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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE83D it is the complementary color #A417C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE83D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE83D shade: #60E838, #71FA4B, #82FF5E, #93FF71 and #A4FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE83D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE83D shade: #5BE83D, #4AD62A, #39C417, #28B204 and #17A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE83D shade: #59E73A, #87E73A, #B6E73A, #E5E73A and #E7BB3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE83D shade: #59E73A, #3AE74B, #3AE779, #3AE7A8 and #3AE7D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE83D shade matches the following richer shades: #59E73A and #4DF928

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE83D shade: #59E73A, #64D64C, #70C45E, #7BB26F and #87A181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE83D shade: #B6E73A, #88E73A, #5AE73A, #3AE749 and #3AE777

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE83D shade: #32BA15, #3CDF1A, #59E73A, #78EC5F and #97F084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE83D shade: #5BE83D, #3AE5E7 and #E73A9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE83D shade: #5BE83D, #3A5AE7 and #E73A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE83D shade: #5BE83D, #3AE5E7, #C83AE7 and #E73D3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE83D shade: #5BE83D, #3AB1E7, #C83AE7 and #E7713A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 74 / 9

HEX #5BE83D

RGB 91 232 61

HSL 109.47, 0.79%, 0.57%

LAB 81.99, -67.38, 67.39

 

Complementary color

CMYK 15 / 88 / 0 / 24

HEX #A417C2

RGB 164 23 194

HSL 289.47, 0.79%, 0.43%

LAB 41.85, 72.53, -56.69

 

CMYK 59 / 0 / 76 / 9

HEX #60E838

RGB 96 232 56

HSL 106.36, 0.79%, 0.56%

LAB 82.1, -66.55, 69.16

 

CMYK 55 / 0 / 70 / 2

HEX #71FA4B

RGB 113 250 75

HSL 106.97, 0.95%, 0.64%

LAB 88.16, -67.31, 69

 

CMYK 49 / 0 / 63 / 0

HEX #82FF5E

RGB 130 255 94

HSL 106.58, 1%, 0.68%

LAB 90.36, -63.08, 64.28

 

CMYK 42 / 0 / 56 / 0

HEX #93FF71

RGB 147 255 113

HSL 105.63, 1%, 0.72%

LAB 91.2, -56.35, 57.37

 

CMYK 36 / 0 / 48 / 0

HEX #A4FF84

RGB 164 255 132

HSL 104.39, 1%, 0.76%

LAB 92.17, -48.99, 50.06

 

CMYK 61 / 0 / 74 / 9

HEX #5BE83D

RGB 91 232 61

HSL 109.47, 0.79%, 0.57%

LAB 81.99, -67.38, 67.39

 

CMYK 65 / 0 / 80 / 16

HEX #4AD62A

RGB 74 214 42

HSL 108.84, 0.68%, 0.5%

LAB 75.89, -66.25, 67.17

 

CMYK 71 / 0 / 88 / 23

HEX #39C417

RGB 57 196 23

HSL 108.21, 0.79%, 0.43%

LAB 69.76, -64.62, 65.98

 

CMYK 78 / 0 / 98 / 30

HEX #28B204

RGB 40 178 4

HSL 107.59, 0.96%, 0.36%

LAB 63.59, -62.36, 63.46

 

CMYK 86 / 0 / 100 / 37

HEX #17A000

RGB 23 160 0

HSL 111.38, 1%, 0.31%

LAB 57.39, -59.22, 58.92

 

CMYK 61 / 0 / 75 / 9

HEX #59E73A

RGB 89 231 58

HSL 109.25, 0.78%, 0.57%

LAB 81.61, -67.69, 67.98

 

CMYK 42 / 0 / 75 / 9

HEX #87E73A

RGB 135 231 58

HSL 93.29, 0.78%, 0.57%

LAB 83.24, -55.15, 70.12

 

CMYK 21 / 0 / 75 / 9

HEX #B6E73A

RGB 182 231 58

HSL 76.99, 0.78%, 0.57%

LAB 85.71, -38.48, 73.34

 

CMYK 1 / 0 / 75 / 9

HEX #E5E73A

RGB 229 231 58

HSL 60.69, 0.78%, 0.57%

LAB 88.98, -19.67, 77.57

 

CMYK 0 / 19 / 75 / 9

HEX #E7BB3A

RGB 231 187 58

HSL 44.74, 0.78%, 0.57%

LAB 77.78, 3.38, 67.18

 

CMYK 61 / 0 / 75 / 9

HEX #59E73A

RGB 89 231 58

HSL 109.25, 0.78%, 0.57%

LAB 81.61, -67.69, 67.98

 

CMYK 75 / 0 / 68 / 9

HEX #3AE74B

RGB 58 231 75

HSL 125.9, 0.78%, 0.57%

LAB 81.05, -71.97, 61.14

 

CMYK 75 / 0 / 48 / 9

HEX #3AE779

RGB 58 231 121

HSL 141.85, 0.78%, 0.57%

LAB 81.53, -66.24, 41.3

 

CMYK 75 / 0 / 27 / 9

HEX #3AE7A8

RGB 58 231 168

HSL 158.15, 0.78%, 0.57%

LAB 82.31, -57.41, 18.54

 

CMYK 75 / 0 / 7 / 9

HEX #3AE7D7

RGB 58 231 215

HSL 174.45, 0.78%, 0.57%

LAB 83.42, -45.93, -4.58

 

CMYK 61 / 0 / 75 / 9

HEX #59E73A

RGB 89 231 58

HSL 109.25, 0.78%, 0.57%

LAB 81.61, -67.69, 67.98

 

CMYK 69 / 0 / 84 / 2

HEX #4DF928

RGB 77 249 40

HSL 109.38, 0.95%, 0.57%

LAB 86.74, -76.73, 77.53

 

CMYK 61 / 0 / 75 / 9

HEX #59E73A

RGB 89 231 58

HSL 109.25, 0.78%, 0.57%

LAB 81.61, -67.69, 67.98

 

CMYK 53 / 0 / 64 / 16

HEX #64D64C

RGB 100 214 76

HSL 109.57, 0.63%, 0.57%

LAB 76.88, -57.61, 56.54

 

CMYK 43 / 0 / 52 / 23

HEX #70C45E

RGB 112 196 94

HSL 109.41, 0.46%, 0.57%

LAB 72.05, -45.09, 43

 

CMYK 31 / 0 / 38 / 30

HEX #7BB26F

RGB 123 178 111

HSL 109.25, 0.3%, 0.57%

LAB 67.43, -31.08, 28.66

 

CMYK 16 / 0 / 20 / 37

HEX #87A181

RGB 135 161 129

HSL 108.75, 0.15%, 0.57%

LAB 63.53, -15.34, 13.71

 

CMYK 21 / 0 / 75 / 9

HEX #B6E73A

RGB 182 231 58

HSL 76.99, 0.78%, 0.57%

LAB 85.71, -38.48, 73.34

 

CMYK 41 / 0 / 75 / 9

HEX #88E73A

RGB 136 231 58

HSL 92.95, 0.78%, 0.57%

LAB 83.28, -54.83, 70.17

 

CMYK 61 / 0 / 75 / 9

HEX #5AE73A

RGB 90 231 58

HSL 108.9, 0.78%, 0.57%

LAB 81.64, -67.47, 68.01

 

CMYK 75 / 0 / 68 / 9

HEX #3AE749

RGB 58 231 73

HSL 125.2, 0.78%, 0.57%

LAB 81.03, -72.15, 61.89

 

CMYK 75 / 0 / 48 / 9

HEX #3AE777

RGB 58 231 119

HSL 141.16, 0.78%, 0.57%

LAB 81.5, -66.55, 42.24

 

CMYK 73 / 0 / 89 / 27

HEX #32BA15

RGB 50 186 21

HSL 109.45, 0.8%, 0.41%

LAB 66.41, -62.79, 63.41

 

CMYK 73 / 0 / 88 / 13

HEX #3CDF1A

RGB 60 223 26

HSL 109.64, 0.79%, 0.49%

LAB 78.35, -72.27, 72.85

 

CMYK 61 / 0 / 75 / 9

HEX #59E73A

RGB 89 231 58

HSL 109.25, 0.78%, 0.57%

LAB 81.61, -67.69, 67.98

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 37 / 0 / 45 / 6

HEX #97F084

RGB 151 240 132

HSL 109.44, 0.78%, 0.73%

LAB 87.27, -46.73, 43.83

 

CMYK 61 / 0 / 74 / 9

HEX #5BE83D

RGB 91 232 61

HSL 109.47, 0.79%, 0.57%

LAB 81.99, -67.38, 67.39

 

CMYK 75 / 1 / 0 / 9

HEX #3AE5E7

RGB 58 229 231

HSL 180.69, 0.78%, 0.57%

LAB 83.29, -40.63, -13.24

 

CMYK 0 / 75 / 31 / 9

HEX #E73A9F

RGB 231 58 159

HSL 324.97, 0.78%, 0.57%

LAB 54.57, 72.76, -15.33

 

CMYK 61 / 0 / 74 / 9

HEX #5BE83D

RGB 91 232 61

HSL 109.47, 0.79%, 0.57%

LAB 81.99, -67.38, 67.39

 

CMYK 75 / 61 / 0 / 9

HEX #3A5AE7

RGB 58 90 231

HSL 228.9, 0.78%, 0.57%

LAB 44.21, 37.02, -74.58

 

CMYK 0 / 75 / 61 / 9

HEX #E73A5A

RGB 231 58 90

HSL 348.9, 0.78%, 0.57%

LAB 52.68, 66.78, 23.15

 

CMYK 61 / 0 / 74 / 9

HEX #5BE83D

RGB 91 232 61

HSL 109.47, 0.79%, 0.57%

LAB 81.99, -67.38, 67.39

 

CMYK 75 / 1 / 0 / 9

HEX #3AE5E7

RGB 58 229 231

HSL 180.69, 0.78%, 0.57%

LAB 83.29, -40.63, -13.24

 

CMYK 13 / 75 / 0 / 9

HEX #C83AE7

RGB 200 58 231

HSL 289.25, 0.78%, 0.57%

LAB 53.03, 76.38, -59.61

 

CMYK 0 / 74 / 75 / 9

HEX #E73D3A

RGB 231 61 58

HSL 1.04, 0.78%, 0.57%

LAB 52.54, 64.25, 41.57

 

CMYK 61 / 0 / 74 / 9

HEX #5BE83D

RGB 91 232 61

HSL 109.47, 0.79%, 0.57%

LAB 81.99, -67.38, 67.39

 

CMYK 75 / 23 / 0 / 9

HEX #3AB1E7

RGB 58 177 231

HSL 198.73, 0.78%, 0.57%

LAB 68.1, -15.08, -36.42

 

CMYK 13 / 75 / 0 / 9

HEX #C83AE7

RGB 200 58 231

HSL 289.25, 0.78%, 0.57%

LAB 53.03, 76.38, -59.61

 

CMYK 0 / 51 / 75 / 9

HEX #E7713A

RGB 231 113 58

HSL 19.08, 0.78%, 0.57%

LAB 60.87, 42.16, 50.44

 

Description

Color code: HEX #5BE83D | qconv.com Color code: HEX #5BE83D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 232 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 232 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 74% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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