6

HEX #5BEF14

RGB 91 239 20

HSL 100.55, 0.87%, 0.51%

LAB 83.97, -71.48, 78.78

 

Complementary color

CMYK 30 / 93 / 0 / 8

HEX #A410EB

RGB 164 16 235

HSL 280.55, 0.87%, 0.49%

LAB 44.61, 81.05, -75.79

 

CMYK 60 / 0 / 94 / 6

HEX #60EF0F

RGB 96 239 15

HSL 98.3, 0.88%, 0.5%

LAB 84.1, -70.44, 79.52

 

CMYK 56 / 0 / 87 / 0

HEX #71FF22

RGB 113 255 34

HSL 98.55, 1%, 0.57%

LAB 89.46, -71.16, 81.47

 

CMYK 49 / 0 / 79 / 0

HEX #82FF35

RGB 130 255 53

HSL 97.13, 1%, 0.6%

LAB 90.1, -65.89, 77.98

 

CMYK 42 / 0 / 72 / 0

HEX #93FF48

RGB 147 255 72

HSL 95.41, 1%, 0.64%

LAB 90.87, -59.82, 73.2

 

CMYK 36 / 0 / 64 / 0

HEX #A4FF5B

RGB 164 255 91

HSL 93.29, 1%, 0.68%

LAB 91.76, -53.05, 67.41

 

CMYK 62 / 0 / 92 / 6

HEX #5BEF14

RGB 91 239 20

HSL 100.55, 0.87%, 0.51%

LAB 83.97, -71.48, 78.78

 

CMYK 67 / 0 / 100 / 13

HEX #4ADD01

RGB 74 221 1

HSL 100.09, 0.99%, 0.44%

LAB 77.98, -69.68, 75.62

 

CMYK 72 / 0 / 100 / 20

HEX #39CB00

RGB 57 203 0

HSL 103.15, 1%, 0.4%

LAB 71.95, -67.31, 70.77

 

CMYK 78 / 0 / 100 / 27

HEX #28B900

RGB 40 185 0

HSL 107.03, 1%, 0.36%

LAB 65.86, -64.55, 65.79

 

CMYK 86 / 0 / 100 / 35

HEX #17A700

RGB 23 167 0

HSL 111.74, 1%, 0.33%

LAB 59.73, -61.27, 60.79

 

CMYK 62 / 0 / 91 / 7

HEX #5BEE15

RGB 91 238 21

HSL 100.65, 0.86%, 0.51%

LAB 83.67, -71.13, 78.39

 

CMYK 37 / 0 / 91 / 7

HEX #96EE15

RGB 150 238 21

HSL 84.33, 0.86%, 0.51%

LAB 85.85, -54.32, 81.08

 

CMYK 12 / 0 / 91 / 7

HEX #D1EE15

RGB 209 238 21

HSL 68.02, 0.86%, 0.51%

LAB 89.28, -32.13, 85.27

 

CMYK 0 / 12 / 91 / 7

HEX #EED115

RGB 238 209 21

HSL 51.98, 0.86%, 0.51%

LAB 83.88, -5.94, 82.08

 

CMYK 0 / 37 / 91 / 7

HEX #EE9715

RGB 238 151 21

HSL 35.94, 0.86%, 0.51%

LAB 69.73, 24.35, 71.48

 

CMYK 62 / 0 / 91 / 7

HEX #5BEE15

RGB 91 238 21

HSL 100.65, 0.86%, 0.51%

LAB 83.67, -71.13, 78.39

 

CMYK 86 / 0 / 91 / 7

HEX #21EE15

RGB 33 238 21

HSL 116.68, 0.86%, 0.51%

LAB 82.66, -79.85, 77.14

 

CMYK 91 / 0 / 71 / 7

HEX #15EE44

RGB 21 238 68

HSL 133, 0.86%, 0.51%

LAB 82.77, -78.15, 65.41

 

CMYK 91 / 0 / 47 / 7

HEX #15EE7E

RGB 21 238 126

HSL 149.03, 0.86%, 0.51%

LAB 83.34, -71.03, 41.09

 

CMYK 91 / 0 / 22 / 7

HEX #15EEB9

RGB 21 238 185

HSL 165.35, 0.86%, 0.51%

LAB 84.39, -59.13, 12.54

 

CMYK 62 / 0 / 91 / 7

HEX #5BEE15

RGB 91 238 21

HSL 100.65, 0.86%, 0.51%

LAB 83.67, -71.13, 78.39

 

CMYK 62 / 0 / 91 / 7

HEX #5BEE15

RGB 91 238 21

HSL 100.65, 0.86%, 0.51%

LAB 83.67, -71.13, 78.39

 

CMYK 55 / 0 / 81 / 15

HEX #62DA29

RGB 98 218 41

HSL 100.68, 0.71%, 0.51%

LAB 77.82, -62.03, 69.46

 

CMYK 46 / 0 / 69 / 22

HEX #6AC63D

RGB 106 198 61

HSL 100.29, 0.55%, 0.51%

LAB 72.09, -51.08, 57.49

 

CMYK 37 / 0 / 54 / 30

HEX #71B251

RGB 113 178 81

HSL 100.21, 0.39%, 0.51%

LAB 66.48, -38.54, 42.61

 

CMYK 24 / 0 / 35 / 38

HEX #789D66

RGB 120 157 102

HSL 100.36, 0.22%, 0.51%

LAB 60.84, -23.28, 24.77

 

CMYK 12 / 0 / 91 / 7

HEX #D1EE15

RGB 209 238 21

HSL 68.02, 0.86%, 0.51%

LAB 89.28, -32.13, 85.27

 

CMYK 37 / 0 / 91 / 7

HEX #97EE15

RGB 151 238 21

HSL 84.06, 0.86%, 0.51%

LAB 85.9, -53.98, 81.14

 

CMYK 61 / 0 / 91 / 7

HEX #5DEE15

RGB 93 238 21

HSL 100.09, 0.86%, 0.51%

LAB 83.72, -70.68, 78.46

 

CMYK 85 / 0 / 91 / 7

HEX #23EE15

RGB 35 238 21

HSL 116.13, 0.86%, 0.51%

LAB 82.68, -79.68, 77.17

 

CMYK 91 / 0 / 73 / 7

HEX #15EE40

RGB 21 238 64

HSL 131.89, 0.86%, 0.51%

LAB 82.74, -78.47, 66.77

 

CMYK 63 / 0 / 93 / 35

HEX #3DA60B

RGB 61 166 11

HSL 100.65, 0.88%, 0.35%

LAB 60.15, -54.35, 59.89

 

CMYK 63 / 0 / 93 / 20

HEX #4BCC0E

RGB 75 204 14

HSL 100.74, 0.87%, 0.43%

LAB 72.7, -63.81, 70.05

 

CMYK 62 / 0 / 91 / 7

HEX #5BEE15

RGB 91 238 21

HSL 100.65, 0.86%, 0.51%

LAB 83.67, -71.13, 78.39

 

CMYK 51 / 0 / 76 / 5

HEX #76F13B

RGB 118 241 59

HSL 100.55, 0.87%, 0.59%

LAB 85.54, -63.88, 71.8

 

CMYK 41 / 0 / 60 / 4

HEX #91F462

RGB 145 244 98

HSL 100.68, 0.87%, 0.67%

LAB 87.78, -54.09, 59.92

 

CMYK 62 / 0 / 92 / 6

HEX #5BEF14

RGB 91 239 20

HSL 100.55, 0.87%, 0.51%

LAB 83.97, -71.48, 78.78

 

CMYK 91 / 0 / 12 / 7

HEX #15EED1

RGB 21 238 209

HSL 171.98, 0.86%, 0.51%

LAB 84.95, -53.12, 0.78

 

CMYK 0 / 91 / 24 / 7

HEX #EE15B4

RGB 238 21 180

HSL 316.04, 0.86%, 0.51%

LAB 54.04, 84.22, -28.36

 

CMYK 62 / 0 / 92 / 6

HEX #5BEF14

RGB 91 239 20

HSL 100.55, 0.87%, 0.51%

LAB 83.97, -71.48, 78.78

 

CMYK 91 / 61 / 0 / 7

HEX #155DEE

RGB 21 93 238

HSL 220.09, 0.86%, 0.51%

LAB 44.46, 35.06, -78.15

 

CMYK 0 / 91 / 61 / 7

HEX #EE155D

RGB 238 21 93

HSL 340.09, 0.86%, 0.51%

LAB 51.27, 76.77, 19.71

 

CMYK 62 / 0 / 92 / 6

HEX #5BEF14

RGB 91 239 20

HSL 100.55, 0.87%, 0.51%

LAB 83.97, -71.48, 78.78

 

CMYK 91 / 0 / 12 / 7

HEX #15EED1

RGB 21 238 209

HSL 171.98, 0.86%, 0.51%

LAB 84.95, -53.12, 0.78

 

CMYK 30 / 91 / 0 / 7

HEX #A615EE

RGB 166 21 238

HSL 280.09, 0.86%, 0.51%

LAB 45.38, 81.17, -76.2

 

CMYK 0 / 91 / 79 / 7

HEX #EE1532

RGB 238 21 50

HSL 351.98, 0.86%, 0.51%

LAB 50.62, 74.95, 44.35

 

CMYK 62 / 0 / 92 / 6

HEX #5BEF14

RGB 91 239 20

HSL 100.55, 0.87%, 0.51%

LAB 83.97, -71.48, 78.78

 

CMYK 91 / 15 / 0 / 7

HEX #15CAEE

RGB 21 202 238

HSL 189.95, 0.86%, 0.51%

LAB 75.19, -28.41, -29.31

 

CMYK 30 / 91 / 0 / 7

HEX #A615EE

RGB 166 21 238

HSL 280.09, 0.86%, 0.51%

LAB 45.38, 81.17, -76.2

 

CMYK 0 / 76 / 91 / 7

HEX #EE3915

RGB 238 57 21

HSL 9.95, 0.86%, 0.51%

LAB 53.12, 66.68, 59.79

 

Description

Color code: HEX #5BEF14 | qconv.com Color code: HEX #5BEF14 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 239 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 239 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 92 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 92% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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